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Conference Sessions, 2009 November 13 and 14","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9846_VAB9846-00001#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"VAB9846-00001","ref_ssm":["VAB9846-00001","VAB9846-00001"],"id":"VAB9846_VAB9846-00001","title_filing_ssi":"1. Conference Sessions, 2009 November 13 and 14","title_ssm":["1. Conference Sessions, 2009 November 13 and 14"],"title_tesim":["1. Conference Sessions, 2009 November 13 and 14"],"normalized_title_ssm":["1. Conference Sessions, 2009 November 13 and 14"],"text":["1. Conference Sessions, 2009 November 13 and 14","Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection, 2008-2010","All HD QuickTime files have the following derivative copies: Online streaming access is available for some items with IU\n log in credentials. Researchers in need of streaming access can\n contact the AAAMC to request an IU guest account. Links to\n streaming content, when available, are included in each item's\n description below. Medium resolution QuickTime files (video: 960 x 540,\n deinterlaced, 29.97 fps, codec h.264 ; audio: linear PCM,\n stereo, 16-bit/48 kHz) Low resolution QuickTime files w/embedded timecode windows\n (video: 480 x 270, deinterlaced, 29.97 fps, codec h.264 ; audio:\n linear PCM, stereo, 16-bit/48 kHz) Video discs (DVD) Copies of the digital image files are available on DVDR 15 and include\n deaccessioned items (e.g., photos that were blurry, underexposed,\n redundant, etc."],"component_level_isim":[1],"parent_ssim":["VAB9846"],"parent_ssi":"VAB9846","parent_ids_ssim":["VAB9846"],"parent_unittitles_ssm":["Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection, 2008-2010"],"parent_unittitles_tesim":["Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection, 2008-2010"],"parent_levels_ssm":["collection"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"collection_ssim":["Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection, 2008-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["This collection is open to the public. MiniDV videocassettes require the creation of\n reference copies. If you are interested in viewing the contents of the miniDVs,\n please contact the AAAMC staff well in advance of your visit for details."],"corpname_ssim":["Indiana University, Radio and Television\n Services","Indiana University, Radio and Television\n Services","Indiana University, Radio and Television\n Services","Indiana University, Radio and Television\n Services"],"persname_ssim":["Hollinden, Andy","Crazy Horse, Kandia","Stew","Willis, Ike","McAlpin, Michael","Batcheller, Anna","Garofalo, Reebee","Mitchell, Moe","Tamar-kali","Tate, Greg","Tillery, Linda","Sewald, Ronda L.","Mahon, Maureen","Fields, Rob","Netic","Thomas, Kamara","Thomas, Suzanne","Batcheller, Anna","Sewald, Ronda L.","Allbrittin, Deanna","Berry, William","Brown, Clayton","Ford, Starla","Rizzi, Jessica","Rowley, Ariel","Williams, Lorrin[?]"],"note_html_tesm":["\u003cnote label=\"Alternate formats available\"\u003e\n \u003cp\u003eAll HD QuickTime files have the following derivative copies: \u003clist type=\"marked\"\u003e\n \u003citem\u003eOnline streaming access is available for some items with IU\n log in credentials. Researchers in need of streaming access can\n contact the AAAMC to request an IU guest account. Links to\n streaming content, when available, are included in each item's\n description below.\u003c/item\u003e\n \u003citem\u003eMedium resolution QuickTime files (video: 960 x 540,\n deinterlaced, 29.97 fps, codec h.264 ; audio: linear PCM,\n stereo, 16-bit/48 kHz)\u003c/item\u003e\n \u003citem\u003eLow resolution QuickTime files w/embedded timecode windows\n (video: 480 x 270, deinterlaced, 29.97 fps, codec h.264 ; audio:\n linear PCM, stereo, 16-bit/48 kHz)\u003c/item\u003e\n \u003citem\u003eVideo discs (DVD)\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e\n \u003cp\u003eCopies of the digital image files are available on DVDR 15 and include\n deaccessioned items (e.g., photos that were blurry, underexposed,\n redundant, etc.\u003c/p\u003e\n \u003c/note\u003e"],"note_tesim":["All HD QuickTime files have the following derivative copies: Online streaming access is available for some items with IU\n log in credentials. Researchers in need of streaming access can\n contact the AAAMC to request an IU guest account. Links to\n streaming content, when available, are included in each item's\n description below. Medium resolution QuickTime files (video: 960 x 540,\n deinterlaced, 29.97 fps, codec h.264 ; audio: linear PCM,\n stereo, 16-bit/48 kHz) Low resolution QuickTime files w/embedded timecode windows\n (video: 480 x 270, deinterlaced, 29.97 fps, codec h.264 ; audio:\n linear PCM, stereo, 16-bit/48 kHz) Video discs (DVD) Copies of the digital image files are available on DVDR 15 and include\n deaccessioned items (e.g., photos that were blurry, underexposed,\n redundant, etc."],"_nest_path_":"/components#0","_nest_parent_":"VAB9846","_root_":"VAB9846","timestamp":"2025-02-18T23:03:22.038Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"VAB9846","title_ssm":["Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection"],"title_tesim":["Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection"],"ead_ssi":"VAB9846","unitdate_ssm":["2008-2010"],"unitdate_inclusive_ssm":["2008-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC\n 151"],"text":["SC\n 151","Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection, 2008-2010","African American rock\n musicians--Interviews","Music and race","Rock music--History and criticism","Sound recording industry","African Americans--Music","Rock concerts","Racism--United States","This collection is open to the public. MiniDV videocassettes require the creation of\n reference copies. If you are interested in viewing the contents of the miniDVs,\n please contact the AAAMC staff well in advance of your visit for details.","Arranged in five series: Series 1. Conference Sessions Series 2. One-on-One Interviews Series 3. Conference-Related Events Series 4. Miscellaneous Audiovisual Materials Series 5. AAAMC Production Materials","Kandia Crazy Horse (panelist/interviewee): Raised on a\n variety of music, from P-Funk to Supertramp, electric guitar evangelism to country\n and western, D.C. native Kandia Crazy Horse has worked as a rock critic for over a\n decade. Crazy Horse began writing, in her words, \"simply because I could ‘speak so\n well’ like Colin Powell; read and write; and had a favorite band throughout the '90s\n that got awful press and a lot of disdain: the Black Crowes. As a New Southerner\n with a brain, I figured it was my job to champion them because they made great Black\n music.\" The Brooklyn-based writer was formerly the music editor at Creative Loafing\n in Charlotte, N.C., and has contributed to numerous publications, including Paper , Harp , Village Voice , Popmatters.com , and the San Francisco Bay\n Guardian . She supported Afrofuturism by editing Rip It Up : The Black Experience in Rock 'n' Roll (2004), noted for\n being \"an eclectic mix of interviews and essays on Black rock 'n' roll--filled with\n fascinating information and provocative ideas.\" Crazy Horse was the 2008-2009\n Anschutz Distinguished Fellow in American Studies at Princeton University, where she\n taught the course \"Roll over Beethoven : Black Rock \u0026 Cultural Revolt,\" and\n organized and mounted a Southern rock symposium titled Radio\n Free Dixie-- or, De Dirty South Brokedown . Crazy Horse challenges Black\n readers to take pride in the history of Black rock, to \"attempt to conserve it,\n don't just fritter it away and then lament it being lost forever after.\"","Rob Fields (panelist/interviewee): Self-described \"Black\n rock evangelist\" Rob Fields writes about Black rock and Black culture on his blog\n Bold as Love , which focuses on exploring,\n celebrating and evangelizing the growing music genre known as Black rock, Afro-punk\n or urban alternative (URB ALT). In conjunction with his blog, he runs a live event\n series, Bold as Live , which creates new opportunities\n for audiences to discover Black rock through shows, lectures, and discussions. He\n has worked professionally in the Black rock scene since the early 1990s, when he\n became Director of PR for the Black Rock Coalition. Following this, he went into\n artist management, working for Capitol Records and representing alternative Black\n artists such as trombonist Josh Roseman and M-Base cofounder Graham Haynes. With his\n background in marketing, Rob's interest lies in providing context for audiences\n (particularly Black audiences) to understand and enjoy what they're hearing in Black\n rock, and to help Black rock artists find ways to make Black rock matter in the\n marketplace. Rob has been a guest several times on NPR, and was a panelist at the\n 2009 SXSW Music Conference. ","Reebee Garofalo (moderator/interviewer) is author of\n Rockin Out : Popular Music in the USA and has\n been a professor at the College of Public and Community Service at U Mass Boston\n since 1978. He is also affiliated with the American Studies Program. Professor\n Garofalo is an internationally known scholar of popular music studies who has\n written numerous articles on music and politics, racism, censorship, and the\n globalization of the music industry and has lectured widely on a broad range of\n subjects relating to the operations of the music industry. At CPCS he has been\n spearheading the Community Media and Technology Major—a cutting edge media and\n technology program designed to encourage a combination of technical proficiency and\n social vision. ","Andy Hollinden (moderator/interviewer) teaches at the\n Jacobs School of Music at Indiana University, where he has developed several courses\n on popular music that have become widely favored by students on the campus. Such\n courses include the history of blues, rock, Frank Zappa, and Jimi Hendrix. In\n addition to Hollinden's professorial duties, he composes and produces music for\n videos and has performed and recorded with numerous rock bands. So far, he has\n written and produced seven CDs of his own music: Moving Earth\n from There to Here (1994), Boot rouge et\n swabs (1996), Heat to Fragrance (2000),\n Begging's Not Endearing (2002), Stick It in Your Sound Hole (2004), Trust Yourself (2006), and Grieve\n for the Living (2008). As one of the moderators for this conference,\n Hollinden brings a broad historical awareness of the roots of rock music, which is\n centered in the African American cultural tradition, along with the understanding of\n musical, racial and political negotiations between Black and White musicians who\n have been associated with the genre. ","Maureen Mahon (moderator/interviewer) is an associate\n professor in the Department of Music at New York University. A cultural\n anthropologist, her research interests include African American history and culture;\n the construction and performance of race and gender in music; and the relationship\n between race, class, generation, and culture. She is the author of Right to Rock : The Black Rock Coalition and the Cultural\n Politics of Race (Duke University Press, 2004) and has published\n articles on African Americans and rock music in academic venues and at EbonyJet.com . Her current research on the music and\n legacy of Black women in rock examines the intersection of gender, race, sexuality,\n and music production. She has held fellowships from the National Science Foundation,\n the Ford Foundation, and the American Association of University Women and has taught\n at Wesleyan University and UCLA. ","Moe Mitchell (panelist/interviewee): A graduate of Howard\n University, Moe Mitchell has established himself as an activist and musician in the\n underground punk scene. His band Cipher, founded in 1996, is committed to opening\n critical spaces in underground music to reawaken the legacy of dissent in today's\n hardcore, weaving together elements of hardcore and metal with melodicism and\n politically radical lyrics to form a provocative, probing treatment of race, gender,\n and class. Mitchell was one of the four artists profiled in James Spooner's 2003\n documentary Afro-punk , which explored issues of race\n identity within the punk scene. Cipher was formed in 1996 by longtime friends who\n wanted to bring something new to underground music. Elements of hardcore and metal\n are woven with politically radical lyrics to form a provocative, probing treatment\n of race, gender, and class. Cipher's most recent album, Children of God's Fire (2005), was released to critical acclaim as \"an\n unrelenting, neo-revolutionary musical statement, transcending genres and provoking\n thoughts.\" As one reviewer put it, \"In front of ambitiously bruising slabs of\n hardcore, Cipher front man Moe Mitchell ponders everything from patriarchy to the\n pharmaceutical industry.\" Cipher released their second album, The Joyous Collapse , in late 2009. ","Netic (panelist/interviewee) is one of the founders as\n well as the lead vocalist of the Brooklyn-born band Game Rebellion. Before rhyming\n with Game Rebellion, he was a brain and cognitive sciences major at Massachusetts\n Institute of Technology (MIT) in Cambridge, Massachusetts, where he enrolled at the\n age of sixteen. Game Rebellion is an all-Black, all-outta-Brooklyn band whose metal,\n punk, and rudeboy skanking licks sound as credible and crunchy as their hip-hop\n lyrics and head nodding bounce. The lyrical prowess and production of Netic provide\n an unobstructed view of the angst of young rebels everywhere. Game Rebellion has\n been making big waves on the New York scene for about three years. In that short\n time they've ventured out even further to slam heads, rock houses and muddy the lily\n white waters of hip-hop and rock from NYC and Cali to Puerto Rico and the UK. They\n just may be the best-kept secret in music right now. Their album Searching for Rick Rubin (2008) explores classic hip-hop\n songs originally produced by studio legend Rick Rubin, re-imagined in Game\n Rebellion’s own style and mixed by J.period. ","James Spooner (panelist/interviewee) is a filmmaker and\n fine artist. His award-winning debut feature documentary Afro-punk has screened at festivals in the U.S. and abroad, including\n the Toronto International Film Festival, New York's Urbanworld Film Festival, the\n American Black Film Festival, Mar del Plata International Film Festival (Argentina),\n and the London Lesbian and Gay Film Festival. The film has been incorporated in a\n program for high school students on race identity by the New Museum in New York, and\n has inspired an Afro-Punk Film Festival at the Brooklyn Academy of Music, which he\n has been co-curating. He was Resident Video Installation Artist at the Ase Dance\n Theatre Collective in New York, where he created new media works with a\n choreographer. Prior to working in film, he was a sculptor, whose work showed in\n galleries in New York and Seattle. He has also been an editor and an editing\n consultant. More recently, Spooner made his narrative film debut with White Lies, Black Sheep (2007). ","Stew (panelist/interviewee) is a Tony Award-winning\n singer/songwriter/playwright from Los Angeles. Together with his collaborator Heidi\n Rodewald, Stew leads two critically acclaimed bands: The Negro Problem and Stew,\n both of which were formed in the early 1990s. By the turn of the millennium, The\n Negro Problem was enjoying considerable success, receiving Entertainment Weekly 's Album of the Year award in both 2000 and 2002.\n In 2004, Stew and Heidi Rodewald received the support of the Sundance Institute and\n The Public Theater to produce the musical Passing\n Strange , which has had successful runs at the Berkeley Repertory\n Theater, The Public Theater (NYC), and the Belasco Theatre on Broadway. More\n recently, Spike Lee directed a film version of Passing\n Strange , which is receiving glowing praise at film festivals and aired\n on PBS in the spring of 2010. As a result of his various creative ventures, Stew has\n been the recipient of numerous awards, including a 2008 Tony for Best Book of a\n Musical, two Obie awards for Best New Theater Piece and Best Ensemble as a cast\n member, and is a four-time Tony nominee. Stew was also the recipient of a 2009 Meet\n the Composer grant for a new multi-media work Making\n It , commissioned by St. Ann’s Warehouse in New York and scheduled for\n performance in 2010. Stew’s recorded output includes Post\n Minstrel Syndrome (1997), Joys and\n Concerns (1999), Guest Host (2000),\n The Naked Dutch Painter (2002), Welcome Black (2002), Something\n Deeper than these Changes (2003), and the cast album of Passing Strange (2008). ","Tamar-kali (panelist/interviewee): \n Songwriter-vocalist-guitarist Tamar-kali came on the New York rock scene around 1993\n while performing with the band Funkface. Shortly thereafter, she became the front\n woman for Song of Seven, another New York-based rock band. Eventually, Tamar-kali's\n strength as a woman in a male-dominated genre led to creative conflict and compelled\n her toward her own expression as a songwriter and vocalist, which resulted into her\n eclectic musical style. Her band 5ive Piece incorporates hard-core funk, melodic\n guitar riffs, dissonant harmonies, even and odd-metered grooves and unorthodox song\n forms. In addition to the instrumental styles of 5ive Piece, Tamar-kali's diverse\n vocal range allows her to execute warm, round, dark and raspy tones from low to high\n registers upon demand. She also performs with the string quartet Psycho Chamber\n Ensemble, which performs renditions of songs by 5ive Piece as well as those arranged\n and composed specifically for strings by Tamar-kali. Along with leading her diverse\n ensembles and heading up her own production company, Flaming Yoni Productions,\n Tamar-kali has worked with other artists in hip-hop and rock such as Outkast and\n Fishbone. In addition to appearing in the film Afro-punk , Tamar-kali has been featured in Vibe , Fader and Village Voice magazines. ","Greg Tate (panelist) is an American author who has spent\n the last two decades formulating a critical language that has redefined African\n American cultural theory and writing. An essayist and long time staff writer for\n Village Voice , Tate has published widely, with\n writings on art, music, and culture appearing in The New York\n Times , Rolling Stone , The Washington Post , Spin , Artforum , The\n Nation , DownBeat , and Africa-based\n magazines such as Glendora Review and Chimurenga . The impact of Tate's writing lies in the\n seminal productive tensions he navigates between post-structural theory and Black\n cultural nationalism, academia and street culture. Tate has been inspired by Black\n innovators such as Miles Davis, Jimi Hendrix, Sly Stone, George Clinton, and the\n artist Jean-Michel Basquiat. Furthermore, Tate has defied fixed notions about what\n constitutes authentic Black culture, and has inscribed a new radical trajectory that\n is simultaneously rebellious yet intelligently written. Now in his 50s, Tate\n continues to challenge cultural hegemony, writing on everything from hip-hop to\n YouTube . His books include Flyboy in the Buttermilk (1992), Midnight\n Lightning : Jimi Hendrix and the Black Experience (2003), and Everything but the Burden : What White People Are Taking from\n Black Culture (2003). He is also a founding member of the Black Rock\n Coalition and the conductor and music director of Burnt Sugar, a band that fuses\n jazz, rock, funk, and African music in a lyrical, exploratory and improvisational\n manner. ","Kamara Thomas (panelist/interviewee), along with Matt\n Whyte, is one of the founding members of the band Earl Greyhound. Living and working\n in New York City, the pair began performing regularly as a duo. All along, they were\n crafting the sound and songs that would form the foundation for a colossal rock band\n influenced by the strident English three- and four-pieces of the '70s, the dark pop\n and heavy grooves of the '90s, and the transcendental, noisy acid sounds of modern\n rock. The band's first full-length album, Soft\n Targets , was recorded in Los Angeles and Brooklyn in 2005 and earned the\n group many fans and critical acclaim from publications including The New Yorker , Spin ,\n Rolling Stone , Brooklyn\n Vegan , and Pitchfork . Even more so, the\n band's live show quickly drew heaps of attention and gained a steady reputation\n among critics and fans alike as a veritable rock-n-roll wrecking ball. Earl\n Greyhound toured relentlessly for the next two years all over the U.S., Canada, and\n Japan, and autumn 2007 was spent playing theatres as openers for the band's good\n friend Shooter Jennings, as well as for Soundgarden and Audioslave's Chris Cornell.\n In spring 2010 Earl Greyhound released their sophomore album Suspicious Package . ","Suzanne Thomas (panelist/interviewee): A real deal blues\n guitarist and vocalist, Suzanne Thomas no stranger to the blues. Life for Thomas\n started out as an abandoned biracial child in South Korea, where she lived in an\n orphanage until an American family adopted her into the States at five. She began\n studying organ at the age of six and, as fate would have it, Thomas was given her\n first music lessons and introduction to the organ by the great Jimmy Smith. Thomas\n abandoned dental school at Ohio State to attend music school in Los Angeles. After\n time in all-female groups such as School Boy Crush, Software, and PMS, Thomas formed\n Crank, a 3-piece hard rock band that shared the stage with Ice T and Body Count,\n Fishbone, and Macy Gray. Thomas has also been hired out as a guitarist to several\n funk and R\u0026B bands, notably doubling on guitar and bass in the Grammy-winning\n band A Taste of Honey. She took second place in the 7th annual Jimi Hendrix contest,\n and played in Japan, France, and New York at various music festivals and events\n including the Manhattan Music Center. Thomas currently performs with her band The\n Blues Church. ","Linda Tillery (panelist/interviewee): Before becoming a\n prominent figure in women's music in the 1990s, San Francisco native Linda Tillery\n began her singing career in the 1960s with the gender and racially integrated\n psychedelic/soul band The Loading Zone, which was modeled somewhat after Sly \u0026\n the Family Stone. After two albums with that band, Tillery released her solo debut,\n Sweet Linda Divine , on CBS in 1970 to\n enthusiastic reviews and high praise. She spent most of the 1970s singing and\n playing drums on over forty albums, including those by Mary Watkins and Teresa\n Trull. Having become a staff musician and producer at Olivia Records, Tillery\n released her second solo album, a self-titled effort, on the label in 1978,\n garnering a Bay Area Music Award for Best Independently Produced Album. Tillery has\n twice gone on to win Bay Area Jazz awards for Outstanding Female Vocalist. In\n subsequent years, Tillery collaborated with female musical powerhouses including\n June Millington, Deidre McCalla, Barbara Higbie, and Margie Adam, as well as on the\n Olivia Records 10th anniversary album, Meg/Cris Live at\n Carnegie (1983). In 1985, Tillery released Secrets on her own 411 label which returned her to center stage. In\n recent years, she has assembled a large band, Skin Tight, which plays jazzy, funky\n blues. She has also performed with the ZaSu Pitts Memorial Orchestra and has\n branched out into radio, film, theater, and television commercials. She has worked\n for the National Endowment for the Arts and appeared with artists ranging from\n Santana, Kenny Loggins, and Huey Lewis to the Turtle Island String Quartet, Bobby\n McFerrin, and Holly Near. In 1992, Tillery created the Cultural Heritage Choir as an\n outlet for her desire to perform the traditional spiritual music of African American\n slaves and their descendants. ","Ike Willis (panelist/interviewee) first met Frank Zappa\n while studying political science at Washington University. Willis volunteered to\n help with the concert committee just so he could get a backstage pass to meet Frank\n Zappa. As a result of this meeting in 1978, Willis became Zappa's lead singer and\n rhythm guitarist for nearly fifteen years. In addition to touring, Willis performed\n on Zappa's albums Joe's Garage , Tinsel Town Rebellion , and You\n Are What You Is . He also played the title character and narrator in\n Zappa's off-Broadway musical, Thing-Fish . Willis'\n distinct baritone vocals coupled with his melodic guitar style continues to solidify\n the musical legacy of Frank Zappa, which Willis promotes not only through his own\n music, but also via performances with ensembles around the world that perform Frank\n Zappa's music, such as Bogus Pomp, Project/Object, Ugly Radio Rebellion, and The\n Central Scrutinizer Band. ","On November 13th and 14th, the Archives of African American Music and Culture (AAAMC)\n hosted a two-day conference on Black rock on the Indiana University-Bloomington\n campus. The conference and related activities were open to local and regional\n musicians, scholars, students, and the general public.","Reclaiming the Right to Rock : Black Experiences in Rock\n Music brought together Black rock musicians from different generations\n and regions with music critics and scholars to discuss the socio-political history,\n musical developments, and the future of Black rock. The main component of the\n conference was a set of three panels, each exploring one of the following topics: 1)\n the conceptualization and origins of Black rock; 2) the politics of Black rock; 3)\n the face of Black rock in the 21st century.","The core panelists were those artists considered to be innovators and practitioners\n of Black rock in the United States, including representatives from the East and West\n Coasts such as Linda Tillery, Ike Willis, Tamar-kali, and Netic. The conference also\n celebrated the 25th anniversary of the Black Rock Coalition, which was founded to\n create \"a united atmosphere conducive to the maximum development, exposure, [and]\n acceptance of Black alternative music.\"","In conjunction with the conference, the AAAMC also collaborated with a number of\n units and organizations at Indiana University to arrange a series of film\n screenings, concerts, and workshops, which were hosted on the Bloomington campus\n during the conference weekend and throughout the Fall 2009 semester.","In addition to professionally videotaped footage of the three conference sessions,\n the IU Union Board Concert, and one-on-one interviews with each of the panelists\n (minus Greg Tate), a number of volunteers assisted with documenting the conference\n and conference-related events. The professionally videotaped footage consists of\n high definition QuickTime files provided by IU's Radio and Television Services\n (RTVS). Conference volunteers produced miniDVs as well as image, audio, and video\n files in a variety of formats. Also included in the collection are a number of\n internal documents produced by AAAMC staff members during the production of the\n conference, including publicity materials, contract templates, grant materials, and\n planning documents. ","This collection consists of\n documentation and one-on-one interviews from the AAAMC's two-day conference on Black\n rock hosted on the Indiana University-Bloomington campus on November 13-14, 2009.\n The conference and related activities were open to local and regional musicians,\n scholars, students, and brought together Black rock musicians from different\n generations and regions with music critics and scholars to discuss the\n socio-political history, musical developments, and the future of Black rock.\n ","Indiana University, Archives of African American Music and Culture\n (AAAMC)","Indiana University, Archives of\n African American Music and Culture (AAAMC)","Blues Church (Musical group)","Indiana University, Radio and Television\n Services","IU Soul Revue","Monroe County Public Library, Community\n Access Television Services","Students enrolled in Telecommunications\n T-353","Crazy Horse, Kandia","Fields, Rob","Garofalo, Reebee","Hollinden, Andy, 1961-","Mahon, Maureen","Mitchell, Moe","Netic","Spooner, James","Stew, 1961-","Tamar-kali","Tate, Greg","Thomas, Kamara","Thomas, Suzanne","Tillery, Linda","Willis, Ike","Hollinden, Andy","Stew","McAlpin, Michael","Batcheller, Anna","Sewald, Ronda L.","Allbrittin, Deanna","Berry, William","Brown, Clayton","Ford, Starla","Rizzi, Jessica","Rowley, Ariel","Williams, Lorrin[?]","Orjuela, Fernando[?]","Burnim, Mellonee","Wilkins, Langston","Nelson-Strauss, Brenda","Estrada, Zilia C.","Walter, Rich","Kreiger, Meryl","Unidentified student from Paul Mahern's\n \"Audio production\" course","Wallner, Jessie","Ozdegirmenci, Izlem","Cooper, Kailee","Fales, Cornelia","Lee, Mike","Unidentified student from Paul Mahern's\n \"Audio Production\" course","Guest-Scott, Anthony","Hatlen, Merrill","Hsu, Hsin-Wen","Teo, Bertrand","Kilpin, Jordan","Powell, Gary","Lamping, Nicholas","Davis, Gareth","Cooper, Tyron"," Materials are in English . "],"unitid_tesim":["SC\n 151"],"normalized_date_ssm":["2008-2010"],"normalized_title_ssm":["Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection, 2008-2010"],"collection_title_tesim":["Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection, 2008-2010"],"collection_ssim":["Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection, 2008-2010"],"repository_ssm":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"creator_ssm":["Indiana University, Archives of\n African American Music and Culture (AAAMC)"],"creator_ssim":["Indiana University, Archives of\n African American Music and Culture (AAAMC)"],"creator_corpname_ssim":["Indiana University, Archives of\n African American Music and Culture (AAAMC)"],"creators_ssim":["Indiana University, Archives of\n African American Music and Culture (AAAMC)"],"acqinfo_ssim":["All education rights for conference session footage and one-on-one interviews\n with the panelists was released to the Indiana University Board of Trustees in\n November 2009. "],"access_subjects_ssim":["African American rock\n musicians--Interviews","Music and race","Rock music--History and criticism","Sound recording industry","African Americans--Music","Rock concerts","Racism--United States"],"access_subjects_ssm":["African American rock\n musicians--Interviews","Music and race","Rock music--History and criticism","Sound recording industry","African Americans--Music","Rock concerts","Racism--United States"],"has_online_content_ssim":["false"],"extent_ssm":["46 video files (HD QuickTime) (21 hours, 45 minutes)"],"extent_tesim":["46 video files (HD QuickTime) (21 hours, 45 minutes)"],"physfacet_tesim":[" :\n sound, color ; 1440 x 1080, 35 MBps, 29.97 fps + 28 videocassettes (miniDV)\n (circa 21 hours), 1 box documentation, assorted audio, video, and image\n files"],"date_range_isim":[2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to the public. MiniDV videocassettes require the creation of\n reference copies. If you are interested in viewing the contents of the miniDVs,\n please contact the AAAMC staff well in advance of your visit for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["This collection is open to the public. MiniDV videocassettes require the creation of\n reference copies. If you are interested in viewing the contents of the miniDVs,\n please contact the AAAMC staff well in advance of your visit for details."],"arrangement_html_tesm":["\u003cp\u003eArranged in five series: \u003clist type=\"marked\"\u003e\n \u003citem\u003eSeries 1. Conference Sessions\u003c/item\u003e\n \u003citem\u003eSeries 2. One-on-One Interviews\u003c/item\u003e\n \u003citem\u003eSeries 3. Conference-Related Events\u003c/item\u003e\n \u003citem\u003eSeries 4. Miscellaneous Audiovisual Materials\u003c/item\u003e\n \u003citem\u003eSeries 5. AAAMC Production Materials\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged in five series: Series 1. Conference Sessions Series 2. One-on-One Interviews Series 3. Conference-Related Events Series 4. Miscellaneous Audiovisual Materials Series 5. AAAMC Production Materials"],"bioghist_html_tesm":["\u003cp\u003e\n \u003cemph render=\"bold\"\u003eKandia Crazy Horse (panelist/interviewee):\u003c/emph\u003e Raised on a\n variety of music, from P-Funk to Supertramp, electric guitar evangelism to country\n and western, D.C. native Kandia Crazy Horse has worked as a rock critic for over a\n decade. Crazy Horse began writing, in her words, \"simply because I could ‘speak so\n well’ like Colin Powell; read and write; and had a favorite band throughout the '90s\n that got awful press and a lot of disdain: the Black Crowes. As a New Southerner\n with a brain, I figured it was my job to champion them because they made great Black\n music.\" The Brooklyn-based writer was formerly the music editor at Creative Loafing\n in Charlotte, N.C., and has contributed to numerous publications, including \u003ctitle render=\"italic\"\u003ePaper\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eHarp\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eVillage Voice\u003c/title\u003e, \u003ctitle render=\"italic\"\u003ePopmatters.com\u003c/title\u003e, and the \u003ctitle render=\"italic\"\u003eSan Francisco Bay\n Guardian\u003c/title\u003e. She supported Afrofuturism by editing \u003ctitle render=\"italic\"\u003eRip It Up : The Black Experience in Rock 'n' Roll\u003c/title\u003e (2004), noted for\n being \"an eclectic mix of interviews and essays on Black rock 'n' roll--filled with\n fascinating information and provocative ideas.\" Crazy Horse was the 2008-2009\n Anschutz Distinguished Fellow in American Studies at Princeton University, where she\n taught the course \"Roll over Beethoven : Black Rock \u0026amp; Cultural Revolt,\" and\n organized and mounted a Southern rock symposium titled \u003ctitle render=\"italic\"\u003eRadio\n Free Dixie-- or, De Dirty South Brokedown\u003c/title\u003e. Crazy Horse challenges Black\n readers to take pride in the history of Black rock, to \"attempt to conserve it,\n don't just fritter it away and then lament it being lost forever after.\"\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eRob Fields (panelist/interviewee):\u003c/emph\u003e Self-described \"Black\n rock evangelist\" Rob Fields writes about Black rock and Black culture on his blog\n \u003ctitle render=\"italic\"\u003eBold as Love\u003c/title\u003e, which focuses on exploring,\n celebrating and evangelizing the growing music genre known as Black rock, Afro-punk\n or urban alternative (URB ALT). In conjunction with his blog, he runs a live event\n series, \u003ctitle render=\"italic\"\u003eBold as Live\u003c/title\u003e, which creates new opportunities\n for audiences to discover Black rock through shows, lectures, and discussions. He\n has worked professionally in the Black rock scene since the early 1990s, when he\n became Director of PR for the Black Rock Coalition. Following this, he went into\n artist management, working for Capitol Records and representing alternative Black\n artists such as trombonist Josh Roseman and M-Base cofounder Graham Haynes. With his\n background in marketing, Rob's interest lies in providing context for audiences\n (particularly Black audiences) to understand and enjoy what they're hearing in Black\n rock, and to help Black rock artists find ways to make Black rock matter in the\n marketplace. Rob has been a guest several times on NPR, and was a panelist at the\n 2009 SXSW Music Conference. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eReebee Garofalo (moderator/interviewer)\u003c/emph\u003e is author of\n \u003ctitle render=\"italic\"\u003eRockin Out : Popular Music in the USA\u003c/title\u003e and has\n been a professor at the College of Public and Community Service at U Mass Boston\n since 1978. He is also affiliated with the American Studies Program. Professor\n Garofalo is an internationally known scholar of popular music studies who has\n written numerous articles on music and politics, racism, censorship, and the\n globalization of the music industry and has lectured widely on a broad range of\n subjects relating to the operations of the music industry. At CPCS he has been\n spearheading the Community Media and Technology Major—a cutting edge media and\n technology program designed to encourage a combination of technical proficiency and\n social vision. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAndy Hollinden (moderator/interviewer)\u003c/emph\u003e teaches at the\n Jacobs School of Music at Indiana University, where he has developed several courses\n on popular music that have become widely favored by students on the campus. Such\n courses include the history of blues, rock, Frank Zappa, and Jimi Hendrix. In\n addition to Hollinden's professorial duties, he composes and produces music for\n videos and has performed and recorded with numerous rock bands. So far, he has\n written and produced seven CDs of his own music: \u003ctitle render=\"italic\"\u003eMoving Earth\n from There to Here\u003c/title\u003e (1994), \u003ctitle render=\"italic\"\u003eBoot rouge et\n swabs\u003c/title\u003e (1996), \u003ctitle render=\"italic\"\u003eHeat to Fragrance\u003c/title\u003e (2000),\n \u003ctitle render=\"italic\"\u003eBegging's Not Endearing\u003c/title\u003e (2002), \u003ctitle render=\"italic\"\u003eStick It in Your Sound Hole\u003c/title\u003e (2004), \u003ctitle render=\"italic\"\u003eTrust Yourself\u003c/title\u003e (2006), and \u003ctitle render=\"italic\"\u003eGrieve\n for the Living\u003c/title\u003e (2008). As one of the moderators for this conference,\n Hollinden brings a broad historical awareness of the roots of rock music, which is\n centered in the African American cultural tradition, along with the understanding of\n musical, racial and political negotiations between Black and White musicians who\n have been associated with the genre. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMaureen Mahon (moderator/interviewer)\u003c/emph\u003e is an associate\n professor in the Department of Music at New York University. A cultural\n anthropologist, her research interests include African American history and culture;\n the construction and performance of race and gender in music; and the relationship\n between race, class, generation, and culture. She is the author of \u003ctitle render=\"italic\"\u003eRight to Rock : The Black Rock Coalition and the Cultural\n Politics of Race\u003c/title\u003e (Duke University Press, 2004) and has published\n articles on African Americans and rock music in academic venues and at \u003ctitle render=\"italic\"\u003eEbonyJet.com\u003c/title\u003e. Her current research on the music and\n legacy of Black women in rock examines the intersection of gender, race, sexuality,\n and music production. She has held fellowships from the National Science Foundation,\n the Ford Foundation, and the American Association of University Women and has taught\n at Wesleyan University and UCLA. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMoe Mitchell (panelist/interviewee):\u003c/emph\u003e A graduate of Howard\n University, Moe Mitchell has established himself as an activist and musician in the\n underground punk scene. His band Cipher, founded in 1996, is committed to opening\n critical spaces in underground music to reawaken the legacy of dissent in today's\n hardcore, weaving together elements of hardcore and metal with melodicism and\n politically radical lyrics to form a provocative, probing treatment of race, gender,\n and class. Mitchell was one of the four artists profiled in James Spooner's 2003\n documentary \u003ctitle render=\"italic\"\u003eAfro-punk\u003c/title\u003e, which explored issues of race\n identity within the punk scene. Cipher was formed in 1996 by longtime friends who\n wanted to bring something new to underground music. Elements of hardcore and metal\n are woven with politically radical lyrics to form a provocative, probing treatment\n of race, gender, and class. Cipher's most recent album, \u003ctitle render=\"italic\"\u003eChildren of God's Fire\u003c/title\u003e (2005), was released to critical acclaim as \"an\n unrelenting, neo-revolutionary musical statement, transcending genres and provoking\n thoughts.\" As one reviewer put it, \"In front of ambitiously bruising slabs of\n hardcore, Cipher front man Moe Mitchell ponders everything from patriarchy to the\n pharmaceutical industry.\" Cipher released their second album, \u003ctitle render=\"italic\"\u003eThe Joyous Collapse\u003c/title\u003e, in late 2009. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eNetic (panelist/interviewee)\u003c/emph\u003e is one of the founders as\n well as the lead vocalist of the Brooklyn-born band Game Rebellion. Before rhyming\n with Game Rebellion, he was a brain and cognitive sciences major at Massachusetts\n Institute of Technology (MIT) in Cambridge, Massachusetts, where he enrolled at the\n age of sixteen. Game Rebellion is an all-Black, all-outta-Brooklyn band whose metal,\n punk, and rudeboy skanking licks sound as credible and crunchy as their hip-hop\n lyrics and head nodding bounce. The lyrical prowess and production of Netic provide\n an unobstructed view of the angst of young rebels everywhere. Game Rebellion has\n been making big waves on the New York scene for about three years. In that short\n time they've ventured out even further to slam heads, rock houses and muddy the lily\n white waters of hip-hop and rock from NYC and Cali to Puerto Rico and the UK. They\n just may be the best-kept secret in music right now. Their album \u003ctitle render=\"italic\"\u003eSearching for Rick Rubin\u003c/title\u003e (2008) explores classic hip-hop\n songs originally produced by studio legend Rick Rubin, re-imagined in Game\n Rebellion’s own style and mixed by J.period. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eJames Spooner (panelist/interviewee)\u003c/emph\u003e is a filmmaker and\n fine artist. His award-winning debut feature documentary \u003ctitle render=\"italic\"\u003eAfro-punk\u003c/title\u003e has screened at festivals in the U.S. and abroad, including\n the Toronto International Film Festival, New York's Urbanworld Film Festival, the\n American Black Film Festival, Mar del Plata International Film Festival (Argentina),\n and the London Lesbian and Gay Film Festival. The film has been incorporated in a\n program for high school students on race identity by the New Museum in New York, and\n has inspired an Afro-Punk Film Festival at the Brooklyn Academy of Music, which he\n has been co-curating. He was Resident Video Installation Artist at the Ase Dance\n Theatre Collective in New York, where he created new media works with a\n choreographer. Prior to working in film, he was a sculptor, whose work showed in\n galleries in New York and Seattle. He has also been an editor and an editing\n consultant. More recently, Spooner made his narrative film debut with \u003ctitle render=\"italic\"\u003eWhite Lies, Black Sheep\u003c/title\u003e (2007). \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eStew (panelist/interviewee)\u003c/emph\u003e is a Tony Award-winning\n singer/songwriter/playwright from Los Angeles. Together with his collaborator Heidi\n Rodewald, Stew leads two critically acclaimed bands: The Negro Problem and Stew,\n both of which were formed in the early 1990s. By the turn of the millennium, The\n Negro Problem was enjoying considerable success, receiving \u003ctitle render=\"italic\"\u003eEntertainment Weekly\u003c/title\u003e's Album of the Year award in both 2000 and 2002.\n In 2004, Stew and Heidi Rodewald received the support of the Sundance Institute and\n The Public Theater to produce the musical \u003ctitle render=\"italic\"\u003ePassing\n Strange\u003c/title\u003e, which has had successful runs at the Berkeley Repertory\n Theater, The Public Theater (NYC), and the Belasco Theatre on Broadway. More\n recently, Spike Lee directed a film version of \u003ctitle render=\"italic\"\u003ePassing\n Strange\u003c/title\u003e, which is receiving glowing praise at film festivals and aired\n on PBS in the spring of 2010. As a result of his various creative ventures, Stew has\n been the recipient of numerous awards, including a 2008 Tony for Best Book of a\n Musical, two Obie awards for Best New Theater Piece and Best Ensemble as a cast\n member, and is a four-time Tony nominee. Stew was also the recipient of a 2009 Meet\n the Composer grant for a new multi-media work \u003ctitle render=\"italic\"\u003eMaking\n It\u003c/title\u003e, commissioned by St. Ann’s Warehouse in New York and scheduled for\n performance in 2010. Stew’s recorded output includes \u003ctitle render=\"italic\"\u003ePost\n Minstrel Syndrome\u003c/title\u003e (1997), \u003ctitle render=\"italic\"\u003eJoys and\n Concerns\u003c/title\u003e (1999), \u003ctitle render=\"italic\"\u003eGuest Host\u003c/title\u003e (2000),\n \u003ctitle render=\"italic\"\u003eThe Naked Dutch Painter\u003c/title\u003e (2002), \u003ctitle render=\"italic\"\u003eWelcome Black\u003c/title\u003e (2002), \u003ctitle render=\"italic\"\u003eSomething\n Deeper than these Changes\u003c/title\u003e (2003), and the cast album of \u003ctitle render=\"italic\"\u003ePassing Strange\u003c/title\u003e (2008). \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eTamar-kali (panelist/interviewee):\u003c/emph\u003e\n Songwriter-vocalist-guitarist Tamar-kali came on the New York rock scene around 1993\n while performing with the band Funkface. Shortly thereafter, she became the front\n woman for Song of Seven, another New York-based rock band. Eventually, Tamar-kali's\n strength as a woman in a male-dominated genre led to creative conflict and compelled\n her toward her own expression as a songwriter and vocalist, which resulted into her\n eclectic musical style. Her band 5ive Piece incorporates hard-core funk, melodic\n guitar riffs, dissonant harmonies, even and odd-metered grooves and unorthodox song\n forms. In addition to the instrumental styles of 5ive Piece, Tamar-kali's diverse\n vocal range allows her to execute warm, round, dark and raspy tones from low to high\n registers upon demand. She also performs with the string quartet Psycho Chamber\n Ensemble, which performs renditions of songs by 5ive Piece as well as those arranged\n and composed specifically for strings by Tamar-kali. Along with leading her diverse\n ensembles and heading up her own production company, Flaming Yoni Productions,\n Tamar-kali has worked with other artists in hip-hop and rock such as Outkast and\n Fishbone. In addition to appearing in the film \u003ctitle render=\"italic\"\u003eAfro-punk\u003c/title\u003e, Tamar-kali has been featured in \u003ctitle render=\"italic\"\u003eVibe\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eFader\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eVillage Voice\u003c/title\u003e magazines. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eGreg Tate (panelist)\u003c/emph\u003e is an American author who has spent\n the last two decades formulating a critical language that has redefined African\n American cultural theory and writing. An essayist and long time staff writer for\n \u003ctitle render=\"italic\"\u003eVillage Voice\u003c/title\u003e, Tate has published widely, with\n writings on art, music, and culture appearing in \u003ctitle render=\"italic\"\u003eThe New York\n Times\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eRolling Stone\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eThe Washington Post\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eSpin\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eArtforum\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eThe\n Nation\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eDownBeat\u003c/title\u003e, and Africa-based\n magazines such as \u003ctitle render=\"italic\"\u003eGlendora Review\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eChimurenga\u003c/title\u003e. The impact of Tate's writing lies in the\n seminal productive tensions he navigates between post-structural theory and Black\n cultural nationalism, academia and street culture. Tate has been inspired by Black\n innovators such as Miles Davis, Jimi Hendrix, Sly Stone, George Clinton, and the\n artist Jean-Michel Basquiat. Furthermore, Tate has defied fixed notions about what\n constitutes authentic Black culture, and has inscribed a new radical trajectory that\n is simultaneously rebellious yet intelligently written. Now in his 50s, Tate\n continues to challenge cultural hegemony, writing on everything from hip-hop to\n \u003ctitle render=\"italic\"\u003eYouTube\u003c/title\u003e. His books include \u003ctitle render=\"italic\"\u003eFlyboy in the Buttermilk\u003c/title\u003e (1992), \u003ctitle render=\"italic\"\u003eMidnight\n Lightning : Jimi Hendrix and the Black Experience\u003c/title\u003e (2003), and \u003ctitle render=\"italic\"\u003eEverything but the Burden : What White People Are Taking from\n Black Culture\u003c/title\u003e (2003). He is also a founding member of the Black Rock\n Coalition and the conductor and music director of Burnt Sugar, a band that fuses\n jazz, rock, funk, and African music in a lyrical, exploratory and improvisational\n manner. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eKamara Thomas (panelist/interviewee),\u003c/emph\u003e along with Matt\n Whyte, is one of the founding members of the band Earl Greyhound. Living and working\n in New York City, the pair began performing regularly as a duo. All along, they were\n crafting the sound and songs that would form the foundation for a colossal rock band\n influenced by the strident English three- and four-pieces of the '70s, the dark pop\n and heavy grooves of the '90s, and the transcendental, noisy acid sounds of modern\n rock. The band's first full-length album, \u003ctitle render=\"italic\"\u003eSoft\n Targets\u003c/title\u003e, was recorded in Los Angeles and Brooklyn in 2005 and earned the\n group many fans and critical acclaim from publications including \u003ctitle render=\"italic\"\u003eThe New Yorker\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eSpin\u003c/title\u003e,\n \u003ctitle render=\"italic\"\u003eRolling Stone\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eBrooklyn\n Vegan\u003c/title\u003e, and \u003ctitle render=\"italic\"\u003ePitchfork\u003c/title\u003e. Even more so, the\n band's live show quickly drew heaps of attention and gained a steady reputation\n among critics and fans alike as a veritable rock-n-roll wrecking ball. Earl\n Greyhound toured relentlessly for the next two years all over the U.S., Canada, and\n Japan, and autumn 2007 was spent playing theatres as openers for the band's good\n friend Shooter Jennings, as well as for Soundgarden and Audioslave's Chris Cornell.\n In spring 2010 Earl Greyhound released their sophomore album \u003ctitle render=\"italic\"\u003eSuspicious Package\u003c/title\u003e. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSuzanne Thomas (panelist/interviewee):\u003c/emph\u003e A real deal blues\n guitarist and vocalist, Suzanne Thomas no stranger to the blues. Life for Thomas\n started out as an abandoned biracial child in South Korea, where she lived in an\n orphanage until an American family adopted her into the States at five. She began\n studying organ at the age of six and, as fate would have it, Thomas was given her\n first music lessons and introduction to the organ by the great Jimmy Smith. Thomas\n abandoned dental school at Ohio State to attend music school in Los Angeles. After\n time in all-female groups such as School Boy Crush, Software, and PMS, Thomas formed\n Crank, a 3-piece hard rock band that shared the stage with Ice T and Body Count,\n Fishbone, and Macy Gray. Thomas has also been hired out as a guitarist to several\n funk and R\u0026amp;B bands, notably doubling on guitar and bass in the Grammy-winning\n band A Taste of Honey. She took second place in the 7th annual Jimi Hendrix contest,\n and played in Japan, France, and New York at various music festivals and events\n including the Manhattan Music Center. Thomas currently performs with her band The\n Blues Church. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eLinda Tillery (panelist/interviewee):\u003c/emph\u003e Before becoming a\n prominent figure in women's music in the 1990s, San Francisco native Linda Tillery\n began her singing career in the 1960s with the gender and racially integrated\n psychedelic/soul band The Loading Zone, which was modeled somewhat after Sly \u0026amp;\n the Family Stone. After two albums with that band, Tillery released her solo debut,\n \u003ctitle render=\"italic\"\u003eSweet Linda Divine\u003c/title\u003e, on CBS in 1970 to\n enthusiastic reviews and high praise. She spent most of the 1970s singing and\n playing drums on over forty albums, including those by Mary Watkins and Teresa\n Trull. Having become a staff musician and producer at Olivia Records, Tillery\n released her second solo album, a self-titled effort, on the label in 1978,\n garnering a Bay Area Music Award for Best Independently Produced Album. Tillery has\n twice gone on to win Bay Area Jazz awards for Outstanding Female Vocalist. In\n subsequent years, Tillery collaborated with female musical powerhouses including\n June Millington, Deidre McCalla, Barbara Higbie, and Margie Adam, as well as on the\n Olivia Records 10th anniversary album, \u003ctitle render=\"italic\"\u003eMeg/Cris Live at\n Carnegie\u003c/title\u003e (1983). In 1985, Tillery released \u003ctitle render=\"italic\"\u003eSecrets\u003c/title\u003e on her own 411 label which returned her to center stage. In\n recent years, she has assembled a large band, Skin Tight, which plays jazzy, funky\n blues. She has also performed with the ZaSu Pitts Memorial Orchestra and has\n branched out into radio, film, theater, and television commercials. She has worked\n for the National Endowment for the Arts and appeared with artists ranging from\n Santana, Kenny Loggins, and Huey Lewis to the Turtle Island String Quartet, Bobby\n McFerrin, and Holly Near. In 1992, Tillery created the Cultural Heritage Choir as an\n outlet for her desire to perform the traditional spiritual music of African American\n slaves and their descendants. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eIke Willis (panelist/interviewee)\u003c/emph\u003e first met Frank Zappa\n while studying political science at Washington University. Willis volunteered to\n help with the concert committee just so he could get a backstage pass to meet Frank\n Zappa. As a result of this meeting in 1978, Willis became Zappa's lead singer and\n rhythm guitarist for nearly fifteen years. In addition to touring, Willis performed\n on Zappa's albums \u003ctitle render=\"italic\"\u003eJoe's Garage\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eTinsel Town Rebellion\u003c/title\u003e, and \u003ctitle render=\"italic\"\u003eYou\n Are What You Is\u003c/title\u003e. He also played the title character and narrator in\n Zappa's off-Broadway musical, \u003ctitle render=\"italic\"\u003eThing-Fish\u003c/title\u003e. Willis'\n distinct baritone vocals coupled with his melodic guitar style continues to solidify\n the musical legacy of Frank Zappa, which Willis promotes not only through his own\n music, but also via performances with ensembles around the world that perform Frank\n Zappa's music, such as Bogus Pomp, Project/Object, Ugly Radio Rebellion, and The\n Central Scrutinizer Band. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Kandia Crazy Horse (panelist/interviewee): Raised on a\n variety of music, from P-Funk to Supertramp, electric guitar evangelism to country\n and western, D.C. native Kandia Crazy Horse has worked as a rock critic for over a\n decade. Crazy Horse began writing, in her words, \"simply because I could ‘speak so\n well’ like Colin Powell; read and write; and had a favorite band throughout the '90s\n that got awful press and a lot of disdain: the Black Crowes. As a New Southerner\n with a brain, I figured it was my job to champion them because they made great Black\n music.\" The Brooklyn-based writer was formerly the music editor at Creative Loafing\n in Charlotte, N.C., and has contributed to numerous publications, including Paper , Harp , Village Voice , Popmatters.com , and the San Francisco Bay\n Guardian . She supported Afrofuturism by editing Rip It Up : The Black Experience in Rock 'n' Roll (2004), noted for\n being \"an eclectic mix of interviews and essays on Black rock 'n' roll--filled with\n fascinating information and provocative ideas.\" Crazy Horse was the 2008-2009\n Anschutz Distinguished Fellow in American Studies at Princeton University, where she\n taught the course \"Roll over Beethoven : Black Rock \u0026 Cultural Revolt,\" and\n organized and mounted a Southern rock symposium titled Radio\n Free Dixie-- or, De Dirty South Brokedown . Crazy Horse challenges Black\n readers to take pride in the history of Black rock, to \"attempt to conserve it,\n don't just fritter it away and then lament it being lost forever after.\"","Rob Fields (panelist/interviewee): Self-described \"Black\n rock evangelist\" Rob Fields writes about Black rock and Black culture on his blog\n Bold as Love , which focuses on exploring,\n celebrating and evangelizing the growing music genre known as Black rock, Afro-punk\n or urban alternative (URB ALT). In conjunction with his blog, he runs a live event\n series, Bold as Live , which creates new opportunities\n for audiences to discover Black rock through shows, lectures, and discussions. He\n has worked professionally in the Black rock scene since the early 1990s, when he\n became Director of PR for the Black Rock Coalition. Following this, he went into\n artist management, working for Capitol Records and representing alternative Black\n artists such as trombonist Josh Roseman and M-Base cofounder Graham Haynes. With his\n background in marketing, Rob's interest lies in providing context for audiences\n (particularly Black audiences) to understand and enjoy what they're hearing in Black\n rock, and to help Black rock artists find ways to make Black rock matter in the\n marketplace. Rob has been a guest several times on NPR, and was a panelist at the\n 2009 SXSW Music Conference. ","Reebee Garofalo (moderator/interviewer) is author of\n Rockin Out : Popular Music in the USA and has\n been a professor at the College of Public and Community Service at U Mass Boston\n since 1978. He is also affiliated with the American Studies Program. Professor\n Garofalo is an internationally known scholar of popular music studies who has\n written numerous articles on music and politics, racism, censorship, and the\n globalization of the music industry and has lectured widely on a broad range of\n subjects relating to the operations of the music industry. At CPCS he has been\n spearheading the Community Media and Technology Major—a cutting edge media and\n technology program designed to encourage a combination of technical proficiency and\n social vision. ","Andy Hollinden (moderator/interviewer) teaches at the\n Jacobs School of Music at Indiana University, where he has developed several courses\n on popular music that have become widely favored by students on the campus. Such\n courses include the history of blues, rock, Frank Zappa, and Jimi Hendrix. In\n addition to Hollinden's professorial duties, he composes and produces music for\n videos and has performed and recorded with numerous rock bands. So far, he has\n written and produced seven CDs of his own music: Moving Earth\n from There to Here (1994), Boot rouge et\n swabs (1996), Heat to Fragrance (2000),\n Begging's Not Endearing (2002), Stick It in Your Sound Hole (2004), Trust Yourself (2006), and Grieve\n for the Living (2008). As one of the moderators for this conference,\n Hollinden brings a broad historical awareness of the roots of rock music, which is\n centered in the African American cultural tradition, along with the understanding of\n musical, racial and political negotiations between Black and White musicians who\n have been associated with the genre. ","Maureen Mahon (moderator/interviewer) is an associate\n professor in the Department of Music at New York University. A cultural\n anthropologist, her research interests include African American history and culture;\n the construction and performance of race and gender in music; and the relationship\n between race, class, generation, and culture. She is the author of Right to Rock : The Black Rock Coalition and the Cultural\n Politics of Race (Duke University Press, 2004) and has published\n articles on African Americans and rock music in academic venues and at EbonyJet.com . Her current research on the music and\n legacy of Black women in rock examines the intersection of gender, race, sexuality,\n and music production. She has held fellowships from the National Science Foundation,\n the Ford Foundation, and the American Association of University Women and has taught\n at Wesleyan University and UCLA. ","Moe Mitchell (panelist/interviewee): A graduate of Howard\n University, Moe Mitchell has established himself as an activist and musician in the\n underground punk scene. His band Cipher, founded in 1996, is committed to opening\n critical spaces in underground music to reawaken the legacy of dissent in today's\n hardcore, weaving together elements of hardcore and metal with melodicism and\n politically radical lyrics to form a provocative, probing treatment of race, gender,\n and class. Mitchell was one of the four artists profiled in James Spooner's 2003\n documentary Afro-punk , which explored issues of race\n identity within the punk scene. Cipher was formed in 1996 by longtime friends who\n wanted to bring something new to underground music. Elements of hardcore and metal\n are woven with politically radical lyrics to form a provocative, probing treatment\n of race, gender, and class. Cipher's most recent album, Children of God's Fire (2005), was released to critical acclaim as \"an\n unrelenting, neo-revolutionary musical statement, transcending genres and provoking\n thoughts.\" As one reviewer put it, \"In front of ambitiously bruising slabs of\n hardcore, Cipher front man Moe Mitchell ponders everything from patriarchy to the\n pharmaceutical industry.\" Cipher released their second album, The Joyous Collapse , in late 2009. ","Netic (panelist/interviewee) is one of the founders as\n well as the lead vocalist of the Brooklyn-born band Game Rebellion. Before rhyming\n with Game Rebellion, he was a brain and cognitive sciences major at Massachusetts\n Institute of Technology (MIT) in Cambridge, Massachusetts, where he enrolled at the\n age of sixteen. Game Rebellion is an all-Black, all-outta-Brooklyn band whose metal,\n punk, and rudeboy skanking licks sound as credible and crunchy as their hip-hop\n lyrics and head nodding bounce. The lyrical prowess and production of Netic provide\n an unobstructed view of the angst of young rebels everywhere. Game Rebellion has\n been making big waves on the New York scene for about three years. In that short\n time they've ventured out even further to slam heads, rock houses and muddy the lily\n white waters of hip-hop and rock from NYC and Cali to Puerto Rico and the UK. They\n just may be the best-kept secret in music right now. Their album Searching for Rick Rubin (2008) explores classic hip-hop\n songs originally produced by studio legend Rick Rubin, re-imagined in Game\n Rebellion’s own style and mixed by J.period. ","James Spooner (panelist/interviewee) is a filmmaker and\n fine artist. His award-winning debut feature documentary Afro-punk has screened at festivals in the U.S. and abroad, including\n the Toronto International Film Festival, New York's Urbanworld Film Festival, the\n American Black Film Festival, Mar del Plata International Film Festival (Argentina),\n and the London Lesbian and Gay Film Festival. The film has been incorporated in a\n program for high school students on race identity by the New Museum in New York, and\n has inspired an Afro-Punk Film Festival at the Brooklyn Academy of Music, which he\n has been co-curating. He was Resident Video Installation Artist at the Ase Dance\n Theatre Collective in New York, where he created new media works with a\n choreographer. Prior to working in film, he was a sculptor, whose work showed in\n galleries in New York and Seattle. He has also been an editor and an editing\n consultant. More recently, Spooner made his narrative film debut with White Lies, Black Sheep (2007). ","Stew (panelist/interviewee) is a Tony Award-winning\n singer/songwriter/playwright from Los Angeles. Together with his collaborator Heidi\n Rodewald, Stew leads two critically acclaimed bands: The Negro Problem and Stew,\n both of which were formed in the early 1990s. By the turn of the millennium, The\n Negro Problem was enjoying considerable success, receiving Entertainment Weekly 's Album of the Year award in both 2000 and 2002.\n In 2004, Stew and Heidi Rodewald received the support of the Sundance Institute and\n The Public Theater to produce the musical Passing\n Strange , which has had successful runs at the Berkeley Repertory\n Theater, The Public Theater (NYC), and the Belasco Theatre on Broadway. More\n recently, Spike Lee directed a film version of Passing\n Strange , which is receiving glowing praise at film festivals and aired\n on PBS in the spring of 2010. As a result of his various creative ventures, Stew has\n been the recipient of numerous awards, including a 2008 Tony for Best Book of a\n Musical, two Obie awards for Best New Theater Piece and Best Ensemble as a cast\n member, and is a four-time Tony nominee. Stew was also the recipient of a 2009 Meet\n the Composer grant for a new multi-media work Making\n It , commissioned by St. Ann’s Warehouse in New York and scheduled for\n performance in 2010. Stew’s recorded output includes Post\n Minstrel Syndrome (1997), Joys and\n Concerns (1999), Guest Host (2000),\n The Naked Dutch Painter (2002), Welcome Black (2002), Something\n Deeper than these Changes (2003), and the cast album of Passing Strange (2008). ","Tamar-kali (panelist/interviewee): \n Songwriter-vocalist-guitarist Tamar-kali came on the New York rock scene around 1993\n while performing with the band Funkface. Shortly thereafter, she became the front\n woman for Song of Seven, another New York-based rock band. Eventually, Tamar-kali's\n strength as a woman in a male-dominated genre led to creative conflict and compelled\n her toward her own expression as a songwriter and vocalist, which resulted into her\n eclectic musical style. Her band 5ive Piece incorporates hard-core funk, melodic\n guitar riffs, dissonant harmonies, even and odd-metered grooves and unorthodox song\n forms. In addition to the instrumental styles of 5ive Piece, Tamar-kali's diverse\n vocal range allows her to execute warm, round, dark and raspy tones from low to high\n registers upon demand. She also performs with the string quartet Psycho Chamber\n Ensemble, which performs renditions of songs by 5ive Piece as well as those arranged\n and composed specifically for strings by Tamar-kali. Along with leading her diverse\n ensembles and heading up her own production company, Flaming Yoni Productions,\n Tamar-kali has worked with other artists in hip-hop and rock such as Outkast and\n Fishbone. In addition to appearing in the film Afro-punk , Tamar-kali has been featured in Vibe , Fader and Village Voice magazines. ","Greg Tate (panelist) is an American author who has spent\n the last two decades formulating a critical language that has redefined African\n American cultural theory and writing. An essayist and long time staff writer for\n Village Voice , Tate has published widely, with\n writings on art, music, and culture appearing in The New York\n Times , Rolling Stone , The Washington Post , Spin , Artforum , The\n Nation , DownBeat , and Africa-based\n magazines such as Glendora Review and Chimurenga . The impact of Tate's writing lies in the\n seminal productive tensions he navigates between post-structural theory and Black\n cultural nationalism, academia and street culture. Tate has been inspired by Black\n innovators such as Miles Davis, Jimi Hendrix, Sly Stone, George Clinton, and the\n artist Jean-Michel Basquiat. Furthermore, Tate has defied fixed notions about what\n constitutes authentic Black culture, and has inscribed a new radical trajectory that\n is simultaneously rebellious yet intelligently written. Now in his 50s, Tate\n continues to challenge cultural hegemony, writing on everything from hip-hop to\n YouTube . His books include Flyboy in the Buttermilk (1992), Midnight\n Lightning : Jimi Hendrix and the Black Experience (2003), and Everything but the Burden : What White People Are Taking from\n Black Culture (2003). He is also a founding member of the Black Rock\n Coalition and the conductor and music director of Burnt Sugar, a band that fuses\n jazz, rock, funk, and African music in a lyrical, exploratory and improvisational\n manner. ","Kamara Thomas (panelist/interviewee), along with Matt\n Whyte, is one of the founding members of the band Earl Greyhound. Living and working\n in New York City, the pair began performing regularly as a duo. All along, they were\n crafting the sound and songs that would form the foundation for a colossal rock band\n influenced by the strident English three- and four-pieces of the '70s, the dark pop\n and heavy grooves of the '90s, and the transcendental, noisy acid sounds of modern\n rock. The band's first full-length album, Soft\n Targets , was recorded in Los Angeles and Brooklyn in 2005 and earned the\n group many fans and critical acclaim from publications including The New Yorker , Spin ,\n Rolling Stone , Brooklyn\n Vegan , and Pitchfork . Even more so, the\n band's live show quickly drew heaps of attention and gained a steady reputation\n among critics and fans alike as a veritable rock-n-roll wrecking ball. Earl\n Greyhound toured relentlessly for the next two years all over the U.S., Canada, and\n Japan, and autumn 2007 was spent playing theatres as openers for the band's good\n friend Shooter Jennings, as well as for Soundgarden and Audioslave's Chris Cornell.\n In spring 2010 Earl Greyhound released their sophomore album Suspicious Package . ","Suzanne Thomas (panelist/interviewee): A real deal blues\n guitarist and vocalist, Suzanne Thomas no stranger to the blues. Life for Thomas\n started out as an abandoned biracial child in South Korea, where she lived in an\n orphanage until an American family adopted her into the States at five. She began\n studying organ at the age of six and, as fate would have it, Thomas was given her\n first music lessons and introduction to the organ by the great Jimmy Smith. Thomas\n abandoned dental school at Ohio State to attend music school in Los Angeles. After\n time in all-female groups such as School Boy Crush, Software, and PMS, Thomas formed\n Crank, a 3-piece hard rock band that shared the stage with Ice T and Body Count,\n Fishbone, and Macy Gray. Thomas has also been hired out as a guitarist to several\n funk and R\u0026B bands, notably doubling on guitar and bass in the Grammy-winning\n band A Taste of Honey. She took second place in the 7th annual Jimi Hendrix contest,\n and played in Japan, France, and New York at various music festivals and events\n including the Manhattan Music Center. Thomas currently performs with her band The\n Blues Church. ","Linda Tillery (panelist/interviewee): Before becoming a\n prominent figure in women's music in the 1990s, San Francisco native Linda Tillery\n began her singing career in the 1960s with the gender and racially integrated\n psychedelic/soul band The Loading Zone, which was modeled somewhat after Sly \u0026\n the Family Stone. After two albums with that band, Tillery released her solo debut,\n Sweet Linda Divine , on CBS in 1970 to\n enthusiastic reviews and high praise. She spent most of the 1970s singing and\n playing drums on over forty albums, including those by Mary Watkins and Teresa\n Trull. Having become a staff musician and producer at Olivia Records, Tillery\n released her second solo album, a self-titled effort, on the label in 1978,\n garnering a Bay Area Music Award for Best Independently Produced Album. Tillery has\n twice gone on to win Bay Area Jazz awards for Outstanding Female Vocalist. In\n subsequent years, Tillery collaborated with female musical powerhouses including\n June Millington, Deidre McCalla, Barbara Higbie, and Margie Adam, as well as on the\n Olivia Records 10th anniversary album, Meg/Cris Live at\n Carnegie (1983). In 1985, Tillery released Secrets on her own 411 label which returned her to center stage. In\n recent years, she has assembled a large band, Skin Tight, which plays jazzy, funky\n blues. She has also performed with the ZaSu Pitts Memorial Orchestra and has\n branched out into radio, film, theater, and television commercials. She has worked\n for the National Endowment for the Arts and appeared with artists ranging from\n Santana, Kenny Loggins, and Huey Lewis to the Turtle Island String Quartet, Bobby\n McFerrin, and Holly Near. In 1992, Tillery created the Cultural Heritage Choir as an\n outlet for her desire to perform the traditional spiritual music of African American\n slaves and their descendants. ","Ike Willis (panelist/interviewee) first met Frank Zappa\n while studying political science at Washington University. Willis volunteered to\n help with the concert committee just so he could get a backstage pass to meet Frank\n Zappa. As a result of this meeting in 1978, Willis became Zappa's lead singer and\n rhythm guitarist for nearly fifteen years. In addition to touring, Willis performed\n on Zappa's albums Joe's Garage , Tinsel Town Rebellion , and You\n Are What You Is . He also played the title character and narrator in\n Zappa's off-Broadway musical, Thing-Fish . Willis'\n distinct baritone vocals coupled with his melodic guitar style continues to solidify\n the musical legacy of Frank Zappa, which Willis promotes not only through his own\n music, but also via performances with ensembles around the world that perform Frank\n Zappa's music, such as Bogus Pomp, Project/Object, Ugly Radio Rebellion, and The\n Central Scrutinizer Band. "],"scopecontent_html_tesm":["\u003cp\u003eOn November 13th and 14th, the Archives of African American Music and Culture (AAAMC)\n hosted a two-day conference on Black rock on the Indiana University-Bloomington\n campus. The conference and related activities were open to local and regional\n musicians, scholars, students, and the general public.\u003c/p\u003e","\u003cp\u003e\n \u003ctitle render=\"italic\"\u003eReclaiming the Right to Rock : Black Experiences in Rock\n Music\u003c/title\u003e brought together Black rock musicians from different generations\n and regions with music critics and scholars to discuss the socio-political history,\n musical developments, and the future of Black rock. The main component of the\n conference was a set of three panels, each exploring one of the following topics: 1)\n the conceptualization and origins of Black rock; 2) the politics of Black rock; 3)\n the face of Black rock in the 21st century.\u003c/p\u003e","\u003cp\u003eThe core panelists were those artists considered to be innovators and practitioners\n of Black rock in the United States, including representatives from the East and West\n Coasts such as Linda Tillery, Ike Willis, Tamar-kali, and Netic. The conference also\n celebrated the 25th anniversary of the Black Rock Coalition, which was founded to\n create \"a united atmosphere conducive to the maximum development, exposure, [and]\n acceptance of Black alternative music.\"\u003c/p\u003e","\u003cp\u003eIn conjunction with the conference, the AAAMC also collaborated with a number of\n units and organizations at Indiana University to arrange a series of film\n screenings, concerts, and workshops, which were hosted on the Bloomington campus\n during the conference weekend and throughout the Fall 2009 semester.\u003c/p\u003e","\u003cp\u003eIn addition to professionally videotaped footage of the three conference sessions,\n the IU Union Board Concert, and one-on-one interviews with each of the panelists\n (minus Greg Tate), a number of volunteers assisted with documenting the conference\n and conference-related events. The professionally videotaped footage consists of\n high definition QuickTime files provided by IU's Radio and Television Services\n (RTVS). Conference volunteers produced miniDVs as well as image, audio, and video\n files in a variety of formats. Also included in the collection are a number of\n internal documents produced by AAAMC staff members during the production of the\n conference, including publicity materials, contract templates, grant materials, and\n planning documents. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["On November 13th and 14th, the Archives of African American Music and Culture (AAAMC)\n hosted a two-day conference on Black rock on the Indiana University-Bloomington\n campus. The conference and related activities were open to local and regional\n musicians, scholars, students, and the general public.","Reclaiming the Right to Rock : Black Experiences in Rock\n Music brought together Black rock musicians from different generations\n and regions with music critics and scholars to discuss the socio-political history,\n musical developments, and the future of Black rock. The main component of the\n conference was a set of three panels, each exploring one of the following topics: 1)\n the conceptualization and origins of Black rock; 2) the politics of Black rock; 3)\n the face of Black rock in the 21st century.","The core panelists were those artists considered to be innovators and practitioners\n of Black rock in the United States, including representatives from the East and West\n Coasts such as Linda Tillery, Ike Willis, Tamar-kali, and Netic. The conference also\n celebrated the 25th anniversary of the Black Rock Coalition, which was founded to\n create \"a united atmosphere conducive to the maximum development, exposure, [and]\n acceptance of Black alternative music.\"","In conjunction with the conference, the AAAMC also collaborated with a number of\n units and organizations at Indiana University to arrange a series of film\n screenings, concerts, and workshops, which were hosted on the Bloomington campus\n during the conference weekend and throughout the Fall 2009 semester.","In addition to professionally videotaped footage of the three conference sessions,\n the IU Union Board Concert, and one-on-one interviews with each of the panelists\n (minus Greg Tate), a number of volunteers assisted with documenting the conference\n and conference-related events. The professionally videotaped footage consists of\n high definition QuickTime files provided by IU's Radio and Television Services\n (RTVS). Conference volunteers produced miniDVs as well as image, audio, and video\n files in a variety of formats. Also included in the collection are a number of\n internal documents produced by AAAMC staff members during the production of the\n conference, including publicity materials, contract templates, grant materials, and\n planning documents. "],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eThis collection consists of\n documentation and one-on-one interviews from the AAAMC's two-day conference on Black\n rock hosted on the Indiana University-Bloomington campus on November 13-14, 2009.\n The conference and related activities were open to local and regional musicians,\n scholars, students, and brought together Black rock musicians from different\n generations and regions with music critics and scholars to discuss the\n socio-political history, musical developments, and the future of Black rock.\n \u003c/abstract\u003e"],"abstract_tesim":["This collection consists of\n documentation and one-on-one interviews from the AAAMC's two-day conference on Black\n rock hosted on the Indiana University-Bloomington campus on November 13-14, 2009.\n The conference and related activities were open to local and regional musicians,\n scholars, students, and brought together Black rock musicians from different\n generations and regions with music critics and scholars to discuss the\n socio-political history, musical developments, and the future of Black rock.\n "],"names_ssim":["Indiana University, Archives of African American Music and Culture\n (AAAMC)","Indiana University, Archives of\n African American Music and Culture (AAAMC)","Blues Church (Musical group)","Indiana University, Radio and Television\n Services","IU Soul Revue","Monroe County Public Library, Community\n Access Television Services","Students enrolled in Telecommunications\n T-353","Crazy Horse, Kandia","Fields, Rob","Garofalo, Reebee","Hollinden, Andy, 1961-","Mahon, Maureen","Mitchell, Moe","Netic","Spooner, James","Stew, 1961-","Tamar-kali","Tate, Greg","Thomas, Kamara","Thomas, Suzanne","Tillery, Linda","Willis, Ike","Hollinden, Andy","Stew","McAlpin, Michael","Batcheller, Anna","Sewald, Ronda L.","Allbrittin, Deanna","Berry, William","Brown, Clayton","Ford, Starla","Rizzi, Jessica","Rowley, Ariel","Williams, Lorrin[?]","Orjuela, Fernando[?]","Burnim, Mellonee","Wilkins, Langston","Nelson-Strauss, Brenda","Estrada, Zilia C.","Walter, Rich","Kreiger, Meryl","Unidentified student from Paul Mahern's\n \"Audio production\" course","Wallner, Jessie","Ozdegirmenci, Izlem","Cooper, Kailee","Fales, Cornelia","Lee, Mike","Unidentified student from Paul Mahern's\n \"Audio Production\" course","Guest-Scott, Anthony","Hatlen, Merrill","Hsu, Hsin-Wen","Teo, Bertrand","Kilpin, Jordan","Powell, Gary","Lamping, Nicholas","Davis, Gareth","Cooper, Tyron"],"corpname_ssim":["Indiana University, Archives of African American Music and Culture\n (AAAMC)","Indiana University, Archives of\n African American Music and Culture (AAAMC)","Blues Church (Musical group)","Indiana University, Radio and Television\n Services","IU Soul Revue","Monroe County Public Library, Community\n Access Television Services","Students enrolled in Telecommunications\n T-353"],"persname_ssim":["Crazy Horse, Kandia","Fields, Rob","Garofalo, Reebee","Hollinden, Andy, 1961-","Mahon, Maureen","Mitchell, Moe","Netic","Spooner, James","Stew, 1961-","Tamar-kali","Tate, Greg","Thomas, Kamara","Thomas, Suzanne","Tillery, Linda","Willis, Ike","Hollinden, Andy","Stew","McAlpin, Michael","Batcheller, Anna","Sewald, Ronda L.","Allbrittin, Deanna","Berry, William","Brown, Clayton","Ford, Starla","Rizzi, Jessica","Rowley, Ariel","Williams, Lorrin[?]","Orjuela, Fernando[?]","Burnim, Mellonee","Wilkins, Langston","Nelson-Strauss, Brenda","Estrada, Zilia C.","Walter, Rich","Kreiger, Meryl","Unidentified student from Paul Mahern's\n \"Audio production\" course","Wallner, Jessie","Ozdegirmenci, Izlem","Cooper, Kailee","Fales, Cornelia","Lee, Mike","Unidentified student from Paul Mahern's\n \"Audio Production\" course","Guest-Scott, Anthony","Hatlen, Merrill","Hsu, Hsin-Wen","Teo, Bertrand","Kilpin, Jordan","Powell, Gary","Lamping, Nicholas","Davis, Gareth","Cooper, Tyron"],"language_ssim":[" Materials are in English . 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Kathleen Clarke, Margaret Emma Johnson, Gerald Clarke and Hosmer F. Johnson were members of the wedding party Dating from this ceremony, the couple often signed their combined correspondence Rutheric. Following a brief honeymoon in Tai Shan, the couple returned to Peking where they resided for the next 16 years. During this period Mrs. Clarke made several trips to the United States where she exhibited many of the fabulous Oriental art treasures she had collected throughout her stay in China.\u003c/p\u003e\n","\u003cp\u003eSoon after the couple moved to Shanghai the threat of war between Japan and China became reality. Overnight, internment camps were set up for aliens like the Clarkes. Their homes were occupied by Japanese soldiers as soon as they were evacuated by the local Occupation authorities. 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Although spirits were high during the first season at the camp, morale worsened during the winter--food became scarce and poorer in quality and the stoves which the Japanese installed on each floor of the ten dormitories were never lit. The cubicles they occupied were 4`8 by 22' long. Despite the difficult conditions they encountered at the camp, the Clarkes and their fellow inmates managed to maintain a high level of personal development which is reflected in the many activities enjoyed at the camp: lectures, plays, musical productions and many other kinds of intellectual stimulation. One of the most amusing highlights of their stay was the development of a game called Dictionary Please. Because of their limited reading material, the Clarkes designed a game which relied only upon the dictionary they brought with them and their active imaginations. The game was so successful that it became a partial livelihood following their return to America in 1946.","Residing in Portland, Oregon, Mr. and Mrs. Clarke remained active socially and intellectually. Mrs. Clarke served as president of Zonta International and the Lewis and Clarke's Women's League. Mrs. Clarke now resides in Mountain View, California.","Gift of Ruth Elliott Johnson Clarke.","Correspondence, photographs (of China), books and pamphlets about Chinese art, etc.","Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. 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To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet ca. 10 linear ft."],"extent_tesim":["10 Linear Feet ca. 10 linear ft."],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eNone.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["None."],"bibliography_html_tesm":["\u003cbibref\u003e1. Palmer, J.P.: \u003cemph render=\"italic\"\u003eJade \u003c/emph\u003eSpring Books; London, 1967.\u003c/bibref\u003e","\u003cbibref\u003e2. \u003cemph render=\"italic\"\u003eThe Encyclopedia Sinica \u003c/emph\u003eCouling, Samuel Kelly \u0026amp; Walsh; Shanghai, 1917.\u003c/bibref\u003e","\u003cbibref\u003e3. Thiel, albert W.R.: \u003cemph render=\"italic\"\u003eChinese Pottery and Stoneware \u003c/emph\u003eThos. nelson \u0026amp; Sons; N.Y., N.D.\u003c/bibref\u003e","\u003cbibref\u003e4. Goette, John: \u003cemph render=\"italic\"\u003eJade Lore \u003c/emph\u003eKelly \u0026amp; Walsh; Shanghai, 1936.\u003c/bibref\u003e","\u003cbibref\u003e5. Forsyth, Robb. Coventry: \u003cemph render=\"italic\"\u003eShanting, The Sacred Province of China \u003c/emph\u003eChristian Literature Society; Shanghai, 1912\u003c/bibref\u003e","\u003cbibref\u003e6. Graham, Dorothy: \u003cemph render=\"italic\"\u003eThrough the moon Door \u003c/emph\u003eJ. H. Sears \u0026amp; Co.; N.Y., 1926.\u003c/bibref\u003e","\u003cbibref\u003e7. Brandt, J.: \u003cemph render=\"italic\"\u003eIntroduction to Literary Chinese \u003c/emph\u003eNorth China Union Language School; Peking, 1927.\u003c/bibref\u003e","\u003cbibref\u003e8. Weale, B.L. Putnam: \u003cemph render=\"italic\"\u003eThe Vanished Empire \u003c/emph\u003eMacmillan \u0026amp; Co.; London, 1926.\u003c/bibref\u003e","\u003cbibref\u003e9. Jennu, Delia: \u003cemph render=\"italic\"\u003eLetter from Peking \u003c/emph\u003eOxford UP; London, 1967.\u003c/bibref\u003e","\u003cbibref\u003e10. Busheel, Stephen W.: \u003cemph render=\"italic\"\u003eChinese [UNK] \u003c/emph\u003eV. I Eyre \u0026amp; Spottiswoode; London, 1909.\u003c/bibref\u003e","\u003cbibref\u003e11. Smith, Arthur H.: \u003cemph render=\"italic\"\u003eChinese Characteristics \u003c/emph\u003e3rd ed. Fleming H. Revell Co.; n.y., 1894.\u003c/bibref\u003e","\u003cbibref\u003e12. Grubb, Norman P.: \u003cemph render=\"italic\"\u003eC.T.Studd, \u003c/emph\u003e\u003cemph render=\"italic\"\u003eCricketer \u0026amp; Pioneer \u003c/emph\u003eReligious Tract Society; London, 1933.\u003c/bibref\u003e","\u003cbibref\u003e13. Martin, W.A.P.: \u003cemph render=\"italic\"\u003eThe Siege in Peking \u003c/emph\u003eOliphant Anderson \u0026amp; Ferrier; Edinburgh, 1900.\u003c/bibref\u003e","\u003cbibref\u003e14. Lymn, Jermyn Chi-Hung: \u003cemph render=\"italic\"\u003eSocial Life of The Chinese in Peking \u003c/emph\u003eChina Booksellers; Peking, 1928.\u003c/bibref\u003e","\u003cbibref\u003e15. Strong, [UNK] [UNK]: \u003cemph render=\"italic\"\u003ea Sketch of Chinese Cuts \u0026amp; Crafts \u003c/emph\u003eChina Bhsellers; Peking, 1926.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Reference Materials"],"bibliography_tesim":["1. Palmer, J.P.: Jade Spring Books; London, 1967.","2. The Encyclopedia Sinica Couling, Samuel Kelly \u0026 Walsh; Shanghai, 1917.","3. Thiel, albert W.R.: Chinese Pottery and Stoneware Thos. nelson \u0026 Sons; N.Y., N.D.","4. Goette, John: Jade Lore Kelly \u0026 Walsh; Shanghai, 1936.","5. Forsyth, Robb. Coventry: Shanting, The Sacred Province of China Christian Literature Society; Shanghai, 1912","6. Graham, Dorothy: Through the moon Door J. H. Sears \u0026 Co.; N.Y., 1926.","7. Brandt, J.: Introduction to Literary Chinese North China Union Language School; Peking, 1927.","8. Weale, B.L. Putnam: The Vanished Empire Macmillan \u0026 Co.; London, 1926.","9. Jennu, Delia: Letter from Peking Oxford UP; London, 1967.","10. Busheel, Stephen W.: Chinese [UNK] V. I Eyre \u0026 Spottiswoode; London, 1909.","11. Smith, Arthur H.: Chinese Characteristics 3rd ed. Fleming H. Revell Co.; n.y., 1894.","12. Grubb, Norman P.: C.T.Studd, Cricketer \u0026 Pioneer Religious Tract Society; London, 1933.","13. Martin, W.A.P.: The Siege in Peking Oliphant Anderson \u0026 Ferrier; Edinburgh, 1900.","14. Lymn, Jermyn Chi-Hung: Social Life of The Chinese in Peking China Booksellers; Peking, 1928.","15. Strong, [UNK] [UNK]: a Sketch of Chinese Cuts \u0026 Crafts China Bhsellers; Peking, 1926."],"bioghist_html_tesm":["\u003cp\u003eThe daughter of Dr. Charles Fletcher Johnson and Agnes Elliott Johnson, Ruth Clarke was born on April 2, 1890 in Wei Hsien, Shantung, China where she quickly mastered Mandarin Chinese. She was educated at Miss Jewell's School in Shanghai which was also attended by Miss Pearl Buck. After visiting her Uncle Hosmer Johnson in Washington D.C., Ruth entered and graduated from Wilson College (Chambersburg, Pa.) in 1912. She then returned to Shanghai to accept a teaching position at Miss Jewell's.\u003c/p\u003e\n","\u003cp\u003eIn 1916 Ruth Johnson accepted a new position in the Peking American School. It was there that she met J. Eric G. Clarke whom she married on June 21, 1916 in Tsinanfu, Shantung. The Rev. W. P. Chalfant officiated. Kathleen Clarke, Margaret Emma Johnson, Gerald Clarke and Hosmer F. Johnson were members of the wedding party Dating from this ceremony, the couple often signed their combined correspondence Rutheric. Following a brief honeymoon in Tai Shan, the couple returned to Peking where they resided for the next 16 years. During this period Mrs. Clarke made several trips to the United States where she exhibited many of the fabulous Oriental art treasures she had collected throughout her stay in China.\u003c/p\u003e\n","\u003cp\u003eSoon after the couple moved to Shanghai the threat of war between Japan and China became reality. Overnight, internment camps were set up for aliens like the Clarkes. Their homes were occupied by Japanese soldiers as soon as they were evacuated by the local Occupation authorities. From April 10, 1943 until a few weeks following the Japanese surrender to MacArthur on August 14, 1945, the Clarkes were confined at Lung Hwa Camp near Peking.\u003c/p\u003e\n","\u003cp\u003eAmong the nearly 1800 interns at Lung Hwa were men and women from all professions and backgrounds. Although spirits were high during the first season at the camp, morale worsened during the winter--food became scarce and poorer in quality and the stoves which the Japanese installed on each floor of the ten dormitories were never lit. The cubicles they occupied were 4`8 by 22' long. Despite the difficult conditions they encountered at the camp, the Clarkes and their fellow inmates managed to maintain a high level of personal development which is reflected in the many activities enjoyed at the camp: lectures, plays, musical productions and many other kinds of intellectual stimulation. One of the most amusing highlights of their stay was the development of a game called Dictionary Please. Because of their limited reading material, the Clarkes designed a game which relied only upon the dictionary they brought with them and their active imaginations. The game was so successful that it became a partial livelihood following their return to America in 1946.\u003c/p\u003e\n","\u003cp\u003eResiding in Portland, Oregon, Mr. and Mrs. Clarke remained active socially and intellectually. Mrs. Clarke served as president of Zonta International and the Lewis and Clarke's Women's League. Mrs. Clarke now resides in Mountain View, California.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["The daughter of Dr. Charles Fletcher Johnson and Agnes Elliott Johnson, Ruth Clarke was born on April 2, 1890 in Wei Hsien, Shantung, China where she quickly mastered Mandarin Chinese. She was educated at Miss Jewell's School in Shanghai which was also attended by Miss Pearl Buck. After visiting her Uncle Hosmer Johnson in Washington D.C., Ruth entered and graduated from Wilson College (Chambersburg, Pa.) in 1912. She then returned to Shanghai to accept a teaching position at Miss Jewell's.","In 1916 Ruth Johnson accepted a new position in the Peking American School. It was there that she met J. Eric G. Clarke whom she married on June 21, 1916 in Tsinanfu, Shantung. The Rev. W. P. Chalfant officiated. Kathleen Clarke, Margaret Emma Johnson, Gerald Clarke and Hosmer F. Johnson were members of the wedding party Dating from this ceremony, the couple often signed their combined correspondence Rutheric. Following a brief honeymoon in Tai Shan, the couple returned to Peking where they resided for the next 16 years. During this period Mrs. Clarke made several trips to the United States where she exhibited many of the fabulous Oriental art treasures she had collected throughout her stay in China.","Soon after the couple moved to Shanghai the threat of war between Japan and China became reality. Overnight, internment camps were set up for aliens like the Clarkes. Their homes were occupied by Japanese soldiers as soon as they were evacuated by the local Occupation authorities. From April 10, 1943 until a few weeks following the Japanese surrender to MacArthur on August 14, 1945, the Clarkes were confined at Lung Hwa Camp near Peking.","Among the nearly 1800 interns at Lung Hwa were men and women from all professions and backgrounds. Although spirits were high during the first season at the camp, morale worsened during the winter--food became scarce and poorer in quality and the stoves which the Japanese installed on each floor of the ten dormitories were never lit. The cubicles they occupied were 4`8 by 22' long. Despite the difficult conditions they encountered at the camp, the Clarkes and their fellow inmates managed to maintain a high level of personal development which is reflected in the many activities enjoyed at the camp: lectures, plays, musical productions and many other kinds of intellectual stimulation. One of the most amusing highlights of their stay was the development of a game called Dictionary Please. Because of their limited reading material, the Clarkes designed a game which relied only upon the dictionary they brought with them and their active imaginations. The game was so successful that it became a partial livelihood following their return to America in 1946.","Residing in Portland, Oregon, Mr. and Mrs. Clarke remained active socially and intellectually. Mrs. Clarke served as president of Zonta International and the Lewis and Clarke's Women's League. Mrs. Clarke now resides in Mountain View, California."],"custodhist_html_tesm":["\u003cp\u003eGift of Ruth Elliott Johnson Clarke.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Gift of Ruth Elliott Johnson Clarke."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item] Clarke Family Papers, M0292, Dept. of Special Collections, Stanford University Libraries, Stanford, Calif.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item] Clarke Family Papers, M0292, Dept. of Special Collections, Stanford University Libraries, Stanford, Calif."],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, photographs (of China), books and pamphlets about Chinese art, etc.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Correspondence, photographs (of China), books and pamphlets about Chinese art, etc."],"userestrict_html_tesm":["\u003cp\u003eProperty rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections."],"names_ssim":["Department of Special Collections and University Archives","Clarke family"],"corpname_ssim":["Department of Special Collections and University Archives"],"names_coll_ssim":["Clarke family"],"famname_ssim":["Clarke family"],"language_ssim":["English"],"total_component_count_is":348,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"m0292-xml","timestamp":"2025-02-18T23:07:35.736Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/m0292-xml_aspace_ref345_1ro"}},{"id":"VAB9025_VAB9025-00002","type":"Subseries","attributes":{"title":"1. Interviews by Maultsby, 1979-1989","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00002#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"VAB9025-00002","ref_ssm":["VAB9025-00002","VAB9025-00002"],"id":"VAB9025_VAB9025-00002","title_filing_ssi":"1. Interviews by Maultsby, 1979-1989","title_ssm":["1. Interviews by Maultsby, 1979-1989"],"title_tesim":["1. Interviews by Maultsby, 1979-1989"],"normalized_title_ssm":["1. Interviews by Maultsby, 1979-1989"],"text":["1. Interviews by Maultsby, 1979-1989","Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989"],"component_level_isim":[2],"parent_ssim":["VAB9025","VAB9025-00001"],"parent_ssi":"VAB9025-00001","parent_ids_ssim":["VAB9025","VAB9025_VAB9025-00001"],"parent_unittitles_ssm":["Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989"],"parent_unittitles_tesim":["Portia K. Maultsby\n Collection, 1981-1986","Music Industry Interviews, 1979-1989"],"parent_levels_ssm":["collection","Series"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"collection_ssim":["Portia K. Maultsby\n Collection, 1981-1986"],"extent_ssm":["138 audiocassettes (9,106 minutes) : analog, stereo +\n documentation"],"extent_tesim":["138 audiocassettes (9,106 minutes) : analog, stereo +\n documentation"],"has_online_content_ssim":["false"],"child_component_count_isi":95,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2,"parent_access_restrict_tesm":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details."],"persname_ssim":["Maultsby, Portia K."," B.R.E.","Maultsby, Portia K.","Stephens, Robert"],"_nest_path_":"/components#0/components#0","_nest_parent_":"VAB9025_VAB9025-00001","_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"VAB9025","title_ssm":["Portia K. Maultsby\n Collection"],"title_tesim":["Portia K. Maultsby\n Collection"],"ead_ssi":"VAB9025","unitdate_ssm":["1981-1986"],"unitdate_inclusive_ssm":["1981-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC\n 18G"],"text":["SC\n 18G","Portia K. Maultsby\n Collection, 1981-1986","African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories","Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.","Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.","Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.","The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated.","Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."," Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara","Materials are in English."],"unitid_tesim":["SC\n 18G"],"normalized_date_ssm":["1981-1986"],"normalized_title_ssm":["Portia K. Maultsby\n Collection, 1981-1986"],"collection_title_tesim":["Portia K. Maultsby\n Collection, 1981-1986"],"collection_ssim":["Portia K. Maultsby\n Collection, 1981-1986"],"repository_ssm":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"creator_ssm":["Maultsby, Portia K."],"creator_ssim":["Maultsby, Portia K."],"creator_persname_ssim":["Maultsby, Portia K."],"creators_ssim":["Maultsby, Portia K."],"acqinfo_ssim":["Donated by Portia K. Maultsby in 2008."],"access_subjects_ssim":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"access_subjects_ssm":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["169 audiocassettes"],"extent_tesim":["169 audiocassettes"],"physfacet_tesim":[" : analog, stereo + 5 document\n cases"],"date_range_isim":[1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eReference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n Series G, \"Music Industry Interviews,\" are available for in-house use at the\n Archives of African American Music and Culture, Indiana University. Please refer to\n the information included under each interview for details. If you would like to\n access an item without a reference copy and/or transcript, please contact our staff\n well in advance of your visit for details."],"arrangement_html_tesm":["\u003cp\u003eCurrently organized into one series and the following subseries: \u003clist\u003e\n \u003citem\u003eSubseries 1. Interviews by Maultsby, 1979-1989\u003c/item\u003e\n \u003citem\u003eSubseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e","\u003cp\u003eEach subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Currently organized into one series and the following subseries: Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n the case of non-interviews."],"bioghist_html_tesm":["\u003cp\u003ePortia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n Ethnomusicology, the former director of the Archives of African American Music and\n Culture, and a former adjunct professor of African American and African Diaspora\n Studies at Indiana University. She teaches historical and theoretical courses on\n African American music and culture in ethnomusicology. Her research topics have\n centered on Black religious and popular music and she has lectured and conducted\n workshops throughout the United States, as well as in England, The Netherlands,\n Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of African American Music : An Introduction , (Routledge Press, 2006). She\n also has served as consulting scholar for PBS, BBC, and NPR productions on African\n American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n player and the founding director of the IU Soul Revue, a touring ensemble\n specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n partial transcripts are available for many. The bulk of the interviews (138\n cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n research on the Black music industry. The interviews provide an aural documentation\n of the history and development of rhythm and blues music through the personal\n narratives of musicians, composers, producers, deejays, and record company\n executives. In particular, Maultsby's interviews trace the emergence of Black music\n divisions and the promotion of Black artists by major record labels. Other\n significant issues emphasized in the discussions are cultural identity, gender,\n appropriation, aesthetics, and the racially defined politics and marketing practices\n of the industry. Of equal importance are the stories told by musicians who\n profoundly shaped the development of rhythm and blues while redefining the direction\n of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n consists of transcripts and audiocassettes of interviews primarily conducted by\n Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n industry. The remainder of the series in this collection are still in the process of\n being accessioned and are unavailable for general research and public\n use."],"names_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"corpname_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n Records"],"persname_ssim":["Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n 1941-2000","Foster, William P. (William\n Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"language_ssim":["Materials are in English."],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00002"}},{"id":"umich-wcl-M-2370mac_al_9a5200090564635b11f85a51a6fceb3478105a81","type":"File","attributes":{"title":"1. MacArthur, Douglas, and Norman Vincent Peale. Revitalizing a Nation: a Statement of Beliefs, Opinions, and Policies Embodied in the Public Pronouncements of Douglas MacArthur . Chicago: Heritage Foundation; distributed by Garden City Books, Garden City, N.Y, 1952.","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/umich-wcl-M-2370mac_al_9a5200090564635b11f85a51a6fceb3478105a81#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"al_9a5200090564635b11f85a51a6fceb3478105a81","ref_ssm":["al_9a5200090564635b11f85a51a6fceb3478105a81","al_9a5200090564635b11f85a51a6fceb3478105a81"],"id":"umich-wcl-M-2370mac_al_9a5200090564635b11f85a51a6fceb3478105a81","title_filing_ssi":"1. MacArthur, Douglas, and Norman Vincent Peale. Revitalizing a Nation: a Statement of Beliefs, Opinions, and Policies Embodied in the Public Pronouncements of Douglas MacArthur . Chicago: Heritage Foundation; distributed by Garden City Books, Garden City, N.Y, 1952.","title_ssm":["1. MacArthur, Douglas, and Norman Vincent Peale. Revitalizing a Nation: a Statement of Beliefs, Opinions, and Policies Embodied in the Public Pronouncements of Douglas MacArthur . Chicago: Heritage Foundation; distributed by Garden City Books, Garden City, N.Y, 1952."],"title_tesim":["1. MacArthur, Douglas, and Norman Vincent Peale. Revitalizing a Nation: a Statement of Beliefs, Opinions, and Policies Embodied in the Public Pronouncements of Douglas MacArthur . Chicago: Heritage Foundation; distributed by Garden City Books, Garden City, N.Y, 1952."],"normalized_title_ssm":["1. MacArthur, Douglas, and Norman Vincent Peale. Revitalizing a Nation: a Statement of Beliefs, Opinions, and Policies Embodied in the Public Pronouncements of Douglas MacArthur . Chicago: Heritage Foundation; distributed by Garden City Books, Garden City, N.Y, 1952."],"text":["1. MacArthur, Douglas, and Norman Vincent Peale. Revitalizing a Nation: a Statement of Beliefs, Opinions, and Policies Embodied in the Public Pronouncements of Douglas MacArthur . Chicago: Heritage Foundation; distributed by Garden City Books, Garden City, N.Y, 1952.","Douglas MacArthur collection 1885-1983 1917-1919","Published works","Composite volume containing copies of:"],"component_level_isim":[3],"parent_ssim":["umich-wcl-M-2370mac","al_574566bfbba3186ce933182cecab615674c8432e","al_56f4f42cac0f7d62f1c11d92b74958b39b7dfe78"],"parent_ssi":"al_56f4f42cac0f7d62f1c11d92b74958b39b7dfe78","parent_ids_ssim":["umich-wcl-M-2370mac","umich-wcl-M-2370mac_al_574566bfbba3186ce933182cecab615674c8432e","umich-wcl-M-2370mac_al_56f4f42cac0f7d62f1c11d92b74958b39b7dfe78"],"parent_unittitles_ssm":["Douglas MacArthur collection 1885-1983 1917-1919","Published works","Composite volume containing copies of:"],"parent_unittitles_tesim":["Douglas MacArthur collection 1885-1983 1917-1919","Published works","Composite volume containing copies of:"],"parent_levels_ssm":["collection","Series","Item"],"repository_ssim":["University of Michigan. William L. Clements Library"],"collection_ssim":["Douglas MacArthur collection 1885-1983 1917-1919"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":151,"_nest_path_":"/components#3/components#12/components#0","_nest_parent_":"umich-wcl-M-2370mac_al_56f4f42cac0f7d62f1c11d92b74958b39b7dfe78","_root_":"umich-wcl-M-2370mac","timestamp":"2025-02-18T23:25:17.168Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"umich-wcl-M-2370mac","title_ssm":["Douglas MacArthur collection 1885-1983 1917-1919","MacArthur, Douglas collection"],"title_tesim":["Douglas MacArthur collection 1885-1983 1917-1919","MacArthur, Douglas collection"],"ead_ssi":"umich-wcl-M-2370mac","level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["wclmss001314"],"text":["wclmss001314","Douglas MacArthur collection 1885-1983 1917-1919","Aisne, Battle of the, France, 1918.","Argonne, Battle of the, 1918.","Chateau-Thierry, Battle of, 1918.","Chemical Warfare.","Chemical Warfare--Safety Measures.","Chemical Weapons.","Communications, Military.","Gases, Asphyxiating and Poisonous--War Use.","Marne, 2nd Battle of the, France, 1918.","Military Assistance, French.","Military Intelligence.","Military Reconnaissance.","Saint-Mihiel (France), Battle of, 1918.","Signals and Signaling.","United States. Army.","United States--History--1913-1921.","World War, 1914-1918.","World War, 1914-1918--Aerial Operations.","World War, 1914-1918--Campaigns-France.","Books.","Diaries.","Diaries.","Letters (correspondence)","Newspapers.","Orders (military records)","Photographs.","The Douglas MacArthur collection has been organized into four series. Within these series, the papers are separated into distinct sub-series groups. Series I: Correspondence and diaries Sub-series I: Letters and diary to Florence Adams (Box 1) Sub-series II: Letters from Douglas MacArthur to Louise Cromwell (Brooks) MacArthur (Box 1) Sub-series III: Letters from Douglas MacArthur to Hamilton Fish, Jr. (Box 1) Sub-series IV: Miscellaneous letters and documents pertaining to Douglas MacArthur (Box 1) Series II: Papers related to the 42nd (Rainbow) Division Sub-series I: Military documents to the 42nd Division from external military units (Boxes 1-2) Sub-series II: Military documents from the 42nd Division to various military units (Boxes 2-4) Sub-series III: Internal military documents from and to various military units in the 42nd Division. (Box 5) Sub-series IV: Kenneth A. Sutherland Notebook. (Box 6) Series III: Photographs and miscellaneous papers pertaining to Douglas MacArthur Sub-series I: Aerial photographs and negatives, 91st Reconnaissance Squadron. (Box 7) Sub-series II: Miscellaneous photographs and papers. (Box 8) Series IV: Published works.","Douglas MacArthur","Douglas MacArthur was born on January 26, 1880, the youngest child of (Capt.) Arthur MacArthur (1845-1912) and Mary Pinkney Hardy (1852-1935). His siblings were Arthur (1876-1923), and Malcolm (1878-1883), who died before his seventh birthday. ","Douglas MacArthur graduated from West Texas Military Academy in 1897 as valedictorian and two years later entered West Point. In 1903 he graduated as First Captain, West Point's highest honor. In September 1903, he joined the 3rd Battalion Engineers in San Francisco, and almost immediately was sent to Manila, Philippines. The next year he was promoted to First Lieutenant, and in 1906 returned to the United States. After being made Captain of Engineers at Leavenworth in 1911, MacArthur was assigned to Vera Cruz to report information to the War Department. While serving as military aide to the Secretary of War in 1916, he conceived the idea of expanding the existing National Guard through volunteer enlistment and turned into combat divisions - an idea that would be used for the formation of the 42nd Division. ","In 1917, MacArthur was appointed Colonel and Chief of Staff of the 42nd (Rainbow) Division. As Commander of the 84th Infantry Brigade, he led his troops during the vitally important Argonne Campaign in the last months of the war. In 1919, the 42nd Division returned to the United States, and MacArthur accepted an appointment as Superintendent of West Point. While there, he became permanent Brigadier General. MacArthur married Louise Cromwell Brooks in 1922, the year he was posted to command the Philippine Division, but they divorced seven years later. In November 1929, MacArthur was promoted to General and chosen as the man to replace General Summerall as the Chief of Staff, U.S. Army. In 1937, MacArthur married a second time - to Jean Marie Faircloth, and they had a son, Arthur, a year later. ","In December 1941, the Japanese Army attacked and defeated MacArthur's Philippine Army on the Bataan Peninsula. The following March, MacArthur was ordered from the Philippines to command the Allied troops with Thomas Blamey. For six months, MacArthur concentrated on the defense of New Guinea, which led to an ambitious counter-attack in January and February 1943. On the day the Japanese surrendered, MacArthur was appointed Supreme Commander of Allied Powers. ","MacArthur remained in occupied Japan until 1950, orchestrating the reformation of the post-war country. On the 29th of June, 1950, MacArthur went to South Korea with American forces to assess the situation after North Korea's invasion of South Korea. This assessment led to Truman's commitment of U.S. troops to a ground war in Korea. The North Koreans abandoned Seoul on September 28, 1950, after MacArthur's successful military plan to attack through Inchon. As a result of the success of this campaign, China decided to enter the Korean War. MacArthur was ordered by the Joint Chiefs of Staff and the Secretary of Defense, in conjunction with a U.N. resolution, to proceed north of the 38th parallel. Chinese troops attacked, leading to the withdrawal of MacArthur's troops back south of the 38th. By this time, MacArthur had disobeyed the military order to employ only Korean forces in the frontier provinces. On the 24th of March, MacArthur issued a lengthy communiqué complaining about the restrictions on his forces and taunted the enemy for their lack of industrial power and inability to maintain even moderate air and naval power. This pronouncement and his previous insubordination caused President Truman to relieve MacArthur of his command. ","In April 1951, General Douglas MacArthur returned to San Francisco to thousands of cheering citizens. On April 19 he presented his case regarding his relief of command to a joint session of congress. During his remaining years, MacArthur traveled throughout the United States to make speeches, in which he often denounced communists and socialists, and spoke of corrupt administration and heavy taxation. At the age of 84, on April 5, 1964, Douglas MacArthur died in a hospital in Washington.","The 42nd (Rainbow) Division","The Rainbow Division was created in 1917 as a composite division of members of the Regular Army and the National Guard solely for use in the war in Europe. The 42nd arrived in Europe in 1917 as the war was entering a new phase: Russia had dropped out of the war, America was joining the war, and Germany was racing to provide tremendous reinforcement before the American forces arrived. ","In February 1918 the 42nd Division, part of the First U.S. Army Corps, was ordered to the Luneville area for a month of training with French units from the 7th French Army Corps. While there, the Rainbow Division distinguished itself as \"a first class combat Division.\" ","The first assignment for the 42nd was to relieve the 128th French Infantry Division from the Baccarat Sector. In the war, this was the first time an American Division held a Sector on its own. The Division successfully held the Baccarat Sector until relief orders were sent on June 16, 1918. Two weeks later, the 42nd Division went to the front at the Battle of Champagne alongside the 21st French Army Corps. After an attack by the Germans on the fifteenth of July, the 42nd assisted in the Champagne defense until the end of the battle (July 18). The Sixth French Army Corps was given the Rainbow Division to pursue the supposedly retreating enemy at the Battle of the Ourcq from July 25-July 27, 1918. From July 28-August 1st, the Allies captured strongpoints of the German position. August 2-August 3rd, the 42nd Division assisted in pursuing the enemy until relieved by the 4th Regular Division. ","After the Battle of the Ourcq, Douglas MacArthur was given command of the 84th Infantry Brigade (William Hughes, Jr., replaced him as Chief of Staff, 42nd Division). In September, the Rainbow Division, then under the 4th American Army Corps, was ordered to attack the center of the south side of the San Mihiel Salient and was assigned to the defense of the Essey-Pannes Sector until September 30, when it was relieved by the 89th Division. ","On October 11-12, 1918, the Rainbow Division relieved the 1st Division on the Verdun front. In order to break the 2nd German line of defense, the hill called The Cote de Chatillon had to be taken. From October 13-16, Brigadier General Douglas MacArthur commanded the 84th Infantry Division to the successful capture of Hill 288 (a strongly fortified point on the Kreimhilde Stellung), the Tuilerie Ferme, and the Cote de Chatillon (beyond the enemy's strong line of resistance). ","The next attack took place November 1, 1918. The 42nd Division provided machine gun fire for the advancement of the 2nd and 89th Divisions. After this victory, and as a result of divisional rivalry (and a difference in opinion as to the exact nature of a memorandum), the 42nd and the 1st Divisions (of the First American Army Corps and the 5th American Army Corps respectively) 'raced' for the glory of partaking in the (potential) final engagement of the war, in Sedan. On November 6-7, the Rainbow, the 4th French Army, and the 1st and 77th American Divisions, fought south of the Meuse (south of Sedan). The fighting ended when the enemy requested an armistice on November 9, 1918. The 42nd Division backed off and was able to claim that the Americans who got closest to Sedan were members of the 166th Infantry of the 83rd Infantry Brigade. The armistice was signed two days later. ","The 42nd Division remained in France and occupied Germany until May 1, 1919, when the last unit arrived home. Less than two weeks later, the last Brigade was demobilized. ","The MacArthur collection contains 885 letters, documents, photographs, and published works dating from March 23, 1885, to July 5, 1983. The bulk of the material (710 items) consists of military documents and manuscript notes from September 8, 1917 to January 27, 1919. ","The military materials include general orders, field orders, field messages, memoranda, intelligence, and communications, related to the U.S. 42nd Division (The Rainbow Division), A.E.F., founded in 1917. The majority of the collection falls during the period of time from late 1917 to early August 1918, when Douglas MacArthur was Chief of Staff for the 42nd Division. Documents from military units that fought alongside the 42nd Division (both French and American), the U.S. Chemical Warfare, and the Intelligence Divisions -- as well as various German, French, and American communications -- are included. Organizational documents, such as training schedules, and march tables, are also present. A considerable number, if not all, of these materials must have been approved or viewed by MacArthur, and many of the items in this collection bear his initials or the initials of his information assistant, William Hughes, Jr. From early August 1918 until the armistice was signed on November 11, 1918, MacArthur acted as the commanding officer for the 84th Infantry Brigade, and several military orders bear his name. ","Seventy-six letters in the collection (located in Box 1) are either from Douglas MacArthur or pertain in some way to him. Six of these items, dated 1904, pertain to MacArthur and Florence Adams, whom he met in the Philippines, including a 46-page diary MacArthur wrote to Adams while he was on board a ship from Manila to the United States. Five letters, dated 1921 and 1925, are written by MacArthur to Louise Brooks who became Mrs. Douglas MacArthur in 1922. These letters contain both romantic content as well as personal reflections on the events in MacArthur's life at the time. Also included are nine letters from MacArthur to Hamilton Fish, Jr., dated 1921-1934. The remainder of the correspondence is a miscellaneous collection of letters written by Douglas MacArthur, Jean MacArthur, Dwight D. Eisenhower, Harry S. Truman, and others.","The Douglas MacArthur collection also contains a notebook kept by Kenneth A. Sutherland, veteran of the 42nd Division, which contains a selection of items related to the Division's post-war activities and reunions; 40 aerial photographs and negatives taken by the 91st Reconnaissance Squadron, October 10, 1918; several photographs of Douglas MacArthur; thirteen published works by or about the General; and other miscellaneous materials.","The Douglas MacArthur collection is made up of military documents related to General Douglas MacArthur and the 42nd (Rainbow) Division during the first World War, and miscellaneous letters, documents, photographs, published works, and one diary illuminating various aspects of the General's public career and personal life.","William L. Clements Library , University of Michigan","United States. Army--Artillery.","United States. Army--Artillery--Drill and Tactics.","United States. Army--Communication Systems.","United States. Army--Drill and Tactics.","United States. Army--Equipment.","United States. Army--Field Service.","United States. Army--History.","United States. Army--Information Services.","United States. Army--Medals, Badges, Decorations, etc.","United States. Army--Organization.","United States. Army--Records and Correspondence.","United States. Army--Safety Measures.","United States. Army--Sanitary Affairs.","United States. Army. Infantry Division, 42nd.","Diedrich, D. N. (Duane Norman)","Brooks, Louise Cromwell.","Fish, Hamilton, 1849-1936.","Adams, Florence.","Eisenhower, Dwight D. (Dwight David), 1890-1969.","Granara, J. Ralph.","Hughes, William.","Hunt, Haroldson L.","Kean, Robert Winthrop.","Luhrs, H. Ernst.","MacArthur, Arthur, 1845-1912.","MacArthur, Douglas, 1880-1964.","MacArthur, Jean Faircloth.","Mark, Clark.","Menoher, Charles Thomas, 1862-1930 ","Rhodes, Weldon E.","Sutherland, Kenneth A.","Truman, Harry S., 1884-1972.","The material is in English"],"unitid_tesim":["wclmss001314"],"normalized_title_ssm":["Douglas MacArthur collection 1885-1983 1917-1919"],"collection_title_tesim":["Douglas MacArthur collection 1885-1983 1917-1919"],"collection_ssim":["Douglas MacArthur collection 1885-1983 1917-1919"],"repository_ssm":["University of Michigan. William L. Clements Library"],"repository_ssim":["University of Michigan. William L. Clements Library"],"creator_ssm":["Diedrich, D. N. (Duane Norman)"],"creator_ssim":["Diedrich, D. N. (Duane Norman)"],"creator_persname_ssim":["Diedrich, D. N. (Duane Norman)"],"creators_ssim":["Diedrich, D. N. (Duane Norman)"],"acqinfo_ssim":[" Donated by D. N. Diedrich, 1987-2013. M-2370 et al ."],"access_subjects_ssim":["Aisne, Battle of the, France, 1918.","Argonne, Battle of the, 1918.","Chateau-Thierry, Battle of, 1918.","Chemical Warfare.","Chemical Warfare--Safety Measures.","Chemical Weapons.","Communications, Military.","Gases, Asphyxiating and Poisonous--War Use.","Marne, 2nd Battle of the, France, 1918.","Military Assistance, French.","Military Intelligence.","Military Reconnaissance.","Saint-Mihiel (France), Battle of, 1918.","Signals and Signaling.","United States. Army.","United States--History--1913-1921.","World War, 1914-1918.","World War, 1914-1918--Aerial Operations.","World War, 1914-1918--Campaigns-France.","Books.","Diaries.","Diaries.","Letters (correspondence)","Newspapers.","Orders (military records)","Photographs."],"access_subjects_ssm":["Aisne, Battle of the, France, 1918.","Argonne, Battle of the, 1918.","Chateau-Thierry, Battle of, 1918.","Chemical Warfare.","Chemical Warfare--Safety Measures.","Chemical Weapons.","Communications, Military.","Gases, Asphyxiating and Poisonous--War Use.","Marne, 2nd Battle of the, France, 1918.","Military Assistance, French.","Military Intelligence.","Military Reconnaissance.","Saint-Mihiel (France), Battle of, 1918.","Signals and Signaling.","United States. Army.","United States--History--1913-1921.","World War, 1914-1918.","World War, 1914-1918--Aerial Operations.","World War, 1914-1918--Campaigns-France.","Books.","Diaries.","Diaries.","Letters (correspondence)","Newspapers.","Orders (military records)","Photographs."],"has_online_content_ssim":["false"],"extent_ssm":["885 items"],"extent_tesim":["885 items"],"arrangement_html_tesm":["\u003clist\u003e\n \u003chead\u003eThe Douglas MacArthur collection has been organized into four series. Within these series, the papers are separated into distinct sub-series groups.\u003c/head\u003e\n \u003citem\u003eSeries I: Correspondence and diaries\u003clist\u003e\n \u003citem\u003eSub-series I: Letters and diary to Florence Adams (Box 1)\u003c/item\u003e\n \u003citem\u003eSub-series II: Letters from Douglas MacArthur to Louise Cromwell (Brooks) MacArthur (Box 1)\u003c/item\u003e\n \u003citem\u003eSub-series III: Letters from Douglas MacArthur to Hamilton Fish, Jr. (Box 1)\u003c/item\u003e\n \u003citem\u003eSub-series IV: Miscellaneous letters and documents pertaining to Douglas MacArthur (Box 1)\u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003eSeries II: Papers related to the 42nd (Rainbow) Division\u003clist\u003e\n \u003citem\u003eSub-series I: Military documents to the 42nd Division from external military units (Boxes 1-2)\u003c/item\u003e\n \u003citem\u003eSub-series II: Military documents from the 42nd Division to various military units (Boxes 2-4)\u003c/item\u003e\n \u003citem\u003eSub-series III: Internal military documents from and to various military units in the 42nd Division. (Box 5)\u003c/item\u003e\n \u003citem\u003eSub-series IV: Kenneth A. Sutherland Notebook. (Box 6)\u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003eSeries III: Photographs and miscellaneous papers pertaining to Douglas MacArthur\u003clist\u003e\n \u003citem\u003eSub-series I: Aerial photographs and negatives, 91st Reconnaissance Squadron. (Box 7)\u003c/item\u003e\n \u003citem\u003eSub-series II: Miscellaneous photographs and papers. (Box 8)\u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003eSeries IV: Published works.\u003c/item\u003e\n \u003c/list\u003e"],"arrangement_tesim":["The Douglas MacArthur collection has been organized into four series. Within these series, the papers are separated into distinct sub-series groups. Series I: Correspondence and diaries Sub-series I: Letters and diary to Florence Adams (Box 1) Sub-series II: Letters from Douglas MacArthur to Louise Cromwell (Brooks) MacArthur (Box 1) Sub-series III: Letters from Douglas MacArthur to Hamilton Fish, Jr. (Box 1) Sub-series IV: Miscellaneous letters and documents pertaining to Douglas MacArthur (Box 1) Series II: Papers related to the 42nd (Rainbow) Division Sub-series I: Military documents to the 42nd Division from external military units (Boxes 1-2) Sub-series II: Military documents from the 42nd Division to various military units (Boxes 2-4) Sub-series III: Internal military documents from and to various military units in the 42nd Division. (Box 5) Sub-series IV: Kenneth A. Sutherland Notebook. (Box 6) Series III: Photographs and miscellaneous papers pertaining to Douglas MacArthur Sub-series I: Aerial photographs and negatives, 91st Reconnaissance Squadron. (Box 7) Sub-series II: Miscellaneous photographs and papers. (Box 8) Series IV: Published works."],"bioghist_html_tesm":["\u003cp\u003e\n \u003cemph render=\"underline\"\u003e\n \u003cemph render=\"underline\"\u003eDouglas MacArthur\u003c/emph\u003e\n \u003c/emph\u003e\n \u003c/p\u003e","\u003cp\u003eDouglas MacArthur was born on January 26, 1880, the youngest child of (Capt.) Arthur MacArthur (1845-1912) and Mary Pinkney Hardy (1852-1935). His siblings were Arthur (1876-1923), and Malcolm (1878-1883), who died before his seventh birthday. \u003c/p\u003e","\u003cp\u003eDouglas MacArthur graduated from West Texas Military Academy in 1897 as valedictorian and two years later entered West Point. In 1903 he graduated as First Captain, West Point's highest honor. In September 1903, he joined the 3rd Battalion Engineers in San Francisco, and almost immediately was sent to Manila, Philippines. The next year he was promoted to First Lieutenant, and in 1906 returned to the United States. After being made Captain of Engineers at Leavenworth in 1911, MacArthur was assigned to Vera Cruz to report information to the War Department. While serving as military aide to the Secretary of War in 1916, he conceived the idea of expanding the existing National Guard through volunteer enlistment and turned into combat divisions - an idea that would be used for the formation of the 42nd Division. \u003c/p\u003e","\u003cp\u003eIn 1917, MacArthur was appointed Colonel and Chief of Staff of the 42nd (Rainbow) Division. As Commander of the 84th Infantry Brigade, he led his troops during the vitally important Argonne Campaign in the last months of the war. In 1919, the 42nd Division returned to the United States, and MacArthur accepted an appointment as Superintendent of West Point. While there, he became permanent Brigadier General. MacArthur married Louise Cromwell Brooks in 1922, the year he was posted to command the Philippine Division, but they divorced seven years later. In November 1929, MacArthur was promoted to General and chosen as the man to replace General Summerall as the Chief of Staff, U.S. Army. In 1937, MacArthur married a second time - to Jean Marie Faircloth, and they had a son, Arthur, a year later. \u003c/p\u003e","\u003cp\u003eIn December 1941, the Japanese Army attacked and defeated MacArthur's Philippine Army on the Bataan Peninsula. The following March, MacArthur was ordered from the Philippines to command the Allied troops with Thomas Blamey. For six months, MacArthur concentrated on the defense of New Guinea, which led to an ambitious counter-attack in January and February 1943. On the day the Japanese surrendered, MacArthur was appointed Supreme Commander of Allied Powers. \u003c/p\u003e","\u003cp\u003eMacArthur remained in occupied Japan until 1950, orchestrating the reformation of the post-war country. On the 29th of June, 1950, MacArthur went to South Korea with American forces to assess the situation after North Korea's invasion of South Korea. This assessment led to Truman's commitment of U.S. troops to a ground war in Korea. The North Koreans abandoned Seoul on September 28, 1950, after MacArthur's successful military plan to attack through Inchon. As a result of the success of this campaign, China decided to enter the Korean War. MacArthur was ordered by the Joint Chiefs of Staff and the Secretary of Defense, in conjunction with a U.N. resolution, to proceed north of the 38th parallel. Chinese troops attacked, leading to the withdrawal of MacArthur's troops back south of the 38th. By this time, MacArthur had disobeyed the military order to employ only Korean forces in the frontier provinces. On the 24th of March, MacArthur issued a lengthy communiqué complaining about the restrictions on his forces and taunted the enemy for their lack of industrial power and inability to maintain even moderate air and naval power. This pronouncement and his previous insubordination caused President Truman to relieve MacArthur of his command. \u003c/p\u003e","\u003cp\u003eIn April 1951, General Douglas MacArthur returned to San Francisco to thousands of cheering citizens. On April 19 he presented his case regarding his relief of command to a joint session of congress. During his remaining years, MacArthur traveled throughout the United States to make speeches, in which he often denounced communists and socialists, and spoke of corrupt administration and heavy taxation. At the age of 84, on April 5, 1964, Douglas MacArthur died in a hospital in Washington.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"underline\"\u003e\n \u003cemph render=\"underline\"\u003eThe 42nd (Rainbow) Division\u003c/emph\u003e\n \u003c/emph\u003e\n \u003c/p\u003e","\u003cp\u003eThe Rainbow Division was created in 1917 as a composite division of members of the Regular Army and the National Guard solely for use in the war in Europe. The 42nd arrived in Europe in 1917 as the war was entering a new phase: Russia had dropped out of the war, America was joining the war, and Germany was racing to provide tremendous reinforcement before the American forces arrived. \u003c/p\u003e","\u003cp\u003eIn February 1918 the 42nd Division, part of the First U.S. Army Corps, was ordered to the Luneville area for a month of training with French units from the 7th French Army Corps. While there, the Rainbow Division distinguished itself as \"a first class combat Division.\" \u003c/p\u003e","\u003cp\u003eThe first assignment for the 42nd was to relieve the 128th French Infantry Division from the Baccarat Sector. In the war, this was the first time an American Division held a Sector on its own. The Division successfully held the Baccarat Sector until relief orders were sent on June 16, 1918. Two weeks later, the 42nd Division went to the front at the Battle of Champagne alongside the 21st French Army Corps. After an attack by the Germans on the fifteenth of July, the 42nd assisted in the Champagne defense until the end of the battle (July 18). The Sixth French Army Corps was given the Rainbow Division to pursue the supposedly retreating enemy at the Battle of the Ourcq from July 25-July 27, 1918. From July 28-August 1st, the Allies captured strongpoints of the German position. August 2-August 3rd, the 42nd Division assisted in pursuing the enemy until relieved by the 4th Regular Division. \u003c/p\u003e","\u003cp\u003eAfter the Battle of the Ourcq, Douglas MacArthur was given command of the 84th Infantry Brigade (William Hughes, Jr., replaced him as Chief of Staff, 42nd Division). In September, the Rainbow Division, then under the 4th American Army Corps, was ordered to attack the center of the south side of the San Mihiel Salient and was assigned to the defense of the Essey-Pannes Sector until September 30, when it was relieved by the 89th Division. \u003c/p\u003e","\u003cp\u003eOn October 11-12, 1918, the Rainbow Division relieved the 1st Division on the Verdun front. In order to break the 2nd German line of defense, the hill called The Cote de Chatillon had to be taken. From October 13-16, Brigadier General Douglas MacArthur commanded the 84th Infantry Division to the successful capture of Hill 288 (a strongly fortified point on the Kreimhilde Stellung), the Tuilerie Ferme, and the Cote de Chatillon (beyond the enemy's strong line of resistance). \u003c/p\u003e","\u003cp\u003eThe next attack took place November 1, 1918. The 42nd Division provided machine gun fire for the advancement of the 2nd and 89th Divisions. After this victory, and as a result of divisional rivalry (and a difference in opinion as to the exact nature of a memorandum), the 42nd and the 1st Divisions (of the First American Army Corps and the 5th American Army Corps respectively) 'raced' for the glory of partaking in the (potential) final engagement of the war, in Sedan. On November 6-7, the Rainbow, the 4th French Army, and the 1st and 77th American Divisions, fought south of the Meuse (south of Sedan). The fighting ended when the enemy requested an armistice on November 9, 1918. The 42nd Division backed off and was able to claim that the Americans who got closest to Sedan were members of the 166th Infantry of the 83rd Infantry Brigade. The armistice was signed two days later. \u003c/p\u003e","\u003cp\u003eThe 42nd Division remained in France and occupied Germany until May 1, 1919, when the last unit arrived home. Less than two weeks later, the last Brigade was demobilized. \u003c/p\u003e"],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["Douglas MacArthur","Douglas MacArthur was born on January 26, 1880, the youngest child of (Capt.) Arthur MacArthur (1845-1912) and Mary Pinkney Hardy (1852-1935). His siblings were Arthur (1876-1923), and Malcolm (1878-1883), who died before his seventh birthday. ","Douglas MacArthur graduated from West Texas Military Academy in 1897 as valedictorian and two years later entered West Point. In 1903 he graduated as First Captain, West Point's highest honor. In September 1903, he joined the 3rd Battalion Engineers in San Francisco, and almost immediately was sent to Manila, Philippines. The next year he was promoted to First Lieutenant, and in 1906 returned to the United States. After being made Captain of Engineers at Leavenworth in 1911, MacArthur was assigned to Vera Cruz to report information to the War Department. While serving as military aide to the Secretary of War in 1916, he conceived the idea of expanding the existing National Guard through volunteer enlistment and turned into combat divisions - an idea that would be used for the formation of the 42nd Division. ","In 1917, MacArthur was appointed Colonel and Chief of Staff of the 42nd (Rainbow) Division. As Commander of the 84th Infantry Brigade, he led his troops during the vitally important Argonne Campaign in the last months of the war. In 1919, the 42nd Division returned to the United States, and MacArthur accepted an appointment as Superintendent of West Point. While there, he became permanent Brigadier General. MacArthur married Louise Cromwell Brooks in 1922, the year he was posted to command the Philippine Division, but they divorced seven years later. In November 1929, MacArthur was promoted to General and chosen as the man to replace General Summerall as the Chief of Staff, U.S. Army. In 1937, MacArthur married a second time - to Jean Marie Faircloth, and they had a son, Arthur, a year later. ","In December 1941, the Japanese Army attacked and defeated MacArthur's Philippine Army on the Bataan Peninsula. The following March, MacArthur was ordered from the Philippines to command the Allied troops with Thomas Blamey. For six months, MacArthur concentrated on the defense of New Guinea, which led to an ambitious counter-attack in January and February 1943. On the day the Japanese surrendered, MacArthur was appointed Supreme Commander of Allied Powers. ","MacArthur remained in occupied Japan until 1950, orchestrating the reformation of the post-war country. On the 29th of June, 1950, MacArthur went to South Korea with American forces to assess the situation after North Korea's invasion of South Korea. This assessment led to Truman's commitment of U.S. troops to a ground war in Korea. The North Koreans abandoned Seoul on September 28, 1950, after MacArthur's successful military plan to attack through Inchon. As a result of the success of this campaign, China decided to enter the Korean War. MacArthur was ordered by the Joint Chiefs of Staff and the Secretary of Defense, in conjunction with a U.N. resolution, to proceed north of the 38th parallel. Chinese troops attacked, leading to the withdrawal of MacArthur's troops back south of the 38th. By this time, MacArthur had disobeyed the military order to employ only Korean forces in the frontier provinces. On the 24th of March, MacArthur issued a lengthy communiqué complaining about the restrictions on his forces and taunted the enemy for their lack of industrial power and inability to maintain even moderate air and naval power. This pronouncement and his previous insubordination caused President Truman to relieve MacArthur of his command. ","In April 1951, General Douglas MacArthur returned to San Francisco to thousands of cheering citizens. On April 19 he presented his case regarding his relief of command to a joint session of congress. During his remaining years, MacArthur traveled throughout the United States to make speeches, in which he often denounced communists and socialists, and spoke of corrupt administration and heavy taxation. At the age of 84, on April 5, 1964, Douglas MacArthur died in a hospital in Washington.","The 42nd (Rainbow) Division","The Rainbow Division was created in 1917 as a composite division of members of the Regular Army and the National Guard solely for use in the war in Europe. The 42nd arrived in Europe in 1917 as the war was entering a new phase: Russia had dropped out of the war, America was joining the war, and Germany was racing to provide tremendous reinforcement before the American forces arrived. ","In February 1918 the 42nd Division, part of the First U.S. Army Corps, was ordered to the Luneville area for a month of training with French units from the 7th French Army Corps. While there, the Rainbow Division distinguished itself as \"a first class combat Division.\" ","The first assignment for the 42nd was to relieve the 128th French Infantry Division from the Baccarat Sector. In the war, this was the first time an American Division held a Sector on its own. The Division successfully held the Baccarat Sector until relief orders were sent on June 16, 1918. Two weeks later, the 42nd Division went to the front at the Battle of Champagne alongside the 21st French Army Corps. After an attack by the Germans on the fifteenth of July, the 42nd assisted in the Champagne defense until the end of the battle (July 18). The Sixth French Army Corps was given the Rainbow Division to pursue the supposedly retreating enemy at the Battle of the Ourcq from July 25-July 27, 1918. From July 28-August 1st, the Allies captured strongpoints of the German position. August 2-August 3rd, the 42nd Division assisted in pursuing the enemy until relieved by the 4th Regular Division. ","After the Battle of the Ourcq, Douglas MacArthur was given command of the 84th Infantry Brigade (William Hughes, Jr., replaced him as Chief of Staff, 42nd Division). In September, the Rainbow Division, then under the 4th American Army Corps, was ordered to attack the center of the south side of the San Mihiel Salient and was assigned to the defense of the Essey-Pannes Sector until September 30, when it was relieved by the 89th Division. ","On October 11-12, 1918, the Rainbow Division relieved the 1st Division on the Verdun front. In order to break the 2nd German line of defense, the hill called The Cote de Chatillon had to be taken. From October 13-16, Brigadier General Douglas MacArthur commanded the 84th Infantry Division to the successful capture of Hill 288 (a strongly fortified point on the Kreimhilde Stellung), the Tuilerie Ferme, and the Cote de Chatillon (beyond the enemy's strong line of resistance). ","The next attack took place November 1, 1918. The 42nd Division provided machine gun fire for the advancement of the 2nd and 89th Divisions. After this victory, and as a result of divisional rivalry (and a difference in opinion as to the exact nature of a memorandum), the 42nd and the 1st Divisions (of the First American Army Corps and the 5th American Army Corps respectively) 'raced' for the glory of partaking in the (potential) final engagement of the war, in Sedan. On November 6-7, the Rainbow, the 4th French Army, and the 1st and 77th American Divisions, fought south of the Meuse (south of Sedan). The fighting ended when the enemy requested an armistice on November 9, 1918. The 42nd Division backed off and was able to claim that the Americans who got closest to Sedan were members of the 166th Infantry of the 83rd Infantry Brigade. The armistice was signed two days later. ","The 42nd Division remained in France and occupied Germany until May 1, 1919, when the last unit arrived home. Less than two weeks later, the last Brigade was demobilized. "],"scopecontent_html_tesm":["\u003cp\u003eThe MacArthur collection contains 885 letters, documents, photographs, and published works dating from March 23, 1885, to July 5, 1983. The bulk of the material (710 items) consists of military documents and manuscript notes from September 8, 1917 to January 27, 1919. \u003c/p\u003e","\u003cp\u003eThe military materials include general orders, field orders, field messages, memoranda, intelligence, and communications, related to the U.S. 42nd Division (The Rainbow Division), A.E.F., founded in 1917. The majority of the collection falls during the period of time from late 1917 to early August 1918, when Douglas MacArthur was Chief of Staff for the 42nd Division. Documents from military units that fought alongside the 42nd Division (both French and American), the U.S. Chemical Warfare, and the Intelligence Divisions -- as well as various German, French, and American communications -- are included. Organizational documents, such as training schedules, and march tables, are also present. A considerable number, if not all, of these materials must have been approved or viewed by MacArthur, and many of the items in this collection bear his initials or the initials of his information assistant, William Hughes, Jr. From early August 1918 until the armistice was signed on November 11, 1918, MacArthur acted as the commanding officer for the 84th Infantry Brigade, and several military orders bear his name. \u003c/p\u003e","\u003cp\u003eSeventy-six letters in the collection (located in Box 1) are either from Douglas MacArthur or pertain in some way to him. Six of these items, dated 1904, pertain to MacArthur and Florence Adams, whom he met in the Philippines, including a 46-page diary MacArthur wrote to Adams while he was on board a ship from Manila to the United States. Five letters, dated 1921 and 1925, are written by MacArthur to Louise Brooks who became Mrs. Douglas MacArthur in 1922. These letters contain both romantic content as well as personal reflections on the events in MacArthur's life at the time. Also included are nine letters from MacArthur to Hamilton Fish, Jr., dated 1921-1934. The remainder of the correspondence is a miscellaneous collection of letters written by Douglas MacArthur, Jean MacArthur, Dwight D. Eisenhower, Harry S. Truman, and others.\u003c/p\u003e","\u003cp\u003eThe Douglas MacArthur collection also contains a notebook kept by Kenneth A. Sutherland, veteran of the 42nd Division, which contains a selection of items related to the Division's post-war activities and reunions; 40 aerial photographs and negatives taken by the 91st Reconnaissance Squadron, October 10, 1918; several photographs of Douglas MacArthur; thirteen published works by or about the General; and other miscellaneous materials.\u003c/p\u003e"],"scopecontent_tesim":["The MacArthur collection contains 885 letters, documents, photographs, and published works dating from March 23, 1885, to July 5, 1983. The bulk of the material (710 items) consists of military documents and manuscript notes from September 8, 1917 to January 27, 1919. ","The military materials include general orders, field orders, field messages, memoranda, intelligence, and communications, related to the U.S. 42nd Division (The Rainbow Division), A.E.F., founded in 1917. The majority of the collection falls during the period of time from late 1917 to early August 1918, when Douglas MacArthur was Chief of Staff for the 42nd Division. Documents from military units that fought alongside the 42nd Division (both French and American), the U.S. Chemical Warfare, and the Intelligence Divisions -- as well as various German, French, and American communications -- are included. Organizational documents, such as training schedules, and march tables, are also present. A considerable number, if not all, of these materials must have been approved or viewed by MacArthur, and many of the items in this collection bear his initials or the initials of his information assistant, William Hughes, Jr. From early August 1918 until the armistice was signed on November 11, 1918, MacArthur acted as the commanding officer for the 84th Infantry Brigade, and several military orders bear his name. ","Seventy-six letters in the collection (located in Box 1) are either from Douglas MacArthur or pertain in some way to him. Six of these items, dated 1904, pertain to MacArthur and Florence Adams, whom he met in the Philippines, including a 46-page diary MacArthur wrote to Adams while he was on board a ship from Manila to the United States. Five letters, dated 1921 and 1925, are written by MacArthur to Louise Brooks who became Mrs. Douglas MacArthur in 1922. These letters contain both romantic content as well as personal reflections on the events in MacArthur's life at the time. Also included are nine letters from MacArthur to Hamilton Fish, Jr., dated 1921-1934. The remainder of the correspondence is a miscellaneous collection of letters written by Douglas MacArthur, Jean MacArthur, Dwight D. Eisenhower, Harry S. Truman, and others.","The Douglas MacArthur collection also contains a notebook kept by Kenneth A. Sutherland, veteran of the 42nd Division, which contains a selection of items related to the Division's post-war activities and reunions; 40 aerial photographs and negatives taken by the 91st Reconnaissance Squadron, October 10, 1918; several photographs of Douglas MacArthur; thirteen published works by or about the General; and other miscellaneous materials."],"abstract_html_tesm":["\u003cabstract\u003eThe Douglas MacArthur collection is made up of military documents related to General Douglas MacArthur and the 42nd (Rainbow) Division during the first World War, and miscellaneous letters, documents, photographs, published works, and one diary illuminating various aspects of the General's public career and personal life.\u003c/abstract\u003e"],"abstract_tesim":["The Douglas MacArthur collection is made up of military documents related to General Douglas MacArthur and the 42nd (Rainbow) Division during the first World War, and miscellaneous letters, documents, photographs, published works, and one diary illuminating various aspects of the General's public career and personal life."],"names_ssim":["William L. Clements Library , University of Michigan","United States. Army--Artillery.","United States. Army--Artillery--Drill and Tactics.","United States. Army--Communication Systems.","United States. Army--Drill and Tactics.","United States. Army--Equipment.","United States. Army--Field Service.","United States. Army--History.","United States. Army--Information Services.","United States. Army--Medals, Badges, Decorations, etc.","United States. Army--Organization.","United States. Army--Records and Correspondence.","United States. Army--Safety Measures.","United States. Army--Sanitary Affairs.","United States. Army. Infantry Division, 42nd.","Diedrich, D. N. (Duane Norman)","Brooks, Louise Cromwell.","Fish, Hamilton, 1849-1936.","Adams, Florence.","Eisenhower, Dwight D. (Dwight David), 1890-1969.","Granara, J. Ralph.","Hughes, William.","Hunt, Haroldson L.","Kean, Robert Winthrop.","Luhrs, H. Ernst.","MacArthur, Arthur, 1845-1912.","MacArthur, Douglas, 1880-1964.","MacArthur, Jean Faircloth.","Mark, Clark.","Menoher, Charles Thomas, 1862-1930 ","Rhodes, Weldon E.","Sutherland, Kenneth A.","Truman, Harry S., 1884-1972."],"corpname_ssim":["William L. Clements Library , University of Michigan","United States. Army--Artillery.","United States. Army--Artillery--Drill and Tactics.","United States. Army--Communication Systems.","United States. Army--Drill and Tactics.","United States. Army--Equipment.","United States. Army--Field Service.","United States. Army--History.","United States. Army--Information Services.","United States. Army--Medals, Badges, Decorations, etc.","United States. Army--Organization.","United States. Army--Records and Correspondence.","United States. Army--Safety Measures.","United States. Army--Sanitary Affairs.","United States. Army. Infantry Division, 42nd."],"persname_ssim":["Diedrich, D. N. (Duane Norman)","Brooks, Louise Cromwell.","Fish, Hamilton, 1849-1936.","Adams, Florence.","Eisenhower, Dwight D. (Dwight David), 1890-1969.","Granara, J. Ralph.","Hughes, William.","Hunt, Haroldson L.","Kean, Robert Winthrop.","Luhrs, H. Ernst.","MacArthur, Arthur, 1845-1912.","MacArthur, Douglas, 1880-1964.","MacArthur, Jean Faircloth.","Mark, Clark.","Menoher, Charles Thomas, 1862-1930 ","Rhodes, Weldon E.","Sutherland, Kenneth A.","Truman, Harry S., 1884-1972."],"language_ssim":["The material is in English"],"descrules_ssm":["Finding aid prepared using Describing Archives: A Content Standard (DACS)"],"total_component_count_is":154,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"umich-wcl-M-2370mac","timestamp":"2025-02-18T23:25:17.168Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/umich-wcl-M-2370mac_al_9a5200090564635b11f85a51a6fceb3478105a81"}},{"id":"m0292-xml_aspace_ref144_h2y","type":"File","attributes":{"title":"1. Morand, Donald A.","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/m0292-xml_aspace_ref144_h2y#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"aspace_ref144_h2y","ref_ssm":["aspace_ref144_h2y","aspace_ref144_h2y"],"id":"m0292-xml_aspace_ref144_h2y","title_filing_ssi":"1. Morand, Donald A.","title_ssm":["1. Morand, Donald A."],"title_tesim":["1. Morand, Donald A."],"normalized_title_ssm":["1. Morand, Donald A."],"text":["1. Morand, Donald A.","Clarke Family Papers, 1904-1968","Series B","box 7"],"component_level_isim":[2],"parent_ssim":["m0292-xml","aspace_ref116_3iz"],"parent_ssi":"aspace_ref116_3iz","parent_ids_ssim":["m0292-xml","m0292-xml_aspace_ref116_3iz"],"parent_unittitles_ssm":["Clarke Family Papers, 1904-1968","Series B"],"parent_unittitles_tesim":["Clarke Family Papers, 1904-1968","Series B"],"parent_levels_ssm":["collection","Series"],"repository_ssim":["Stanford University Libraries. Special Collections and University Archives"],"collection_ssim":["Clarke Family Papers, 1904-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":130,"parent_access_restrict_tesm":["None."],"parent_access_terms_tesm":["Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections."],"containers_ssim":["box 7"],"_nest_path_":"/components#5/components#27","_nest_parent_":"m0292-xml_aspace_ref116_3iz","_root_":"m0292-xml","timestamp":"2025-02-18T23:07:35.736Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"m0292-xml","title_ssm":["Clarke Family Papers"],"title_tesim":["Clarke Family Papers"],"ead_ssi":"m0292.xml","unitdate_ssm":["1904-1968"],"unitdate_inclusive_ssm":["1904-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M0292"],"text":["M0292","Clarke Family Papers, 1904-1968","None.","1. Palmer, J.P.: Jade Spring Books; London, 1967.","2. The Encyclopedia Sinica Couling, Samuel Kelly \u0026 Walsh; Shanghai, 1917.","3. Thiel, albert W.R.: Chinese Pottery and Stoneware Thos. nelson \u0026 Sons; N.Y., N.D.","4. Goette, John: Jade Lore Kelly \u0026 Walsh; Shanghai, 1936.","5. Forsyth, Robb. Coventry: Shanting, The Sacred Province of China Christian Literature Society; Shanghai, 1912","6. Graham, Dorothy: Through the moon Door J. H. Sears \u0026 Co.; N.Y., 1926.","7. Brandt, J.: Introduction to Literary Chinese North China Union Language School; Peking, 1927.","8. Weale, B.L. Putnam: The Vanished Empire Macmillan \u0026 Co.; London, 1926.","9. Jennu, Delia: Letter from Peking Oxford UP; London, 1967.","10. Busheel, Stephen W.: Chinese [UNK] V. I Eyre \u0026 Spottiswoode; London, 1909.","11. Smith, Arthur H.: Chinese Characteristics 3rd ed. Fleming H. Revell Co.; n.y., 1894.","12. Grubb, Norman P.: C.T.Studd, Cricketer \u0026 Pioneer Religious Tract Society; London, 1933.","13. Martin, W.A.P.: The Siege in Peking Oliphant Anderson \u0026 Ferrier; Edinburgh, 1900.","14. Lymn, Jermyn Chi-Hung: Social Life of The Chinese in Peking China Booksellers; Peking, 1928.","15. Strong, [UNK] [UNK]: a Sketch of Chinese Cuts \u0026 Crafts China Bhsellers; Peking, 1926.","The daughter of Dr. Charles Fletcher Johnson and Agnes Elliott Johnson, Ruth Clarke was born on April 2, 1890 in Wei Hsien, Shantung, China where she quickly mastered Mandarin Chinese. She was educated at Miss Jewell's School in Shanghai which was also attended by Miss Pearl Buck. After visiting her Uncle Hosmer Johnson in Washington D.C., Ruth entered and graduated from Wilson College (Chambersburg, Pa.) in 1912. She then returned to Shanghai to accept a teaching position at Miss Jewell's.","In 1916 Ruth Johnson accepted a new position in the Peking American School. It was there that she met J. Eric G. Clarke whom she married on June 21, 1916 in Tsinanfu, Shantung. The Rev. W. P. Chalfant officiated. Kathleen Clarke, Margaret Emma Johnson, Gerald Clarke and Hosmer F. Johnson were members of the wedding party Dating from this ceremony, the couple often signed their combined correspondence Rutheric. Following a brief honeymoon in Tai Shan, the couple returned to Peking where they resided for the next 16 years. During this period Mrs. Clarke made several trips to the United States where she exhibited many of the fabulous Oriental art treasures she had collected throughout her stay in China.","Soon after the couple moved to Shanghai the threat of war between Japan and China became reality. Overnight, internment camps were set up for aliens like the Clarkes. Their homes were occupied by Japanese soldiers as soon as they were evacuated by the local Occupation authorities. From April 10, 1943 until a few weeks following the Japanese surrender to MacArthur on August 14, 1945, the Clarkes were confined at Lung Hwa Camp near Peking.","Among the nearly 1800 interns at Lung Hwa were men and women from all professions and backgrounds. Although spirits were high during the first season at the camp, morale worsened during the winter--food became scarce and poorer in quality and the stoves which the Japanese installed on each floor of the ten dormitories were never lit. The cubicles they occupied were 4`8 by 22' long. Despite the difficult conditions they encountered at the camp, the Clarkes and their fellow inmates managed to maintain a high level of personal development which is reflected in the many activities enjoyed at the camp: lectures, plays, musical productions and many other kinds of intellectual stimulation. One of the most amusing highlights of their stay was the development of a game called Dictionary Please. Because of their limited reading material, the Clarkes designed a game which relied only upon the dictionary they brought with them and their active imaginations. The game was so successful that it became a partial livelihood following their return to America in 1946.","Residing in Portland, Oregon, Mr. and Mrs. Clarke remained active socially and intellectually. Mrs. Clarke served as president of Zonta International and the Lewis and Clarke's Women's League. Mrs. Clarke now resides in Mountain View, California.","Gift of Ruth Elliott Johnson Clarke.","Correspondence, photographs (of China), books and pamphlets about Chinese art, etc.","Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections.","Department of Special Collections and University Archives","Clarke family","English"],"unitid_tesim":["M0292"],"normalized_date_ssm":["1904-1968"],"normalized_title_ssm":["Clarke Family Papers, 1904-1968"],"collection_title_tesim":["Clarke Family Papers, 1904-1968"],"collection_ssim":["Clarke Family Papers, 1904-1968"],"repository_ssm":["Stanford University Libraries. Special Collections and University Archives"],"repository_ssim":["Stanford University Libraries. Special Collections and University Archives"],"creator_ssm":["Clarke family"],"creator_ssim":["Clarke family"],"creator_famname_ssim":["Clarke family"],"creators_ssim":["Clarke family"],"access_terms_ssm":["Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet ca. 10 linear ft."],"extent_tesim":["10 Linear Feet ca. 10 linear ft."],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eNone.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["None."],"bibliography_html_tesm":["\u003cbibref\u003e1. Palmer, J.P.: \u003cemph render=\"italic\"\u003eJade \u003c/emph\u003eSpring Books; London, 1967.\u003c/bibref\u003e","\u003cbibref\u003e2. \u003cemph render=\"italic\"\u003eThe Encyclopedia Sinica \u003c/emph\u003eCouling, Samuel Kelly \u0026amp; Walsh; Shanghai, 1917.\u003c/bibref\u003e","\u003cbibref\u003e3. Thiel, albert W.R.: \u003cemph render=\"italic\"\u003eChinese Pottery and Stoneware \u003c/emph\u003eThos. nelson \u0026amp; Sons; N.Y., N.D.\u003c/bibref\u003e","\u003cbibref\u003e4. Goette, John: \u003cemph render=\"italic\"\u003eJade Lore \u003c/emph\u003eKelly \u0026amp; Walsh; Shanghai, 1936.\u003c/bibref\u003e","\u003cbibref\u003e5. Forsyth, Robb. Coventry: \u003cemph render=\"italic\"\u003eShanting, The Sacred Province of China \u003c/emph\u003eChristian Literature Society; Shanghai, 1912\u003c/bibref\u003e","\u003cbibref\u003e6. Graham, Dorothy: \u003cemph render=\"italic\"\u003eThrough the moon Door \u003c/emph\u003eJ. H. Sears \u0026amp; Co.; N.Y., 1926.\u003c/bibref\u003e","\u003cbibref\u003e7. Brandt, J.: \u003cemph render=\"italic\"\u003eIntroduction to Literary Chinese \u003c/emph\u003eNorth China Union Language School; Peking, 1927.\u003c/bibref\u003e","\u003cbibref\u003e8. Weale, B.L. Putnam: \u003cemph render=\"italic\"\u003eThe Vanished Empire \u003c/emph\u003eMacmillan \u0026amp; Co.; London, 1926.\u003c/bibref\u003e","\u003cbibref\u003e9. Jennu, Delia: \u003cemph render=\"italic\"\u003eLetter from Peking \u003c/emph\u003eOxford UP; London, 1967.\u003c/bibref\u003e","\u003cbibref\u003e10. Busheel, Stephen W.: \u003cemph render=\"italic\"\u003eChinese [UNK] \u003c/emph\u003eV. I Eyre \u0026amp; Spottiswoode; London, 1909.\u003c/bibref\u003e","\u003cbibref\u003e11. Smith, Arthur H.: \u003cemph render=\"italic\"\u003eChinese Characteristics \u003c/emph\u003e3rd ed. Fleming H. Revell Co.; n.y., 1894.\u003c/bibref\u003e","\u003cbibref\u003e12. Grubb, Norman P.: \u003cemph render=\"italic\"\u003eC.T.Studd, \u003c/emph\u003e\u003cemph render=\"italic\"\u003eCricketer \u0026amp; Pioneer \u003c/emph\u003eReligious Tract Society; London, 1933.\u003c/bibref\u003e","\u003cbibref\u003e13. Martin, W.A.P.: \u003cemph render=\"italic\"\u003eThe Siege in Peking \u003c/emph\u003eOliphant Anderson \u0026amp; Ferrier; Edinburgh, 1900.\u003c/bibref\u003e","\u003cbibref\u003e14. Lymn, Jermyn Chi-Hung: \u003cemph render=\"italic\"\u003eSocial Life of The Chinese in Peking \u003c/emph\u003eChina Booksellers; Peking, 1928.\u003c/bibref\u003e","\u003cbibref\u003e15. Strong, [UNK] [UNK]: \u003cemph render=\"italic\"\u003ea Sketch of Chinese Cuts \u0026amp; Crafts \u003c/emph\u003eChina Bhsellers; Peking, 1926.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Reference Materials"],"bibliography_tesim":["1. Palmer, J.P.: Jade Spring Books; London, 1967.","2. The Encyclopedia Sinica Couling, Samuel Kelly \u0026 Walsh; Shanghai, 1917.","3. Thiel, albert W.R.: Chinese Pottery and Stoneware Thos. nelson \u0026 Sons; N.Y., N.D.","4. Goette, John: Jade Lore Kelly \u0026 Walsh; Shanghai, 1936.","5. Forsyth, Robb. Coventry: Shanting, The Sacred Province of China Christian Literature Society; Shanghai, 1912","6. Graham, Dorothy: Through the moon Door J. H. Sears \u0026 Co.; N.Y., 1926.","7. Brandt, J.: Introduction to Literary Chinese North China Union Language School; Peking, 1927.","8. Weale, B.L. Putnam: The Vanished Empire Macmillan \u0026 Co.; London, 1926.","9. Jennu, Delia: Letter from Peking Oxford UP; London, 1967.","10. Busheel, Stephen W.: Chinese [UNK] V. I Eyre \u0026 Spottiswoode; London, 1909.","11. Smith, Arthur H.: Chinese Characteristics 3rd ed. Fleming H. Revell Co.; n.y., 1894.","12. Grubb, Norman P.: C.T.Studd, Cricketer \u0026 Pioneer Religious Tract Society; London, 1933.","13. Martin, W.A.P.: The Siege in Peking Oliphant Anderson \u0026 Ferrier; Edinburgh, 1900.","14. Lymn, Jermyn Chi-Hung: Social Life of The Chinese in Peking China Booksellers; Peking, 1928.","15. Strong, [UNK] [UNK]: a Sketch of Chinese Cuts \u0026 Crafts China Bhsellers; Peking, 1926."],"bioghist_html_tesm":["\u003cp\u003eThe daughter of Dr. Charles Fletcher Johnson and Agnes Elliott Johnson, Ruth Clarke was born on April 2, 1890 in Wei Hsien, Shantung, China where she quickly mastered Mandarin Chinese. She was educated at Miss Jewell's School in Shanghai which was also attended by Miss Pearl Buck. After visiting her Uncle Hosmer Johnson in Washington D.C., Ruth entered and graduated from Wilson College (Chambersburg, Pa.) in 1912. She then returned to Shanghai to accept a teaching position at Miss Jewell's.\u003c/p\u003e\n","\u003cp\u003eIn 1916 Ruth Johnson accepted a new position in the Peking American School. It was there that she met J. Eric G. Clarke whom she married on June 21, 1916 in Tsinanfu, Shantung. The Rev. W. P. Chalfant officiated. Kathleen Clarke, Margaret Emma Johnson, Gerald Clarke and Hosmer F. Johnson were members of the wedding party Dating from this ceremony, the couple often signed their combined correspondence Rutheric. Following a brief honeymoon in Tai Shan, the couple returned to Peking where they resided for the next 16 years. During this period Mrs. Clarke made several trips to the United States where she exhibited many of the fabulous Oriental art treasures she had collected throughout her stay in China.\u003c/p\u003e\n","\u003cp\u003eSoon after the couple moved to Shanghai the threat of war between Japan and China became reality. Overnight, internment camps were set up for aliens like the Clarkes. Their homes were occupied by Japanese soldiers as soon as they were evacuated by the local Occupation authorities. From April 10, 1943 until a few weeks following the Japanese surrender to MacArthur on August 14, 1945, the Clarkes were confined at Lung Hwa Camp near Peking.\u003c/p\u003e\n","\u003cp\u003eAmong the nearly 1800 interns at Lung Hwa were men and women from all professions and backgrounds. Although spirits were high during the first season at the camp, morale worsened during the winter--food became scarce and poorer in quality and the stoves which the Japanese installed on each floor of the ten dormitories were never lit. The cubicles they occupied were 4`8 by 22' long. Despite the difficult conditions they encountered at the camp, the Clarkes and their fellow inmates managed to maintain a high level of personal development which is reflected in the many activities enjoyed at the camp: lectures, plays, musical productions and many other kinds of intellectual stimulation. One of the most amusing highlights of their stay was the development of a game called Dictionary Please. Because of their limited reading material, the Clarkes designed a game which relied only upon the dictionary they brought with them and their active imaginations. The game was so successful that it became a partial livelihood following their return to America in 1946.\u003c/p\u003e\n","\u003cp\u003eResiding in Portland, Oregon, Mr. and Mrs. Clarke remained active socially and intellectually. Mrs. Clarke served as president of Zonta International and the Lewis and Clarke's Women's League. Mrs. Clarke now resides in Mountain View, California.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["The daughter of Dr. Charles Fletcher Johnson and Agnes Elliott Johnson, Ruth Clarke was born on April 2, 1890 in Wei Hsien, Shantung, China where she quickly mastered Mandarin Chinese. She was educated at Miss Jewell's School in Shanghai which was also attended by Miss Pearl Buck. After visiting her Uncle Hosmer Johnson in Washington D.C., Ruth entered and graduated from Wilson College (Chambersburg, Pa.) in 1912. She then returned to Shanghai to accept a teaching position at Miss Jewell's.","In 1916 Ruth Johnson accepted a new position in the Peking American School. It was there that she met J. Eric G. Clarke whom she married on June 21, 1916 in Tsinanfu, Shantung. The Rev. W. P. Chalfant officiated. Kathleen Clarke, Margaret Emma Johnson, Gerald Clarke and Hosmer F. Johnson were members of the wedding party Dating from this ceremony, the couple often signed their combined correspondence Rutheric. Following a brief honeymoon in Tai Shan, the couple returned to Peking where they resided for the next 16 years. During this period Mrs. Clarke made several trips to the United States where she exhibited many of the fabulous Oriental art treasures she had collected throughout her stay in China.","Soon after the couple moved to Shanghai the threat of war between Japan and China became reality. Overnight, internment camps were set up for aliens like the Clarkes. Their homes were occupied by Japanese soldiers as soon as they were evacuated by the local Occupation authorities. From April 10, 1943 until a few weeks following the Japanese surrender to MacArthur on August 14, 1945, the Clarkes were confined at Lung Hwa Camp near Peking.","Among the nearly 1800 interns at Lung Hwa were men and women from all professions and backgrounds. Although spirits were high during the first season at the camp, morale worsened during the winter--food became scarce and poorer in quality and the stoves which the Japanese installed on each floor of the ten dormitories were never lit. The cubicles they occupied were 4`8 by 22' long. Despite the difficult conditions they encountered at the camp, the Clarkes and their fellow inmates managed to maintain a high level of personal development which is reflected in the many activities enjoyed at the camp: lectures, plays, musical productions and many other kinds of intellectual stimulation. One of the most amusing highlights of their stay was the development of a game called Dictionary Please. Because of their limited reading material, the Clarkes designed a game which relied only upon the dictionary they brought with them and their active imaginations. The game was so successful that it became a partial livelihood following their return to America in 1946.","Residing in Portland, Oregon, Mr. and Mrs. Clarke remained active socially and intellectually. Mrs. Clarke served as president of Zonta International and the Lewis and Clarke's Women's League. Mrs. Clarke now resides in Mountain View, California."],"custodhist_html_tesm":["\u003cp\u003eGift of Ruth Elliott Johnson Clarke.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Gift of Ruth Elliott Johnson Clarke."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item] Clarke Family Papers, M0292, Dept. of Special Collections, Stanford University Libraries, Stanford, Calif.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item] Clarke Family Papers, M0292, Dept. of Special Collections, Stanford University Libraries, Stanford, Calif."],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, photographs (of China), books and pamphlets about Chinese art, etc.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Correspondence, photographs (of China), books and pamphlets about Chinese art, etc."],"userestrict_html_tesm":["\u003cp\u003eProperty rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections."],"names_ssim":["Department of Special Collections and University Archives","Clarke family"],"corpname_ssim":["Department of Special Collections and University Archives"],"names_coll_ssim":["Clarke family"],"famname_ssim":["Clarke family"],"language_ssim":["English"],"total_component_count_is":348,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"m0292-xml","timestamp":"2025-02-18T23:07:35.736Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/m0292-xml_aspace_ref144_h2y"}},{"id":"reimagining_aspace_015a8e771a249e479eee205d54bace7e","type":"Item","attributes":{"title":"1_Nancy_Chinn.mp3","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/reimagining_aspace_015a8e771a249e479eee205d54bace7e#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"aspace_015a8e771a249e479eee205d54bace7e","ref_ssm":["aspace_015a8e771a249e479eee205d54bace7e","aspace_015a8e771a249e479eee205d54bace7e"],"id":"reimagining_aspace_015a8e771a249e479eee205d54bace7e","title_filing_ssi":"1_Nancy_Chinn.mp3","title_ssm":["1_Nancy_Chinn.mp3"],"title_tesim":["1_Nancy_Chinn.mp3"],"normalized_title_ssm":["1_Nancy_Chinn.mp3"],"text":["1_Nancy_Chinn.mp3","Re-Imagining Collection, 1993-2016","Re-Imagining Conferences, 1993-2000","1993 Speakers, 1993-11-4/1993-11-7","Re-Imagining Women-Arts-Church: Nancy Chinn, Nalini Jayusuria, Ingeline\n Nielsen, 1993-11-4/1993-11-7","0:35:42","digital-materials RL11352-SET-0001","e-folder RL11352-LFF-0001"],"component_level_isim":[4],"parent_ssim":["reimagining","aspace_995889a08cce3d90b04cf8a795ae7126","aspace_194ad40c9d823c5939750c843f1ba6f3","aspace_ceb1d7825abe7db3a0ef055e2f200ca1"],"parent_ssi":"aspace_ceb1d7825abe7db3a0ef055e2f200ca1","parent_ids_ssim":["reimagining","reimagining_aspace_995889a08cce3d90b04cf8a795ae7126","reimagining_aspace_194ad40c9d823c5939750c843f1ba6f3","reimagining_aspace_ceb1d7825abe7db3a0ef055e2f200ca1"],"parent_unittitles_ssm":["Re-Imagining Collection, 1993-2016","Re-Imagining Conferences, 1993-2000","1993 Speakers, 1993-11-4/1993-11-7","Re-Imagining Women-Arts-Church: Nancy Chinn, Nalini Jayusuria, Ingeline\n Nielsen, 1993-11-4/1993-11-7"],"parent_unittitles_tesim":["Re-Imagining Collection, 1993-2016","Re-Imagining Conferences, 1993-2000","1993 Speakers, 1993-11-4/1993-11-7","Re-Imagining Women-Arts-Church: Nancy Chinn, Nalini Jayusuria, Ingeline\n Nielsen, 1993-11-4/1993-11-7"],"parent_levels_ssm":["collection","Series","Subseries","File"],"repository_ssim":["David M. Rubenstein Rare Book and Manuscript Library"],"collection_ssim":["Re-Imagining Collection, 1993-2016"],"physdesc_tesim":["0:35:42"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":138,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library."],"containers_ssim":["digital-materials RL11352-SET-0001","e-folder RL11352-LFF-0001"],"_nest_path_":"/components#1/components#1/components#5/components#0","_nest_parent_":"reimagining_aspace_ceb1d7825abe7db3a0ef055e2f200ca1","_root_":"reimagining","timestamp":"2025-02-18T22:58:40.698Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"reimagining","title_ssm":["Re-Imagining Collection"],"title_tesim":["Re-Imagining Collection"],"ead_ssi":"reimagining","unitdate_ssm":["1993-2016"],"unitdate_inclusive_ssm":["1993-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RL.11352"],"text":["RL.11352","Re-Imagining Collection, 1993-2016","Feminist theology","Re-Imagining Conference (1993 :\n Minneapolis, Minn.)","Ecumenical Decade of the Churches in\n Solidarity with Women (Program)","Collection is open for research.","Oral histories arranged alphabetically, conference materials arranged chronologically.","Re-Imagining: A Global Theological Conference By Women: For Men and Women, was organized by\n Mary Ann Lundy (Director of the Presbyterian Church USA's Women's Unit), Sally Hill, and\n other mainline protestant leaders in the United States, to be part of the World Council of\n Churches' Ecumenical Decade: Churches in Solidarity with Women 1988–1998. The 2,200\n attendees, met at the Minneapolis Convention Center on November 4 to 7, 1993, participating\n in presentations and rituals re-imagining male-centric images and language of traditional\n Christianity.","Dr. Sherry Jordon was awarded her Ph.D in Theology from Yale in 1995 and is currently\n Associate Professor of Theology at the University of St. Thomas. She specializes in\n historical theology, particularly the Reformation period, and Women's Studies. Jordon served\n on the Coordinating Council of the Re-Imagining Community from 1998-2003, spoke at the 2003\n Re-Imagining Gathering, and wrote an essay on feminist theology for Bless Sophia: Worship,\n Liturgy, and Ritual of the Re-Imagining Community. As part of her current research on the\n history and theology of Re-Imagining, she completed sixty-five oral interviews with members\n of the Re-Imagining Community, leading feminist and womanist theologians who presented at\n the conferences, people who were on the national staff of the women's units in the\n Presbyterian (USA) and United Methodist churches, and authors who have written books related\n to Christian feminism and/or Re-Imagining.","Processed by Craig Breaden, April, 2017","Accessions described in this collection guide: 2016-0317","Re-Imagining is an ecumenical, radical, Christian movement focused on creating ways of\n understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening\n spaces for dialogue with the church, diverse religious communities, and the world.\n Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 72\n participants in the Re-Imagining conferences, including the first gathering in 1993,\n Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127\n mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from\n gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as papers documenting Jordon's\n work with Re-Imagining. Interviewees and speakers include Martha O. Adams, Jann\n Aldredge-Clanton, Gail Allan, Elizabeth Andrew, Diana Butler Bass, Mary Farrell Bednarowski,\n Elizabeth Bettenhausen, Nadean Bishop, Kathy Black, Donna Blackstock, Steven Blons, Robert\n Brinkley, Rita Nakashima Brock, John M. Buchanan, Nancy Chinn, Faye Christensen, Hyun Kyung\n Chung, Susan Cole, J. Ann Craig, Susan Halcomb Craig, Kathy Deacon-Weber, Sister Holy Spirit\n DeSouza, Heather Murray Elkins, Sara M. Evans, Marylee Fithian, Mary Gates, Marchelle\n Hallman, Susan Hames, Robin Henry, Maren Hinderlie, José Hobday, Mary E. Hunt, Pamela Carter\n Joern, Sally Howell Johnson, Katie Johnson, Barbara Anne Keely, Betty Kersting, Judith Allen\n Kim, Annie Wu King, Rebecca Lynn Kiser, Mary Kuhns, Pui-lan Kwok, Barbara Lund, Barbara K.\n Lundblad, Mary Ann Weese Lundy, Katherine Austin Mahle, Eily Marlow, Joan M. Martin, Mary\n Kaye Medinger, Joyce Ann Mercer, Virginia R. Mollenkott, Melanie S. Morrison, Susan\n Morrison, Mary Clark Moschella, Vivian Jenkins Nelsen, Randy Nelson, Christie Neuger, John\n Niles, Manley Olson, Ofelia Ortega, Doris Pagelkopf, Rebecca Todd Peters, Virginia Pharr,\n Joy Mincey Powell, Mary Preus, Anne Primavesi, Bernice Johnson Reagon, Jo Ringgenberg, Mary\n Kay Sauter, Jeanyne B. Slettom, Jerie Smith, Joyce D. Sohl, Hilda Spann, Allison Stokes,\n John Strausz-Clement, Judith Strausz-Clement, Sue Swanson, Hal Taussig, Margaret Thomas,\n Rebecca Tollefson, Carmen Valenzuela, Johanna W.H. Van Wijk-Bos, Emily Wigger, Delores S.\n Williams, Eugenia Williams, Lois Wilson, and Miriam Therese Winter.","The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library.","Re-Imagining is an ecumenical, radical,\n Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista,\n and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse\n religious communities, and the world. Eighty-two audio files comprise an oral history\n project by Sherry E. Jordon with 73 participants in the Re-Imagining conferences, including\n the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men\n and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining\n conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000,\n as well as three linear feet of papers documenting Jordon's work with\n Re-Imagining.","David M. Rubenstein Rare Book \u0026 Manuscript Library","Andrew, Elizabeth, 1969-","Bass, Diana Butler, 1959-","Bednarowski, Mary Farrell","Bettenhausen, Elizabeth","Bishop, Nadean","Black, Kathy, 1956-","Blackstock, Donna, 1942-","Blons, Steven","Brinkley, Robert","Brock, Rita Nakashima","Buchanan, John M., 1938-","Chinn, Nancy, 1940-","Christensen, Faye, 1944-","Chung, Hyun Kyung","Cole, Susan, 1945-","Craig, J. Ann","Craig, Susan Halcomb, 1941-","Deacon-Weber, Kathy, 1954-","DeSouza, Sister Holy Spirit","Elkins, Heather Murray","Evans, Sara M. 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Rubenstein Rare Book \u0026 Manuscript Library."],"acqinfo_ssim":["The Re-Imagining Collection was received by the David M. Rubenstein Rare Book \u0026\n Manuscript Library as a gift in 2016."],"access_subjects_ssim":["Feminist theology","Re-Imagining Conference (1993 :\n Minneapolis, Minn.)","Ecumenical Decade of the Churches in\n Solidarity with Women (Program)"],"access_subjects_ssm":["Feminist theology","Re-Imagining Conference (1993 :\n Minneapolis, Minn.)","Ecumenical Decade of the Churches in\n Solidarity with Women (Program)"],"has_online_content_ssim":["true"],"extent_ssm":["3 Linear Feet Two boxes of audio cassettes, one box of papers.","5.7 Gigabytes MP3 audio files, electronic text files"],"extent_tesim":["3 Linear Feet Two boxes of audio cassettes, one box of papers.","5.7 Gigabytes MP3 audio files, electronic text files"],"date_range_isim":[1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eOral histories arranged alphabetically, conference materials arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Oral histories arranged alphabetically, conference materials arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eRe-Imagining: A Global Theological Conference By Women: For Men and Women, was organized by\n Mary Ann Lundy (Director of the Presbyterian Church USA's Women's Unit), Sally Hill, and\n other mainline protestant leaders in the United States, to be part of the World Council of\n Churches' Ecumenical Decade: Churches in Solidarity with Women 1988–1998. The 2,200\n attendees, met at the Minneapolis Convention Center on November 4 to 7, 1993, participating\n in presentations and rituals re-imagining male-centric images and language of traditional\n Christianity.\u003c/p\u003e","\u003cp\u003eDr. Sherry Jordon was awarded her Ph.D in Theology from Yale in 1995 and is currently\n Associate Professor of Theology at the University of St. Thomas. She specializes in\n historical theology, particularly the Reformation period, and Women's Studies. Jordon served\n on the Coordinating Council of the Re-Imagining Community from 1998-2003, spoke at the 2003\n Re-Imagining Gathering, and wrote an essay on feminist theology for Bless Sophia: Worship,\n Liturgy, and Ritual of the Re-Imagining Community. As part of her current research on the\n history and theology of Re-Imagining, she completed sixty-five oral interviews with members\n of the Re-Imagining Community, leading feminist and womanist theologians who presented at\n the conferences, people who were on the national staff of the women's units in the\n Presbyterian (USA) and United Methodist churches, and authors who have written books related\n to Christian feminism and/or Re-Imagining.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical note","Biographical Note"],"bioghist_tesim":["Re-Imagining: A Global Theological Conference By Women: For Men and Women, was organized by\n Mary Ann Lundy (Director of the Presbyterian Church USA's Women's Unit), Sally Hill, and\n other mainline protestant leaders in the United States, to be part of the World Council of\n Churches' Ecumenical Decade: Churches in Solidarity with Women 1988–1998. The 2,200\n attendees, met at the Minneapolis Convention Center on November 4 to 7, 1993, participating\n in presentations and rituals re-imagining male-centric images and language of traditional\n Christianity.","Dr. Sherry Jordon was awarded her Ph.D in Theology from Yale in 1995 and is currently\n Associate Professor of Theology at the University of St. Thomas. She specializes in\n historical theology, particularly the Reformation period, and Women's Studies. Jordon served\n on the Coordinating Council of the Re-Imagining Community from 1998-2003, spoke at the 2003\n Re-Imagining Gathering, and wrote an essay on feminist theology for Bless Sophia: Worship,\n Liturgy, and Ritual of the Re-Imagining Community. As part of her current research on the\n history and theology of Re-Imagining, she completed sixty-five oral interviews with members\n of the Re-Imagining Community, leading feminist and womanist theologians who presented at\n the conferences, people who were on the national staff of the women's units in the\n Presbyterian (USA) and United Methodist churches, and authors who have written books related\n to Christian feminism and/or Re-Imagining."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Re-Imagining Collection, David M. Rubenstein Rare Book \u0026amp;\n Manuscript Library, Duke University.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Re-Imagining Collection, David M. Rubenstein Rare Book \u0026\n Manuscript Library, Duke University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Craig Breaden, April, 2017\u003c/p\u003e","\u003cp\u003eAccessions described in this collection guide: 2016-0317\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Craig Breaden, April, 2017","Accessions described in this collection guide: 2016-0317"],"scopecontent_html_tesm":["\u003cp\u003eRe-Imagining is an ecumenical, radical, Christian movement focused on creating ways of\n understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening\n spaces for dialogue with the church, diverse religious communities, and the world.\n Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 72\n participants in the Re-Imagining conferences, including the first gathering in 1993,\n Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127\n mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from\n gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as papers documenting Jordon's\n work with Re-Imagining. Interviewees and speakers include Martha O. Adams, Jann\n Aldredge-Clanton, Gail Allan, Elizabeth Andrew, Diana Butler Bass, Mary Farrell Bednarowski,\n Elizabeth Bettenhausen, Nadean Bishop, Kathy Black, Donna Blackstock, Steven Blons, Robert\n Brinkley, Rita Nakashima Brock, John M. Buchanan, Nancy Chinn, Faye Christensen, Hyun Kyung\n Chung, Susan Cole, J. Ann Craig, Susan Halcomb Craig, Kathy Deacon-Weber, Sister Holy Spirit\n DeSouza, Heather Murray Elkins, Sara M. Evans, Marylee Fithian, Mary Gates, Marchelle\n Hallman, Susan Hames, Robin Henry, Maren Hinderlie, José Hobday, Mary E. Hunt, Pamela Carter\n Joern, Sally Howell Johnson, Katie Johnson, Barbara Anne Keely, Betty Kersting, Judith Allen\n Kim, Annie Wu King, Rebecca Lynn Kiser, Mary Kuhns, Pui-lan Kwok, Barbara Lund, Barbara K.\n Lundblad, Mary Ann Weese Lundy, Katherine Austin Mahle, Eily Marlow, Joan M. Martin, Mary\n Kaye Medinger, Joyce Ann Mercer, Virginia R. Mollenkott, Melanie S. Morrison, Susan\n Morrison, Mary Clark Moschella, Vivian Jenkins Nelsen, Randy Nelson, Christie Neuger, John\n Niles, Manley Olson, Ofelia Ortega, Doris Pagelkopf, Rebecca Todd Peters, Virginia Pharr,\n Joy Mincey Powell, Mary Preus, Anne Primavesi, Bernice Johnson Reagon, Jo Ringgenberg, Mary\n Kay Sauter, Jeanyne B. Slettom, Jerie Smith, Joyce D. Sohl, Hilda Spann, Allison Stokes,\n John Strausz-Clement, Judith Strausz-Clement, Sue Swanson, Hal Taussig, Margaret Thomas,\n Rebecca Tollefson, Carmen Valenzuela, Johanna W.H. Van Wijk-Bos, Emily Wigger, Delores S.\n Williams, Eugenia Williams, Lois Wilson, and Miriam Therese Winter.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Overview"],"scopecontent_tesim":["Re-Imagining is an ecumenical, radical, Christian movement focused on creating ways of\n understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening\n spaces for dialogue with the church, diverse religious communities, and the world.\n Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 72\n participants in the Re-Imagining conferences, including the first gathering in 1993,\n Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127\n mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from\n gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as papers documenting Jordon's\n work with Re-Imagining. Interviewees and speakers include Martha O. Adams, Jann\n Aldredge-Clanton, Gail Allan, Elizabeth Andrew, Diana Butler Bass, Mary Farrell Bednarowski,\n Elizabeth Bettenhausen, Nadean Bishop, Kathy Black, Donna Blackstock, Steven Blons, Robert\n Brinkley, Rita Nakashima Brock, John M. Buchanan, Nancy Chinn, Faye Christensen, Hyun Kyung\n Chung, Susan Cole, J. Ann Craig, Susan Halcomb Craig, Kathy Deacon-Weber, Sister Holy Spirit\n DeSouza, Heather Murray Elkins, Sara M. Evans, Marylee Fithian, Mary Gates, Marchelle\n Hallman, Susan Hames, Robin Henry, Maren Hinderlie, José Hobday, Mary E. Hunt, Pamela Carter\n Joern, Sally Howell Johnson, Katie Johnson, Barbara Anne Keely, Betty Kersting, Judith Allen\n Kim, Annie Wu King, Rebecca Lynn Kiser, Mary Kuhns, Pui-lan Kwok, Barbara Lund, Barbara K.\n Lundblad, Mary Ann Weese Lundy, Katherine Austin Mahle, Eily Marlow, Joan M. Martin, Mary\n Kaye Medinger, Joyce Ann Mercer, Virginia R. Mollenkott, Melanie S. Morrison, Susan\n Morrison, Mary Clark Moschella, Vivian Jenkins Nelsen, Randy Nelson, Christie Neuger, John\n Niles, Manley Olson, Ofelia Ortega, Doris Pagelkopf, Rebecca Todd Peters, Virginia Pharr,\n Joy Mincey Powell, Mary Preus, Anne Primavesi, Bernice Johnson Reagon, Jo Ringgenberg, Mary\n Kay Sauter, Jeanyne B. Slettom, Jerie Smith, Joyce D. Sohl, Hilda Spann, Allison Stokes,\n John Strausz-Clement, Judith Strausz-Clement, Sue Swanson, Hal Taussig, Margaret Thomas,\n Rebecca Tollefson, Carmen Valenzuela, Johanna W.H. Van Wijk-Bos, Emily Wigger, Delores S.\n Williams, Eugenia Williams, Lois Wilson, and Miriam Therese Winter."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026amp; Manuscript Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f7f6d2f5ebd091a28e15eeda3b5ef959\"\u003eRe-Imagining is an ecumenical, radical,\n Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista,\n and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse\n religious communities, and the world. Eighty-two audio files comprise an oral history\n project by Sherry E. Jordon with 73 participants in the Re-Imagining conferences, including\n the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men\n and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining\n conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000,\n as well as three linear feet of papers documenting Jordon's work with\n Re-Imagining.\u003c/abstract\u003e"],"abstract_tesim":["Re-Imagining is an ecumenical, radical,\n Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista,\n and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse\n religious communities, and the world. Eighty-two audio files comprise an oral history\n project by Sherry E. Jordon with 73 participants in the Re-Imagining conferences, including\n the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men\n and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining\n conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000,\n as well as three linear feet of papers documenting Jordon's work with\n Re-Imagining."],"names_ssim":["David M. Rubenstein Rare Book \u0026 Manuscript Library","Andrew, Elizabeth, 1969-","Bass, Diana Butler, 1959-","Bednarowski, Mary Farrell","Bettenhausen, Elizabeth","Bishop, Nadean","Black, Kathy, 1956-","Blackstock, Donna, 1942-","Blons, Steven","Brinkley, Robert","Brock, Rita Nakashima","Buchanan, John M., 1938-","Chinn, Nancy, 1940-","Christensen, Faye, 1944-","Chung, Hyun Kyung","Cole, Susan, 1945-","Craig, J. Ann","Craig, Susan Halcomb, 1941-","Deacon-Weber, Kathy, 1954-","DeSouza, Sister Holy Spirit","Elkins, Heather Murray","Evans, Sara M. 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Goette, John: Jade Lore Kelly \u0026 Walsh; Shanghai, 1936.","5. Forsyth, Robb. Coventry: Shanting, The Sacred Province of China Christian Literature Society; Shanghai, 1912","6. Graham, Dorothy: Through the moon Door J. H. Sears \u0026 Co.; N.Y., 1926.","7. Brandt, J.: Introduction to Literary Chinese North China Union Language School; Peking, 1927.","8. Weale, B.L. Putnam: The Vanished Empire Macmillan \u0026 Co.; London, 1926.","9. Jennu, Delia: Letter from Peking Oxford UP; London, 1967.","10. Busheel, Stephen W.: Chinese [UNK] V. I Eyre \u0026 Spottiswoode; London, 1909.","11. Smith, Arthur H.: Chinese Characteristics 3rd ed. Fleming H. Revell Co.; n.y., 1894.","12. Grubb, Norman P.: C.T.Studd, Cricketer \u0026 Pioneer Religious Tract Society; London, 1933.","13. Martin, W.A.P.: The Siege in Peking Oliphant Anderson \u0026 Ferrier; Edinburgh, 1900.","14. Lymn, Jermyn Chi-Hung: Social Life of The Chinese in Peking China Booksellers; Peking, 1928.","15. Strong, [UNK] [UNK]: a Sketch of Chinese Cuts \u0026 Crafts China Bhsellers; Peking, 1926.","The daughter of Dr. Charles Fletcher Johnson and Agnes Elliott Johnson, Ruth Clarke was born on April 2, 1890 in Wei Hsien, Shantung, China where she quickly mastered Mandarin Chinese. She was educated at Miss Jewell's School in Shanghai which was also attended by Miss Pearl Buck. After visiting her Uncle Hosmer Johnson in Washington D.C., Ruth entered and graduated from Wilson College (Chambersburg, Pa.) in 1912. She then returned to Shanghai to accept a teaching position at Miss Jewell's.","In 1916 Ruth Johnson accepted a new position in the Peking American School. It was there that she met J. Eric G. Clarke whom she married on June 21, 1916 in Tsinanfu, Shantung. The Rev. W. P. Chalfant officiated. Kathleen Clarke, Margaret Emma Johnson, Gerald Clarke and Hosmer F. Johnson were members of the wedding party Dating from this ceremony, the couple often signed their combined correspondence Rutheric. Following a brief honeymoon in Tai Shan, the couple returned to Peking where they resided for the next 16 years. During this period Mrs. Clarke made several trips to the United States where she exhibited many of the fabulous Oriental art treasures she had collected throughout her stay in China.","Soon after the couple moved to Shanghai the threat of war between Japan and China became reality. Overnight, internment camps were set up for aliens like the Clarkes. Their homes were occupied by Japanese soldiers as soon as they were evacuated by the local Occupation authorities. From April 10, 1943 until a few weeks following the Japanese surrender to MacArthur on August 14, 1945, the Clarkes were confined at Lung Hwa Camp near Peking.","Among the nearly 1800 interns at Lung Hwa were men and women from all professions and backgrounds. Although spirits were high during the first season at the camp, morale worsened during the winter--food became scarce and poorer in quality and the stoves which the Japanese installed on each floor of the ten dormitories were never lit. The cubicles they occupied were 4`8 by 22' long. Despite the difficult conditions they encountered at the camp, the Clarkes and their fellow inmates managed to maintain a high level of personal development which is reflected in the many activities enjoyed at the camp: lectures, plays, musical productions and many other kinds of intellectual stimulation. One of the most amusing highlights of their stay was the development of a game called Dictionary Please. Because of their limited reading material, the Clarkes designed a game which relied only upon the dictionary they brought with them and their active imaginations. The game was so successful that it became a partial livelihood following their return to America in 1946.","Residing in Portland, Oregon, Mr. and Mrs. Clarke remained active socially and intellectually. Mrs. Clarke served as president of Zonta International and the Lewis and Clarke's Women's League. Mrs. Clarke now resides in Mountain View, California.","Gift of Ruth Elliott Johnson Clarke.","Correspondence, photographs (of China), books and pamphlets about Chinese art, etc.","Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections.","Department of Special Collections and University Archives","Clarke family","English"],"unitid_tesim":["M0292"],"normalized_date_ssm":["1904-1968"],"normalized_title_ssm":["Clarke Family Papers, 1904-1968"],"collection_title_tesim":["Clarke Family Papers, 1904-1968"],"collection_ssim":["Clarke Family Papers, 1904-1968"],"repository_ssm":["Stanford University Libraries. Special Collections and University Archives"],"repository_ssim":["Stanford University Libraries. Special Collections and University Archives"],"creator_ssm":["Clarke family"],"creator_ssim":["Clarke family"],"creator_famname_ssim":["Clarke family"],"creators_ssim":["Clarke family"],"access_terms_ssm":["Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet ca. 10 linear ft."],"extent_tesim":["10 Linear Feet ca. 10 linear ft."],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eNone.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["None."],"bibliography_html_tesm":["\u003cbibref\u003e1. Palmer, J.P.: \u003cemph render=\"italic\"\u003eJade \u003c/emph\u003eSpring Books; London, 1967.\u003c/bibref\u003e","\u003cbibref\u003e2. \u003cemph render=\"italic\"\u003eThe Encyclopedia Sinica \u003c/emph\u003eCouling, Samuel Kelly \u0026amp; Walsh; Shanghai, 1917.\u003c/bibref\u003e","\u003cbibref\u003e3. Thiel, albert W.R.: \u003cemph render=\"italic\"\u003eChinese Pottery and Stoneware \u003c/emph\u003eThos. nelson \u0026amp; Sons; N.Y., N.D.\u003c/bibref\u003e","\u003cbibref\u003e4. Goette, John: \u003cemph render=\"italic\"\u003eJade Lore \u003c/emph\u003eKelly \u0026amp; Walsh; Shanghai, 1936.\u003c/bibref\u003e","\u003cbibref\u003e5. Forsyth, Robb. Coventry: \u003cemph render=\"italic\"\u003eShanting, The Sacred Province of China \u003c/emph\u003eChristian Literature Society; Shanghai, 1912\u003c/bibref\u003e","\u003cbibref\u003e6. Graham, Dorothy: \u003cemph render=\"italic\"\u003eThrough the moon Door \u003c/emph\u003eJ. H. Sears \u0026amp; Co.; N.Y., 1926.\u003c/bibref\u003e","\u003cbibref\u003e7. Brandt, J.: \u003cemph render=\"italic\"\u003eIntroduction to Literary Chinese \u003c/emph\u003eNorth China Union Language School; Peking, 1927.\u003c/bibref\u003e","\u003cbibref\u003e8. Weale, B.L. Putnam: \u003cemph render=\"italic\"\u003eThe Vanished Empire \u003c/emph\u003eMacmillan \u0026amp; Co.; London, 1926.\u003c/bibref\u003e","\u003cbibref\u003e9. Jennu, Delia: \u003cemph render=\"italic\"\u003eLetter from Peking \u003c/emph\u003eOxford UP; London, 1967.\u003c/bibref\u003e","\u003cbibref\u003e10. Busheel, Stephen W.: \u003cemph render=\"italic\"\u003eChinese [UNK] \u003c/emph\u003eV. I Eyre \u0026amp; Spottiswoode; London, 1909.\u003c/bibref\u003e","\u003cbibref\u003e11. Smith, Arthur H.: \u003cemph render=\"italic\"\u003eChinese Characteristics \u003c/emph\u003e3rd ed. Fleming H. Revell Co.; n.y., 1894.\u003c/bibref\u003e","\u003cbibref\u003e12. Grubb, Norman P.: \u003cemph render=\"italic\"\u003eC.T.Studd, \u003c/emph\u003e\u003cemph render=\"italic\"\u003eCricketer \u0026amp; Pioneer \u003c/emph\u003eReligious Tract Society; London, 1933.\u003c/bibref\u003e","\u003cbibref\u003e13. Martin, W.A.P.: \u003cemph render=\"italic\"\u003eThe Siege in Peking \u003c/emph\u003eOliphant Anderson \u0026amp; Ferrier; Edinburgh, 1900.\u003c/bibref\u003e","\u003cbibref\u003e14. Lymn, Jermyn Chi-Hung: \u003cemph render=\"italic\"\u003eSocial Life of The Chinese in Peking \u003c/emph\u003eChina Booksellers; Peking, 1928.\u003c/bibref\u003e","\u003cbibref\u003e15. Strong, [UNK] [UNK]: \u003cemph render=\"italic\"\u003ea Sketch of Chinese Cuts \u0026amp; Crafts \u003c/emph\u003eChina Bhsellers; Peking, 1926.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Reference Materials"],"bibliography_tesim":["1. Palmer, J.P.: Jade Spring Books; London, 1967.","2. The Encyclopedia Sinica Couling, Samuel Kelly \u0026 Walsh; Shanghai, 1917.","3. Thiel, albert W.R.: Chinese Pottery and Stoneware Thos. nelson \u0026 Sons; N.Y., N.D.","4. Goette, John: Jade Lore Kelly \u0026 Walsh; Shanghai, 1936.","5. Forsyth, Robb. Coventry: Shanting, The Sacred Province of China Christian Literature Society; Shanghai, 1912","6. Graham, Dorothy: Through the moon Door J. H. Sears \u0026 Co.; N.Y., 1926.","7. Brandt, J.: Introduction to Literary Chinese North China Union Language School; Peking, 1927.","8. Weale, B.L. Putnam: The Vanished Empire Macmillan \u0026 Co.; London, 1926.","9. Jennu, Delia: Letter from Peking Oxford UP; London, 1967.","10. Busheel, Stephen W.: Chinese [UNK] V. I Eyre \u0026 Spottiswoode; London, 1909.","11. Smith, Arthur H.: Chinese Characteristics 3rd ed. Fleming H. Revell Co.; n.y., 1894.","12. Grubb, Norman P.: C.T.Studd, Cricketer \u0026 Pioneer Religious Tract Society; London, 1933.","13. Martin, W.A.P.: The Siege in Peking Oliphant Anderson \u0026 Ferrier; Edinburgh, 1900.","14. Lymn, Jermyn Chi-Hung: Social Life of The Chinese in Peking China Booksellers; Peking, 1928.","15. Strong, [UNK] [UNK]: a Sketch of Chinese Cuts \u0026 Crafts China Bhsellers; Peking, 1926."],"bioghist_html_tesm":["\u003cp\u003eThe daughter of Dr. Charles Fletcher Johnson and Agnes Elliott Johnson, Ruth Clarke was born on April 2, 1890 in Wei Hsien, Shantung, China where she quickly mastered Mandarin Chinese. She was educated at Miss Jewell's School in Shanghai which was also attended by Miss Pearl Buck. After visiting her Uncle Hosmer Johnson in Washington D.C., Ruth entered and graduated from Wilson College (Chambersburg, Pa.) in 1912. She then returned to Shanghai to accept a teaching position at Miss Jewell's.\u003c/p\u003e\n","\u003cp\u003eIn 1916 Ruth Johnson accepted a new position in the Peking American School. It was there that she met J. Eric G. Clarke whom she married on June 21, 1916 in Tsinanfu, Shantung. The Rev. W. P. Chalfant officiated. Kathleen Clarke, Margaret Emma Johnson, Gerald Clarke and Hosmer F. Johnson were members of the wedding party Dating from this ceremony, the couple often signed their combined correspondence Rutheric. Following a brief honeymoon in Tai Shan, the couple returned to Peking where they resided for the next 16 years. During this period Mrs. Clarke made several trips to the United States where she exhibited many of the fabulous Oriental art treasures she had collected throughout her stay in China.\u003c/p\u003e\n","\u003cp\u003eSoon after the couple moved to Shanghai the threat of war between Japan and China became reality. Overnight, internment camps were set up for aliens like the Clarkes. Their homes were occupied by Japanese soldiers as soon as they were evacuated by the local Occupation authorities. From April 10, 1943 until a few weeks following the Japanese surrender to MacArthur on August 14, 1945, the Clarkes were confined at Lung Hwa Camp near Peking.\u003c/p\u003e\n","\u003cp\u003eAmong the nearly 1800 interns at Lung Hwa were men and women from all professions and backgrounds. Although spirits were high during the first season at the camp, morale worsened during the winter--food became scarce and poorer in quality and the stoves which the Japanese installed on each floor of the ten dormitories were never lit. The cubicles they occupied were 4`8 by 22' long. Despite the difficult conditions they encountered at the camp, the Clarkes and their fellow inmates managed to maintain a high level of personal development which is reflected in the many activities enjoyed at the camp: lectures, plays, musical productions and many other kinds of intellectual stimulation. One of the most amusing highlights of their stay was the development of a game called Dictionary Please. Because of their limited reading material, the Clarkes designed a game which relied only upon the dictionary they brought with them and their active imaginations. The game was so successful that it became a partial livelihood following their return to America in 1946.\u003c/p\u003e\n","\u003cp\u003eResiding in Portland, Oregon, Mr. and Mrs. Clarke remained active socially and intellectually. Mrs. Clarke served as president of Zonta International and the Lewis and Clarke's Women's League. Mrs. Clarke now resides in Mountain View, California.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["The daughter of Dr. Charles Fletcher Johnson and Agnes Elliott Johnson, Ruth Clarke was born on April 2, 1890 in Wei Hsien, Shantung, China where she quickly mastered Mandarin Chinese. She was educated at Miss Jewell's School in Shanghai which was also attended by Miss Pearl Buck. After visiting her Uncle Hosmer Johnson in Washington D.C., Ruth entered and graduated from Wilson College (Chambersburg, Pa.) in 1912. She then returned to Shanghai to accept a teaching position at Miss Jewell's.","In 1916 Ruth Johnson accepted a new position in the Peking American School. It was there that she met J. Eric G. Clarke whom she married on June 21, 1916 in Tsinanfu, Shantung. The Rev. W. P. Chalfant officiated. Kathleen Clarke, Margaret Emma Johnson, Gerald Clarke and Hosmer F. Johnson were members of the wedding party Dating from this ceremony, the couple often signed their combined correspondence Rutheric. Following a brief honeymoon in Tai Shan, the couple returned to Peking where they resided for the next 16 years. During this period Mrs. Clarke made several trips to the United States where she exhibited many of the fabulous Oriental art treasures she had collected throughout her stay in China.","Soon after the couple moved to Shanghai the threat of war between Japan and China became reality. Overnight, internment camps were set up for aliens like the Clarkes. Their homes were occupied by Japanese soldiers as soon as they were evacuated by the local Occupation authorities. From April 10, 1943 until a few weeks following the Japanese surrender to MacArthur on August 14, 1945, the Clarkes were confined at Lung Hwa Camp near Peking.","Among the nearly 1800 interns at Lung Hwa were men and women from all professions and backgrounds. Although spirits were high during the first season at the camp, morale worsened during the winter--food became scarce and poorer in quality and the stoves which the Japanese installed on each floor of the ten dormitories were never lit. The cubicles they occupied were 4`8 by 22' long. Despite the difficult conditions they encountered at the camp, the Clarkes and their fellow inmates managed to maintain a high level of personal development which is reflected in the many activities enjoyed at the camp: lectures, plays, musical productions and many other kinds of intellectual stimulation. One of the most amusing highlights of their stay was the development of a game called Dictionary Please. Because of their limited reading material, the Clarkes designed a game which relied only upon the dictionary they brought with them and their active imaginations. The game was so successful that it became a partial livelihood following their return to America in 1946.","Residing in Portland, Oregon, Mr. and Mrs. Clarke remained active socially and intellectually. Mrs. Clarke served as president of Zonta International and the Lewis and Clarke's Women's League. Mrs. Clarke now resides in Mountain View, California."],"custodhist_html_tesm":["\u003cp\u003eGift of Ruth Elliott Johnson Clarke.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Gift of Ruth Elliott Johnson Clarke."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item] Clarke Family Papers, M0292, Dept. of Special Collections, Stanford University Libraries, Stanford, Calif.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item] Clarke Family Papers, M0292, Dept. of Special Collections, Stanford University Libraries, Stanford, Calif."],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, photographs (of China), books and pamphlets about Chinese art, etc.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Correspondence, photographs (of China), books and pamphlets about Chinese art, etc."],"userestrict_html_tesm":["\u003cp\u003eProperty rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections."],"names_ssim":["Department of Special Collections and University Archives","Clarke family"],"corpname_ssim":["Department of Special Collections and University Archives"],"names_coll_ssim":["Clarke family"],"famname_ssim":["Clarke family"],"language_ssim":["English"],"total_component_count_is":348,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"m0292-xml","timestamp":"2025-02-18T23:07:35.736Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/m0292-xml_aspace_ref257_49b"}},{"id":"reimagining_aspace_06e5169a9af770fd8644152b49fe60c3","type":"File","attributes":{"title":"1. Voices Gather, Lighting the Lamps and The Table Blessing, 1998-04-16/1998-04-19","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/reimagining_aspace_06e5169a9af770fd8644152b49fe60c3#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"aspace_06e5169a9af770fd8644152b49fe60c3","ref_ssm":["aspace_06e5169a9af770fd8644152b49fe60c3","aspace_06e5169a9af770fd8644152b49fe60c3"],"id":"reimagining_aspace_06e5169a9af770fd8644152b49fe60c3","title_filing_ssi":"1. Voices Gather, Lighting the Lamps and The Table Blessing","title_ssm":["1. Voices Gather, Lighting the Lamps and The Table Blessing"],"title_tesim":["1. Voices Gather, Lighting the Lamps and The Table Blessing"],"unitdate_inclusive_ssm":["1998-04-16/1998-04-19"],"normalized_date_ssm":["1998-04-16/1998-04-19"],"normalized_title_ssm":["1. Voices Gather, Lighting the Lamps and The Table Blessing, 1998-04-16/1998-04-19"],"text":["1. Voices Gather, Lighting the Lamps and The Table Blessing, 1998-04-16/1998-04-19","Re-Imagining Collection, 1993-2016","Re-Imagining Conferences, 1993-2000","1998 Re-Imagining Revival, 1998-04-16/1998-04-19","40"],"component_level_isim":[3],"parent_ssim":["reimagining","aspace_995889a08cce3d90b04cf8a795ae7126","aspace_74cf5cdb6a5f5ad92c223f10e6804010"],"parent_ssi":"aspace_74cf5cdb6a5f5ad92c223f10e6804010","parent_ids_ssim":["reimagining","reimagining_aspace_995889a08cce3d90b04cf8a795ae7126","reimagining_aspace_74cf5cdb6a5f5ad92c223f10e6804010"],"parent_unittitles_ssm":["Re-Imagining Collection, 1993-2016","Re-Imagining Conferences, 1993-2000","1998 Re-Imagining Revival, 1998-04-16/1998-04-19"],"parent_unittitles_tesim":["Re-Imagining Collection, 1993-2016","Re-Imagining Conferences, 1993-2000","1998 Re-Imagining Revival, 1998-04-16/1998-04-19"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["40"],"repository_ssim":["David M. Rubenstein Rare Book and Manuscript Library"],"collection_ssim":["Re-Imagining Collection, 1993-2016"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":277,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library."],"_nest_path_":"/components#1/components#7/components#0","_nest_parent_":"reimagining_aspace_74cf5cdb6a5f5ad92c223f10e6804010","_root_":"reimagining","timestamp":"2025-02-18T22:58:40.698Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"reimagining","title_ssm":["Re-Imagining Collection"],"title_tesim":["Re-Imagining Collection"],"ead_ssi":"reimagining","unitdate_ssm":["1993-2016"],"unitdate_inclusive_ssm":["1993-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RL.11352"],"text":["RL.11352","Re-Imagining Collection, 1993-2016","Feminist theology","Re-Imagining Conference (1993 :\n Minneapolis, Minn.)","Ecumenical Decade of the Churches in\n Solidarity with Women (Program)","Collection is open for research.","Oral histories arranged alphabetically, conference materials arranged chronologically.","Re-Imagining: A Global Theological Conference By Women: For Men and Women, was organized by\n Mary Ann Lundy (Director of the Presbyterian Church USA's Women's Unit), Sally Hill, and\n other mainline protestant leaders in the United States, to be part of the World Council of\n Churches' Ecumenical Decade: Churches in Solidarity with Women 1988–1998. The 2,200\n attendees, met at the Minneapolis Convention Center on November 4 to 7, 1993, participating\n in presentations and rituals re-imagining male-centric images and language of traditional\n Christianity.","Dr. Sherry Jordon was awarded her Ph.D in Theology from Yale in 1995 and is currently\n Associate Professor of Theology at the University of St. Thomas. She specializes in\n historical theology, particularly the Reformation period, and Women's Studies. Jordon served\n on the Coordinating Council of the Re-Imagining Community from 1998-2003, spoke at the 2003\n Re-Imagining Gathering, and wrote an essay on feminist theology for Bless Sophia: Worship,\n Liturgy, and Ritual of the Re-Imagining Community. As part of her current research on the\n history and theology of Re-Imagining, she completed sixty-five oral interviews with members\n of the Re-Imagining Community, leading feminist and womanist theologians who presented at\n the conferences, people who were on the national staff of the women's units in the\n Presbyterian (USA) and United Methodist churches, and authors who have written books related\n to Christian feminism and/or Re-Imagining.","Processed by Craig Breaden, April, 2017","Accessions described in this collection guide: 2016-0317","Re-Imagining is an ecumenical, radical, Christian movement focused on creating ways of\n understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening\n spaces for dialogue with the church, diverse religious communities, and the world.\n Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 72\n participants in the Re-Imagining conferences, including the first gathering in 1993,\n Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127\n mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from\n gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as papers documenting Jordon's\n work with Re-Imagining. Interviewees and speakers include Martha O. Adams, Jann\n Aldredge-Clanton, Gail Allan, Elizabeth Andrew, Diana Butler Bass, Mary Farrell Bednarowski,\n Elizabeth Bettenhausen, Nadean Bishop, Kathy Black, Donna Blackstock, Steven Blons, Robert\n Brinkley, Rita Nakashima Brock, John M. Buchanan, Nancy Chinn, Faye Christensen, Hyun Kyung\n Chung, Susan Cole, J. Ann Craig, Susan Halcomb Craig, Kathy Deacon-Weber, Sister Holy Spirit\n DeSouza, Heather Murray Elkins, Sara M. Evans, Marylee Fithian, Mary Gates, Marchelle\n Hallman, Susan Hames, Robin Henry, Maren Hinderlie, José Hobday, Mary E. Hunt, Pamela Carter\n Joern, Sally Howell Johnson, Katie Johnson, Barbara Anne Keely, Betty Kersting, Judith Allen\n Kim, Annie Wu King, Rebecca Lynn Kiser, Mary Kuhns, Pui-lan Kwok, Barbara Lund, Barbara K.\n Lundblad, Mary Ann Weese Lundy, Katherine Austin Mahle, Eily Marlow, Joan M. Martin, Mary\n Kaye Medinger, Joyce Ann Mercer, Virginia R. Mollenkott, Melanie S. Morrison, Susan\n Morrison, Mary Clark Moschella, Vivian Jenkins Nelsen, Randy Nelson, Christie Neuger, John\n Niles, Manley Olson, Ofelia Ortega, Doris Pagelkopf, Rebecca Todd Peters, Virginia Pharr,\n Joy Mincey Powell, Mary Preus, Anne Primavesi, Bernice Johnson Reagon, Jo Ringgenberg, Mary\n Kay Sauter, Jeanyne B. Slettom, Jerie Smith, Joyce D. Sohl, Hilda Spann, Allison Stokes,\n John Strausz-Clement, Judith Strausz-Clement, Sue Swanson, Hal Taussig, Margaret Thomas,\n Rebecca Tollefson, Carmen Valenzuela, Johanna W.H. Van Wijk-Bos, Emily Wigger, Delores S.\n Williams, Eugenia Williams, Lois Wilson, and Miriam Therese Winter.","The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library.","Re-Imagining is an ecumenical, radical,\n Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista,\n and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse\n religious communities, and the world. Eighty-two audio files comprise an oral history\n project by Sherry E. 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Rubenstein Rare Book \u0026 Manuscript Library."],"acqinfo_ssim":["The Re-Imagining Collection was received by the David M. Rubenstein Rare Book \u0026\n Manuscript Library as a gift in 2016."],"access_subjects_ssim":["Feminist theology","Re-Imagining Conference (1993 :\n Minneapolis, Minn.)","Ecumenical Decade of the Churches in\n Solidarity with Women (Program)"],"access_subjects_ssm":["Feminist theology","Re-Imagining Conference (1993 :\n Minneapolis, Minn.)","Ecumenical Decade of the Churches in\n Solidarity with Women (Program)"],"has_online_content_ssim":["true"],"extent_ssm":["3 Linear Feet Two boxes of audio cassettes, one box of papers.","5.7 Gigabytes MP3 audio files, electronic text files"],"extent_tesim":["3 Linear Feet Two boxes of audio cassettes, one box of papers.","5.7 Gigabytes MP3 audio files, electronic text files"],"date_range_isim":[1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eOral histories arranged alphabetically, conference materials arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Oral histories arranged alphabetically, conference materials arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eRe-Imagining: A Global Theological Conference By Women: For Men and Women, was organized by\n Mary Ann Lundy (Director of the Presbyterian Church USA's Women's Unit), Sally Hill, and\n other mainline protestant leaders in the United States, to be part of the World Council of\n Churches' Ecumenical Decade: Churches in Solidarity with Women 1988–1998. The 2,200\n attendees, met at the Minneapolis Convention Center on November 4 to 7, 1993, participating\n in presentations and rituals re-imagining male-centric images and language of traditional\n Christianity.\u003c/p\u003e","\u003cp\u003eDr. Sherry Jordon was awarded her Ph.D in Theology from Yale in 1995 and is currently\n Associate Professor of Theology at the University of St. Thomas. She specializes in\n historical theology, particularly the Reformation period, and Women's Studies. Jordon served\n on the Coordinating Council of the Re-Imagining Community from 1998-2003, spoke at the 2003\n Re-Imagining Gathering, and wrote an essay on feminist theology for Bless Sophia: Worship,\n Liturgy, and Ritual of the Re-Imagining Community. As part of her current research on the\n history and theology of Re-Imagining, she completed sixty-five oral interviews with members\n of the Re-Imagining Community, leading feminist and womanist theologians who presented at\n the conferences, people who were on the national staff of the women's units in the\n Presbyterian (USA) and United Methodist churches, and authors who have written books related\n to Christian feminism and/or Re-Imagining.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical note","Biographical Note"],"bioghist_tesim":["Re-Imagining: A Global Theological Conference By Women: For Men and Women, was organized by\n Mary Ann Lundy (Director of the Presbyterian Church USA's Women's Unit), Sally Hill, and\n other mainline protestant leaders in the United States, to be part of the World Council of\n Churches' Ecumenical Decade: Churches in Solidarity with Women 1988–1998. The 2,200\n attendees, met at the Minneapolis Convention Center on November 4 to 7, 1993, participating\n in presentations and rituals re-imagining male-centric images and language of traditional\n Christianity.","Dr. Sherry Jordon was awarded her Ph.D in Theology from Yale in 1995 and is currently\n Associate Professor of Theology at the University of St. Thomas. She specializes in\n historical theology, particularly the Reformation period, and Women's Studies. Jordon served\n on the Coordinating Council of the Re-Imagining Community from 1998-2003, spoke at the 2003\n Re-Imagining Gathering, and wrote an essay on feminist theology for Bless Sophia: Worship,\n Liturgy, and Ritual of the Re-Imagining Community. As part of her current research on the\n history and theology of Re-Imagining, she completed sixty-five oral interviews with members\n of the Re-Imagining Community, leading feminist and womanist theologians who presented at\n the conferences, people who were on the national staff of the women's units in the\n Presbyterian (USA) and United Methodist churches, and authors who have written books related\n to Christian feminism and/or Re-Imagining."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Re-Imagining Collection, David M. Rubenstein Rare Book \u0026amp;\n Manuscript Library, Duke University.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Re-Imagining Collection, David M. Rubenstein Rare Book \u0026\n Manuscript Library, Duke University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Craig Breaden, April, 2017\u003c/p\u003e","\u003cp\u003eAccessions described in this collection guide: 2016-0317\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Craig Breaden, April, 2017","Accessions described in this collection guide: 2016-0317"],"scopecontent_html_tesm":["\u003cp\u003eRe-Imagining is an ecumenical, radical, Christian movement focused on creating ways of\n understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening\n spaces for dialogue with the church, diverse religious communities, and the world.\n Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 72\n participants in the Re-Imagining conferences, including the first gathering in 1993,\n Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127\n mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from\n gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as papers documenting Jordon's\n work with Re-Imagining. Interviewees and speakers include Martha O. Adams, Jann\n Aldredge-Clanton, Gail Allan, Elizabeth Andrew, Diana Butler Bass, Mary Farrell Bednarowski,\n Elizabeth Bettenhausen, Nadean Bishop, Kathy Black, Donna Blackstock, Steven Blons, Robert\n Brinkley, Rita Nakashima Brock, John M. Buchanan, Nancy Chinn, Faye Christensen, Hyun Kyung\n Chung, Susan Cole, J. Ann Craig, Susan Halcomb Craig, Kathy Deacon-Weber, Sister Holy Spirit\n DeSouza, Heather Murray Elkins, Sara M. Evans, Marylee Fithian, Mary Gates, Marchelle\n Hallman, Susan Hames, Robin Henry, Maren Hinderlie, José Hobday, Mary E. Hunt, Pamela Carter\n Joern, Sally Howell Johnson, Katie Johnson, Barbara Anne Keely, Betty Kersting, Judith Allen\n Kim, Annie Wu King, Rebecca Lynn Kiser, Mary Kuhns, Pui-lan Kwok, Barbara Lund, Barbara K.\n Lundblad, Mary Ann Weese Lundy, Katherine Austin Mahle, Eily Marlow, Joan M. Martin, Mary\n Kaye Medinger, Joyce Ann Mercer, Virginia R. Mollenkott, Melanie S. Morrison, Susan\n Morrison, Mary Clark Moschella, Vivian Jenkins Nelsen, Randy Nelson, Christie Neuger, John\n Niles, Manley Olson, Ofelia Ortega, Doris Pagelkopf, Rebecca Todd Peters, Virginia Pharr,\n Joy Mincey Powell, Mary Preus, Anne Primavesi, Bernice Johnson Reagon, Jo Ringgenberg, Mary\n Kay Sauter, Jeanyne B. Slettom, Jerie Smith, Joyce D. Sohl, Hilda Spann, Allison Stokes,\n John Strausz-Clement, Judith Strausz-Clement, Sue Swanson, Hal Taussig, Margaret Thomas,\n Rebecca Tollefson, Carmen Valenzuela, Johanna W.H. Van Wijk-Bos, Emily Wigger, Delores S.\n Williams, Eugenia Williams, Lois Wilson, and Miriam Therese Winter.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Overview"],"scopecontent_tesim":["Re-Imagining is an ecumenical, radical, Christian movement focused on creating ways of\n understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening\n spaces for dialogue with the church, diverse religious communities, and the world.\n Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 72\n participants in the Re-Imagining conferences, including the first gathering in 1993,\n Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127\n mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from\n gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as papers documenting Jordon's\n work with Re-Imagining. Interviewees and speakers include Martha O. Adams, Jann\n Aldredge-Clanton, Gail Allan, Elizabeth Andrew, Diana Butler Bass, Mary Farrell Bednarowski,\n Elizabeth Bettenhausen, Nadean Bishop, Kathy Black, Donna Blackstock, Steven Blons, Robert\n Brinkley, Rita Nakashima Brock, John M. Buchanan, Nancy Chinn, Faye Christensen, Hyun Kyung\n Chung, Susan Cole, J. Ann Craig, Susan Halcomb Craig, Kathy Deacon-Weber, Sister Holy Spirit\n DeSouza, Heather Murray Elkins, Sara M. Evans, Marylee Fithian, Mary Gates, Marchelle\n Hallman, Susan Hames, Robin Henry, Maren Hinderlie, José Hobday, Mary E. Hunt, Pamela Carter\n Joern, Sally Howell Johnson, Katie Johnson, Barbara Anne Keely, Betty Kersting, Judith Allen\n Kim, Annie Wu King, Rebecca Lynn Kiser, Mary Kuhns, Pui-lan Kwok, Barbara Lund, Barbara K.\n Lundblad, Mary Ann Weese Lundy, Katherine Austin Mahle, Eily Marlow, Joan M. Martin, Mary\n Kaye Medinger, Joyce Ann Mercer, Virginia R. Mollenkott, Melanie S. Morrison, Susan\n Morrison, Mary Clark Moschella, Vivian Jenkins Nelsen, Randy Nelson, Christie Neuger, John\n Niles, Manley Olson, Ofelia Ortega, Doris Pagelkopf, Rebecca Todd Peters, Virginia Pharr,\n Joy Mincey Powell, Mary Preus, Anne Primavesi, Bernice Johnson Reagon, Jo Ringgenberg, Mary\n Kay Sauter, Jeanyne B. Slettom, Jerie Smith, Joyce D. Sohl, Hilda Spann, Allison Stokes,\n John Strausz-Clement, Judith Strausz-Clement, Sue Swanson, Hal Taussig, Margaret Thomas,\n Rebecca Tollefson, Carmen Valenzuela, Johanna W.H. Van Wijk-Bos, Emily Wigger, Delores S.\n Williams, Eugenia Williams, Lois Wilson, and Miriam Therese Winter."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026amp; Manuscript Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f7f6d2f5ebd091a28e15eeda3b5ef959\"\u003eRe-Imagining is an ecumenical, radical,\n Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista,\n and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse\n religious communities, and the world. Eighty-two audio files comprise an oral history\n project by Sherry E. Jordon with 73 participants in the Re-Imagining conferences, including\n the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men\n and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining\n conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000,\n as well as three linear feet of papers documenting Jordon's work with\n Re-Imagining.\u003c/abstract\u003e"],"abstract_tesim":["Re-Imagining is an ecumenical, radical,\n Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista,\n and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse\n religious communities, and the world. Eighty-two audio files comprise an oral history\n project by Sherry E. Jordon with 73 participants in the Re-Imagining conferences, including\n the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men\n and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining\n conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000,\n as well as three linear feet of papers documenting Jordon's work with\n Re-Imagining."],"names_ssim":["David M. Rubenstein Rare Book \u0026 Manuscript Library","Andrew, Elizabeth, 1969-","Bass, Diana Butler, 1959-","Bednarowski, Mary Farrell","Bettenhausen, Elizabeth","Bishop, Nadean","Black, Kathy, 1956-","Blackstock, Donna, 1942-","Blons, Steven","Brinkley, Robert","Brock, Rita Nakashima","Buchanan, John M., 1938-","Chinn, Nancy, 1940-","Christensen, Faye, 1944-","Chung, Hyun Kyung","Cole, Susan, 1945-","Craig, J. Ann","Craig, Susan Halcomb, 1941-","Deacon-Weber, Kathy, 1954-","DeSouza, Sister Holy Spirit","Elkins, Heather Murray","Evans, Sara M. (Sara Margaret), 1943-","Fithian, Marylee, 1936-","Gates, Mary, 1934-","Hallman, Marchelle","Hames, Susan, 1944-","Henry, Robin, 1952-","Hinderlie, Maren","Hobday, José","Hunt, Mary E., 1951-","Joern, Pamela Carter, 1948-","Johnson, Katie","Johnson, Sally Howell","Jordon, Sherry E. (Sherry Elaine)","Keely, Barbara Anne, 1952-","Kersting, Betty, 1936-","Kim, Judith Allen, 1946-","King, Annie Wu, 1933-","Kiser, Rebecca Lynn, 1954-","Kuhns, Mary, 1945-","Kwok, Pui-lan","Lund, Barbara, 1964-","Lundblad, Barbara K., 1944-","Lundy, Mary Ann Weese, 1933-","Mahle, Katherine Austin, 1945-","Marlow, Eily, 1975-","Martin, Joan M. 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Welcome/Opening Celebration, Kathy Black - part 1, 2000-10-26/2000-10-28","Re-Imagining Collection, 1993-2016","Re-Imagining Conferences, 1993-2000","Millenial Gathering of the Re-Imagining Community, 2000-10-26/2000-10-28","55"],"component_level_isim":[3],"parent_ssim":["reimagining","aspace_995889a08cce3d90b04cf8a795ae7126","aspace_6866b3c2483d60ab212d79cfd05e2a3a"],"parent_ssi":"aspace_6866b3c2483d60ab212d79cfd05e2a3a","parent_ids_ssim":["reimagining","reimagining_aspace_995889a08cce3d90b04cf8a795ae7126","reimagining_aspace_6866b3c2483d60ab212d79cfd05e2a3a"],"parent_unittitles_ssm":["Re-Imagining Collection, 1993-2016","Re-Imagining Conferences, 1993-2000","Millenial Gathering of the Re-Imagining Community, 2000-10-26/2000-10-28"],"parent_unittitles_tesim":["Re-Imagining Collection, 1993-2016","Re-Imagining Conferences, 1993-2000","Millenial Gathering of the Re-Imagining Community, 2000-10-26/2000-10-28"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["55"],"repository_ssim":["David M. Rubenstein Rare Book and Manuscript Library"],"collection_ssim":["Re-Imagining Collection, 1993-2016"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":308,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. 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The 2,200\n attendees, met at the Minneapolis Convention Center on November 4 to 7, 1993, participating\n in presentations and rituals re-imagining male-centric images and language of traditional\n Christianity.","Dr. Sherry Jordon was awarded her Ph.D in Theology from Yale in 1995 and is currently\n Associate Professor of Theology at the University of St. Thomas. She specializes in\n historical theology, particularly the Reformation period, and Women's Studies. Jordon served\n on the Coordinating Council of the Re-Imagining Community from 1998-2003, spoke at the 2003\n Re-Imagining Gathering, and wrote an essay on feminist theology for Bless Sophia: Worship,\n Liturgy, and Ritual of the Re-Imagining Community. As part of her current research on the\n history and theology of Re-Imagining, she completed sixty-five oral interviews with members\n of the Re-Imagining Community, leading feminist and womanist theologians who presented at\n the conferences, people who were on the national staff of the women's units in the\n Presbyterian (USA) and United Methodist churches, and authors who have written books related\n to Christian feminism and/or Re-Imagining.","Processed by Craig Breaden, April, 2017","Accessions described in this collection guide: 2016-0317","Re-Imagining is an ecumenical, radical, Christian movement focused on creating ways of\n understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening\n spaces for dialogue with the church, diverse religious communities, and the world.\n Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 72\n participants in the Re-Imagining conferences, including the first gathering in 1993,\n Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127\n mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from\n gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as papers documenting Jordon's\n work with Re-Imagining. Interviewees and speakers include Martha O. Adams, Jann\n Aldredge-Clanton, Gail Allan, Elizabeth Andrew, Diana Butler Bass, Mary Farrell Bednarowski,\n Elizabeth Bettenhausen, Nadean Bishop, Kathy Black, Donna Blackstock, Steven Blons, Robert\n Brinkley, Rita Nakashima Brock, John M. Buchanan, Nancy Chinn, Faye Christensen, Hyun Kyung\n Chung, Susan Cole, J. Ann Craig, Susan Halcomb Craig, Kathy Deacon-Weber, Sister Holy Spirit\n DeSouza, Heather Murray Elkins, Sara M. Evans, Marylee Fithian, Mary Gates, Marchelle\n Hallman, Susan Hames, Robin Henry, Maren Hinderlie, José Hobday, Mary E. Hunt, Pamela Carter\n Joern, Sally Howell Johnson, Katie Johnson, Barbara Anne Keely, Betty Kersting, Judith Allen\n Kim, Annie Wu King, Rebecca Lynn Kiser, Mary Kuhns, Pui-lan Kwok, Barbara Lund, Barbara K.\n Lundblad, Mary Ann Weese Lundy, Katherine Austin Mahle, Eily Marlow, Joan M. Martin, Mary\n Kaye Medinger, Joyce Ann Mercer, Virginia R. Mollenkott, Melanie S. Morrison, Susan\n Morrison, Mary Clark Moschella, Vivian Jenkins Nelsen, Randy Nelson, Christie Neuger, John\n Niles, Manley Olson, Ofelia Ortega, Doris Pagelkopf, Rebecca Todd Peters, Virginia Pharr,\n Joy Mincey Powell, Mary Preus, Anne Primavesi, Bernice Johnson Reagon, Jo Ringgenberg, Mary\n Kay Sauter, Jeanyne B. Slettom, Jerie Smith, Joyce D. Sohl, Hilda Spann, Allison Stokes,\n John Strausz-Clement, Judith Strausz-Clement, Sue Swanson, Hal Taussig, Margaret Thomas,\n Rebecca Tollefson, Carmen Valenzuela, Johanna W.H. Van Wijk-Bos, Emily Wigger, Delores S.\n Williams, Eugenia Williams, Lois Wilson, and Miriam Therese Winter.","The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library.","Re-Imagining is an ecumenical, radical,\n Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista,\n and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse\n religious communities, and the world. Eighty-two audio files comprise an oral history\n project by Sherry E. Jordon with 73 participants in the Re-Imagining conferences, including\n the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men\n and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining\n conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000,\n as well as three linear feet of papers documenting Jordon's work with\n Re-Imagining.","David M. Rubenstein Rare Book \u0026 Manuscript Library","Andrew, Elizabeth, 1969-","Bass, Diana Butler, 1959-","Bednarowski, Mary Farrell","Bettenhausen, Elizabeth","Bishop, Nadean","Black, Kathy, 1956-","Blackstock, Donna, 1942-","Blons, Steven","Brinkley, Robert","Brock, Rita Nakashima","Buchanan, John M., 1938-","Chinn, Nancy, 1940-","Christensen, Faye, 1944-","Chung, Hyun Kyung","Cole, Susan, 1945-","Craig, J. Ann","Craig, Susan Halcomb, 1941-","Deacon-Weber, Kathy, 1954-","DeSouza, Sister Holy Spirit","Elkins, Heather Murray","Evans, Sara M. 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(Joan Marie)","Medinger, Mary Kaye, 1946-","Mercer, Joyce Ann, 1957-","Mollenkott, Virginia R.","Morrison, Susan, 1943-","Moschella, Mary Clark","Nelsen, Vivian Jenkins","Nelson, Randy, 1941-","Niles, John, 1945-","Olson, Manley, 1936-","Pagelkopf, Doris, 1938-","Peters, Rebecca Todd","Pharr, Virginia","Powell, Joy Mincey","Preus, Mary","Primavesi, Anne, 1934-","Reagon, Bernice Johnson, 1942-","Ringgenberg, Jo","Sauter, Mary Kay","Slettom, Jeanyne B.","Smith, Jerie","Sohl, Joyce D.","Stokes, Allison, 1942-","Strausz-Clement, John","Strausz-Clement, Judith","Swanson, Sue","Taussig, Hal","Thomas, Margaret","Tollefson, Rebecca","Valenzuela, Carmen","Van Wijk-Bos, Johanna W. H., 1940-","Wigger, Emily","Williams, Delores S.","Williams, Eugenia","Winter, Miriam Therese","Spann, Hilda","Ortega, Ofelia","Morrison, Melanie, 1949-","Adams, Martha O.","Aldredge-Clanton, Jann, 1946-","Allan, Gail, 1954-","Neuger, Christine Cozad, 1952-","Wilson, Lois","English","English","Materials in English"],"unitid_tesim":["RL.11352"],"normalized_date_ssm":["1993-2016"],"normalized_title_ssm":["Re-Imagining Collection, 1993-2016"],"collection_title_tesim":["Re-Imagining Collection, 1993-2016"],"collection_ssim":["Re-Imagining Collection, 1993-2016"],"repository_ssm":["David M. Rubenstein Rare Book and Manuscript Library"],"repository_ssim":["David M. Rubenstein Rare Book and Manuscript Library"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. 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Rubenstein Rare Book \u0026\n Manuscript Library as a gift in 2016."],"access_subjects_ssim":["Feminist theology","Re-Imagining Conference (1993 :\n Minneapolis, Minn.)","Ecumenical Decade of the Churches in\n Solidarity with Women (Program)"],"access_subjects_ssm":["Feminist theology","Re-Imagining Conference (1993 :\n Minneapolis, Minn.)","Ecumenical Decade of the Churches in\n Solidarity with Women (Program)"],"has_online_content_ssim":["true"],"extent_ssm":["3 Linear Feet Two boxes of audio cassettes, one box of papers.","5.7 Gigabytes MP3 audio files, electronic text files"],"extent_tesim":["3 Linear Feet Two boxes of audio cassettes, one box of papers.","5.7 Gigabytes MP3 audio files, electronic text files"],"date_range_isim":[1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eOral histories arranged alphabetically, conference materials arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Oral histories arranged alphabetically, conference materials arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eRe-Imagining: A Global Theological Conference By Women: For Men and Women, was organized by\n Mary Ann Lundy (Director of the Presbyterian Church USA's Women's Unit), Sally Hill, and\n other mainline protestant leaders in the United States, to be part of the World Council of\n Churches' Ecumenical Decade: Churches in Solidarity with Women 1988–1998. The 2,200\n attendees, met at the Minneapolis Convention Center on November 4 to 7, 1993, participating\n in presentations and rituals re-imagining male-centric images and language of traditional\n Christianity.\u003c/p\u003e","\u003cp\u003eDr. Sherry Jordon was awarded her Ph.D in Theology from Yale in 1995 and is currently\n Associate Professor of Theology at the University of St. Thomas. She specializes in\n historical theology, particularly the Reformation period, and Women's Studies. Jordon served\n on the Coordinating Council of the Re-Imagining Community from 1998-2003, spoke at the 2003\n Re-Imagining Gathering, and wrote an essay on feminist theology for Bless Sophia: Worship,\n Liturgy, and Ritual of the Re-Imagining Community. As part of her current research on the\n history and theology of Re-Imagining, she completed sixty-five oral interviews with members\n of the Re-Imagining Community, leading feminist and womanist theologians who presented at\n the conferences, people who were on the national staff of the women's units in the\n Presbyterian (USA) and United Methodist churches, and authors who have written books related\n to Christian feminism and/or Re-Imagining.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical note","Biographical Note"],"bioghist_tesim":["Re-Imagining: A Global Theological Conference By Women: For Men and Women, was organized by\n Mary Ann Lundy (Director of the Presbyterian Church USA's Women's Unit), Sally Hill, and\n other mainline protestant leaders in the United States, to be part of the World Council of\n Churches' Ecumenical Decade: Churches in Solidarity with Women 1988–1998. The 2,200\n attendees, met at the Minneapolis Convention Center on November 4 to 7, 1993, participating\n in presentations and rituals re-imagining male-centric images and language of traditional\n Christianity.","Dr. Sherry Jordon was awarded her Ph.D in Theology from Yale in 1995 and is currently\n Associate Professor of Theology at the University of St. Thomas. She specializes in\n historical theology, particularly the Reformation period, and Women's Studies. Jordon served\n on the Coordinating Council of the Re-Imagining Community from 1998-2003, spoke at the 2003\n Re-Imagining Gathering, and wrote an essay on feminist theology for Bless Sophia: Worship,\n Liturgy, and Ritual of the Re-Imagining Community. As part of her current research on the\n history and theology of Re-Imagining, she completed sixty-five oral interviews with members\n of the Re-Imagining Community, leading feminist and womanist theologians who presented at\n the conferences, people who were on the national staff of the women's units in the\n Presbyterian (USA) and United Methodist churches, and authors who have written books related\n to Christian feminism and/or Re-Imagining."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Re-Imagining Collection, David M. Rubenstein Rare Book \u0026amp;\n Manuscript Library, Duke University.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Re-Imagining Collection, David M. Rubenstein Rare Book \u0026\n Manuscript Library, Duke University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Craig Breaden, April, 2017\u003c/p\u003e","\u003cp\u003eAccessions described in this collection guide: 2016-0317\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Craig Breaden, April, 2017","Accessions described in this collection guide: 2016-0317"],"scopecontent_html_tesm":["\u003cp\u003eRe-Imagining is an ecumenical, radical, Christian movement focused on creating ways of\n understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening\n spaces for dialogue with the church, diverse religious communities, and the world.\n Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 72\n participants in the Re-Imagining conferences, including the first gathering in 1993,\n Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127\n mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from\n gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as papers documenting Jordon's\n work with Re-Imagining. Interviewees and speakers include Martha O. Adams, Jann\n Aldredge-Clanton, Gail Allan, Elizabeth Andrew, Diana Butler Bass, Mary Farrell Bednarowski,\n Elizabeth Bettenhausen, Nadean Bishop, Kathy Black, Donna Blackstock, Steven Blons, Robert\n Brinkley, Rita Nakashima Brock, John M. Buchanan, Nancy Chinn, Faye Christensen, Hyun Kyung\n Chung, Susan Cole, J. Ann Craig, Susan Halcomb Craig, Kathy Deacon-Weber, Sister Holy Spirit\n DeSouza, Heather Murray Elkins, Sara M. Evans, Marylee Fithian, Mary Gates, Marchelle\n Hallman, Susan Hames, Robin Henry, Maren Hinderlie, José Hobday, Mary E. Hunt, Pamela Carter\n Joern, Sally Howell Johnson, Katie Johnson, Barbara Anne Keely, Betty Kersting, Judith Allen\n Kim, Annie Wu King, Rebecca Lynn Kiser, Mary Kuhns, Pui-lan Kwok, Barbara Lund, Barbara K.\n Lundblad, Mary Ann Weese Lundy, Katherine Austin Mahle, Eily Marlow, Joan M. Martin, Mary\n Kaye Medinger, Joyce Ann Mercer, Virginia R. Mollenkott, Melanie S. Morrison, Susan\n Morrison, Mary Clark Moschella, Vivian Jenkins Nelsen, Randy Nelson, Christie Neuger, John\n Niles, Manley Olson, Ofelia Ortega, Doris Pagelkopf, Rebecca Todd Peters, Virginia Pharr,\n Joy Mincey Powell, Mary Preus, Anne Primavesi, Bernice Johnson Reagon, Jo Ringgenberg, Mary\n Kay Sauter, Jeanyne B. Slettom, Jerie Smith, Joyce D. Sohl, Hilda Spann, Allison Stokes,\n John Strausz-Clement, Judith Strausz-Clement, Sue Swanson, Hal Taussig, Margaret Thomas,\n Rebecca Tollefson, Carmen Valenzuela, Johanna W.H. Van Wijk-Bos, Emily Wigger, Delores S.\n Williams, Eugenia Williams, Lois Wilson, and Miriam Therese Winter.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Overview"],"scopecontent_tesim":["Re-Imagining is an ecumenical, radical, Christian movement focused on creating ways of\n understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening\n spaces for dialogue with the church, diverse religious communities, and the world.\n Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 72\n participants in the Re-Imagining conferences, including the first gathering in 1993,\n Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127\n mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from\n gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as papers documenting Jordon's\n work with Re-Imagining. Interviewees and speakers include Martha O. Adams, Jann\n Aldredge-Clanton, Gail Allan, Elizabeth Andrew, Diana Butler Bass, Mary Farrell Bednarowski,\n Elizabeth Bettenhausen, Nadean Bishop, Kathy Black, Donna Blackstock, Steven Blons, Robert\n Brinkley, Rita Nakashima Brock, John M. Buchanan, Nancy Chinn, Faye Christensen, Hyun Kyung\n Chung, Susan Cole, J. Ann Craig, Susan Halcomb Craig, Kathy Deacon-Weber, Sister Holy Spirit\n DeSouza, Heather Murray Elkins, Sara M. Evans, Marylee Fithian, Mary Gates, Marchelle\n Hallman, Susan Hames, Robin Henry, Maren Hinderlie, José Hobday, Mary E. Hunt, Pamela Carter\n Joern, Sally Howell Johnson, Katie Johnson, Barbara Anne Keely, Betty Kersting, Judith Allen\n Kim, Annie Wu King, Rebecca Lynn Kiser, Mary Kuhns, Pui-lan Kwok, Barbara Lund, Barbara K.\n Lundblad, Mary Ann Weese Lundy, Katherine Austin Mahle, Eily Marlow, Joan M. Martin, Mary\n Kaye Medinger, Joyce Ann Mercer, Virginia R. Mollenkott, Melanie S. Morrison, Susan\n Morrison, Mary Clark Moschella, Vivian Jenkins Nelsen, Randy Nelson, Christie Neuger, John\n Niles, Manley Olson, Ofelia Ortega, Doris Pagelkopf, Rebecca Todd Peters, Virginia Pharr,\n Joy Mincey Powell, Mary Preus, Anne Primavesi, Bernice Johnson Reagon, Jo Ringgenberg, Mary\n Kay Sauter, Jeanyne B. Slettom, Jerie Smith, Joyce D. Sohl, Hilda Spann, Allison Stokes,\n John Strausz-Clement, Judith Strausz-Clement, Sue Swanson, Hal Taussig, Margaret Thomas,\n Rebecca Tollefson, Carmen Valenzuela, Johanna W.H. Van Wijk-Bos, Emily Wigger, Delores S.\n Williams, Eugenia Williams, Lois Wilson, and Miriam Therese Winter."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026amp; Manuscript Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f7f6d2f5ebd091a28e15eeda3b5ef959\"\u003eRe-Imagining is an ecumenical, radical,\n Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista,\n and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse\n religious communities, and the world. Eighty-two audio files comprise an oral history\n project by Sherry E. Jordon with 73 participants in the Re-Imagining conferences, including\n the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men\n and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining\n conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000,\n as well as three linear feet of papers documenting Jordon's work with\n Re-Imagining.\u003c/abstract\u003e"],"abstract_tesim":["Re-Imagining is an ecumenical, radical,\n Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista,\n and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse\n religious communities, and the world. Eighty-two audio files comprise an oral history\n project by Sherry E. Jordon with 73 participants in the Re-Imagining conferences, including\n the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men\n and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining\n conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000,\n as well as three linear feet of papers documenting Jordon's work with\n Re-Imagining."],"names_ssim":["David M. Rubenstein Rare Book \u0026 Manuscript Library","Andrew, Elizabeth, 1969-","Bass, Diana Butler, 1959-","Bednarowski, Mary Farrell","Bettenhausen, Elizabeth","Bishop, Nadean","Black, Kathy, 1956-","Blackstock, Donna, 1942-","Blons, Steven","Brinkley, Robert","Brock, Rita Nakashima","Buchanan, John M., 1938-","Chinn, Nancy, 1940-","Christensen, Faye, 1944-","Chung, Hyun Kyung","Cole, Susan, 1945-","Craig, J. Ann","Craig, Susan Halcomb, 1941-","Deacon-Weber, Kathy, 1954-","DeSouza, Sister Holy Spirit","Elkins, Heather Murray","Evans, Sara M. (Sara Margaret), 1943-","Fithian, Marylee, 1936-","Gates, Mary, 1934-","Hallman, Marchelle","Hames, Susan, 1944-","Henry, Robin, 1952-","Hinderlie, Maren","Hobday, José","Hunt, Mary E., 1951-","Joern, Pamela Carter, 1948-","Johnson, Katie","Johnson, Sally Howell","Jordon, Sherry E. (Sherry Elaine)","Keely, Barbara Anne, 1952-","Kersting, Betty, 1936-","Kim, Judith Allen, 1946-","King, Annie Wu, 1933-","Kiser, Rebecca Lynn, 1954-","Kuhns, Mary, 1945-","Kwok, Pui-lan","Lund, Barbara, 1964-","Lundblad, Barbara K., 1944-","Lundy, Mary Ann Weese, 1933-","Mahle, Katherine Austin, 1945-","Marlow, Eily, 1975-","Martin, Joan M. (Joan Marie)","Medinger, Mary Kaye, 1946-","Mercer, Joyce Ann, 1957-","Mollenkott, Virginia R.","Morrison, Susan, 1943-","Moschella, Mary Clark","Nelsen, Vivian Jenkins","Nelson, Randy, 1941-","Niles, John, 1945-","Olson, Manley, 1936-","Pagelkopf, Doris, 1938-","Peters, Rebecca Todd","Pharr, Virginia","Powell, Joy Mincey","Preus, Mary","Primavesi, Anne, 1934-","Reagon, Bernice Johnson, 1942-","Ringgenberg, Jo","Sauter, Mary Kay","Slettom, Jeanyne B.","Smith, Jerie","Sohl, Joyce D.","Stokes, Allison, 1942-","Strausz-Clement, John","Strausz-Clement, Judith","Swanson, Sue","Taussig, Hal","Thomas, Margaret","Tollefson, Rebecca","Valenzuela, Carmen","Van Wijk-Bos, Johanna W. H., 1940-","Wigger, Emily","Williams, Delores S.","Williams, Eugenia","Winter, Miriam Therese","Spann, Hilda","Ortega, Ofelia","Morrison, Melanie, 1949-","Adams, Martha O.","Aldredge-Clanton, Jann, 1946-","Allan, Gail, 1954-","Neuger, Christine Cozad, 1952-","Wilson, Lois"],"corpname_ssim":["David M. 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