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Equipment needed to view the DVC-Pro digital cassettes in this series is not currently available at the Bentley Library. Contact the reference archivist to arrange for duplication of tapes.","Periodic additions to the records expected.","Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon."," Sparling got his first dance training while on a scholarship for violin performance at Interlochen Arts Academy. He added dance to his major and graduated in 1969, and then attended The Juilliard School, receiving his B.F.A. in 1973. While still at Juilliard, Sparling began touring with the Jose Limon Dance Company, traveling to Europe, Russia and Asia. He co-founded Dance Mobile with Janet Eilber, Ange Wolf and Diana Hart, all of whom he met at Interlochen. In 1974, he married another dancer he had met while at Interlochen, Shelley Washington. They divorced after three years."," In 1973, after the death of Jose Limon, Sparling was invited to join the Martha Graham Dance Company. Graham dramatically influenced Sparling's performance and his choreography, and he created and performed his own works during the six years he was with the Graham Company. When he left the company in 1979, he formed Peter Sparling Presents Solo Flight, and then the Peter Sparling Dance Company, as vehicles for his choreography. He continued to dance occasionally with the Graham Company until 1987."," In 1984, after several teaching residencies in such institutions as Barnard College in New York, Florida State University, Cloud Gate Dance Theatre in Taiwan and the Laban Centre for Movement Studies in London, Sparling was hired as Assistant Professor at the University of Michigan Dance Department. He was chair of the Department from 1988 through 1995. In 1984, he co-founded Ann Arbor Dance Works, the University of Michigan's resident dance company. 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Further information about Sparling's dance company or current work see http://www.dancegalleryfoundation.org."],"prefercite_html_tesm":["\u003cp\u003e[item], folder, box, Peter Sparling papers, Bentley Historical Library, University of Michigan\u003c/p\u003e"],"prefercite_tesim":["[item], folder, box, Peter Sparling papers, Bentley Historical Library, University of Michigan"],"processinfo_html_tesm":["\u003cp\u003e\u003cextptr actuate=\"onload\" href=\"digitalproc\" show=\"embed\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":[""],"scopecontent_html_tesm":["\u003cp\u003eThe Peter Sparling Papers include materials relating to Sparling's dance training, performance, and teaching. 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Patrons are responsible for determining the appropriate use or reuse of materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e7ba80ca0d30560d8aa900af8025f1a9\"\u003ePeter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. Papers consist of materials relating to Sparling's dance training, performance, and teaching including background materials; choreography notes and sketches; correspondence; clippings and publicity from dance companies with whom he was associated; programs and reviews; photographs, video and film of performances; and posters.\u003c/abstract\u003e"],"abstract_tesim":["Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. 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The series is arranged alphabetically by the title of the work and includes six reels of film (ca. 1947-1972), 45 VHS videocassettes (1977-1994), 33 digital videocassettes (1981-2001; transferred from Hi-8, U-matic, S-VHS, and VHS formats), two DVDs (2004-2005), and 23 digital video files (featuring works from 1994 to 2013).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/umich-bhl-0312_aspace_ea04e152d4703cedcf32d8d9c2b86eab#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"aspace_ea04e152d4703cedcf32d8d9c2b86eab","ref_ssm":["aspace_ea04e152d4703cedcf32d8d9c2b86eab","aspace_ea04e152d4703cedcf32d8d9c2b86eab"],"id":"umich-bhl-0312_aspace_ea04e152d4703cedcf32d8d9c2b86eab","title_filing_ssi":"Performance, Audition, and Rehearsal Videos","title_ssm":["Performance, Audition, and Rehearsal Videos"],"title_tesim":["Performance, Audition, and Rehearsal Videos"],"normalized_title_ssm":["Performance, Audition, and Rehearsal Videos"],"text":["Performance, Audition, and Rehearsal Videos","Peter Sparling papers, 1961-2013, bulk 1970-2000","Restricted Access: All performances in DVC-Pro format are preservation copies dubbed from original VHS and 3/4-inch tape. Arrangements for duplication need to be made with the Reference Archivist. Equipment needed to view digital video cassettes is not available at the Bentley Library. Access to some of the online digital files is restricted to the viewing in the Bentley Library reading room and the School of Music.","The Performance, Audition, and Rehearsal Videos series, (1 linear foot, 1 outsized box, and 96 GB 1972-2012), documents a variety of Sparling's performances, screendances, auditions, and rehearsals from 1972 to 2013. The series is arranged alphabetically by the title of the work and includes six reels of film (ca. 1947-1972), 45 VHS videocassettes (1977-1994), 33 digital videocassettes (1981-2001; transferred from Hi-8, U-matic, S-VHS, and VHS formats), two DVDs (2004-2005), and 23 digital video files (featuring works from 1994 to 2013)."," Taken as a whole, the series illustrates the range and depth of Sparling's work as a dancer, choreographer, director, and innovator in recording techniques. Highlights include five reels of 8 mm home film footage from Sparling's childhood (used in his work, \"In Stride\"), a film reel of a 1972 performance by Sparling and Janet Eilber of a Doris Humphrey work, nine VHS cassettes of dances from 1977-1981 recovered by the New York Public Library's Dance Division from badly-deteriorated one half inch open reel tapes, and 37 S-VHS videocassettes documenting the Martha Graham Dance Company's four days in residence at the University of Michigan as part of the 1994 Martha Graham Centenary Festival (presented by Sparling, the University of Michigan Dance Department and the University Musical Society). The 1999 \"1-Inflow/Outflow\" project, an experiment in technology-enabled distance cooperation among several disciplines, includes a performance of Sparling's piece \"The Ariel Web.\" Other recordings emphasize Sparling's accomplishments as a dancer (\"Swing Serenade\" \"Bride of Grand Prairie\" and \"What She Forgot He Remembered\") educator (\"Heart's Crossing\"), and choreographer (\"Dance for 'The Wave Field'\" and \"Orfeo ed Euridice\"). In the 2000s and 2010s, Sparling's dancepoems (\"The Snowy Owl\"), screendances (\"Paris Accelerations\" and \"Babel\") and collaborations (\"Photoformance: Long Lie Down\") are a testament to his continuing productivity and relevance. 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Patrons are responsible for determining the appropriate use or reuse of materials."],"accessrestrict_html_tesm":["\u003cp\u003eRestricted Access: All performances in DVC-Pro format are preservation copies dubbed from original VHS and 3/4-inch tape. Arrangements for duplication need to be made with the Reference Archivist. Equipment needed to view digital video cassettes is not available at the Bentley Library. Access to some of the online digital files is restricted to the viewing in the Bentley Library reading room and the School of Music.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Restricted Access: All performances in DVC-Pro format are preservation copies dubbed from original VHS and 3/4-inch tape. Arrangements for duplication need to be made with the Reference Archivist. Equipment needed to view digital video cassettes is not available at the Bentley Library. Access to some of the online digital files is restricted to the viewing in the Bentley Library reading room and the School of Music."],"scopecontent_html_tesm":["\u003cp\u003eThe Performance, Audition, and Rehearsal Videos series, (1 linear foot, 1 outsized box, and 96 GB 1972-2012), documents a variety of Sparling's performances, screendances, auditions, and rehearsals from 1972 to 2013. The series is arranged alphabetically by the title of the work and includes six reels of film (ca. 1947-1972), 45 VHS videocassettes (1977-1994), 33 digital videocassettes (1981-2001; transferred from Hi-8, U-matic, S-VHS, and VHS formats), two DVDs (2004-2005), and 23 digital video files (featuring works from 1994 to 2013).\u003c/p\u003e","\u003cp\u003e Taken as a whole, the series illustrates the range and depth of Sparling's work as a dancer, choreographer, director, and innovator in recording techniques. 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The 1999 \"1-Inflow/Outflow\" project, an experiment in technology-enabled distance cooperation among several disciplines, includes a performance of Sparling's piece \"The Ariel Web.\" Other recordings emphasize Sparling's accomplishments as a dancer (\"Swing Serenade\" \"Bride of Grand Prairie\" and \"What She Forgot He Remembered\") educator (\"Heart's Crossing\"), and choreographer (\"Dance for 'The Wave Field'\" and \"Orfeo ed Euridice\"). In the 2000s and 2010s, Sparling's dancepoems (\"The Snowy Owl\"), screendances (\"Paris Accelerations\" and \"Babel\") and collaborations (\"Photoformance: Long Lie Down\") are a testament to his continuing productivity and relevance. Performances in the series also feature members of the Peter Sparling Dance Company, Ann Arbor Dance Works, Peter Sparling Presents Solo Flight, and University of Michigan Dance Company \u003ctitle render=\"italic\"\u003e.\u003c/title\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Performance, Audition, and Rehearsal Videos series, (1 linear foot, 1 outsized box, and 96 GB 1972-2012), documents a variety of Sparling's performances, screendances, auditions, and rehearsals from 1972 to 2013. The series is arranged alphabetically by the title of the work and includes six reels of film (ca. 1947-1972), 45 VHS videocassettes (1977-1994), 33 digital videocassettes (1981-2001; transferred from Hi-8, U-matic, S-VHS, and VHS formats), two DVDs (2004-2005), and 23 digital video files (featuring works from 1994 to 2013)."," Taken as a whole, the series illustrates the range and depth of Sparling's work as a dancer, choreographer, director, and innovator in recording techniques. Highlights include five reels of 8 mm home film footage from Sparling's childhood (used in his work, \"In Stride\"), a film reel of a 1972 performance by Sparling and Janet Eilber of a Doris Humphrey work, nine VHS cassettes of dances from 1977-1981 recovered by the New York Public Library's Dance Division from badly-deteriorated one half inch open reel tapes, and 37 S-VHS videocassettes documenting the Martha Graham Dance Company's four days in residence at the University of Michigan as part of the 1994 Martha Graham Centenary Festival (presented by Sparling, the University of Michigan Dance Department and the University Musical Society). The 1999 \"1-Inflow/Outflow\" project, an experiment in technology-enabled distance cooperation among several disciplines, includes a performance of Sparling's piece \"The Ariel Web.\" Other recordings emphasize Sparling's accomplishments as a dancer (\"Swing Serenade\" \"Bride of Grand Prairie\" and \"What She Forgot He Remembered\") educator (\"Heart's Crossing\"), and choreographer (\"Dance for 'The Wave Field'\" and \"Orfeo ed Euridice\"). In the 2000s and 2010s, Sparling's dancepoems (\"The Snowy Owl\"), screendances (\"Paris Accelerations\" and \"Babel\") and collaborations (\"Photoformance: Long Lie Down\") are a testament to his continuing productivity and relevance. Performances in the series also feature members of the Peter Sparling Dance Company, Ann Arbor Dance Works, Peter Sparling Presents Solo Flight, and University of Michigan Dance Company  ."],"_nest_path_":"/components#7","_nest_parent_":"umich-bhl-0312","_root_":"umich-bhl-0312","timestamp":"2025-02-18T23:13:20.872Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"umich-bhl-0312","title_ssm":["Peter Sparling papers"],"title_tesim":["Peter Sparling papers"],"ead_ssi":"umich-bhl-0312","unitdate_ssm":["1961-2013","1970-2000"],"unitdate_bulk_ssim":["1970-2000"],"unitdate_inclusive_ssm":["1961-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["0312 Aa2"],"text":["0312 Aa2","Peter Sparling papers, 1961-2013, bulk 1970-2000","Choreographers -- United States.","Dancers -- United States.","Ballet -- United States.","Ballet -- Study and teaching.","Choreography.","Ballet -- United States.","Dancers.","Posters.","Videotapes.","Motion pictures.","Photographs.","The collection is open to research."," Access to some of the online digital files in the Performance, Audition, and Rehearsal Videos series is restricted to viewing the Bentley Library Reading Room and at the University of Michigan School of Music, Theatre and Dance. Equipment needed to view the DVC-Pro digital cassettes in this series is not currently available at the Bentley Library. Contact the reference archivist to arrange for duplication of tapes.","Periodic additions to the records expected.","Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon."," Sparling got his first dance training while on a scholarship for violin performance at Interlochen Arts Academy. He added dance to his major and graduated in 1969, and then attended The Juilliard School, receiving his B.F.A. in 1973. While still at Juilliard, Sparling began touring with the Jose Limon Dance Company, traveling to Europe, Russia and Asia. He co-founded Dance Mobile with Janet Eilber, Ange Wolf and Diana Hart, all of whom he met at Interlochen. In 1974, he married another dancer he had met while at Interlochen, Shelley Washington. They divorced after three years."," In 1973, after the death of Jose Limon, Sparling was invited to join the Martha Graham Dance Company. Graham dramatically influenced Sparling's performance and his choreography, and he created and performed his own works during the six years he was with the Graham Company. When he left the company in 1979, he formed Peter Sparling Presents Solo Flight, and then the Peter Sparling Dance Company, as vehicles for his choreography. He continued to dance occasionally with the Graham Company until 1987."," In 1984, after several teaching residencies in such institutions as Barnard College in New York, Florida State University, Cloud Gate Dance Theatre in Taiwan and the Laban Centre for Movement Studies in London, Sparling was hired as Assistant Professor at the University of Michigan Dance Department. He was chair of the Department from 1988 through 1995. In 1984, he co-founded Ann Arbor Dance Works, the University of Michigan's resident dance company. In 1993, Peter founded the Peter Sparling Dance Co. a non-profit organization that continues today. Further information about Sparling's dance company or current work see http://www.dancegalleryfoundation.org.","","The Peter Sparling Papers include materials relating to Sparling's dance training, performance, and teaching. The papers are divided into eight series: Background Materials, Choreography, Correspondence, Dance Companies, Programs, Reviews, Photographs, Performance, Audition, and Rehearsal Videos, and Posters.","Copyright is retained by Peter Sparling. Patrons are responsible for determining the appropriate use or reuse of materials.","Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. 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In 1974, he married another dancer he had met while at Interlochen, Shelley Washington. They divorced after three years.\u003c/p\u003e\n","\u003cp\u003e In 1973, after the death of Jose Limon, Sparling was invited to join the Martha Graham Dance Company. Graham dramatically influenced Sparling's performance and his choreography, and he created and performed his own works during the six years he was with the Graham Company. When he left the company in 1979, he formed Peter Sparling Presents Solo Flight, and then the Peter Sparling Dance Company, as vehicles for his choreography. He continued to dance occasionally with the Graham Company until 1987.\u003c/p\u003e\n","\u003cp\u003e In 1984, after several teaching residencies in such institutions as Barnard College in New York, Florida State University, Cloud Gate Dance Theatre in Taiwan and the Laban Centre for Movement Studies in London, Sparling was hired as Assistant Professor at the University of Michigan Dance Department. He was chair of the Department from 1988 through 1995. In 1984, he co-founded Ann Arbor Dance Works, the University of Michigan's resident dance company. In 1993, Peter founded the Peter Sparling Dance Co. a non-profit organization that continues today. Further information about Sparling's dance company or current work see http://www.dancegalleryfoundation.org.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon."," Sparling got his first dance training while on a scholarship for violin performance at Interlochen Arts Academy. He added dance to his major and graduated in 1969, and then attended The Juilliard School, receiving his B.F.A. in 1973. While still at Juilliard, Sparling began touring with the Jose Limon Dance Company, traveling to Europe, Russia and Asia. He co-founded Dance Mobile with Janet Eilber, Ange Wolf and Diana Hart, all of whom he met at Interlochen. In 1974, he married another dancer he had met while at Interlochen, Shelley Washington. They divorced after three years."," In 1973, after the death of Jose Limon, Sparling was invited to join the Martha Graham Dance Company. Graham dramatically influenced Sparling's performance and his choreography, and he created and performed his own works during the six years he was with the Graham Company. When he left the company in 1979, he formed Peter Sparling Presents Solo Flight, and then the Peter Sparling Dance Company, as vehicles for his choreography. He continued to dance occasionally with the Graham Company until 1987."," In 1984, after several teaching residencies in such institutions as Barnard College in New York, Florida State University, Cloud Gate Dance Theatre in Taiwan and the Laban Centre for Movement Studies in London, Sparling was hired as Assistant Professor at the University of Michigan Dance Department. He was chair of the Department from 1988 through 1995. In 1984, he co-founded Ann Arbor Dance Works, the University of Michigan's resident dance company. In 1993, Peter founded the Peter Sparling Dance Co. a non-profit organization that continues today. Further information about Sparling's dance company or current work see http://www.dancegalleryfoundation.org."],"prefercite_html_tesm":["\u003cp\u003e[item], folder, box, Peter Sparling papers, Bentley Historical Library, University of Michigan\u003c/p\u003e"],"prefercite_tesim":["[item], folder, box, Peter Sparling papers, Bentley Historical Library, University of Michigan"],"processinfo_html_tesm":["\u003cp\u003e\u003cextptr actuate=\"onload\" href=\"digitalproc\" show=\"embed\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":[""],"scopecontent_html_tesm":["\u003cp\u003eThe Peter Sparling Papers include materials relating to Sparling's dance training, performance, and teaching. 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Patrons are responsible for determining the appropriate use or reuse of materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e7ba80ca0d30560d8aa900af8025f1a9\"\u003ePeter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. Papers consist of materials relating to Sparling's dance training, performance, and teaching including background materials; choreography notes and sketches; correspondence; clippings and publicity from dance companies with whom he was associated; programs and reviews; photographs, video and film of performances; and posters.\u003c/abstract\u003e"],"abstract_tesim":["Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. Papers consist of materials relating to Sparling's dance training, performance, and teaching including background materials; choreography notes and sketches; correspondence; clippings and publicity from dance companies with whom he was associated; programs and reviews; photographs, video and film of performances; and posters."],"names_coll_ssim":["University of Michigan. -- Faculty.","University of Michigan. School of Music.","Sparling, Peter, 1951-","Sparling, Peter, 1951-","Sparling, Peter, Performances, 1951-"],"names_ssim":["Bentley Historical Library","University of Michigan. -- Faculty.","University of Michigan. School of Music.","Sparling, Peter.","Sparling, Peter, 1951-","Sparling, Peter, Performances, 1951-"],"corpname_ssim":["Bentley Historical Library","University of Michigan. -- Faculty.","University of Michigan. School of Music."],"persname_ssim":["Sparling, Peter.","Sparling, Peter, 1951-","Sparling, Peter, Performances, 1951-"],"language_ssim":["English","The material is in  English"],"descrules_ssm":["Finding aid prepared using Describing Archives: A Content Standard (DACS)"],"total_component_count_is":280,"online_item_count_is":24,"component_level_isim":[0],"sort_isi":0,"_root_":"umich-bhl-0312","timestamp":"2025-02-18T23:13:20.872Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/umich-bhl-0312_aspace_ea04e152d4703cedcf32d8d9c2b86eab"}},{"id":"umich-bhl-0312_aspace_77583499582e17df04e25617339b0cfb","type":"File","attributes":{"title":"Personal, candids (at a wedding reception), circa 1985","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/umich-bhl-0312_aspace_77583499582e17df04e25617339b0cfb#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"aspace_77583499582e17df04e25617339b0cfb","ref_ssm":["aspace_77583499582e17df04e25617339b0cfb","aspace_77583499582e17df04e25617339b0cfb"],"id":"umich-bhl-0312_aspace_77583499582e17df04e25617339b0cfb","title_filing_ssi":"Personal, candids (at a wedding reception)","title_ssm":["Personal, candids (at a wedding reception)"],"title_tesim":["Personal, candids (at a wedding reception)"],"unitdate_inclusive_ssm":["circa 1985"],"normalized_date_ssm":["circa 1985"],"normalized_title_ssm":["Personal, candids (at a wedding reception), circa 1985"],"text":["Personal, candids (at a wedding reception), circa 1985","Peter Sparling papers, 1961-2013, bulk 1970-2000","Photographs, 1972-1999","Non-Dance Photographs","box 2"],"component_level_isim":[3],"parent_ssim":["umich-bhl-0312","aspace_6834fa8b0a7ad459d153bd6d3789745a","aspace_4af35babf05874df443b60fff55319df"],"parent_ssi":"aspace_4af35babf05874df443b60fff55319df","parent_ids_ssim":["umich-bhl-0312","umich-bhl-0312_aspace_6834fa8b0a7ad459d153bd6d3789745a","umich-bhl-0312_aspace_4af35babf05874df443b60fff55319df"],"parent_unittitles_ssm":["Peter Sparling papers, 1961-2013, bulk 1970-2000","Photographs, 1972-1999","Non-Dance Photographs"],"parent_unittitles_tesim":["Peter Sparling papers, 1961-2013, bulk 1970-2000","Photographs, 1972-1999","Non-Dance Photographs"],"parent_levels_ssm":["collection","Series","Subseries"],"repository_ssim":["University of Michigan. 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Equipment needed to view the DVC-Pro digital cassettes in this series is not currently available at the Bentley Library. Contact the reference archivist to arrange for duplication of tapes.","Periodic additions to the records expected.","Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon."," Sparling got his first dance training while on a scholarship for violin performance at Interlochen Arts Academy. He added dance to his major and graduated in 1969, and then attended The Juilliard School, receiving his B.F.A. in 1973. While still at Juilliard, Sparling began touring with the Jose Limon Dance Company, traveling to Europe, Russia and Asia. He co-founded Dance Mobile with Janet Eilber, Ange Wolf and Diana Hart, all of whom he met at Interlochen. In 1974, he married another dancer he had met while at Interlochen, Shelley Washington. 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