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Maultsby\n Collection, 1981-1986","African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories","Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.","Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. 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Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated.","Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. 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Interviews by Maultsby, 1979-1989\u003c/item\u003e\n \u003citem\u003eSubseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e","\u003cp\u003eEach subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews."],"bioghist_html_tesm":["\u003cp\u003ePortia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."],"names_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. 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LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"corpname_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records"],"persname_ssim":["Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"language_ssim":["Materials are in English."],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00109"}},{"id":"VAB9025_VAB9025-00110","type":"Event","attributes":{"title":"KACE Sharan Orlen : Sex in Music, undated","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00110#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"VAB9025-00110","ref_ssm":["VAB9025-00110","VAB9025-00110"],"id":"VAB9025_VAB9025-00110","title_filing_ssi":"KACE Sharan Orlen : Sex in Music, undated","title_ssm":["KACE Sharan Orlen : Sex in Music, undated"],"title_tesim":["KACE Sharan Orlen : Sex in Music, undated"],"normalized_title_ssm":["KACE Sharan Orlen : Sex in Music, undated"],"text":["KACE Sharan Orlen : Sex in Music, undated","Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","MI 11","cass 1394","Currently unavailable - Contact AAAMC staff for details"],"component_level_isim":[3],"parent_ssim":["VAB9025","VAB9025-00001","VAB9025-00094"],"parent_ssi":"VAB9025-00094","parent_ids_ssim":["VAB9025","VAB9025_VAB9025-00001","VAB9025_VAB9025-00094"],"parent_unittitles_ssm":["Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989"],"parent_unittitles_tesim":["Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","2. 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If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details."],"altformavail_html_tesm":["\u003cp\u003eCurrently unavailable - Contact AAAMC staff for details\u003c/p\u003e"],"altformavail_heading_ssm":["Reference Copies"],"altformavail_tesim":["Currently unavailable - Contact AAAMC staff for details"],"_nest_path_":"/components#0/components#1/components#15","_nest_parent_":"VAB9025_VAB9025-00094","_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"VAB9025","title_ssm":["Portia K. Maultsby\n Collection"],"title_tesim":["Portia K. Maultsby\n Collection"],"ead_ssi":"VAB9025","unitdate_ssm":["1981-1986"],"unitdate_inclusive_ssm":["1981-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC\n 18G"],"text":["SC\n 18G","Portia K. Maultsby\n Collection, 1981-1986","African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories","Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.","Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.","Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.","The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated.","Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."," Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. 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Maultsby\n Collection, 1981-1986"],"repository_ssm":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"creator_ssm":["Maultsby, Portia K."],"creator_ssim":["Maultsby, Portia K."],"creator_persname_ssim":["Maultsby, Portia K."],"creators_ssim":["Maultsby, Portia K."],"acqinfo_ssim":["Donated by Portia K. Maultsby in 2008."],"access_subjects_ssim":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"access_subjects_ssm":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["169 audiocassettes"],"extent_tesim":["169 audiocassettes"],"physfacet_tesim":[" : analog, stereo + 5 document\n cases"],"date_range_isim":[1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eReference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details."],"arrangement_html_tesm":["\u003cp\u003eCurrently organized into one series and the following subseries: \u003clist\u003e\n \u003citem\u003eSubseries 1. Interviews by Maultsby, 1979-1989\u003c/item\u003e\n \u003citem\u003eSubseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e","\u003cp\u003eEach subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews."],"bioghist_html_tesm":["\u003cp\u003ePortia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."],"names_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"corpname_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records"],"persname_ssim":["Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"language_ssim":["Materials are in English."],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00110"}},{"id":"VAB9025_VAB9025-00038","type":"Event","attributes":{"title":"King, Alonzo, 1989 July\n 9","abstract_or_scope":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00038#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eInterview with Alonzo King, record distributor; recorded in Chicago, Illinois.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00038#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"VAB9025-00038","ref_ssm":["VAB9025-00038","VAB9025-00038"],"id":"VAB9025_VAB9025-00038","title_filing_ssi":"King, Alonzo, 1989 July\n 9","title_ssm":["King, Alonzo, 1989 July\n 9"],"title_tesim":["King, Alonzo, 1989 July\n 9"],"normalized_title_ssm":["King, Alonzo, 1989 July\n 9"],"text":["King, Alonzo, 1989 July\n 9","Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","1. Interviews by Maultsby, 1979-1989","INT 84","cass 1364","Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n File (BWF) Compact disc(s): CDREF 220--CDREF 221","Interview with Alonzo King, record distributor; recorded in Chicago,\n Illinois."],"component_level_isim":[3],"parent_ssim":["VAB9025","VAB9025-00001","VAB9025-00002"],"parent_ssi":"VAB9025-00002","parent_ids_ssim":["VAB9025","VAB9025_VAB9025-00001","VAB9025_VAB9025-00002"],"parent_unittitles_ssm":["Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","1. Interviews by Maultsby, 1979-1989"],"parent_unittitles_tesim":["Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","1. 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If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details."],"altformavail_html_tesm":["\u003cp\u003e\n \u003clist\u003e\n \u003citem\u003ePreservation master file(s): 24 bit/96 kHz Broadcast Wave\n File (BWF)\u003c/item\u003e\n \u003citem\u003eProduction master file(s): 16 bit/44.1 kHz Broadcast Wave\n File (BWF)\u003c/item\u003e\n \u003citem\u003eCompact disc(s): CDREF 220--CDREF 221\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e"],"altformavail_heading_ssm":["Reference Copies"],"altformavail_tesim":["Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n File (BWF) Compact disc(s): CDREF 220--CDREF 221"],"scopecontent_html_tesm":["\u003cp\u003eInterview with Alonzo King, record distributor; recorded in Chicago,\n Illinois.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content"],"scopecontent_tesim":["Interview with Alonzo King, record distributor; recorded in Chicago,\n Illinois."],"_nest_path_":"/components#0/components#0/components#36","_nest_parent_":"VAB9025_VAB9025-00002","_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"VAB9025","title_ssm":["Portia K. Maultsby\n Collection"],"title_tesim":["Portia K. Maultsby\n Collection"],"ead_ssi":"VAB9025","unitdate_ssm":["1981-1986"],"unitdate_inclusive_ssm":["1981-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC\n 18G"],"text":["SC\n 18G","Portia K. Maultsby\n Collection, 1981-1986","African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories","Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.","Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.","Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.","The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated.","Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."," Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. 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Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details."],"arrangement_html_tesm":["\u003cp\u003eCurrently organized into one series and the following subseries: \u003clist\u003e\n \u003citem\u003eSubseries 1. 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Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."],"names_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"corpname_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records"],"persname_ssim":["Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"language_ssim":["Materials are in English."],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00038"}},{"id":"VAB9025_VAB9025-00039","type":"Event","attributes":{"title":"Lanier, Warren, 1983 April\n 18","abstract_or_scope":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00039#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eInterview with Warren Lanier, record promoter; recorded in Los Angeles, California.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00039#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"VAB9025-00039","ref_ssm":["VAB9025-00039","VAB9025-00039"],"id":"VAB9025_VAB9025-00039","title_filing_ssi":"Lanier, Warren, 1983 April\n 18","title_ssm":["Lanier, Warren, 1983 April\n 18"],"title_tesim":["Lanier, Warren, 1983 April\n 18"],"normalized_title_ssm":["Lanier, Warren, 1983 April\n 18"],"text":["Lanier, Warren, 1983 April\n 18","Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","1. Interviews by Maultsby, 1979-1989","INT 91A--INT\n 91B","cass 1372--cass 1373","Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n File (BWF) Compact disc(s): CDREF 232--CDREF 234","Interview with Warren Lanier, record promoter; recorded in Los\n Angeles, California."],"component_level_isim":[3],"parent_ssim":["VAB9025","VAB9025-00001","VAB9025-00002"],"parent_ssi":"VAB9025-00002","parent_ids_ssim":["VAB9025","VAB9025_VAB9025-00001","VAB9025_VAB9025-00002"],"parent_unittitles_ssm":["Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","1. Interviews by Maultsby, 1979-1989"],"parent_unittitles_tesim":["Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","1. 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If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details."],"altformavail_html_tesm":["\u003cp\u003e\n \u003clist\u003e\n \u003citem\u003ePreservation master file(s): 24 bit/96 kHz Broadcast Wave\n File (BWF)\u003c/item\u003e\n \u003citem\u003eProduction master file(s): 16 bit/44.1 kHz Broadcast Wave\n File (BWF)\u003c/item\u003e\n \u003citem\u003eCompact disc(s): CDREF 232--CDREF 234\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e"],"altformavail_heading_ssm":["Reference Copies"],"altformavail_tesim":["Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n File (BWF) Compact disc(s): CDREF 232--CDREF 234"],"scopecontent_html_tesm":["\u003cp\u003eInterview with Warren Lanier, record promoter; recorded in Los\n Angeles, California.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content"],"scopecontent_tesim":["Interview with Warren Lanier, record promoter; recorded in Los\n Angeles, California."],"_nest_path_":"/components#0/components#0/components#37","_nest_parent_":"VAB9025_VAB9025-00002","_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"VAB9025","title_ssm":["Portia K. Maultsby\n Collection"],"title_tesim":["Portia K. Maultsby\n Collection"],"ead_ssi":"VAB9025","unitdate_ssm":["1981-1986"],"unitdate_inclusive_ssm":["1981-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC\n 18G"],"text":["SC\n 18G","Portia K. Maultsby\n Collection, 1981-1986","African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories","Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.","Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.","Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.","The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated.","Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."," Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. 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Interviews by Maultsby, 1979-1989\u003c/item\u003e\n \u003citem\u003eSubseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e","\u003cp\u003eEach subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews."],"bioghist_html_tesm":["\u003cp\u003ePortia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."],"names_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"corpname_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records"],"persname_ssim":["Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"language_ssim":["Materials are in English."],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00039"}},{"id":"VAB9025_VAB9025-00111","type":"Event","attributes":{"title":"Little Anthony, 1979 August","abstract_or_scope":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00111#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSupplementary material consists of the following article: Tong, Kevin. 22 May-4 Jun. 1989. \"Little Anthony and the Imperials : No Tears on My Pillow.\" \u003cem\u003eR\u0026amp;B Report\u003c/em\u003e: 19.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00111#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"VAB9025-00111","ref_ssm":["VAB9025-00111","VAB9025-00111"],"id":"VAB9025_VAB9025-00111","title_filing_ssi":"Little Anthony, 1979 August\n ","title_ssm":["Little Anthony, 1979 August\n "],"title_tesim":["Little Anthony, 1979 August\n "],"normalized_title_ssm":["Little Anthony, 1979 August"],"text":["Little Anthony, 1979 August","Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","INT 70","cass 1350","Currently unavailable - Contact AAAMC staff for details","Supplementary material consists of the following article: Tong,\n Kevin. 22 May-4 Jun. 1989. \"Little Anthony and the Imperials : No\n Tears on My Pillow.\" R\u0026B Report :\n 19."],"component_level_isim":[3],"parent_ssim":["VAB9025","VAB9025-00001","VAB9025-00094"],"parent_ssi":"VAB9025-00094","parent_ids_ssim":["VAB9025","VAB9025_VAB9025-00001","VAB9025_VAB9025-00094"],"parent_unittitles_ssm":["Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989"],"parent_unittitles_tesim":["Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","2. 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If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details."],"persname_ssim":["Gross, Laura"],"altformavail_html_tesm":["\u003cp\u003eCurrently unavailable - Contact AAAMC staff for details\u003c/p\u003e"],"altformavail_heading_ssm":["Reference Copies"],"altformavail_tesim":["Currently unavailable - Contact AAAMC staff for details"],"scopecontent_html_tesm":["\u003cp\u003eSupplementary material consists of the following article: Tong,\n Kevin. 22 May-4 Jun. 1989. \"Little Anthony and the Imperials : No\n Tears on My Pillow.\" \u003ctitle render=\"italic\"\u003eR\u0026amp;B Report\u003c/title\u003e:\n 19.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content"],"scopecontent_tesim":["Supplementary material consists of the following article: Tong,\n Kevin. 22 May-4 Jun. 1989. \"Little Anthony and the Imperials : No\n Tears on My Pillow.\" R\u0026B Report :\n 19."],"_nest_path_":"/components#0/components#1/components#16","_nest_parent_":"VAB9025_VAB9025-00094","_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"VAB9025","title_ssm":["Portia K. Maultsby\n Collection"],"title_tesim":["Portia K. Maultsby\n Collection"],"ead_ssi":"VAB9025","unitdate_ssm":["1981-1986"],"unitdate_inclusive_ssm":["1981-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC\n 18G"],"text":["SC\n 18G","Portia K. Maultsby\n Collection, 1981-1986","African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories","Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.","Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.","Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.","The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated.","Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."," Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. 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Interviews by Maultsby, 1979-1989\u003c/item\u003e\n \u003citem\u003eSubseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e","\u003cp\u003eEach subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews."],"bioghist_html_tesm":["\u003cp\u003ePortia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."],"names_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"corpname_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records"],"persname_ssim":["Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. 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Interviews by Maultsby, 1979-1989\u003c/item\u003e\n \u003citem\u003eSubseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e","\u003cp\u003eEach subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews."],"bioghist_html_tesm":["\u003cp\u003ePortia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. 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If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details."],"altformavail_html_tesm":["\u003cp\u003e\n \u003clist\u003e\n \u003citem\u003eCurrently unavailable - Contact AAAMC staff for details\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e"],"altformavail_heading_ssm":["Reference Copies"],"altformavail_tesim":["Currently unavailable - Contact AAAMC staff for details\n "],"scopecontent_html_tesm":["\u003cp\u003eInterview with Billye Love, program manager and music director for\n WOKB Radio, Orlando; recorded in Orlando, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content"],"scopecontent_tesim":["Interview with Billye Love, program manager and music director for\n WOKB Radio, Orlando; recorded in Orlando, Florida."],"_nest_path_":"/components#0/components#0/components#40","_nest_parent_":"VAB9025_VAB9025-00002","_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"VAB9025","title_ssm":["Portia K. Maultsby\n Collection"],"title_tesim":["Portia K. Maultsby\n Collection"],"ead_ssi":"VAB9025","unitdate_ssm":["1981-1986"],"unitdate_inclusive_ssm":["1981-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC\n 18G"],"text":["SC\n 18G","Portia K. Maultsby\n Collection, 1981-1986","African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories","Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.","Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.","Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.","The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated.","Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."," Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara","Materials are in English."],"unitid_tesim":["SC\n 18G"],"normalized_date_ssm":["1981-1986"],"normalized_title_ssm":["Portia K. Maultsby\n Collection, 1981-1986"],"collection_title_tesim":["Portia K. Maultsby\n Collection, 1981-1986"],"collection_ssim":["Portia K. Maultsby\n Collection, 1981-1986"],"repository_ssm":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"creator_ssm":["Maultsby, Portia K."],"creator_ssim":["Maultsby, Portia K."],"creator_persname_ssim":["Maultsby, Portia K."],"creators_ssim":["Maultsby, Portia K."],"acqinfo_ssim":["Donated by Portia K. Maultsby in 2008."],"access_subjects_ssim":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"access_subjects_ssm":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["169 audiocassettes"],"extent_tesim":["169 audiocassettes"],"physfacet_tesim":[" : analog, stereo + 5 document\n cases"],"date_range_isim":[1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eReference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details."],"arrangement_html_tesm":["\u003cp\u003eCurrently organized into one series and the following subseries: \u003clist\u003e\n \u003citem\u003eSubseries 1. Interviews by Maultsby, 1979-1989\u003c/item\u003e\n \u003citem\u003eSubseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e","\u003cp\u003eEach subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews."],"bioghist_html_tesm":["\u003cp\u003ePortia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."],"names_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"corpname_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records"],"persname_ssim":["Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"language_ssim":["Materials are in English."],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00134"}},{"id":"VAB9025_VAB9025-00041","type":"Event","attributes":{"title":"Love, Billye, 1983 February\n 2","abstract_or_scope":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00041#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eInterview with Billye Love, program manager and music director for WOKB Radio, Orlando; recorded in Orlando, Florida.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00041#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"VAB9025-00041","ref_ssm":["VAB9025-00041","VAB9025-00041"],"id":"VAB9025_VAB9025-00041","title_filing_ssi":"Love, Billye, 1983 February\n 2","title_ssm":["Love, Billye, 1983 February\n 2"],"title_tesim":["Love, Billye, 1983 February\n 2"],"normalized_title_ssm":["Love, Billye, 1983 February\n 2"],"text":["Love, Billye, 1983 February\n 2","Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","1. Interviews by Maultsby, 1979-1989","INT 27A--INT\n 27B","cass 1279--cass 1280","Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n File (BWF) Compact disc(s): CDREF 106--CDREF 107","Interview with Billye Love, program manager and music director for\n WOKB Radio, Orlando; recorded in Orlando, Florida."],"component_level_isim":[3],"parent_ssim":["VAB9025","VAB9025-00001","VAB9025-00002"],"parent_ssi":"VAB9025-00002","parent_ids_ssim":["VAB9025","VAB9025_VAB9025-00001","VAB9025_VAB9025-00002"],"parent_unittitles_ssm":["Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","1. Interviews by Maultsby, 1979-1989"],"parent_unittitles_tesim":["Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","1. 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If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details."],"altformavail_html_tesm":["\u003cp\u003e\n \u003clist\u003e\n \u003citem\u003ePreservation master file(s): 24 bit/96 kHz Broadcast Wave\n File (BWF)\u003c/item\u003e\n \u003citem\u003eProduction master file(s): 16 bit/44.1 kHz Broadcast Wave\n File (BWF)\u003c/item\u003e\n \u003citem\u003eCompact disc(s): CDREF 106--CDREF 107\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e"],"altformavail_heading_ssm":["Reference Copies"],"altformavail_tesim":["Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n File (BWF) Compact disc(s): CDREF 106--CDREF 107"],"scopecontent_html_tesm":["\u003cp\u003eInterview with Billye Love, program manager and music director for\n WOKB Radio, Orlando; recorded in Orlando, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content"],"scopecontent_tesim":["Interview with Billye Love, program manager and music director for\n WOKB Radio, Orlando; recorded in Orlando, Florida."],"_nest_path_":"/components#0/components#0/components#39","_nest_parent_":"VAB9025_VAB9025-00002","_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"VAB9025","title_ssm":["Portia K. Maultsby\n Collection"],"title_tesim":["Portia K. Maultsby\n Collection"],"ead_ssi":"VAB9025","unitdate_ssm":["1981-1986"],"unitdate_inclusive_ssm":["1981-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC\n 18G"],"text":["SC\n 18G","Portia K. Maultsby\n Collection, 1981-1986","African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories","Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.","Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.","Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.","The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated.","Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."," Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara","Materials are in English."],"unitid_tesim":["SC\n 18G"],"normalized_date_ssm":["1981-1986"],"normalized_title_ssm":["Portia K. Maultsby\n Collection, 1981-1986"],"collection_title_tesim":["Portia K. Maultsby\n Collection, 1981-1986"],"collection_ssim":["Portia K. Maultsby\n Collection, 1981-1986"],"repository_ssm":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"creator_ssm":["Maultsby, Portia K."],"creator_ssim":["Maultsby, Portia K."],"creator_persname_ssim":["Maultsby, Portia K."],"creators_ssim":["Maultsby, Portia K."],"acqinfo_ssim":["Donated by Portia K. Maultsby in 2008."],"access_subjects_ssim":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"access_subjects_ssm":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["169 audiocassettes"],"extent_tesim":["169 audiocassettes"],"physfacet_tesim":[" : analog, stereo + 5 document\n cases"],"date_range_isim":[1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eReference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details."],"arrangement_html_tesm":["\u003cp\u003eCurrently organized into one series and the following subseries: \u003clist\u003e\n \u003citem\u003eSubseries 1. Interviews by Maultsby, 1979-1989\u003c/item\u003e\n \u003citem\u003eSubseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e","\u003cp\u003eEach subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews."],"bioghist_html_tesm":["\u003cp\u003ePortia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."],"names_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"corpname_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records"],"persname_ssim":["Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"language_ssim":["Materials are in English."],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00041"}},{"id":"VAB9025_VAB9025-00043","type":"Event","attributes":{"title":"Love, Darlene, 1983 April\n 6","abstract_or_scope":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00043#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eInterview with Darlene Love, vocalist and background singer for The Blossoms and Phil Spector Records; recorded in Los Angeles, California.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00043#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"VAB9025-00043","ref_ssm":["VAB9025-00043","VAB9025-00043"],"id":"VAB9025_VAB9025-00043","title_filing_ssi":"Love, Darlene, 1983 April\n 6","title_ssm":["Love, Darlene, 1983 April\n 6"],"title_tesim":["Love, Darlene, 1983 April\n 6"],"normalized_title_ssm":["Love, Darlene, 1983 April\n 6"],"text":["Love, Darlene, 1983 April\n 6","Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","1. Interviews by Maultsby, 1979-1989","INT 28","cass 1281","Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n File (BWF) Compact disc(s): CDREF 108--CDREF 109","Interview with Darlene Love, vocalist and background singer for The\n Blossoms and Phil Spector Records; recorded in Los Angeles,\n California."],"component_level_isim":[3],"parent_ssim":["VAB9025","VAB9025-00001","VAB9025-00002"],"parent_ssi":"VAB9025-00002","parent_ids_ssim":["VAB9025","VAB9025_VAB9025-00001","VAB9025_VAB9025-00002"],"parent_unittitles_ssm":["Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","1. Interviews by Maultsby, 1979-1989"],"parent_unittitles_tesim":["Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","1. 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If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details."],"altformavail_html_tesm":["\u003cp\u003e\n \u003clist\u003e\n \u003citem\u003ePreservation master file(s): 24 bit/96 kHz Broadcast Wave\n File (BWF)\u003c/item\u003e\n \u003citem\u003eProduction master file(s): 16 bit/44.1 kHz Broadcast Wave\n File (BWF)\u003c/item\u003e\n \u003citem\u003eCompact disc(s): CDREF 108--CDREF 109\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e"],"altformavail_heading_ssm":["Reference Copies"],"altformavail_tesim":["Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n File (BWF) Compact disc(s): CDREF 108--CDREF 109"],"scopecontent_html_tesm":["\u003cp\u003eInterview with Darlene Love, vocalist and background singer for The\n Blossoms and Phil Spector Records; recorded in Los Angeles,\n California.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content"],"scopecontent_tesim":["Interview with Darlene Love, vocalist and background singer for The\n Blossoms and Phil Spector Records; recorded in Los Angeles,\n California."],"_nest_path_":"/components#0/components#0/components#41","_nest_parent_":"VAB9025_VAB9025-00002","_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"VAB9025","title_ssm":["Portia K. Maultsby\n Collection"],"title_tesim":["Portia K. Maultsby\n Collection"],"ead_ssi":"VAB9025","unitdate_ssm":["1981-1986"],"unitdate_inclusive_ssm":["1981-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC\n 18G"],"text":["SC\n 18G","Portia K. Maultsby\n Collection, 1981-1986","African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories","Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.","Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.","Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.","The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated.","Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."," Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. 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Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details."],"arrangement_html_tesm":["\u003cp\u003eCurrently organized into one series and the following subseries: \u003clist\u003e\n \u003citem\u003eSubseries 1. Interviews by Maultsby, 1979-1989\u003c/item\u003e\n \u003citem\u003eSubseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e","\u003cp\u003eEach subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews."],"bioghist_html_tesm":["\u003cp\u003ePortia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."],"names_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"corpname_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records"],"persname_ssim":["Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"language_ssim":["Materials are in English."],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00043"}},{"id":"VAB9025_VAB9025-00044","type":"Event","attributes":{"title":"Love, Walt, 1983 February\n 11","abstract_or_scope":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00044#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eInterview with Walt Love, disc jockey and staff editor for \u003cem\u003eRadio and Records\u003c/em\u003e; recorded in Los Angeles, California.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00044#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"VAB9025-00044","ref_ssm":["VAB9025-00044","VAB9025-00044"],"id":"VAB9025_VAB9025-00044","title_filing_ssi":"Love, Walt, 1983 February\n 11","title_ssm":["Love, Walt, 1983 February\n 11"],"title_tesim":["Love, Walt, 1983 February\n 11"],"normalized_title_ssm":["Love, Walt, 1983 February\n 11"],"text":["Love, Walt, 1983 February\n 11","Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","1. Interviews by Maultsby, 1979-1989","INT 29","cass 1282","Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n File (BWF) Compact disc(s): CDREF 110--CDREF 111","Interview with Walt Love, disc jockey and staff editor for Radio and Records ; recorded in Los\n Angeles, California.","Supplementary materials consist of \"R\u0026B Black station master file\n listing\" for Feb. 24, 1983; copies of the March 11 and 18, 1983\n issues of Radio \u0026 Records ; and\n two letters sent to WOKB from The Dixie Dance Kings and Mickey\n Turntable."],"component_level_isim":[3],"parent_ssim":["VAB9025","VAB9025-00001","VAB9025-00002"],"parent_ssi":"VAB9025-00002","parent_ids_ssim":["VAB9025","VAB9025_VAB9025-00001","VAB9025_VAB9025-00002"],"parent_unittitles_ssm":["Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989","1. 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Maultsby\n Collection, 1981-1986"],"extent_ssm":["1 audiocassette (91 minutes)"],"extent_tesim":["1 audiocassette (91 minutes)"],"physfacet_tesim":[" + 1\n transcript (37 typed leaves) and supplementary\n materials"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Event"],"level_ssim":["Event"],"sort_isi":45,"parent_access_restrict_tesm":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details."],"altformavail_html_tesm":["\u003cp\u003e\n \u003clist\u003e\n \u003citem\u003ePreservation master file(s): 24 bit/96 kHz Broadcast Wave\n File (BWF)\u003c/item\u003e\n \u003citem\u003eProduction master file(s): 16 bit/44.1 kHz Broadcast Wave\n File (BWF)\u003c/item\u003e\n \u003citem\u003eCompact disc(s): CDREF 110--CDREF 111\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e"],"altformavail_heading_ssm":["Reference Copies"],"altformavail_tesim":["Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n File (BWF) Compact disc(s): CDREF 110--CDREF 111"],"scopecontent_html_tesm":["\u003cp\u003eInterview with Walt Love, disc jockey and staff editor for \u003ctitle render=\"italic\"\u003eRadio and Records\u003c/title\u003e; recorded in Los\n Angeles, California.\u003c/p\u003e","\u003cp\u003eSupplementary materials consist of \"R\u0026amp;B Black station master file\n listing\" for Feb. 24, 1983; copies of the March 11 and 18, 1983\n issues of \u003ctitle render=\"italic\"\u003eRadio \u0026amp; Records\u003c/title\u003e; and\n two letters sent to WOKB from The Dixie Dance Kings and Mickey\n Turntable.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content"],"scopecontent_tesim":["Interview with Walt Love, disc jockey and staff editor for Radio and Records ; recorded in Los\n Angeles, California.","Supplementary materials consist of \"R\u0026B Black station master file\n listing\" for Feb. 24, 1983; copies of the March 11 and 18, 1983\n issues of Radio \u0026 Records ; and\n two letters sent to WOKB from The Dixie Dance Kings and Mickey\n Turntable."],"_nest_path_":"/components#0/components#0/components#42","_nest_parent_":"VAB9025_VAB9025-00002","_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"VAB9025","title_ssm":["Portia K. Maultsby\n Collection"],"title_tesim":["Portia K. Maultsby\n Collection"],"ead_ssi":"VAB9025","unitdate_ssm":["1981-1986"],"unitdate_inclusive_ssm":["1981-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC\n 18G"],"text":["SC\n 18G","Portia K. Maultsby\n Collection, 1981-1986","African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories","Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.","Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.","Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.","The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated.","Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."," Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. 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Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."],"names_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. 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LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"corpname_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records"],"persname_ssim":["Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"language_ssim":["Materials are in English."],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00044"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Portia K. Maultsby\n Collection, 1981-1986","value":"Portia K. 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