{"links":{"self":"https://arclight-demo.projectblacklight.org/catalog.json?f%5Bdate_range%5D%5B%5D=1986\u0026facet.page=3\u0026page=6","prev":"https://arclight-demo.projectblacklight.org/catalog.json?f%5Bdate_range%5D%5B%5D=1986\u0026facet.page=3\u0026page=5","next":"https://arclight-demo.projectblacklight.org/catalog.json?f%5Bdate_range%5D%5B%5D=1986\u0026facet.page=3\u0026page=7","last":"https://arclight-demo.projectblacklight.org/catalog.json?f%5Bdate_range%5D%5B%5D=1986\u0026facet.page=3\u0026page=7"},"meta":{"pages":{"current_page":6,"next_page":7,"prev_page":5,"total_pages":7,"limit_value":10,"offset_value":50,"total_count":67,"first_page?":false,"last_page?":false}},"data":[{"id":"pc0170-xml_aspace_ref5_edi","type":"Series","attributes":{"title":"Photographs, 1978-2003","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/pc0170-xml_aspace_ref5_edi#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"aspace_ref5_edi","ref_ssm":["aspace_ref5_edi","aspace_ref5_edi"],"id":"pc0170-xml_aspace_ref5_edi","title_filing_ssi":"Photographs","title_ssm":["Photographs"],"title_tesim":["Photographs"],"unitdate_inclusive_ssm":["1978-2003"],"normalized_date_ssm":["1978-2003"],"normalized_title_ssm":["Photographs, 1978-2003"],"text":["Photographs, 1978-2003","Robby Beyers photographs of the Leland Stanford Junior University Marching Band, 1970-2014","Series 2"],"component_level_isim":[1],"parent_ssim":["pc0170-xml"],"parent_ssi":"pc0170-xml","parent_ids_ssim":["pc0170-xml"],"parent_unittitles_ssm":["Robby Beyers photographs of the Leland Stanford Junior University Marching Band, 1970-2014"],"parent_unittitles_tesim":["Robby Beyers photographs of the Leland Stanford Junior University Marching Band, 1970-2014"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 2"],"repository_ssim":["Stanford University Libraries. 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","For commercial permission requests please contact the University Archives."],"date_range_isim":[1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"_nest_path_":"/components#1","_nest_parent_":"pc0170-xml","_root_":"pc0170-xml","timestamp":"2025-02-18T23:10:03.887Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"pc0170-xml","title_filing_ssi":"Beyers (Robby) Photographs of the Leland Stanford Junior University Marching Band","title_ssm":["Robby Beyers photographs of the Leland Stanford Junior University Marching Band"],"title_tesim":["Robby Beyers photographs of the Leland Stanford Junior University Marching Band"],"ead_ssi":"pc0170.xml","unitdate_ssm":["1970-2014"],"unitdate_inclusive_ssm":["1970-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PC0170"],"text":["PC0170","Robby Beyers photographs of the Leland Stanford Junior University Marching Band, 1970-2014","Football.","Football -- California.","College students -- California -- Stanford. 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","For commercial permission requests please contact the University Archives ."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_175633b80b034beca7afdc0c0c53280b\"\u003eSpecial Collections and University Archives materials are stored offsite and must be paged 36-48 hours in advance. For more information on paging collections, see the department's website: \u003cextref actuate=\"onRequest\" href=\"http://library.stanford.edu/spc\" show=\"new\" title=\"Homepage\"\u003ehttp://library.stanford.edu/spc\u003c/extref\u003e.\u003c/physloc\u003e"],"physloc_tesim":["Special Collections and University Archives materials are stored offsite and must be paged 36-48 hours in advance. For more information on paging collections, see the department's website: http://library.stanford.edu/spc ."],"names_coll_ssim":["Stanford University. Department of Athletics","Leland Stanford Junior University Marching Band","Beyers, Robby"],"names_ssim":["Department of Special Collections and University Archives","Stanford University. Department of Athletics","Leland Stanford Junior University Marching Band","Beyers, Robby"],"corpname_ssim":["Department of Special Collections and University Archives","Stanford University. Department of Athletics","Leland Stanford Junior University Marching Band"],"persname_ssim":["Beyers, Robby"],"language_ssim":["No linguistic content; Not applicable"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"pc0170-xml","timestamp":"2025-02-18T23:10:03.887Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/pc0170-xml_aspace_ref1_z0j"}},{"id":"VAB9025","type":"collection","attributes":{"title":"Portia K. Maultsby\n Collection, 1981-1986","creator":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025#creator","type":"document_value","attributes":{"value":"Maultsby, Portia K.","label":"Creator"}},"abstract_or_scope":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025#abstract_or_scope","type":"document_value","attributes":{"value":"Series G, \"Music Industry Interviews,\" consists of transcripts and audiocassettes of interviews primarily conducted by Portia K. Maultsby between 1981-1986 as part of her research on the Black music industry. The remainder of the series in this collection are still in the process of being accessioned and are unavailable for general research and public use.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025#breadcrumbs","type":"document_value","attributes":{"value":{"id":"VAB9025","title_ssm":["Portia K. Maultsby\n Collection"],"title_tesim":["Portia K. Maultsby\n Collection"],"ead_ssi":"VAB9025","unitdate_ssm":["1981-1986"],"unitdate_inclusive_ssm":["1981-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC\n 18G"],"text":["SC\n 18G","Portia K. Maultsby\n Collection, 1981-1986","African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories","Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.","Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.","Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.","The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated.","Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."," Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara","Materials are in English."],"unitid_tesim":["SC\n 18G"],"normalized_date_ssm":["1981-1986"],"normalized_title_ssm":["Portia K. Maultsby\n Collection, 1981-1986"],"collection_title_tesim":["Portia K. Maultsby\n Collection, 1981-1986"],"collection_ssim":["Portia K. Maultsby\n Collection, 1981-1986"],"repository_ssm":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"creator_ssm":["Maultsby, Portia K."],"creator_ssim":["Maultsby, Portia K."],"creator_persname_ssim":["Maultsby, Portia K."],"creators_ssim":["Maultsby, Portia K."],"acqinfo_ssim":["Donated by Portia K. Maultsby in 2008."],"access_subjects_ssim":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"access_subjects_ssm":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["169 audiocassettes"],"extent_tesim":["169 audiocassettes"],"physfacet_tesim":[" : analog, stereo + 5 document\n cases"],"date_range_isim":[1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eReference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details."],"arrangement_html_tesm":["\u003cp\u003eCurrently organized into one series and the following subseries: \u003clist\u003e\n \u003citem\u003eSubseries 1. Interviews by Maultsby, 1979-1989\u003c/item\u003e\n \u003citem\u003eSubseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e","\u003cp\u003eEach subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews."],"bioghist_html_tesm":["\u003cp\u003ePortia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."],"names_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"corpname_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records"],"persname_ssim":["Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"language_ssim":["Materials are in English."],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"VAB9025","title_ssm":["Portia K. Maultsby\n Collection"],"title_tesim":["Portia K. Maultsby\n Collection"],"ead_ssi":"VAB9025","unitdate_ssm":["1981-1986"],"unitdate_inclusive_ssm":["1981-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC\n 18G"],"text":["SC\n 18G","Portia K. Maultsby\n Collection, 1981-1986","African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories","Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.","Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.","Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.","The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated.","Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."," Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara","Materials are in English."],"unitid_tesim":["SC\n 18G"],"normalized_date_ssm":["1981-1986"],"normalized_title_ssm":["Portia K. Maultsby\n Collection, 1981-1986"],"collection_title_tesim":["Portia K. Maultsby\n Collection, 1981-1986"],"collection_ssim":["Portia K. Maultsby\n Collection, 1981-1986"],"repository_ssm":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"creator_ssm":["Maultsby, Portia K."],"creator_ssim":["Maultsby, Portia K."],"creator_persname_ssim":["Maultsby, Portia K."],"creators_ssim":["Maultsby, Portia K."],"acqinfo_ssim":["Donated by Portia K. Maultsby in 2008."],"access_subjects_ssim":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"access_subjects_ssm":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["169 audiocassettes"],"extent_tesim":["169 audiocassettes"],"physfacet_tesim":[" : analog, stereo + 5 document\n cases"],"date_range_isim":[1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eReference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details."],"arrangement_html_tesm":["\u003cp\u003eCurrently organized into one series and the following subseries: \u003clist\u003e\n \u003citem\u003eSubseries 1. Interviews by Maultsby, 1979-1989\u003c/item\u003e\n \u003citem\u003eSubseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e","\u003cp\u003eEach subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews."],"bioghist_html_tesm":["\u003cp\u003ePortia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."],"names_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"corpname_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records"],"persname_ssim":["Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. 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Further information about Sparling's dance company or current work see http://www.dancegalleryfoundation.org."],"prefercite_html_tesm":["\u003cp\u003e[item], folder, box, Peter Sparling papers, Bentley Historical Library, University of Michigan\u003c/p\u003e"],"prefercite_tesim":["[item], folder, box, Peter Sparling papers, Bentley Historical Library, University of Michigan"],"processinfo_html_tesm":["\u003cp\u003e\u003cextptr actuate=\"onload\" href=\"digitalproc\" show=\"embed\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":[""],"scopecontent_html_tesm":["\u003cp\u003eThe Peter Sparling Papers include materials relating to Sparling's dance training, performance, and teaching. 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He was chair of the Department from 1988 through 1995. In 1984, he co-founded Ann Arbor Dance Works, the University of Michigan's resident dance company. In 1993, Peter founded the Peter Sparling Dance Co. a non-profit organization that continues today. Further information about Sparling's dance company or current work see http://www.dancegalleryfoundation.org.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon."," Sparling got his first dance training while on a scholarship for violin performance at Interlochen Arts Academy. He added dance to his major and graduated in 1969, and then attended The Juilliard School, receiving his B.F.A. in 1973. While still at Juilliard, Sparling began touring with the Jose Limon Dance Company, traveling to Europe, Russia and Asia. He co-founded Dance Mobile with Janet Eilber, Ange Wolf and Diana Hart, all of whom he met at Interlochen. In 1974, he married another dancer he had met while at Interlochen, Shelley Washington. They divorced after three years."," In 1973, after the death of Jose Limon, Sparling was invited to join the Martha Graham Dance Company. Graham dramatically influenced Sparling's performance and his choreography, and he created and performed his own works during the six years he was with the Graham Company. When he left the company in 1979, he formed Peter Sparling Presents Solo Flight, and then the Peter Sparling Dance Company, as vehicles for his choreography. He continued to dance occasionally with the Graham Company until 1987."," In 1984, after several teaching residencies in such institutions as Barnard College in New York, Florida State University, Cloud Gate Dance Theatre in Taiwan and the Laban Centre for Movement Studies in London, Sparling was hired as Assistant Professor at the University of Michigan Dance Department. He was chair of the Department from 1988 through 1995. In 1984, he co-founded Ann Arbor Dance Works, the University of Michigan's resident dance company. In 1993, Peter founded the Peter Sparling Dance Co. a non-profit organization that continues today. Further information about Sparling's dance company or current work see http://www.dancegalleryfoundation.org."],"prefercite_html_tesm":["\u003cp\u003e[item], folder, box, Peter Sparling papers, Bentley Historical Library, University of Michigan\u003c/p\u003e"],"prefercite_tesim":["[item], folder, box, Peter Sparling papers, Bentley Historical Library, University of Michigan"],"processinfo_html_tesm":["\u003cp\u003e\u003cextptr actuate=\"onload\" href=\"digitalproc\" show=\"embed\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":[""],"scopecontent_html_tesm":["\u003cp\u003eThe Peter Sparling Papers include materials relating to Sparling's dance training, performance, and teaching. The papers are divided into eight series: Background Materials, Choreography, Correspondence, Dance Companies, Programs, Reviews, Photographs, Performance, Audition, and Rehearsal Videos, and Posters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Peter Sparling Papers include materials relating to Sparling's dance training, performance, and teaching. The papers are divided into eight series: Background Materials, Choreography, Correspondence, Dance Companies, Programs, Reviews, Photographs, Performance, Audition, and Rehearsal Videos, and Posters."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by Peter Sparling. Patrons are responsible for determining the appropriate use or reuse of materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright is retained by Peter Sparling. Patrons are responsible for determining the appropriate use or reuse of materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e7ba80ca0d30560d8aa900af8025f1a9\"\u003ePeter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. Papers consist of materials relating to Sparling's dance training, performance, and teaching including background materials; choreography notes and sketches; correspondence; clippings and publicity from dance companies with whom he was associated; programs and reviews; photographs, video and film of performances; and posters.\u003c/abstract\u003e"],"abstract_tesim":["Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. Papers consist of materials relating to Sparling's dance training, performance, and teaching including background materials; choreography notes and sketches; correspondence; clippings and publicity from dance companies with whom he was associated; programs and reviews; photographs, video and film of performances; and posters."],"names_coll_ssim":["University of Michigan. -- Faculty.","University of Michigan. School of Music.","Sparling, Peter, 1951-","Sparling, Peter, 1951-","Sparling, Peter, Performances, 1951-"],"names_ssim":["Bentley Historical Library","University of Michigan. -- Faculty.","University of Michigan. School of Music.","Sparling, Peter.","Sparling, Peter, 1951-","Sparling, Peter, Performances, 1951-"],"corpname_ssim":["Bentley Historical Library","University of Michigan. -- Faculty.","University of Michigan. School of Music."],"persname_ssim":["Sparling, Peter.","Sparling, Peter, 1951-","Sparling, Peter, Performances, 1951-"],"language_ssim":["English","The material is in English"],"descrules_ssm":["Finding aid prepared using Describing Archives: A Content Standard (DACS)"],"total_component_count_is":280,"online_item_count_is":24,"component_level_isim":[0],"sort_isi":0,"_root_":"umich-bhl-0312","timestamp":"2025-02-18T23:13:20.872Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/umich-bhl-0312_aspace_fbc0237e4e5f780210e250f7fdf78512"}},{"id":"umich-bhl-0728_aspace_193d36f34abdbe2c8863110997591966","type":"Series","attributes":{"title":"Reports, 1979-2003","abstract_or_scope":{"id":"https://arclight-demo.projectblacklight.org/catalog/umich-bhl-0728_aspace_193d36f34abdbe2c8863110997591966#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Reports series (3.2 linear feet, 1979-2003) consists of reports made by the UCUCA to the University of Michigan Office of the Vice President for Research (OVPR) and federal agencies. Also included are inspection reports of the animal care facilities made by the USDA. The Reports series is an excellent place to find detailed information about the animal care facilities located at the University of Michigan and their functions.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/umich-bhl-0728_aspace_193d36f34abdbe2c8863110997591966#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"aspace_193d36f34abdbe2c8863110997591966","ref_ssm":["aspace_193d36f34abdbe2c8863110997591966","aspace_193d36f34abdbe2c8863110997591966"],"id":"umich-bhl-0728_aspace_193d36f34abdbe2c8863110997591966","title_filing_ssi":"Reports","title_ssm":["Reports"],"title_tesim":["Reports"],"unitdate_inclusive_ssm":["1979-2003"],"normalized_date_ssm":["1979-2003"],"normalized_title_ssm":["Reports, 1979-2003"],"text":["Reports, 1979-2003","University Committee on the Use and Care of Animals (University of Michigan) records, 1979-2003","The Reports series (3.2 linear feet, 1979-2003) consists of reports made by the UCUCA to the University of Michigan Office of the Vice President for Research (OVPR) and federal agencies. Also included are inspection reports of the animal care facilities made by the USDA. The Reports series is an excellent place to find detailed information about the animal care facilities located at the University of Michigan and their functions."],"component_level_isim":[1],"parent_ssim":["umich-bhl-0728"],"parent_ssi":"umich-bhl-0728","parent_ids_ssim":["umich-bhl-0728"],"parent_unittitles_ssm":["University Committee on the Use and Care of Animals (University of Michigan) records, 1979-2003"],"parent_unittitles_tesim":["University Committee on the Use and Care of Animals (University of Michigan) records, 1979-2003"],"parent_levels_ssm":["collection"],"repository_ssim":["University of Michigan. Bentley Historical Library"],"collection_ssim":["University Committee on the Use and Care of Animals (University of Michigan) records, 1979-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":29,"parent_access_restrict_tesm":["Access to the records is restricted under the Executive Officers records policy."," The University of Michigan. University Committee on the Use and Care of Animals record group includes restricted material in the following categories:","\n Executive Officers Records -- Boxes 1-9\n ",""],"parent_access_terms_tesm":["Copyright is held by the Regents of the University of Michigan but the collection may contain third-party materials for which copyright is not held. Patrons are responsible for determining the appropriate use or reuse of materials."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"scopecontent_html_tesm":["\u003cp\u003eThe Reports series (3.2 linear feet, 1979-2003) consists of reports made by the UCUCA to the University of Michigan Office of the Vice President for Research (OVPR) and federal agencies. Also included are inspection reports of the animal care facilities made by the USDA. The Reports series is an excellent place to find detailed information about the animal care facilities located at the University of Michigan and their functions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Reports series (3.2 linear feet, 1979-2003) consists of reports made by the UCUCA to the University of Michigan Office of the Vice President for Research (OVPR) and federal agencies. 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University Committee on the Use and Care of Animals record group includes restricted material in the following categories:","Executive Officers Records -- Boxes 1-9","","Periodic additions to the records are expected.","The University Committee on the Use and Care of Animals (UCUCA) was established in 1965 to advise University of Michigan research officials on matters related to the use of animals in research and education. It formed out of the Unit for Laboratory Animal Medicine (ULAM) at the Medical School, and was the formal extension of the Animal Care Committee. Combined with the Animal Care Unit, the UCUCA helped to continue the humane treatment of animals regulated by the Laboratory Animal Welfare Act of 1966."," Beginning in 1986, the Committee was required to approve all use of vertebrate animals on campus. Currently, its responsibilities include reviewing applications for the use of animals in research, training, or testing, updating university policies for the treatment of animals, inspecting animal facilities in accordance with these policies, providing training for people working with animals, and advising the Office of the Vice President for Research on matters related to the use of animals in research and education. The Committee also serves to ensure University of Michigan compliance with federal animal welfare regulations through the submittal of reports to the American Association for Accreditation of Laboratory Animal Care (AAALAC) the Office of Laboratory Animal Welfare (OLAW), and the United States Department of Agriculture (USDA).","The University Committee on the Use and Care of Animals (UCUCA) records consist of meeting minutes and agendas, annual reports and reports of USDA inspections. The records are divided into two series: Meeting Minutes and Agendas and Reports. Within each series, the records are organized in chronological order and retain the original folders and file headings. The records are focused on the administrative activities of the UCUCA.","Copyright is held by the Regents of the University of Michigan but the collection may contain third-party materials for which copyright is not held. Patrons are responsible for determining the appropriate use or reuse of materials.","The University Committee on the Use and Care of Animals (UCUCA) records consist of meeting minutes and agendas, annual reports, and animal facility inspections. The UCUCA works to ensure that all projects using animals at the University of Michigan are conducted in accordance with university guidelines and policies and federal law concerning laboratory animal welfare.","Bentley Historical Library","University of Michigan. University Committee on the Use and Care of Animals.","University of Michigan. -- Research.","University of Michigan. Unit for Laboratory Animal Medicine.","English","The material is in English"],"unitid_tesim":["0728 Bimu 2"],"normalized_date_ssm":["1979-2003"],"normalized_title_ssm":["University Committee on the Use and Care of Animals (University of Michigan) records, 1979-2003"],"collection_title_tesim":["University Committee on the Use and Care of Animals (University of Michigan) records, 1979-2003"],"collection_ssim":["University Committee on the Use and Care of Animals (University of Michigan) records, 1979-2003"],"repository_ssm":["University of Michigan. Bentley Historical Library"],"repository_ssim":["University of Michigan. Bentley Historical Library"],"creator_ssm":["University of Michigan. University Committee on the Use and Care of Animals."],"creator_ssim":["University of Michigan. University Committee on the Use and Care of Animals."],"creator_corpname_ssim":["University of Michigan. University Committee on the Use and Care of Animals."],"creators_ssim":["University of Michigan. University Committee on the Use and Care of Animals."],"access_terms_ssm":["Copyright is held by the Regents of the University of Michigan but the collection may contain third-party materials for which copyright is not held. Patrons are responsible for determining the appropriate use or reuse of materials."],"acqinfo_ssim":["Records were transferred beginning in September 2006 (Donor no. 9789 )."],"access_subjects_ssim":["Animal welfare.","Laboratory animals."],"access_subjects_ssm":["Animal welfare.","Laboratory animals."],"has_online_content_ssim":["false"],"extent_ssm":["8.7 linear feet"],"extent_tesim":["8.7 linear feet"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eAccess to the records is restricted under the Executive Officers records policy.\u003c/p\u003e\n","\u003cp\u003e The University of Michigan. 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","For commercial permission requests please contact the University Archives."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eRestricted 60 years from date of creation.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Restricted 60 years from date of creation."],"_nest_path_":"/components#1/components#0","_nest_parent_":"pc0170-xml_aspace_ref5_edi","_root_":"pc0170-xml","timestamp":"2025-02-18T23:10:03.887Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"pc0170-xml","title_filing_ssi":"Beyers (Robby) Photographs of the Leland Stanford Junior University Marching Band","title_ssm":["Robby Beyers photographs of the Leland Stanford Junior University Marching Band"],"title_tesim":["Robby Beyers photographs of the Leland Stanford Junior University Marching Band"],"ead_ssi":"pc0170.xml","unitdate_ssm":["1970-2014"],"unitdate_inclusive_ssm":["1970-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PC0170"],"text":["PC0170","Robby Beyers photographs of the Leland Stanford Junior University Marching Band, 1970-2014","Football.","Football -- California.","College students -- California -- Stanford. 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","For commercial permission requests please contact the University Archives ."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_175633b80b034beca7afdc0c0c53280b\"\u003eSpecial Collections and University Archives materials are stored offsite and must be paged 36-48 hours in advance. For more information on paging collections, see the department's website: \u003cextref actuate=\"onRequest\" href=\"http://library.stanford.edu/spc\" show=\"new\" title=\"Homepage\"\u003ehttp://library.stanford.edu/spc\u003c/extref\u003e.\u003c/physloc\u003e"],"physloc_tesim":["Special Collections and University Archives materials are stored offsite and must be paged 36-48 hours in advance. For more information on paging collections, see the department's website: http://library.stanford.edu/spc ."],"names_coll_ssim":["Stanford University. 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Equipment needed to view the DVC-Pro digital cassettes in this series is not currently available at the Bentley Library. Contact the reference archivist to arrange for duplication of tapes.","Periodic additions to the records expected.","Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon."," Sparling got his first dance training while on a scholarship for violin performance at Interlochen Arts Academy. He added dance to his major and graduated in 1969, and then attended The Juilliard School, receiving his B.F.A. in 1973. While still at Juilliard, Sparling began touring with the Jose Limon Dance Company, traveling to Europe, Russia and Asia. He co-founded Dance Mobile with Janet Eilber, Ange Wolf and Diana Hart, all of whom he met at Interlochen. In 1974, he married another dancer he had met while at Interlochen, Shelley Washington. They divorced after three years."," In 1973, after the death of Jose Limon, Sparling was invited to join the Martha Graham Dance Company. Graham dramatically influenced Sparling's performance and his choreography, and he created and performed his own works during the six years he was with the Graham Company. When he left the company in 1979, he formed Peter Sparling Presents Solo Flight, and then the Peter Sparling Dance Company, as vehicles for his choreography. He continued to dance occasionally with the Graham Company until 1987."," In 1984, after several teaching residencies in such institutions as Barnard College in New York, Florida State University, Cloud Gate Dance Theatre in Taiwan and the Laban Centre for Movement Studies in London, Sparling was hired as Assistant Professor at the University of Michigan Dance Department. He was chair of the Department from 1988 through 1995. In 1984, he co-founded Ann Arbor Dance Works, the University of Michigan's resident dance company. 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Equipment needed to view the DVC-Pro digital cassettes in this series is not currently available at the Bentley Library. Contact the reference archivist to arrange for duplication of tapes.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."," Access to some of the online digital files in the Performance, Audition, and Rehearsal Videos series is restricted to viewing the Bentley Library Reading Room and at the University of Michigan School of Music, Theatre and Dance. Equipment needed to view the DVC-Pro digital cassettes in this series is not currently available at the Bentley Library. Contact the reference archivist to arrange for duplication of tapes."],"accruals_html_tesm":["\u003cp\u003ePeriodic additions to the records expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Periodic additions to the records expected."],"bioghist_html_tesm":["\u003cp\u003ePeter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon.\u003c/p\u003e\n","\u003cp\u003e Sparling got his first dance training while on a scholarship for violin performance at Interlochen Arts Academy. He added dance to his major and graduated in 1969, and then attended The Juilliard School, receiving his B.F.A. in 1973. While still at Juilliard, Sparling began touring with the Jose Limon Dance Company, traveling to Europe, Russia and Asia. He co-founded Dance Mobile with Janet Eilber, Ange Wolf and Diana Hart, all of whom he met at Interlochen. In 1974, he married another dancer he had met while at Interlochen, Shelley Washington. They divorced after three years.\u003c/p\u003e\n","\u003cp\u003e In 1973, after the death of Jose Limon, Sparling was invited to join the Martha Graham Dance Company. Graham dramatically influenced Sparling's performance and his choreography, and he created and performed his own works during the six years he was with the Graham Company. When he left the company in 1979, he formed Peter Sparling Presents Solo Flight, and then the Peter Sparling Dance Company, as vehicles for his choreography. He continued to dance occasionally with the Graham Company until 1987.\u003c/p\u003e\n","\u003cp\u003e In 1984, after several teaching residencies in such institutions as Barnard College in New York, Florida State University, Cloud Gate Dance Theatre in Taiwan and the Laban Centre for Movement Studies in London, Sparling was hired as Assistant Professor at the University of Michigan Dance Department. He was chair of the Department from 1988 through 1995. In 1984, he co-founded Ann Arbor Dance Works, the University of Michigan's resident dance company. In 1993, Peter founded the Peter Sparling Dance Co. a non-profit organization that continues today. Further information about Sparling's dance company or current work see http://www.dancegalleryfoundation.org.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon."," Sparling got his first dance training while on a scholarship for violin performance at Interlochen Arts Academy. He added dance to his major and graduated in 1969, and then attended The Juilliard School, receiving his B.F.A. in 1973. While still at Juilliard, Sparling began touring with the Jose Limon Dance Company, traveling to Europe, Russia and Asia. He co-founded Dance Mobile with Janet Eilber, Ange Wolf and Diana Hart, all of whom he met at Interlochen. In 1974, he married another dancer he had met while at Interlochen, Shelley Washington. They divorced after three years."," In 1973, after the death of Jose Limon, Sparling was invited to join the Martha Graham Dance Company. Graham dramatically influenced Sparling's performance and his choreography, and he created and performed his own works during the six years he was with the Graham Company. When he left the company in 1979, he formed Peter Sparling Presents Solo Flight, and then the Peter Sparling Dance Company, as vehicles for his choreography. He continued to dance occasionally with the Graham Company until 1987."," In 1984, after several teaching residencies in such institutions as Barnard College in New York, Florida State University, Cloud Gate Dance Theatre in Taiwan and the Laban Centre for Movement Studies in London, Sparling was hired as Assistant Professor at the University of Michigan Dance Department. He was chair of the Department from 1988 through 1995. In 1984, he co-founded Ann Arbor Dance Works, the University of Michigan's resident dance company. In 1993, Peter founded the Peter Sparling Dance Co. a non-profit organization that continues today. Further information about Sparling's dance company or current work see http://www.dancegalleryfoundation.org."],"prefercite_html_tesm":["\u003cp\u003e[item], folder, box, Peter Sparling papers, Bentley Historical Library, University of Michigan\u003c/p\u003e"],"prefercite_tesim":["[item], folder, box, Peter Sparling papers, Bentley Historical Library, University of Michigan"],"processinfo_html_tesm":["\u003cp\u003e\u003cextptr actuate=\"onload\" href=\"digitalproc\" show=\"embed\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":[""],"scopecontent_html_tesm":["\u003cp\u003eThe Peter Sparling Papers include materials relating to Sparling's dance training, performance, and teaching. The papers are divided into eight series: Background Materials, Choreography, Correspondence, Dance Companies, Programs, Reviews, Photographs, Performance, Audition, and Rehearsal Videos, and Posters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Peter Sparling Papers include materials relating to Sparling's dance training, performance, and teaching. The papers are divided into eight series: Background Materials, Choreography, Correspondence, Dance Companies, Programs, Reviews, Photographs, Performance, Audition, and Rehearsal Videos, and Posters."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by Peter Sparling. Patrons are responsible for determining the appropriate use or reuse of materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright is retained by Peter Sparling. Patrons are responsible for determining the appropriate use or reuse of materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e7ba80ca0d30560d8aa900af8025f1a9\"\u003ePeter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. Papers consist of materials relating to Sparling's dance training, performance, and teaching including background materials; choreography notes and sketches; correspondence; clippings and publicity from dance companies with whom he was associated; programs and reviews; photographs, video and film of performances; and posters.\u003c/abstract\u003e"],"abstract_tesim":["Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. Papers consist of materials relating to Sparling's dance training, performance, and teaching including background materials; choreography notes and sketches; correspondence; clippings and publicity from dance companies with whom he was associated; programs and reviews; photographs, video and film of performances; and posters."],"names_coll_ssim":["University of Michigan. -- Faculty.","University of Michigan. School of Music.","Sparling, Peter, 1951-","Sparling, Peter, 1951-","Sparling, Peter, Performances, 1951-"],"names_ssim":["Bentley Historical Library","University of Michigan. -- Faculty.","University of Michigan. School of Music.","Sparling, Peter.","Sparling, Peter, 1951-","Sparling, Peter, Performances, 1951-"],"corpname_ssim":["Bentley Historical Library","University of Michigan. -- Faculty.","University of Michigan. 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ries","hits":13},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog.json?f%5Bdate_range%5D%5B%5D=1986\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Collection","value":"Collection","hits":11},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog.json?f%5Bdate_range%5D%5B%5D=1986\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"Record 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