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MiniDV videocassettes require the creation of\n reference copies. If you are interested in viewing the contents of the miniDVs,\n please contact the AAAMC staff well in advance of your visit for details.","Arranged in five series: Series 1. Conference Sessions Series 2. One-on-One Interviews Series 3. Conference-Related Events Series 4. Miscellaneous Audiovisual Materials Series 5. AAAMC Production Materials","Kandia Crazy Horse (panelist/interviewee): Raised on a\n variety of music, from P-Funk to Supertramp, electric guitar evangelism to country\n and western, D.C. native Kandia Crazy Horse has worked as a rock critic for over a\n decade. Crazy Horse began writing, in her words, \"simply because I could ‘speak so\n well’ like Colin Powell; read and write; and had a favorite band throughout the '90s\n that got awful press and a lot of disdain: the Black Crowes. As a New Southerner\n with a brain, I figured it was my job to champion them because they made great Black\n music.\" The Brooklyn-based writer was formerly the music editor at Creative Loafing\n in Charlotte, N.C., and has contributed to numerous publications, including Paper , Harp , Village Voice , Popmatters.com , and the San Francisco Bay\n Guardian . She supported Afrofuturism by editing Rip It Up : The Black Experience in Rock 'n' Roll (2004), noted for\n being \"an eclectic mix of interviews and essays on Black rock 'n' roll--filled with\n fascinating information and provocative ideas.\" Crazy Horse was the 2008-2009\n Anschutz Distinguished Fellow in American Studies at Princeton University, where she\n taught the course \"Roll over Beethoven : Black Rock \u0026 Cultural Revolt,\" and\n organized and mounted a Southern rock symposium titled Radio\n Free Dixie-- or, De Dirty South Brokedown . Crazy Horse challenges Black\n readers to take pride in the history of Black rock, to \"attempt to conserve it,\n don't just fritter it away and then lament it being lost forever after.\"","Rob Fields (panelist/interviewee): Self-described \"Black\n rock evangelist\" Rob Fields writes about Black rock and Black culture on his blog\n Bold as Love , which focuses on exploring,\n celebrating and evangelizing the growing music genre known as Black rock, Afro-punk\n or urban alternative (URB ALT). In conjunction with his blog, he runs a live event\n series, Bold as Live , which creates new opportunities\n for audiences to discover Black rock through shows, lectures, and discussions. He\n has worked professionally in the Black rock scene since the early 1990s, when he\n became Director of PR for the Black Rock Coalition. Following this, he went into\n artist management, working for Capitol Records and representing alternative Black\n artists such as trombonist Josh Roseman and M-Base cofounder Graham Haynes. With his\n background in marketing, Rob's interest lies in providing context for audiences\n (particularly Black audiences) to understand and enjoy what they're hearing in Black\n rock, and to help Black rock artists find ways to make Black rock matter in the\n marketplace. Rob has been a guest several times on NPR, and was a panelist at the\n 2009 SXSW Music Conference. ","Reebee Garofalo (moderator/interviewer) is author of\n Rockin Out : Popular Music in the USA and has\n been a professor at the College of Public and Community Service at U Mass Boston\n since 1978. He is also affiliated with the American Studies Program. Professor\n Garofalo is an internationally known scholar of popular music studies who has\n written numerous articles on music and politics, racism, censorship, and the\n globalization of the music industry and has lectured widely on a broad range of\n subjects relating to the operations of the music industry. At CPCS he has been\n spearheading the Community Media and Technology Major—a cutting edge media and\n technology program designed to encourage a combination of technical proficiency and\n social vision. ","Andy Hollinden (moderator/interviewer) teaches at the\n Jacobs School of Music at Indiana University, where he has developed several courses\n on popular music that have become widely favored by students on the campus. Such\n courses include the history of blues, rock, Frank Zappa, and Jimi Hendrix. In\n addition to Hollinden's professorial duties, he composes and produces music for\n videos and has performed and recorded with numerous rock bands. So far, he has\n written and produced seven CDs of his own music: Moving Earth\n from There to Here (1994), Boot rouge et\n swabs (1996), Heat to Fragrance (2000),\n Begging's Not Endearing (2002), Stick It in Your Sound Hole (2004), Trust Yourself (2006), and Grieve\n for the Living (2008). As one of the moderators for this conference,\n Hollinden brings a broad historical awareness of the roots of rock music, which is\n centered in the African American cultural tradition, along with the understanding of\n musical, racial and political negotiations between Black and White musicians who\n have been associated with the genre. ","Maureen Mahon (moderator/interviewer) is an associate\n professor in the Department of Music at New York University. A cultural\n anthropologist, her research interests include African American history and culture;\n the construction and performance of race and gender in music; and the relationship\n between race, class, generation, and culture. She is the author of Right to Rock : The Black Rock Coalition and the Cultural\n Politics of Race (Duke University Press, 2004) and has published\n articles on African Americans and rock music in academic venues and at EbonyJet.com . Her current research on the music and\n legacy of Black women in rock examines the intersection of gender, race, sexuality,\n and music production. She has held fellowships from the National Science Foundation,\n the Ford Foundation, and the American Association of University Women and has taught\n at Wesleyan University and UCLA. ","Moe Mitchell (panelist/interviewee): A graduate of Howard\n University, Moe Mitchell has established himself as an activist and musician in the\n underground punk scene. His band Cipher, founded in 1996, is committed to opening\n critical spaces in underground music to reawaken the legacy of dissent in today's\n hardcore, weaving together elements of hardcore and metal with melodicism and\n politically radical lyrics to form a provocative, probing treatment of race, gender,\n and class. Mitchell was one of the four artists profiled in James Spooner's 2003\n documentary Afro-punk , which explored issues of race\n identity within the punk scene. Cipher was formed in 1996 by longtime friends who\n wanted to bring something new to underground music. Elements of hardcore and metal\n are woven with politically radical lyrics to form a provocative, probing treatment\n of race, gender, and class. Cipher's most recent album, Children of God's Fire (2005), was released to critical acclaim as \"an\n unrelenting, neo-revolutionary musical statement, transcending genres and provoking\n thoughts.\" As one reviewer put it, \"In front of ambitiously bruising slabs of\n hardcore, Cipher front man Moe Mitchell ponders everything from patriarchy to the\n pharmaceutical industry.\" Cipher released their second album, The Joyous Collapse , in late 2009. ","Netic (panelist/interviewee) is one of the founders as\n well as the lead vocalist of the Brooklyn-born band Game Rebellion. Before rhyming\n with Game Rebellion, he was a brain and cognitive sciences major at Massachusetts\n Institute of Technology (MIT) in Cambridge, Massachusetts, where he enrolled at the\n age of sixteen. Game Rebellion is an all-Black, all-outta-Brooklyn band whose metal,\n punk, and rudeboy skanking licks sound as credible and crunchy as their hip-hop\n lyrics and head nodding bounce. The lyrical prowess and production of Netic provide\n an unobstructed view of the angst of young rebels everywhere. Game Rebellion has\n been making big waves on the New York scene for about three years. In that short\n time they've ventured out even further to slam heads, rock houses and muddy the lily\n white waters of hip-hop and rock from NYC and Cali to Puerto Rico and the UK. They\n just may be the best-kept secret in music right now. Their album Searching for Rick Rubin (2008) explores classic hip-hop\n songs originally produced by studio legend Rick Rubin, re-imagined in Game\n Rebellion’s own style and mixed by J.period. ","James Spooner (panelist/interviewee) is a filmmaker and\n fine artist. His award-winning debut feature documentary Afro-punk has screened at festivals in the U.S. and abroad, including\n the Toronto International Film Festival, New York's Urbanworld Film Festival, the\n American Black Film Festival, Mar del Plata International Film Festival (Argentina),\n and the London Lesbian and Gay Film Festival. The film has been incorporated in a\n program for high school students on race identity by the New Museum in New York, and\n has inspired an Afro-Punk Film Festival at the Brooklyn Academy of Music, which he\n has been co-curating. He was Resident Video Installation Artist at the Ase Dance\n Theatre Collective in New York, where he created new media works with a\n choreographer. Prior to working in film, he was a sculptor, whose work showed in\n galleries in New York and Seattle. He has also been an editor and an editing\n consultant. More recently, Spooner made his narrative film debut with White Lies, Black Sheep (2007). ","Stew (panelist/interviewee) is a Tony Award-winning\n singer/songwriter/playwright from Los Angeles. Together with his collaborator Heidi\n Rodewald, Stew leads two critically acclaimed bands: The Negro Problem and Stew,\n both of which were formed in the early 1990s. By the turn of the millennium, The\n Negro Problem was enjoying considerable success, receiving Entertainment Weekly 's Album of the Year award in both 2000 and 2002.\n In 2004, Stew and Heidi Rodewald received the support of the Sundance Institute and\n The Public Theater to produce the musical Passing\n Strange , which has had successful runs at the Berkeley Repertory\n Theater, The Public Theater (NYC), and the Belasco Theatre on Broadway. More\n recently, Spike Lee directed a film version of Passing\n Strange , which is receiving glowing praise at film festivals and aired\n on PBS in the spring of 2010. As a result of his various creative ventures, Stew has\n been the recipient of numerous awards, including a 2008 Tony for Best Book of a\n Musical, two Obie awards for Best New Theater Piece and Best Ensemble as a cast\n member, and is a four-time Tony nominee. Stew was also the recipient of a 2009 Meet\n the Composer grant for a new multi-media work Making\n It , commissioned by St. Ann’s Warehouse in New York and scheduled for\n performance in 2010. Stew’s recorded output includes Post\n Minstrel Syndrome (1997), Joys and\n Concerns (1999), Guest Host (2000),\n The Naked Dutch Painter (2002), Welcome Black (2002), Something\n Deeper than these Changes (2003), and the cast album of Passing Strange (2008). ","Tamar-kali (panelist/interviewee): \n Songwriter-vocalist-guitarist Tamar-kali came on the New York rock scene around 1993\n while performing with the band Funkface. Shortly thereafter, she became the front\n woman for Song of Seven, another New York-based rock band. Eventually, Tamar-kali's\n strength as a woman in a male-dominated genre led to creative conflict and compelled\n her toward her own expression as a songwriter and vocalist, which resulted into her\n eclectic musical style. Her band 5ive Piece incorporates hard-core funk, melodic\n guitar riffs, dissonant harmonies, even and odd-metered grooves and unorthodox song\n forms. In addition to the instrumental styles of 5ive Piece, Tamar-kali's diverse\n vocal range allows her to execute warm, round, dark and raspy tones from low to high\n registers upon demand. She also performs with the string quartet Psycho Chamber\n Ensemble, which performs renditions of songs by 5ive Piece as well as those arranged\n and composed specifically for strings by Tamar-kali. Along with leading her diverse\n ensembles and heading up her own production company, Flaming Yoni Productions,\n Tamar-kali has worked with other artists in hip-hop and rock such as Outkast and\n Fishbone. In addition to appearing in the film Afro-punk , Tamar-kali has been featured in Vibe , Fader and Village Voice magazines. ","Greg Tate (panelist) is an American author who has spent\n the last two decades formulating a critical language that has redefined African\n American cultural theory and writing. An essayist and long time staff writer for\n Village Voice , Tate has published widely, with\n writings on art, music, and culture appearing in The New York\n Times , Rolling Stone , The Washington Post , Spin , Artforum , The\n Nation , DownBeat , and Africa-based\n magazines such as Glendora Review and Chimurenga . The impact of Tate's writing lies in the\n seminal productive tensions he navigates between post-structural theory and Black\n cultural nationalism, academia and street culture. Tate has been inspired by Black\n innovators such as Miles Davis, Jimi Hendrix, Sly Stone, George Clinton, and the\n artist Jean-Michel Basquiat. Furthermore, Tate has defied fixed notions about what\n constitutes authentic Black culture, and has inscribed a new radical trajectory that\n is simultaneously rebellious yet intelligently written. Now in his 50s, Tate\n continues to challenge cultural hegemony, writing on everything from hip-hop to\n YouTube . His books include Flyboy in the Buttermilk (1992), Midnight\n Lightning : Jimi Hendrix and the Black Experience (2003), and Everything but the Burden : What White People Are Taking from\n Black Culture (2003). He is also a founding member of the Black Rock\n Coalition and the conductor and music director of Burnt Sugar, a band that fuses\n jazz, rock, funk, and African music in a lyrical, exploratory and improvisational\n manner. ","Kamara Thomas (panelist/interviewee), along with Matt\n Whyte, is one of the founding members of the band Earl Greyhound. Living and working\n in New York City, the pair began performing regularly as a duo. All along, they were\n crafting the sound and songs that would form the foundation for a colossal rock band\n influenced by the strident English three- and four-pieces of the '70s, the dark pop\n and heavy grooves of the '90s, and the transcendental, noisy acid sounds of modern\n rock. The band's first full-length album, Soft\n Targets , was recorded in Los Angeles and Brooklyn in 2005 and earned the\n group many fans and critical acclaim from publications including The New Yorker , Spin ,\n Rolling Stone , Brooklyn\n Vegan , and Pitchfork . Even more so, the\n band's live show quickly drew heaps of attention and gained a steady reputation\n among critics and fans alike as a veritable rock-n-roll wrecking ball. Earl\n Greyhound toured relentlessly for the next two years all over the U.S., Canada, and\n Japan, and autumn 2007 was spent playing theatres as openers for the band's good\n friend Shooter Jennings, as well as for Soundgarden and Audioslave's Chris Cornell.\n In spring 2010 Earl Greyhound released their sophomore album Suspicious Package . ","Suzanne Thomas (panelist/interviewee): A real deal blues\n guitarist and vocalist, Suzanne Thomas no stranger to the blues. Life for Thomas\n started out as an abandoned biracial child in South Korea, where she lived in an\n orphanage until an American family adopted her into the States at five. She began\n studying organ at the age of six and, as fate would have it, Thomas was given her\n first music lessons and introduction to the organ by the great Jimmy Smith. Thomas\n abandoned dental school at Ohio State to attend music school in Los Angeles. After\n time in all-female groups such as School Boy Crush, Software, and PMS, Thomas formed\n Crank, a 3-piece hard rock band that shared the stage with Ice T and Body Count,\n Fishbone, and Macy Gray. Thomas has also been hired out as a guitarist to several\n funk and R\u0026B bands, notably doubling on guitar and bass in the Grammy-winning\n band A Taste of Honey. She took second place in the 7th annual Jimi Hendrix contest,\n and played in Japan, France, and New York at various music festivals and events\n including the Manhattan Music Center. Thomas currently performs with her band The\n Blues Church. ","Linda Tillery (panelist/interviewee): Before becoming a\n prominent figure in women's music in the 1990s, San Francisco native Linda Tillery\n began her singing career in the 1960s with the gender and racially integrated\n psychedelic/soul band The Loading Zone, which was modeled somewhat after Sly \u0026\n the Family Stone. After two albums with that band, Tillery released her solo debut,\n Sweet Linda Divine , on CBS in 1970 to\n enthusiastic reviews and high praise. She spent most of the 1970s singing and\n playing drums on over forty albums, including those by Mary Watkins and Teresa\n Trull. Having become a staff musician and producer at Olivia Records, Tillery\n released her second solo album, a self-titled effort, on the label in 1978,\n garnering a Bay Area Music Award for Best Independently Produced Album. Tillery has\n twice gone on to win Bay Area Jazz awards for Outstanding Female Vocalist. In\n subsequent years, Tillery collaborated with female musical powerhouses including\n June Millington, Deidre McCalla, Barbara Higbie, and Margie Adam, as well as on the\n Olivia Records 10th anniversary album, Meg/Cris Live at\n Carnegie (1983). In 1985, Tillery released Secrets on her own 411 label which returned her to center stage. In\n recent years, she has assembled a large band, Skin Tight, which plays jazzy, funky\n blues. She has also performed with the ZaSu Pitts Memorial Orchestra and has\n branched out into radio, film, theater, and television commercials. She has worked\n for the National Endowment for the Arts and appeared with artists ranging from\n Santana, Kenny Loggins, and Huey Lewis to the Turtle Island String Quartet, Bobby\n McFerrin, and Holly Near. In 1992, Tillery created the Cultural Heritage Choir as an\n outlet for her desire to perform the traditional spiritual music of African American\n slaves and their descendants. ","Ike Willis (panelist/interviewee) first met Frank Zappa\n while studying political science at Washington University. Willis volunteered to\n help with the concert committee just so he could get a backstage pass to meet Frank\n Zappa. As a result of this meeting in 1978, Willis became Zappa's lead singer and\n rhythm guitarist for nearly fifteen years. In addition to touring, Willis performed\n on Zappa's albums Joe's Garage , Tinsel Town Rebellion , and You\n Are What You Is . He also played the title character and narrator in\n Zappa's off-Broadway musical, Thing-Fish . Willis'\n distinct baritone vocals coupled with his melodic guitar style continues to solidify\n the musical legacy of Frank Zappa, which Willis promotes not only through his own\n music, but also via performances with ensembles around the world that perform Frank\n Zappa's music, such as Bogus Pomp, Project/Object, Ugly Radio Rebellion, and The\n Central Scrutinizer Band. ","On November 13th and 14th, the Archives of African American Music and Culture (AAAMC)\n hosted a two-day conference on Black rock on the Indiana University-Bloomington\n campus. The conference and related activities were open to local and regional\n musicians, scholars, students, and the general public.","Reclaiming the Right to Rock : Black Experiences in Rock\n Music brought together Black rock musicians from different generations\n and regions with music critics and scholars to discuss the socio-political history,\n musical developments, and the future of Black rock. The main component of the\n conference was a set of three panels, each exploring one of the following topics: 1)\n the conceptualization and origins of Black rock; 2) the politics of Black rock; 3)\n the face of Black rock in the 21st century.","The core panelists were those artists considered to be innovators and practitioners\n of Black rock in the United States, including representatives from the East and West\n Coasts such as Linda Tillery, Ike Willis, Tamar-kali, and Netic. The conference also\n celebrated the 25th anniversary of the Black Rock Coalition, which was founded to\n create \"a united atmosphere conducive to the maximum development, exposure, [and]\n acceptance of Black alternative music.\"","In conjunction with the conference, the AAAMC also collaborated with a number of\n units and organizations at Indiana University to arrange a series of film\n screenings, concerts, and workshops, which were hosted on the Bloomington campus\n during the conference weekend and throughout the Fall 2009 semester.","In addition to professionally videotaped footage of the three conference sessions,\n the IU Union Board Concert, and one-on-one interviews with each of the panelists\n (minus Greg Tate), a number of volunteers assisted with documenting the conference\n and conference-related events. The professionally videotaped footage consists of\n high definition QuickTime files provided by IU's Radio and Television Services\n (RTVS). Conference volunteers produced miniDVs as well as image, audio, and video\n files in a variety of formats. Also included in the collection are a number of\n internal documents produced by AAAMC staff members during the production of the\n conference, including publicity materials, contract templates, grant materials, and\n planning documents. ","This collection consists of\n documentation and one-on-one interviews from the AAAMC's two-day conference on Black\n rock hosted on the Indiana University-Bloomington campus on November 13-14, 2009.\n The conference and related activities were open to local and regional musicians,\n scholars, students, and brought together Black rock musicians from different\n generations and regions with music critics and scholars to discuss the\n socio-political history, musical developments, and the future of Black rock.\n ","Indiana University, Archives of African American Music and Culture\n (AAAMC)","Indiana University, Archives of\n African American Music and Culture (AAAMC)","Blues Church (Musical group)","Indiana University, Radio and Television\n Services","IU Soul Revue","Monroe County Public Library, Community\n Access Television Services","Students enrolled in Telecommunications\n T-353","Crazy Horse, Kandia","Fields, Rob","Garofalo, Reebee","Hollinden, Andy, 1961-","Mahon, Maureen","Mitchell, Moe","Netic","Spooner, James","Stew, 1961-","Tamar-kali","Tate, Greg","Thomas, Kamara","Thomas, Suzanne","Tillery, Linda","Willis, Ike","Hollinden, Andy","Stew","McAlpin, Michael","Batcheller, Anna","Sewald, Ronda L.","Allbrittin, Deanna","Berry, William","Brown, Clayton","Ford, Starla","Rizzi, Jessica","Rowley, Ariel","Williams, Lorrin[?]","Orjuela, Fernando[?]","Burnim, Mellonee","Wilkins, Langston","Nelson-Strauss, Brenda","Estrada, Zilia C.","Walter, Rich","Kreiger, Meryl","Unidentified student from Paul Mahern's\n \"Audio production\" course","Wallner, Jessie","Ozdegirmenci, Izlem","Cooper, Kailee","Fales, Cornelia","Lee, Mike","Unidentified student from Paul Mahern's\n \"Audio Production\" course","Guest-Scott, Anthony","Hatlen, Merrill","Hsu, Hsin-Wen","Teo, Bertrand","Kilpin, Jordan","Powell, Gary","Lamping, Nicholas","Davis, Gareth","Cooper, Tyron"," Materials are in English . "],"unitid_tesim":["SC\n 151"],"normalized_date_ssm":["2008-2010"],"normalized_title_ssm":["Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection, 2008-2010"],"collection_title_tesim":["Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection, 2008-2010"],"collection_ssim":["Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection, 2008-2010"],"repository_ssm":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"creator_ssm":["Indiana University, Archives of\n African American Music and Culture (AAAMC)"],"creator_ssim":["Indiana University, Archives of\n African American Music and Culture (AAAMC)"],"creator_corpname_ssim":["Indiana University, Archives of\n African American Music and Culture (AAAMC)"],"creators_ssim":["Indiana University, Archives of\n African American Music and Culture (AAAMC)"],"acqinfo_ssim":["All education rights for conference session footage and one-on-one interviews\n with the panelists was released to the Indiana University Board of Trustees in\n November 2009. "],"access_subjects_ssim":["African American rock\n musicians--Interviews","Music and race","Rock music--History and criticism","Sound recording industry","African Americans--Music","Rock concerts","Racism--United States"],"access_subjects_ssm":["African American rock\n musicians--Interviews","Music and race","Rock music--History and criticism","Sound recording industry","African Americans--Music","Rock concerts","Racism--United States"],"has_online_content_ssim":["false"],"extent_ssm":["46 video files (HD QuickTime) (21 hours, 45 minutes)"],"extent_tesim":["46 video files (HD QuickTime) (21 hours, 45 minutes)"],"physfacet_tesim":[" :\n sound, color ; 1440 x 1080, 35 MBps, 29.97 fps + 28 videocassettes (miniDV)\n (circa 21 hours), 1 box documentation, assorted audio, video, and image\n files"],"date_range_isim":[2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to the public. MiniDV videocassettes require the creation of\n reference copies. If you are interested in viewing the contents of the miniDVs,\n please contact the AAAMC staff well in advance of your visit for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["This collection is open to the public. MiniDV videocassettes require the creation of\n reference copies. If you are interested in viewing the contents of the miniDVs,\n please contact the AAAMC staff well in advance of your visit for details."],"arrangement_html_tesm":["\u003cp\u003eArranged in five series: \u003clist type=\"marked\"\u003e\n \u003citem\u003eSeries 1. Conference Sessions\u003c/item\u003e\n \u003citem\u003eSeries 2. One-on-One Interviews\u003c/item\u003e\n \u003citem\u003eSeries 3. Conference-Related Events\u003c/item\u003e\n \u003citem\u003eSeries 4. Miscellaneous Audiovisual Materials\u003c/item\u003e\n \u003citem\u003eSeries 5. AAAMC Production Materials\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged in five series: Series 1. Conference Sessions Series 2. One-on-One Interviews Series 3. Conference-Related Events Series 4. Miscellaneous Audiovisual Materials Series 5. AAAMC Production Materials"],"bioghist_html_tesm":["\u003cp\u003e\n \u003cemph render=\"bold\"\u003eKandia Crazy Horse (panelist/interviewee):\u003c/emph\u003e Raised on a\n variety of music, from P-Funk to Supertramp, electric guitar evangelism to country\n and western, D.C. native Kandia Crazy Horse has worked as a rock critic for over a\n decade. Crazy Horse began writing, in her words, \"simply because I could ‘speak so\n well’ like Colin Powell; read and write; and had a favorite band throughout the '90s\n that got awful press and a lot of disdain: the Black Crowes. As a New Southerner\n with a brain, I figured it was my job to champion them because they made great Black\n music.\" The Brooklyn-based writer was formerly the music editor at Creative Loafing\n in Charlotte, N.C., and has contributed to numerous publications, including \u003ctitle render=\"italic\"\u003ePaper\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eHarp\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eVillage Voice\u003c/title\u003e, \u003ctitle render=\"italic\"\u003ePopmatters.com\u003c/title\u003e, and the \u003ctitle render=\"italic\"\u003eSan Francisco Bay\n Guardian\u003c/title\u003e. She supported Afrofuturism by editing \u003ctitle render=\"italic\"\u003eRip It Up : The Black Experience in Rock 'n' Roll\u003c/title\u003e (2004), noted for\n being \"an eclectic mix of interviews and essays on Black rock 'n' roll--filled with\n fascinating information and provocative ideas.\" Crazy Horse was the 2008-2009\n Anschutz Distinguished Fellow in American Studies at Princeton University, where she\n taught the course \"Roll over Beethoven : Black Rock \u0026amp; Cultural Revolt,\" and\n organized and mounted a Southern rock symposium titled \u003ctitle render=\"italic\"\u003eRadio\n Free Dixie-- or, De Dirty South Brokedown\u003c/title\u003e. Crazy Horse challenges Black\n readers to take pride in the history of Black rock, to \"attempt to conserve it,\n don't just fritter it away and then lament it being lost forever after.\"\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eRob Fields (panelist/interviewee):\u003c/emph\u003e Self-described \"Black\n rock evangelist\" Rob Fields writes about Black rock and Black culture on his blog\n \u003ctitle render=\"italic\"\u003eBold as Love\u003c/title\u003e, which focuses on exploring,\n celebrating and evangelizing the growing music genre known as Black rock, Afro-punk\n or urban alternative (URB ALT). In conjunction with his blog, he runs a live event\n series, \u003ctitle render=\"italic\"\u003eBold as Live\u003c/title\u003e, which creates new opportunities\n for audiences to discover Black rock through shows, lectures, and discussions. He\n has worked professionally in the Black rock scene since the early 1990s, when he\n became Director of PR for the Black Rock Coalition. Following this, he went into\n artist management, working for Capitol Records and representing alternative Black\n artists such as trombonist Josh Roseman and M-Base cofounder Graham Haynes. With his\n background in marketing, Rob's interest lies in providing context for audiences\n (particularly Black audiences) to understand and enjoy what they're hearing in Black\n rock, and to help Black rock artists find ways to make Black rock matter in the\n marketplace. Rob has been a guest several times on NPR, and was a panelist at the\n 2009 SXSW Music Conference. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eReebee Garofalo (moderator/interviewer)\u003c/emph\u003e is author of\n \u003ctitle render=\"italic\"\u003eRockin Out : Popular Music in the USA\u003c/title\u003e and has\n been a professor at the College of Public and Community Service at U Mass Boston\n since 1978. He is also affiliated with the American Studies Program. Professor\n Garofalo is an internationally known scholar of popular music studies who has\n written numerous articles on music and politics, racism, censorship, and the\n globalization of the music industry and has lectured widely on a broad range of\n subjects relating to the operations of the music industry. At CPCS he has been\n spearheading the Community Media and Technology Major—a cutting edge media and\n technology program designed to encourage a combination of technical proficiency and\n social vision. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAndy Hollinden (moderator/interviewer)\u003c/emph\u003e teaches at the\n Jacobs School of Music at Indiana University, where he has developed several courses\n on popular music that have become widely favored by students on the campus. Such\n courses include the history of blues, rock, Frank Zappa, and Jimi Hendrix. In\n addition to Hollinden's professorial duties, he composes and produces music for\n videos and has performed and recorded with numerous rock bands. So far, he has\n written and produced seven CDs of his own music: \u003ctitle render=\"italic\"\u003eMoving Earth\n from There to Here\u003c/title\u003e (1994), \u003ctitle render=\"italic\"\u003eBoot rouge et\n swabs\u003c/title\u003e (1996), \u003ctitle render=\"italic\"\u003eHeat to Fragrance\u003c/title\u003e (2000),\n \u003ctitle render=\"italic\"\u003eBegging's Not Endearing\u003c/title\u003e (2002), \u003ctitle render=\"italic\"\u003eStick It in Your Sound Hole\u003c/title\u003e (2004), \u003ctitle render=\"italic\"\u003eTrust Yourself\u003c/title\u003e (2006), and \u003ctitle render=\"italic\"\u003eGrieve\n for the Living\u003c/title\u003e (2008). As one of the moderators for this conference,\n Hollinden brings a broad historical awareness of the roots of rock music, which is\n centered in the African American cultural tradition, along with the understanding of\n musical, racial and political negotiations between Black and White musicians who\n have been associated with the genre. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMaureen Mahon (moderator/interviewer)\u003c/emph\u003e is an associate\n professor in the Department of Music at New York University. A cultural\n anthropologist, her research interests include African American history and culture;\n the construction and performance of race and gender in music; and the relationship\n between race, class, generation, and culture. She is the author of \u003ctitle render=\"italic\"\u003eRight to Rock : The Black Rock Coalition and the Cultural\n Politics of Race\u003c/title\u003e (Duke University Press, 2004) and has published\n articles on African Americans and rock music in academic venues and at \u003ctitle render=\"italic\"\u003eEbonyJet.com\u003c/title\u003e. Her current research on the music and\n legacy of Black women in rock examines the intersection of gender, race, sexuality,\n and music production. She has held fellowships from the National Science Foundation,\n the Ford Foundation, and the American Association of University Women and has taught\n at Wesleyan University and UCLA. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMoe Mitchell (panelist/interviewee):\u003c/emph\u003e A graduate of Howard\n University, Moe Mitchell has established himself as an activist and musician in the\n underground punk scene. His band Cipher, founded in 1996, is committed to opening\n critical spaces in underground music to reawaken the legacy of dissent in today's\n hardcore, weaving together elements of hardcore and metal with melodicism and\n politically radical lyrics to form a provocative, probing treatment of race, gender,\n and class. Mitchell was one of the four artists profiled in James Spooner's 2003\n documentary \u003ctitle render=\"italic\"\u003eAfro-punk\u003c/title\u003e, which explored issues of race\n identity within the punk scene. Cipher was formed in 1996 by longtime friends who\n wanted to bring something new to underground music. Elements of hardcore and metal\n are woven with politically radical lyrics to form a provocative, probing treatment\n of race, gender, and class. Cipher's most recent album, \u003ctitle render=\"italic\"\u003eChildren of God's Fire\u003c/title\u003e (2005), was released to critical acclaim as \"an\n unrelenting, neo-revolutionary musical statement, transcending genres and provoking\n thoughts.\" As one reviewer put it, \"In front of ambitiously bruising slabs of\n hardcore, Cipher front man Moe Mitchell ponders everything from patriarchy to the\n pharmaceutical industry.\" Cipher released their second album, \u003ctitle render=\"italic\"\u003eThe Joyous Collapse\u003c/title\u003e, in late 2009. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eNetic (panelist/interviewee)\u003c/emph\u003e is one of the founders as\n well as the lead vocalist of the Brooklyn-born band Game Rebellion. Before rhyming\n with Game Rebellion, he was a brain and cognitive sciences major at Massachusetts\n Institute of Technology (MIT) in Cambridge, Massachusetts, where he enrolled at the\n age of sixteen. Game Rebellion is an all-Black, all-outta-Brooklyn band whose metal,\n punk, and rudeboy skanking licks sound as credible and crunchy as their hip-hop\n lyrics and head nodding bounce. The lyrical prowess and production of Netic provide\n an unobstructed view of the angst of young rebels everywhere. Game Rebellion has\n been making big waves on the New York scene for about three years. In that short\n time they've ventured out even further to slam heads, rock houses and muddy the lily\n white waters of hip-hop and rock from NYC and Cali to Puerto Rico and the UK. They\n just may be the best-kept secret in music right now. Their album \u003ctitle render=\"italic\"\u003eSearching for Rick Rubin\u003c/title\u003e (2008) explores classic hip-hop\n songs originally produced by studio legend Rick Rubin, re-imagined in Game\n Rebellion’s own style and mixed by J.period. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eJames Spooner (panelist/interviewee)\u003c/emph\u003e is a filmmaker and\n fine artist. His award-winning debut feature documentary \u003ctitle render=\"italic\"\u003eAfro-punk\u003c/title\u003e has screened at festivals in the U.S. and abroad, including\n the Toronto International Film Festival, New York's Urbanworld Film Festival, the\n American Black Film Festival, Mar del Plata International Film Festival (Argentina),\n and the London Lesbian and Gay Film Festival. The film has been incorporated in a\n program for high school students on race identity by the New Museum in New York, and\n has inspired an Afro-Punk Film Festival at the Brooklyn Academy of Music, which he\n has been co-curating. He was Resident Video Installation Artist at the Ase Dance\n Theatre Collective in New York, where he created new media works with a\n choreographer. Prior to working in film, he was a sculptor, whose work showed in\n galleries in New York and Seattle. He has also been an editor and an editing\n consultant. More recently, Spooner made his narrative film debut with \u003ctitle render=\"italic\"\u003eWhite Lies, Black Sheep\u003c/title\u003e (2007). \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eStew (panelist/interviewee)\u003c/emph\u003e is a Tony Award-winning\n singer/songwriter/playwright from Los Angeles. Together with his collaborator Heidi\n Rodewald, Stew leads two critically acclaimed bands: The Negro Problem and Stew,\n both of which were formed in the early 1990s. By the turn of the millennium, The\n Negro Problem was enjoying considerable success, receiving \u003ctitle render=\"italic\"\u003eEntertainment Weekly\u003c/title\u003e's Album of the Year award in both 2000 and 2002.\n In 2004, Stew and Heidi Rodewald received the support of the Sundance Institute and\n The Public Theater to produce the musical \u003ctitle render=\"italic\"\u003ePassing\n Strange\u003c/title\u003e, which has had successful runs at the Berkeley Repertory\n Theater, The Public Theater (NYC), and the Belasco Theatre on Broadway. More\n recently, Spike Lee directed a film version of \u003ctitle render=\"italic\"\u003ePassing\n Strange\u003c/title\u003e, which is receiving glowing praise at film festivals and aired\n on PBS in the spring of 2010. As a result of his various creative ventures, Stew has\n been the recipient of numerous awards, including a 2008 Tony for Best Book of a\n Musical, two Obie awards for Best New Theater Piece and Best Ensemble as a cast\n member, and is a four-time Tony nominee. Stew was also the recipient of a 2009 Meet\n the Composer grant for a new multi-media work \u003ctitle render=\"italic\"\u003eMaking\n It\u003c/title\u003e, commissioned by St. Ann’s Warehouse in New York and scheduled for\n performance in 2010. Stew’s recorded output includes \u003ctitle render=\"italic\"\u003ePost\n Minstrel Syndrome\u003c/title\u003e (1997), \u003ctitle render=\"italic\"\u003eJoys and\n Concerns\u003c/title\u003e (1999), \u003ctitle render=\"italic\"\u003eGuest Host\u003c/title\u003e (2000),\n \u003ctitle render=\"italic\"\u003eThe Naked Dutch Painter\u003c/title\u003e (2002), \u003ctitle render=\"italic\"\u003eWelcome Black\u003c/title\u003e (2002), \u003ctitle render=\"italic\"\u003eSomething\n Deeper than these Changes\u003c/title\u003e (2003), and the cast album of \u003ctitle render=\"italic\"\u003ePassing Strange\u003c/title\u003e (2008). \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eTamar-kali (panelist/interviewee):\u003c/emph\u003e\n Songwriter-vocalist-guitarist Tamar-kali came on the New York rock scene around 1993\n while performing with the band Funkface. Shortly thereafter, she became the front\n woman for Song of Seven, another New York-based rock band. Eventually, Tamar-kali's\n strength as a woman in a male-dominated genre led to creative conflict and compelled\n her toward her own expression as a songwriter and vocalist, which resulted into her\n eclectic musical style. Her band 5ive Piece incorporates hard-core funk, melodic\n guitar riffs, dissonant harmonies, even and odd-metered grooves and unorthodox song\n forms. In addition to the instrumental styles of 5ive Piece, Tamar-kali's diverse\n vocal range allows her to execute warm, round, dark and raspy tones from low to high\n registers upon demand. She also performs with the string quartet Psycho Chamber\n Ensemble, which performs renditions of songs by 5ive Piece as well as those arranged\n and composed specifically for strings by Tamar-kali. Along with leading her diverse\n ensembles and heading up her own production company, Flaming Yoni Productions,\n Tamar-kali has worked with other artists in hip-hop and rock such as Outkast and\n Fishbone. In addition to appearing in the film \u003ctitle render=\"italic\"\u003eAfro-punk\u003c/title\u003e, Tamar-kali has been featured in \u003ctitle render=\"italic\"\u003eVibe\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eFader\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eVillage Voice\u003c/title\u003e magazines. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eGreg Tate (panelist)\u003c/emph\u003e is an American author who has spent\n the last two decades formulating a critical language that has redefined African\n American cultural theory and writing. An essayist and long time staff writer for\n \u003ctitle render=\"italic\"\u003eVillage Voice\u003c/title\u003e, Tate has published widely, with\n writings on art, music, and culture appearing in \u003ctitle render=\"italic\"\u003eThe New York\n Times\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eRolling Stone\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eThe Washington Post\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eSpin\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eArtforum\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eThe\n Nation\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eDownBeat\u003c/title\u003e, and Africa-based\n magazines such as \u003ctitle render=\"italic\"\u003eGlendora Review\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eChimurenga\u003c/title\u003e. The impact of Tate's writing lies in the\n seminal productive tensions he navigates between post-structural theory and Black\n cultural nationalism, academia and street culture. Tate has been inspired by Black\n innovators such as Miles Davis, Jimi Hendrix, Sly Stone, George Clinton, and the\n artist Jean-Michel Basquiat. Furthermore, Tate has defied fixed notions about what\n constitutes authentic Black culture, and has inscribed a new radical trajectory that\n is simultaneously rebellious yet intelligently written. Now in his 50s, Tate\n continues to challenge cultural hegemony, writing on everything from hip-hop to\n \u003ctitle render=\"italic\"\u003eYouTube\u003c/title\u003e. His books include \u003ctitle render=\"italic\"\u003eFlyboy in the Buttermilk\u003c/title\u003e (1992), \u003ctitle render=\"italic\"\u003eMidnight\n Lightning : Jimi Hendrix and the Black Experience\u003c/title\u003e (2003), and \u003ctitle render=\"italic\"\u003eEverything but the Burden : What White People Are Taking from\n Black Culture\u003c/title\u003e (2003). He is also a founding member of the Black Rock\n Coalition and the conductor and music director of Burnt Sugar, a band that fuses\n jazz, rock, funk, and African music in a lyrical, exploratory and improvisational\n manner. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eKamara Thomas (panelist/interviewee),\u003c/emph\u003e along with Matt\n Whyte, is one of the founding members of the band Earl Greyhound. Living and working\n in New York City, the pair began performing regularly as a duo. All along, they were\n crafting the sound and songs that would form the foundation for a colossal rock band\n influenced by the strident English three- and four-pieces of the '70s, the dark pop\n and heavy grooves of the '90s, and the transcendental, noisy acid sounds of modern\n rock. The band's first full-length album, \u003ctitle render=\"italic\"\u003eSoft\n Targets\u003c/title\u003e, was recorded in Los Angeles and Brooklyn in 2005 and earned the\n group many fans and critical acclaim from publications including \u003ctitle render=\"italic\"\u003eThe New Yorker\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eSpin\u003c/title\u003e,\n \u003ctitle render=\"italic\"\u003eRolling Stone\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eBrooklyn\n Vegan\u003c/title\u003e, and \u003ctitle render=\"italic\"\u003ePitchfork\u003c/title\u003e. Even more so, the\n band's live show quickly drew heaps of attention and gained a steady reputation\n among critics and fans alike as a veritable rock-n-roll wrecking ball. Earl\n Greyhound toured relentlessly for the next two years all over the U.S., Canada, and\n Japan, and autumn 2007 was spent playing theatres as openers for the band's good\n friend Shooter Jennings, as well as for Soundgarden and Audioslave's Chris Cornell.\n In spring 2010 Earl Greyhound released their sophomore album \u003ctitle render=\"italic\"\u003eSuspicious Package\u003c/title\u003e. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSuzanne Thomas (panelist/interviewee):\u003c/emph\u003e A real deal blues\n guitarist and vocalist, Suzanne Thomas no stranger to the blues. Life for Thomas\n started out as an abandoned biracial child in South Korea, where she lived in an\n orphanage until an American family adopted her into the States at five. She began\n studying organ at the age of six and, as fate would have it, Thomas was given her\n first music lessons and introduction to the organ by the great Jimmy Smith. Thomas\n abandoned dental school at Ohio State to attend music school in Los Angeles. After\n time in all-female groups such as School Boy Crush, Software, and PMS, Thomas formed\n Crank, a 3-piece hard rock band that shared the stage with Ice T and Body Count,\n Fishbone, and Macy Gray. Thomas has also been hired out as a guitarist to several\n funk and R\u0026amp;B bands, notably doubling on guitar and bass in the Grammy-winning\n band A Taste of Honey. She took second place in the 7th annual Jimi Hendrix contest,\n and played in Japan, France, and New York at various music festivals and events\n including the Manhattan Music Center. Thomas currently performs with her band The\n Blues Church. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eLinda Tillery (panelist/interviewee):\u003c/emph\u003e Before becoming a\n prominent figure in women's music in the 1990s, San Francisco native Linda Tillery\n began her singing career in the 1960s with the gender and racially integrated\n psychedelic/soul band The Loading Zone, which was modeled somewhat after Sly \u0026amp;\n the Family Stone. After two albums with that band, Tillery released her solo debut,\n \u003ctitle render=\"italic\"\u003eSweet Linda Divine\u003c/title\u003e, on CBS in 1970 to\n enthusiastic reviews and high praise. She spent most of the 1970s singing and\n playing drums on over forty albums, including those by Mary Watkins and Teresa\n Trull. Having become a staff musician and producer at Olivia Records, Tillery\n released her second solo album, a self-titled effort, on the label in 1978,\n garnering a Bay Area Music Award for Best Independently Produced Album. Tillery has\n twice gone on to win Bay Area Jazz awards for Outstanding Female Vocalist. In\n subsequent years, Tillery collaborated with female musical powerhouses including\n June Millington, Deidre McCalla, Barbara Higbie, and Margie Adam, as well as on the\n Olivia Records 10th anniversary album, \u003ctitle render=\"italic\"\u003eMeg/Cris Live at\n Carnegie\u003c/title\u003e (1983). In 1985, Tillery released \u003ctitle render=\"italic\"\u003eSecrets\u003c/title\u003e on her own 411 label which returned her to center stage. In\n recent years, she has assembled a large band, Skin Tight, which plays jazzy, funky\n blues. She has also performed with the ZaSu Pitts Memorial Orchestra and has\n branched out into radio, film, theater, and television commercials. She has worked\n for the National Endowment for the Arts and appeared with artists ranging from\n Santana, Kenny Loggins, and Huey Lewis to the Turtle Island String Quartet, Bobby\n McFerrin, and Holly Near. In 1992, Tillery created the Cultural Heritage Choir as an\n outlet for her desire to perform the traditional spiritual music of African American\n slaves and their descendants. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eIke Willis (panelist/interviewee)\u003c/emph\u003e first met Frank Zappa\n while studying political science at Washington University. Willis volunteered to\n help with the concert committee just so he could get a backstage pass to meet Frank\n Zappa. As a result of this meeting in 1978, Willis became Zappa's lead singer and\n rhythm guitarist for nearly fifteen years. In addition to touring, Willis performed\n on Zappa's albums \u003ctitle render=\"italic\"\u003eJoe's Garage\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eTinsel Town Rebellion\u003c/title\u003e, and \u003ctitle render=\"italic\"\u003eYou\n Are What You Is\u003c/title\u003e. He also played the title character and narrator in\n Zappa's off-Broadway musical, \u003ctitle render=\"italic\"\u003eThing-Fish\u003c/title\u003e. Willis'\n distinct baritone vocals coupled with his melodic guitar style continues to solidify\n the musical legacy of Frank Zappa, which Willis promotes not only through his own\n music, but also via performances with ensembles around the world that perform Frank\n Zappa's music, such as Bogus Pomp, Project/Object, Ugly Radio Rebellion, and The\n Central Scrutinizer Band. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Kandia Crazy Horse (panelist/interviewee): Raised on a\n variety of music, from P-Funk to Supertramp, electric guitar evangelism to country\n and western, D.C. native Kandia Crazy Horse has worked as a rock critic for over a\n decade. Crazy Horse began writing, in her words, \"simply because I could ‘speak so\n well’ like Colin Powell; read and write; and had a favorite band throughout the '90s\n that got awful press and a lot of disdain: the Black Crowes. As a New Southerner\n with a brain, I figured it was my job to champion them because they made great Black\n music.\" The Brooklyn-based writer was formerly the music editor at Creative Loafing\n in Charlotte, N.C., and has contributed to numerous publications, including Paper , Harp , Village Voice , Popmatters.com , and the San Francisco Bay\n Guardian . She supported Afrofuturism by editing Rip It Up : The Black Experience in Rock 'n' Roll (2004), noted for\n being \"an eclectic mix of interviews and essays on Black rock 'n' roll--filled with\n fascinating information and provocative ideas.\" Crazy Horse was the 2008-2009\n Anschutz Distinguished Fellow in American Studies at Princeton University, where she\n taught the course \"Roll over Beethoven : Black Rock \u0026 Cultural Revolt,\" and\n organized and mounted a Southern rock symposium titled Radio\n Free Dixie-- or, De Dirty South Brokedown . Crazy Horse challenges Black\n readers to take pride in the history of Black rock, to \"attempt to conserve it,\n don't just fritter it away and then lament it being lost forever after.\"","Rob Fields (panelist/interviewee): Self-described \"Black\n rock evangelist\" Rob Fields writes about Black rock and Black culture on his blog\n Bold as Love , which focuses on exploring,\n celebrating and evangelizing the growing music genre known as Black rock, Afro-punk\n or urban alternative (URB ALT). In conjunction with his blog, he runs a live event\n series, Bold as Live , which creates new opportunities\n for audiences to discover Black rock through shows, lectures, and discussions. He\n has worked professionally in the Black rock scene since the early 1990s, when he\n became Director of PR for the Black Rock Coalition. Following this, he went into\n artist management, working for Capitol Records and representing alternative Black\n artists such as trombonist Josh Roseman and M-Base cofounder Graham Haynes. With his\n background in marketing, Rob's interest lies in providing context for audiences\n (particularly Black audiences) to understand and enjoy what they're hearing in Black\n rock, and to help Black rock artists find ways to make Black rock matter in the\n marketplace. Rob has been a guest several times on NPR, and was a panelist at the\n 2009 SXSW Music Conference. ","Reebee Garofalo (moderator/interviewer) is author of\n Rockin Out : Popular Music in the USA and has\n been a professor at the College of Public and Community Service at U Mass Boston\n since 1978. He is also affiliated with the American Studies Program. Professor\n Garofalo is an internationally known scholar of popular music studies who has\n written numerous articles on music and politics, racism, censorship, and the\n globalization of the music industry and has lectured widely on a broad range of\n subjects relating to the operations of the music industry. At CPCS he has been\n spearheading the Community Media and Technology Major—a cutting edge media and\n technology program designed to encourage a combination of technical proficiency and\n social vision. ","Andy Hollinden (moderator/interviewer) teaches at the\n Jacobs School of Music at Indiana University, where he has developed several courses\n on popular music that have become widely favored by students on the campus. Such\n courses include the history of blues, rock, Frank Zappa, and Jimi Hendrix. In\n addition to Hollinden's professorial duties, he composes and produces music for\n videos and has performed and recorded with numerous rock bands. So far, he has\n written and produced seven CDs of his own music: Moving Earth\n from There to Here (1994), Boot rouge et\n swabs (1996), Heat to Fragrance (2000),\n Begging's Not Endearing (2002), Stick It in Your Sound Hole (2004), Trust Yourself (2006), and Grieve\n for the Living (2008). As one of the moderators for this conference,\n Hollinden brings a broad historical awareness of the roots of rock music, which is\n centered in the African American cultural tradition, along with the understanding of\n musical, racial and political negotiations between Black and White musicians who\n have been associated with the genre. ","Maureen Mahon (moderator/interviewer) is an associate\n professor in the Department of Music at New York University. A cultural\n anthropologist, her research interests include African American history and culture;\n the construction and performance of race and gender in music; and the relationship\n between race, class, generation, and culture. She is the author of Right to Rock : The Black Rock Coalition and the Cultural\n Politics of Race (Duke University Press, 2004) and has published\n articles on African Americans and rock music in academic venues and at EbonyJet.com . Her current research on the music and\n legacy of Black women in rock examines the intersection of gender, race, sexuality,\n and music production. She has held fellowships from the National Science Foundation,\n the Ford Foundation, and the American Association of University Women and has taught\n at Wesleyan University and UCLA. ","Moe Mitchell (panelist/interviewee): A graduate of Howard\n University, Moe Mitchell has established himself as an activist and musician in the\n underground punk scene. His band Cipher, founded in 1996, is committed to opening\n critical spaces in underground music to reawaken the legacy of dissent in today's\n hardcore, weaving together elements of hardcore and metal with melodicism and\n politically radical lyrics to form a provocative, probing treatment of race, gender,\n and class. Mitchell was one of the four artists profiled in James Spooner's 2003\n documentary Afro-punk , which explored issues of race\n identity within the punk scene. Cipher was formed in 1996 by longtime friends who\n wanted to bring something new to underground music. Elements of hardcore and metal\n are woven with politically radical lyrics to form a provocative, probing treatment\n of race, gender, and class. Cipher's most recent album, Children of God's Fire (2005), was released to critical acclaim as \"an\n unrelenting, neo-revolutionary musical statement, transcending genres and provoking\n thoughts.\" As one reviewer put it, \"In front of ambitiously bruising slabs of\n hardcore, Cipher front man Moe Mitchell ponders everything from patriarchy to the\n pharmaceutical industry.\" Cipher released their second album, The Joyous Collapse , in late 2009. ","Netic (panelist/interviewee) is one of the founders as\n well as the lead vocalist of the Brooklyn-born band Game Rebellion. Before rhyming\n with Game Rebellion, he was a brain and cognitive sciences major at Massachusetts\n Institute of Technology (MIT) in Cambridge, Massachusetts, where he enrolled at the\n age of sixteen. Game Rebellion is an all-Black, all-outta-Brooklyn band whose metal,\n punk, and rudeboy skanking licks sound as credible and crunchy as their hip-hop\n lyrics and head nodding bounce. The lyrical prowess and production of Netic provide\n an unobstructed view of the angst of young rebels everywhere. Game Rebellion has\n been making big waves on the New York scene for about three years. In that short\n time they've ventured out even further to slam heads, rock houses and muddy the lily\n white waters of hip-hop and rock from NYC and Cali to Puerto Rico and the UK. They\n just may be the best-kept secret in music right now. Their album Searching for Rick Rubin (2008) explores classic hip-hop\n songs originally produced by studio legend Rick Rubin, re-imagined in Game\n Rebellion’s own style and mixed by J.period. ","James Spooner (panelist/interviewee) is a filmmaker and\n fine artist. His award-winning debut feature documentary Afro-punk has screened at festivals in the U.S. and abroad, including\n the Toronto International Film Festival, New York's Urbanworld Film Festival, the\n American Black Film Festival, Mar del Plata International Film Festival (Argentina),\n and the London Lesbian and Gay Film Festival. The film has been incorporated in a\n program for high school students on race identity by the New Museum in New York, and\n has inspired an Afro-Punk Film Festival at the Brooklyn Academy of Music, which he\n has been co-curating. He was Resident Video Installation Artist at the Ase Dance\n Theatre Collective in New York, where he created new media works with a\n choreographer. Prior to working in film, he was a sculptor, whose work showed in\n galleries in New York and Seattle. He has also been an editor and an editing\n consultant. More recently, Spooner made his narrative film debut with White Lies, Black Sheep (2007). ","Stew (panelist/interviewee) is a Tony Award-winning\n singer/songwriter/playwright from Los Angeles. Together with his collaborator Heidi\n Rodewald, Stew leads two critically acclaimed bands: The Negro Problem and Stew,\n both of which were formed in the early 1990s. By the turn of the millennium, The\n Negro Problem was enjoying considerable success, receiving Entertainment Weekly 's Album of the Year award in both 2000 and 2002.\n In 2004, Stew and Heidi Rodewald received the support of the Sundance Institute and\n The Public Theater to produce the musical Passing\n Strange , which has had successful runs at the Berkeley Repertory\n Theater, The Public Theater (NYC), and the Belasco Theatre on Broadway. More\n recently, Spike Lee directed a film version of Passing\n Strange , which is receiving glowing praise at film festivals and aired\n on PBS in the spring of 2010. As a result of his various creative ventures, Stew has\n been the recipient of numerous awards, including a 2008 Tony for Best Book of a\n Musical, two Obie awards for Best New Theater Piece and Best Ensemble as a cast\n member, and is a four-time Tony nominee. Stew was also the recipient of a 2009 Meet\n the Composer grant for a new multi-media work Making\n It , commissioned by St. Ann’s Warehouse in New York and scheduled for\n performance in 2010. Stew’s recorded output includes Post\n Minstrel Syndrome (1997), Joys and\n Concerns (1999), Guest Host (2000),\n The Naked Dutch Painter (2002), Welcome Black (2002), Something\n Deeper than these Changes (2003), and the cast album of Passing Strange (2008). ","Tamar-kali (panelist/interviewee): \n Songwriter-vocalist-guitarist Tamar-kali came on the New York rock scene around 1993\n while performing with the band Funkface. Shortly thereafter, she became the front\n woman for Song of Seven, another New York-based rock band. Eventually, Tamar-kali's\n strength as a woman in a male-dominated genre led to creative conflict and compelled\n her toward her own expression as a songwriter and vocalist, which resulted into her\n eclectic musical style. Her band 5ive Piece incorporates hard-core funk, melodic\n guitar riffs, dissonant harmonies, even and odd-metered grooves and unorthodox song\n forms. In addition to the instrumental styles of 5ive Piece, Tamar-kali's diverse\n vocal range allows her to execute warm, round, dark and raspy tones from low to high\n registers upon demand. She also performs with the string quartet Psycho Chamber\n Ensemble, which performs renditions of songs by 5ive Piece as well as those arranged\n and composed specifically for strings by Tamar-kali. Along with leading her diverse\n ensembles and heading up her own production company, Flaming Yoni Productions,\n Tamar-kali has worked with other artists in hip-hop and rock such as Outkast and\n Fishbone. In addition to appearing in the film Afro-punk , Tamar-kali has been featured in Vibe , Fader and Village Voice magazines. ","Greg Tate (panelist) is an American author who has spent\n the last two decades formulating a critical language that has redefined African\n American cultural theory and writing. An essayist and long time staff writer for\n Village Voice , Tate has published widely, with\n writings on art, music, and culture appearing in The New York\n Times , Rolling Stone , The Washington Post , Spin , Artforum , The\n Nation , DownBeat , and Africa-based\n magazines such as Glendora Review and Chimurenga . The impact of Tate's writing lies in the\n seminal productive tensions he navigates between post-structural theory and Black\n cultural nationalism, academia and street culture. Tate has been inspired by Black\n innovators such as Miles Davis, Jimi Hendrix, Sly Stone, George Clinton, and the\n artist Jean-Michel Basquiat. Furthermore, Tate has defied fixed notions about what\n constitutes authentic Black culture, and has inscribed a new radical trajectory that\n is simultaneously rebellious yet intelligently written. Now in his 50s, Tate\n continues to challenge cultural hegemony, writing on everything from hip-hop to\n YouTube . His books include Flyboy in the Buttermilk (1992), Midnight\n Lightning : Jimi Hendrix and the Black Experience (2003), and Everything but the Burden : What White People Are Taking from\n Black Culture (2003). He is also a founding member of the Black Rock\n Coalition and the conductor and music director of Burnt Sugar, a band that fuses\n jazz, rock, funk, and African music in a lyrical, exploratory and improvisational\n manner. ","Kamara Thomas (panelist/interviewee), along with Matt\n Whyte, is one of the founding members of the band Earl Greyhound. Living and working\n in New York City, the pair began performing regularly as a duo. All along, they were\n crafting the sound and songs that would form the foundation for a colossal rock band\n influenced by the strident English three- and four-pieces of the '70s, the dark pop\n and heavy grooves of the '90s, and the transcendental, noisy acid sounds of modern\n rock. The band's first full-length album, Soft\n Targets , was recorded in Los Angeles and Brooklyn in 2005 and earned the\n group many fans and critical acclaim from publications including The New Yorker , Spin ,\n Rolling Stone , Brooklyn\n Vegan , and Pitchfork . Even more so, the\n band's live show quickly drew heaps of attention and gained a steady reputation\n among critics and fans alike as a veritable rock-n-roll wrecking ball. Earl\n Greyhound toured relentlessly for the next two years all over the U.S., Canada, and\n Japan, and autumn 2007 was spent playing theatres as openers for the band's good\n friend Shooter Jennings, as well as for Soundgarden and Audioslave's Chris Cornell.\n In spring 2010 Earl Greyhound released their sophomore album Suspicious Package . ","Suzanne Thomas (panelist/interviewee): A real deal blues\n guitarist and vocalist, Suzanne Thomas no stranger to the blues. Life for Thomas\n started out as an abandoned biracial child in South Korea, where she lived in an\n orphanage until an American family adopted her into the States at five. She began\n studying organ at the age of six and, as fate would have it, Thomas was given her\n first music lessons and introduction to the organ by the great Jimmy Smith. Thomas\n abandoned dental school at Ohio State to attend music school in Los Angeles. After\n time in all-female groups such as School Boy Crush, Software, and PMS, Thomas formed\n Crank, a 3-piece hard rock band that shared the stage with Ice T and Body Count,\n Fishbone, and Macy Gray. Thomas has also been hired out as a guitarist to several\n funk and R\u0026B bands, notably doubling on guitar and bass in the Grammy-winning\n band A Taste of Honey. She took second place in the 7th annual Jimi Hendrix contest,\n and played in Japan, France, and New York at various music festivals and events\n including the Manhattan Music Center. Thomas currently performs with her band The\n Blues Church. ","Linda Tillery (panelist/interviewee): Before becoming a\n prominent figure in women's music in the 1990s, San Francisco native Linda Tillery\n began her singing career in the 1960s with the gender and racially integrated\n psychedelic/soul band The Loading Zone, which was modeled somewhat after Sly \u0026\n the Family Stone. After two albums with that band, Tillery released her solo debut,\n Sweet Linda Divine , on CBS in 1970 to\n enthusiastic reviews and high praise. She spent most of the 1970s singing and\n playing drums on over forty albums, including those by Mary Watkins and Teresa\n Trull. Having become a staff musician and producer at Olivia Records, Tillery\n released her second solo album, a self-titled effort, on the label in 1978,\n garnering a Bay Area Music Award for Best Independently Produced Album. Tillery has\n twice gone on to win Bay Area Jazz awards for Outstanding Female Vocalist. In\n subsequent years, Tillery collaborated with female musical powerhouses including\n June Millington, Deidre McCalla, Barbara Higbie, and Margie Adam, as well as on the\n Olivia Records 10th anniversary album, Meg/Cris Live at\n Carnegie (1983). In 1985, Tillery released Secrets on her own 411 label which returned her to center stage. In\n recent years, she has assembled a large band, Skin Tight, which plays jazzy, funky\n blues. She has also performed with the ZaSu Pitts Memorial Orchestra and has\n branched out into radio, film, theater, and television commercials. She has worked\n for the National Endowment for the Arts and appeared with artists ranging from\n Santana, Kenny Loggins, and Huey Lewis to the Turtle Island String Quartet, Bobby\n McFerrin, and Holly Near. In 1992, Tillery created the Cultural Heritage Choir as an\n outlet for her desire to perform the traditional spiritual music of African American\n slaves and their descendants. ","Ike Willis (panelist/interviewee) first met Frank Zappa\n while studying political science at Washington University. Willis volunteered to\n help with the concert committee just so he could get a backstage pass to meet Frank\n Zappa. As a result of this meeting in 1978, Willis became Zappa's lead singer and\n rhythm guitarist for nearly fifteen years. In addition to touring, Willis performed\n on Zappa's albums Joe's Garage , Tinsel Town Rebellion , and You\n Are What You Is . He also played the title character and narrator in\n Zappa's off-Broadway musical, Thing-Fish . Willis'\n distinct baritone vocals coupled with his melodic guitar style continues to solidify\n the musical legacy of Frank Zappa, which Willis promotes not only through his own\n music, but also via performances with ensembles around the world that perform Frank\n Zappa's music, such as Bogus Pomp, Project/Object, Ugly Radio Rebellion, and The\n Central Scrutinizer Band. "],"scopecontent_html_tesm":["\u003cp\u003eOn November 13th and 14th, the Archives of African American Music and Culture (AAAMC)\n hosted a two-day conference on Black rock on the Indiana University-Bloomington\n campus. The conference and related activities were open to local and regional\n musicians, scholars, students, and the general public.\u003c/p\u003e","\u003cp\u003e\n \u003ctitle render=\"italic\"\u003eReclaiming the Right to Rock : Black Experiences in Rock\n Music\u003c/title\u003e brought together Black rock musicians from different generations\n and regions with music critics and scholars to discuss the socio-political history,\n musical developments, and the future of Black rock. The main component of the\n conference was a set of three panels, each exploring one of the following topics: 1)\n the conceptualization and origins of Black rock; 2) the politics of Black rock; 3)\n the face of Black rock in the 21st century.\u003c/p\u003e","\u003cp\u003eThe core panelists were those artists considered to be innovators and practitioners\n of Black rock in the United States, including representatives from the East and West\n Coasts such as Linda Tillery, Ike Willis, Tamar-kali, and Netic. The conference also\n celebrated the 25th anniversary of the Black Rock Coalition, which was founded to\n create \"a united atmosphere conducive to the maximum development, exposure, [and]\n acceptance of Black alternative music.\"\u003c/p\u003e","\u003cp\u003eIn conjunction with the conference, the AAAMC also collaborated with a number of\n units and organizations at Indiana University to arrange a series of film\n screenings, concerts, and workshops, which were hosted on the Bloomington campus\n during the conference weekend and throughout the Fall 2009 semester.\u003c/p\u003e","\u003cp\u003eIn addition to professionally videotaped footage of the three conference sessions,\n the IU Union Board Concert, and one-on-one interviews with each of the panelists\n (minus Greg Tate), a number of volunteers assisted with documenting the conference\n and conference-related events. The professionally videotaped footage consists of\n high definition QuickTime files provided by IU's Radio and Television Services\n (RTVS). Conference volunteers produced miniDVs as well as image, audio, and video\n files in a variety of formats. Also included in the collection are a number of\n internal documents produced by AAAMC staff members during the production of the\n conference, including publicity materials, contract templates, grant materials, and\n planning documents. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["On November 13th and 14th, the Archives of African American Music and Culture (AAAMC)\n hosted a two-day conference on Black rock on the Indiana University-Bloomington\n campus. The conference and related activities were open to local and regional\n musicians, scholars, students, and the general public.","Reclaiming the Right to Rock : Black Experiences in Rock\n Music brought together Black rock musicians from different generations\n and regions with music critics and scholars to discuss the socio-political history,\n musical developments, and the future of Black rock. The main component of the\n conference was a set of three panels, each exploring one of the following topics: 1)\n the conceptualization and origins of Black rock; 2) the politics of Black rock; 3)\n the face of Black rock in the 21st century.","The core panelists were those artists considered to be innovators and practitioners\n of Black rock in the United States, including representatives from the East and West\n Coasts such as Linda Tillery, Ike Willis, Tamar-kali, and Netic. The conference also\n celebrated the 25th anniversary of the Black Rock Coalition, which was founded to\n create \"a united atmosphere conducive to the maximum development, exposure, [and]\n acceptance of Black alternative music.\"","In conjunction with the conference, the AAAMC also collaborated with a number of\n units and organizations at Indiana University to arrange a series of film\n screenings, concerts, and workshops, which were hosted on the Bloomington campus\n during the conference weekend and throughout the Fall 2009 semester.","In addition to professionally videotaped footage of the three conference sessions,\n the IU Union Board Concert, and one-on-one interviews with each of the panelists\n (minus Greg Tate), a number of volunteers assisted with documenting the conference\n and conference-related events. The professionally videotaped footage consists of\n high definition QuickTime files provided by IU's Radio and Television Services\n (RTVS). Conference volunteers produced miniDVs as well as image, audio, and video\n files in a variety of formats. Also included in the collection are a number of\n internal documents produced by AAAMC staff members during the production of the\n conference, including publicity materials, contract templates, grant materials, and\n planning documents. "],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eThis collection consists of\n documentation and one-on-one interviews from the AAAMC's two-day conference on Black\n rock hosted on the Indiana University-Bloomington campus on November 13-14, 2009.\n The conference and related activities were open to local and regional musicians,\n scholars, students, and brought together Black rock musicians from different\n generations and regions with music critics and scholars to discuss the\n socio-political history, musical developments, and the future of Black rock.\n \u003c/abstract\u003e"],"abstract_tesim":["This collection consists of\n documentation and one-on-one interviews from the AAAMC's two-day conference on Black\n rock hosted on the Indiana University-Bloomington campus on November 13-14, 2009.\n The conference and related activities were open to local and regional musicians,\n scholars, students, and brought together Black rock musicians from different\n generations and regions with music critics and scholars to discuss the\n socio-political history, musical developments, and the future of Black rock.\n "],"names_ssim":["Indiana University, Archives of African American Music and Culture\n (AAAMC)","Indiana University, Archives of\n African American Music and Culture (AAAMC)","Blues Church (Musical group)","Indiana University, Radio and Television\n Services","IU Soul Revue","Monroe County Public Library, Community\n Access Television Services","Students enrolled in Telecommunications\n T-353","Crazy Horse, Kandia","Fields, Rob","Garofalo, Reebee","Hollinden, Andy, 1961-","Mahon, Maureen","Mitchell, Moe","Netic","Spooner, James","Stew, 1961-","Tamar-kali","Tate, Greg","Thomas, Kamara","Thomas, Suzanne","Tillery, Linda","Willis, Ike","Hollinden, Andy","Stew","McAlpin, Michael","Batcheller, Anna","Sewald, Ronda L.","Allbrittin, Deanna","Berry, William","Brown, Clayton","Ford, Starla","Rizzi, Jessica","Rowley, Ariel","Williams, Lorrin[?]","Orjuela, Fernando[?]","Burnim, Mellonee","Wilkins, Langston","Nelson-Strauss, Brenda","Estrada, Zilia C.","Walter, Rich","Kreiger, Meryl","Unidentified student from Paul Mahern's\n \"Audio production\" course","Wallner, Jessie","Ozdegirmenci, Izlem","Cooper, Kailee","Fales, Cornelia","Lee, Mike","Unidentified student from Paul Mahern's\n \"Audio Production\" course","Guest-Scott, Anthony","Hatlen, Merrill","Hsu, Hsin-Wen","Teo, Bertrand","Kilpin, Jordan","Powell, Gary","Lamping, Nicholas","Davis, Gareth","Cooper, Tyron"],"corpname_ssim":["Indiana University, Archives of African American Music and Culture\n (AAAMC)","Indiana University, Archives of\n African American Music and Culture (AAAMC)","Blues Church (Musical group)","Indiana University, Radio and Television\n Services","IU Soul Revue","Monroe County Public Library, Community\n Access Television Services","Students enrolled in Telecommunications\n T-353"],"persname_ssim":["Crazy Horse, Kandia","Fields, Rob","Garofalo, Reebee","Hollinden, Andy, 1961-","Mahon, Maureen","Mitchell, Moe","Netic","Spooner, James","Stew, 1961-","Tamar-kali","Tate, Greg","Thomas, Kamara","Thomas, Suzanne","Tillery, Linda","Willis, Ike","Hollinden, Andy","Stew","McAlpin, Michael","Batcheller, Anna","Sewald, Ronda L.","Allbrittin, Deanna","Berry, William","Brown, Clayton","Ford, Starla","Rizzi, Jessica","Rowley, Ariel","Williams, Lorrin[?]","Orjuela, Fernando[?]","Burnim, Mellonee","Wilkins, Langston","Nelson-Strauss, Brenda","Estrada, Zilia C.","Walter, Rich","Kreiger, Meryl","Unidentified student from Paul Mahern's\n \"Audio production\" course","Wallner, Jessie","Ozdegirmenci, Izlem","Cooper, Kailee","Fales, Cornelia","Lee, Mike","Unidentified student from Paul Mahern's\n \"Audio Production\" course","Guest-Scott, Anthony","Hatlen, Merrill","Hsu, Hsin-Wen","Teo, Bertrand","Kilpin, Jordan","Powell, Gary","Lamping, Nicholas","Davis, Gareth","Cooper, Tyron"],"language_ssim":[" Materials are in English . "],"total_component_count_is":84,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"VAB9846","timestamp":"2025-02-18T23:03:22.038Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/VAB9846_VAB9846-00021"}},{"id":"VAB9846_VAB9846-00036","type":"Event","attributes":{"title":"Final Podcast Projects from Paul Mahern's \"Audio Production\"\n Class, circa 2009 December","abstract_or_scope":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9846_VAB9846-00036#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eFour of the final classroom podcast projects created for Paul Mahern's \"Audio Production\" course created from interviews and audio from various panels and related events recorded by Mahern's T-353 students throughout the course of the conference.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9846_VAB9846-00036#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"VAB9846-00036","ref_ssm":["VAB9846-00036","VAB9846-00036"],"id":"VAB9846_VAB9846-00036","title_filing_ssi":"Final Podcast Projects from Paul Mahern's \"Audio Production\"\n Class, circa 2009 December","title_ssm":["Final Podcast Projects from Paul Mahern's \"Audio Production\"\n Class, circa 2009 December"],"title_tesim":["Final Podcast Projects from Paul Mahern's \"Audio Production\"\n Class, circa 2009 December"],"normalized_title_ssm":["Final Podcast Projects from Paul Mahern's \"Audio Production\"\n Class, circa 2009 December"],"text":["Final Podcast Projects from Paul Mahern's \"Audio Production\"\n Class, circa 2009 December","Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection, 2008-2010","4. Miscellaneous Audiovisual Materials, 2009\n November-December","CDR 20--CDR 23","Four of the final classroom podcast projects created for Paul Mahern's\n \"Audio Production\" course created from interviews and audio from various\n panels and related events recorded by Mahern's T-353 students throughout\n the course of the conference."],"component_level_isim":[2],"parent_ssim":["VAB9846","VAB9846-00031"],"parent_ssi":"VAB9846-00031","parent_ids_ssim":["VAB9846","VAB9846_VAB9846-00031"],"parent_unittitles_ssm":["Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection, 2008-2010","4. Miscellaneous Audiovisual Materials, 2009\n November-December"],"parent_unittitles_tesim":["Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection, 2008-2010","4. Miscellaneous Audiovisual Materials, 2009\n November-December"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["CDR 20--CDR 23"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"collection_ssim":["Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection, 2008-2010"],"extent_ssm":["4 audio files (wav) (approximately 19 minutes) on 4 data\n CDs"],"extent_tesim":["4 audio files (wav) (approximately 19 minutes) on 4 data\n CDs"],"physfacet_tesim":[" : mono ; 16-bit/44.1 kHz"],"creator_ssim":["Kilpin, Jordan Powell, Gary Lamping, Nicholas Davis, Gareth"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Event"],"level_ssim":["Event"],"sort_isi":36,"parent_access_restrict_tesm":["This collection is open to the public. MiniDV videocassettes require the creation of\n reference copies. If you are interested in viewing the contents of the miniDVs,\n please contact the AAAMC staff well in advance of your visit for details."],"persname_ssim":["Kilpin, Jordan","Powell, Gary","Lamping, Nicholas","Davis, Gareth"],"scopecontent_html_tesm":["\u003cp\u003eFour of the final classroom podcast projects created for Paul Mahern's\n \"Audio Production\" course created from interviews and audio from various\n panels and related events recorded by Mahern's T-353 students throughout\n the course of the conference.\u003c/p\u003e"],"scopecontent_heading_ssm":["Description"],"scopecontent_tesim":["Four of the final classroom podcast projects created for Paul Mahern's\n \"Audio Production\" course created from interviews and audio from various\n panels and related events recorded by Mahern's T-353 students throughout\n the course of the conference."],"_nest_path_":"/components#3/components#4","_nest_parent_":"VAB9846_VAB9846-00031","_root_":"VAB9846","timestamp":"2025-02-18T23:03:22.038Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"VAB9846","title_ssm":["Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection"],"title_tesim":["Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection"],"ead_ssi":"VAB9846","unitdate_ssm":["2008-2010"],"unitdate_inclusive_ssm":["2008-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC\n 151"],"text":["SC\n 151","Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection, 2008-2010","African American rock\n musicians--Interviews","Music and race","Rock music--History and criticism","Sound recording industry","African Americans--Music","Rock concerts","Racism--United States","This collection is open to the public. MiniDV videocassettes require the creation of\n reference copies. If you are interested in viewing the contents of the miniDVs,\n please contact the AAAMC staff well in advance of your visit for details.","Arranged in five series: Series 1. Conference Sessions Series 2. One-on-One Interviews Series 3. Conference-Related Events Series 4. Miscellaneous Audiovisual Materials Series 5. AAAMC Production Materials","Kandia Crazy Horse (panelist/interviewee): Raised on a\n variety of music, from P-Funk to Supertramp, electric guitar evangelism to country\n and western, D.C. native Kandia Crazy Horse has worked as a rock critic for over a\n decade. Crazy Horse began writing, in her words, \"simply because I could ‘speak so\n well’ like Colin Powell; read and write; and had a favorite band throughout the '90s\n that got awful press and a lot of disdain: the Black Crowes. As a New Southerner\n with a brain, I figured it was my job to champion them because they made great Black\n music.\" The Brooklyn-based writer was formerly the music editor at Creative Loafing\n in Charlotte, N.C., and has contributed to numerous publications, including Paper , Harp , Village Voice , Popmatters.com , and the San Francisco Bay\n Guardian . She supported Afrofuturism by editing Rip It Up : The Black Experience in Rock 'n' Roll (2004), noted for\n being \"an eclectic mix of interviews and essays on Black rock 'n' roll--filled with\n fascinating information and provocative ideas.\" Crazy Horse was the 2008-2009\n Anschutz Distinguished Fellow in American Studies at Princeton University, where she\n taught the course \"Roll over Beethoven : Black Rock \u0026 Cultural Revolt,\" and\n organized and mounted a Southern rock symposium titled Radio\n Free Dixie-- or, De Dirty South Brokedown . Crazy Horse challenges Black\n readers to take pride in the history of Black rock, to \"attempt to conserve it,\n don't just fritter it away and then lament it being lost forever after.\"","Rob Fields (panelist/interviewee): Self-described \"Black\n rock evangelist\" Rob Fields writes about Black rock and Black culture on his blog\n Bold as Love , which focuses on exploring,\n celebrating and evangelizing the growing music genre known as Black rock, Afro-punk\n or urban alternative (URB ALT). In conjunction with his blog, he runs a live event\n series, Bold as Live , which creates new opportunities\n for audiences to discover Black rock through shows, lectures, and discussions. He\n has worked professionally in the Black rock scene since the early 1990s, when he\n became Director of PR for the Black Rock Coalition. Following this, he went into\n artist management, working for Capitol Records and representing alternative Black\n artists such as trombonist Josh Roseman and M-Base cofounder Graham Haynes. With his\n background in marketing, Rob's interest lies in providing context for audiences\n (particularly Black audiences) to understand and enjoy what they're hearing in Black\n rock, and to help Black rock artists find ways to make Black rock matter in the\n marketplace. Rob has been a guest several times on NPR, and was a panelist at the\n 2009 SXSW Music Conference. ","Reebee Garofalo (moderator/interviewer) is author of\n Rockin Out : Popular Music in the USA and has\n been a professor at the College of Public and Community Service at U Mass Boston\n since 1978. He is also affiliated with the American Studies Program. Professor\n Garofalo is an internationally known scholar of popular music studies who has\n written numerous articles on music and politics, racism, censorship, and the\n globalization of the music industry and has lectured widely on a broad range of\n subjects relating to the operations of the music industry. At CPCS he has been\n spearheading the Community Media and Technology Major—a cutting edge media and\n technology program designed to encourage a combination of technical proficiency and\n social vision. ","Andy Hollinden (moderator/interviewer) teaches at the\n Jacobs School of Music at Indiana University, where he has developed several courses\n on popular music that have become widely favored by students on the campus. Such\n courses include the history of blues, rock, Frank Zappa, and Jimi Hendrix. In\n addition to Hollinden's professorial duties, he composes and produces music for\n videos and has performed and recorded with numerous rock bands. So far, he has\n written and produced seven CDs of his own music: Moving Earth\n from There to Here (1994), Boot rouge et\n swabs (1996), Heat to Fragrance (2000),\n Begging's Not Endearing (2002), Stick It in Your Sound Hole (2004), Trust Yourself (2006), and Grieve\n for the Living (2008). As one of the moderators for this conference,\n Hollinden brings a broad historical awareness of the roots of rock music, which is\n centered in the African American cultural tradition, along with the understanding of\n musical, racial and political negotiations between Black and White musicians who\n have been associated with the genre. ","Maureen Mahon (moderator/interviewer) is an associate\n professor in the Department of Music at New York University. A cultural\n anthropologist, her research interests include African American history and culture;\n the construction and performance of race and gender in music; and the relationship\n between race, class, generation, and culture. She is the author of Right to Rock : The Black Rock Coalition and the Cultural\n Politics of Race (Duke University Press, 2004) and has published\n articles on African Americans and rock music in academic venues and at EbonyJet.com . Her current research on the music and\n legacy of Black women in rock examines the intersection of gender, race, sexuality,\n and music production. She has held fellowships from the National Science Foundation,\n the Ford Foundation, and the American Association of University Women and has taught\n at Wesleyan University and UCLA. ","Moe Mitchell (panelist/interviewee): A graduate of Howard\n University, Moe Mitchell has established himself as an activist and musician in the\n underground punk scene. His band Cipher, founded in 1996, is committed to opening\n critical spaces in underground music to reawaken the legacy of dissent in today's\n hardcore, weaving together elements of hardcore and metal with melodicism and\n politically radical lyrics to form a provocative, probing treatment of race, gender,\n and class. Mitchell was one of the four artists profiled in James Spooner's 2003\n documentary Afro-punk , which explored issues of race\n identity within the punk scene. Cipher was formed in 1996 by longtime friends who\n wanted to bring something new to underground music. Elements of hardcore and metal\n are woven with politically radical lyrics to form a provocative, probing treatment\n of race, gender, and class. Cipher's most recent album, Children of God's Fire (2005), was released to critical acclaim as \"an\n unrelenting, neo-revolutionary musical statement, transcending genres and provoking\n thoughts.\" As one reviewer put it, \"In front of ambitiously bruising slabs of\n hardcore, Cipher front man Moe Mitchell ponders everything from patriarchy to the\n pharmaceutical industry.\" Cipher released their second album, The Joyous Collapse , in late 2009. ","Netic (panelist/interviewee) is one of the founders as\n well as the lead vocalist of the Brooklyn-born band Game Rebellion. Before rhyming\n with Game Rebellion, he was a brain and cognitive sciences major at Massachusetts\n Institute of Technology (MIT) in Cambridge, Massachusetts, where he enrolled at the\n age of sixteen. Game Rebellion is an all-Black, all-outta-Brooklyn band whose metal,\n punk, and rudeboy skanking licks sound as credible and crunchy as their hip-hop\n lyrics and head nodding bounce. The lyrical prowess and production of Netic provide\n an unobstructed view of the angst of young rebels everywhere. Game Rebellion has\n been making big waves on the New York scene for about three years. In that short\n time they've ventured out even further to slam heads, rock houses and muddy the lily\n white waters of hip-hop and rock from NYC and Cali to Puerto Rico and the UK. They\n just may be the best-kept secret in music right now. Their album Searching for Rick Rubin (2008) explores classic hip-hop\n songs originally produced by studio legend Rick Rubin, re-imagined in Game\n Rebellion’s own style and mixed by J.period. ","James Spooner (panelist/interviewee) is a filmmaker and\n fine artist. His award-winning debut feature documentary Afro-punk has screened at festivals in the U.S. and abroad, including\n the Toronto International Film Festival, New York's Urbanworld Film Festival, the\n American Black Film Festival, Mar del Plata International Film Festival (Argentina),\n and the London Lesbian and Gay Film Festival. The film has been incorporated in a\n program for high school students on race identity by the New Museum in New York, and\n has inspired an Afro-Punk Film Festival at the Brooklyn Academy of Music, which he\n has been co-curating. He was Resident Video Installation Artist at the Ase Dance\n Theatre Collective in New York, where he created new media works with a\n choreographer. Prior to working in film, he was a sculptor, whose work showed in\n galleries in New York and Seattle. He has also been an editor and an editing\n consultant. More recently, Spooner made his narrative film debut with White Lies, Black Sheep (2007). ","Stew (panelist/interviewee) is a Tony Award-winning\n singer/songwriter/playwright from Los Angeles. Together with his collaborator Heidi\n Rodewald, Stew leads two critically acclaimed bands: The Negro Problem and Stew,\n both of which were formed in the early 1990s. By the turn of the millennium, The\n Negro Problem was enjoying considerable success, receiving Entertainment Weekly 's Album of the Year award in both 2000 and 2002.\n In 2004, Stew and Heidi Rodewald received the support of the Sundance Institute and\n The Public Theater to produce the musical Passing\n Strange , which has had successful runs at the Berkeley Repertory\n Theater, The Public Theater (NYC), and the Belasco Theatre on Broadway. More\n recently, Spike Lee directed a film version of Passing\n Strange , which is receiving glowing praise at film festivals and aired\n on PBS in the spring of 2010. As a result of his various creative ventures, Stew has\n been the recipient of numerous awards, including a 2008 Tony for Best Book of a\n Musical, two Obie awards for Best New Theater Piece and Best Ensemble as a cast\n member, and is a four-time Tony nominee. Stew was also the recipient of a 2009 Meet\n the Composer grant for a new multi-media work Making\n It , commissioned by St. Ann’s Warehouse in New York and scheduled for\n performance in 2010. Stew’s recorded output includes Post\n Minstrel Syndrome (1997), Joys and\n Concerns (1999), Guest Host (2000),\n The Naked Dutch Painter (2002), Welcome Black (2002), Something\n Deeper than these Changes (2003), and the cast album of Passing Strange (2008). ","Tamar-kali (panelist/interviewee): \n Songwriter-vocalist-guitarist Tamar-kali came on the New York rock scene around 1993\n while performing with the band Funkface. Shortly thereafter, she became the front\n woman for Song of Seven, another New York-based rock band. Eventually, Tamar-kali's\n strength as a woman in a male-dominated genre led to creative conflict and compelled\n her toward her own expression as a songwriter and vocalist, which resulted into her\n eclectic musical style. Her band 5ive Piece incorporates hard-core funk, melodic\n guitar riffs, dissonant harmonies, even and odd-metered grooves and unorthodox song\n forms. In addition to the instrumental styles of 5ive Piece, Tamar-kali's diverse\n vocal range allows her to execute warm, round, dark and raspy tones from low to high\n registers upon demand. She also performs with the string quartet Psycho Chamber\n Ensemble, which performs renditions of songs by 5ive Piece as well as those arranged\n and composed specifically for strings by Tamar-kali. Along with leading her diverse\n ensembles and heading up her own production company, Flaming Yoni Productions,\n Tamar-kali has worked with other artists in hip-hop and rock such as Outkast and\n Fishbone. In addition to appearing in the film Afro-punk , Tamar-kali has been featured in Vibe , Fader and Village Voice magazines. ","Greg Tate (panelist) is an American author who has spent\n the last two decades formulating a critical language that has redefined African\n American cultural theory and writing. An essayist and long time staff writer for\n Village Voice , Tate has published widely, with\n writings on art, music, and culture appearing in The New York\n Times , Rolling Stone , The Washington Post , Spin , Artforum , The\n Nation , DownBeat , and Africa-based\n magazines such as Glendora Review and Chimurenga . The impact of Tate's writing lies in the\n seminal productive tensions he navigates between post-structural theory and Black\n cultural nationalism, academia and street culture. Tate has been inspired by Black\n innovators such as Miles Davis, Jimi Hendrix, Sly Stone, George Clinton, and the\n artist Jean-Michel Basquiat. Furthermore, Tate has defied fixed notions about what\n constitutes authentic Black culture, and has inscribed a new radical trajectory that\n is simultaneously rebellious yet intelligently written. Now in his 50s, Tate\n continues to challenge cultural hegemony, writing on everything from hip-hop to\n YouTube . His books include Flyboy in the Buttermilk (1992), Midnight\n Lightning : Jimi Hendrix and the Black Experience (2003), and Everything but the Burden : What White People Are Taking from\n Black Culture (2003). He is also a founding member of the Black Rock\n Coalition and the conductor and music director of Burnt Sugar, a band that fuses\n jazz, rock, funk, and African music in a lyrical, exploratory and improvisational\n manner. ","Kamara Thomas (panelist/interviewee), along with Matt\n Whyte, is one of the founding members of the band Earl Greyhound. Living and working\n in New York City, the pair began performing regularly as a duo. All along, they were\n crafting the sound and songs that would form the foundation for a colossal rock band\n influenced by the strident English three- and four-pieces of the '70s, the dark pop\n and heavy grooves of the '90s, and the transcendental, noisy acid sounds of modern\n rock. The band's first full-length album, Soft\n Targets , was recorded in Los Angeles and Brooklyn in 2005 and earned the\n group many fans and critical acclaim from publications including The New Yorker , Spin ,\n Rolling Stone , Brooklyn\n Vegan , and Pitchfork . Even more so, the\n band's live show quickly drew heaps of attention and gained a steady reputation\n among critics and fans alike as a veritable rock-n-roll wrecking ball. Earl\n Greyhound toured relentlessly for the next two years all over the U.S., Canada, and\n Japan, and autumn 2007 was spent playing theatres as openers for the band's good\n friend Shooter Jennings, as well as for Soundgarden and Audioslave's Chris Cornell.\n In spring 2010 Earl Greyhound released their sophomore album Suspicious Package . ","Suzanne Thomas (panelist/interviewee): A real deal blues\n guitarist and vocalist, Suzanne Thomas no stranger to the blues. Life for Thomas\n started out as an abandoned biracial child in South Korea, where she lived in an\n orphanage until an American family adopted her into the States at five. She began\n studying organ at the age of six and, as fate would have it, Thomas was given her\n first music lessons and introduction to the organ by the great Jimmy Smith. Thomas\n abandoned dental school at Ohio State to attend music school in Los Angeles. After\n time in all-female groups such as School Boy Crush, Software, and PMS, Thomas formed\n Crank, a 3-piece hard rock band that shared the stage with Ice T and Body Count,\n Fishbone, and Macy Gray. Thomas has also been hired out as a guitarist to several\n funk and R\u0026B bands, notably doubling on guitar and bass in the Grammy-winning\n band A Taste of Honey. She took second place in the 7th annual Jimi Hendrix contest,\n and played in Japan, France, and New York at various music festivals and events\n including the Manhattan Music Center. Thomas currently performs with her band The\n Blues Church. ","Linda Tillery (panelist/interviewee): Before becoming a\n prominent figure in women's music in the 1990s, San Francisco native Linda Tillery\n began her singing career in the 1960s with the gender and racially integrated\n psychedelic/soul band The Loading Zone, which was modeled somewhat after Sly \u0026\n the Family Stone. After two albums with that band, Tillery released her solo debut,\n Sweet Linda Divine , on CBS in 1970 to\n enthusiastic reviews and high praise. She spent most of the 1970s singing and\n playing drums on over forty albums, including those by Mary Watkins and Teresa\n Trull. Having become a staff musician and producer at Olivia Records, Tillery\n released her second solo album, a self-titled effort, on the label in 1978,\n garnering a Bay Area Music Award for Best Independently Produced Album. Tillery has\n twice gone on to win Bay Area Jazz awards for Outstanding Female Vocalist. In\n subsequent years, Tillery collaborated with female musical powerhouses including\n June Millington, Deidre McCalla, Barbara Higbie, and Margie Adam, as well as on the\n Olivia Records 10th anniversary album, Meg/Cris Live at\n Carnegie (1983). In 1985, Tillery released Secrets on her own 411 label which returned her to center stage. In\n recent years, she has assembled a large band, Skin Tight, which plays jazzy, funky\n blues. She has also performed with the ZaSu Pitts Memorial Orchestra and has\n branched out into radio, film, theater, and television commercials. She has worked\n for the National Endowment for the Arts and appeared with artists ranging from\n Santana, Kenny Loggins, and Huey Lewis to the Turtle Island String Quartet, Bobby\n McFerrin, and Holly Near. In 1992, Tillery created the Cultural Heritage Choir as an\n outlet for her desire to perform the traditional spiritual music of African American\n slaves and their descendants. ","Ike Willis (panelist/interviewee) first met Frank Zappa\n while studying political science at Washington University. Willis volunteered to\n help with the concert committee just so he could get a backstage pass to meet Frank\n Zappa. As a result of this meeting in 1978, Willis became Zappa's lead singer and\n rhythm guitarist for nearly fifteen years. In addition to touring, Willis performed\n on Zappa's albums Joe's Garage , Tinsel Town Rebellion , and You\n Are What You Is . He also played the title character and narrator in\n Zappa's off-Broadway musical, Thing-Fish . Willis'\n distinct baritone vocals coupled with his melodic guitar style continues to solidify\n the musical legacy of Frank Zappa, which Willis promotes not only through his own\n music, but also via performances with ensembles around the world that perform Frank\n Zappa's music, such as Bogus Pomp, Project/Object, Ugly Radio Rebellion, and The\n Central Scrutinizer Band. ","On November 13th and 14th, the Archives of African American Music and Culture (AAAMC)\n hosted a two-day conference on Black rock on the Indiana University-Bloomington\n campus. The conference and related activities were open to local and regional\n musicians, scholars, students, and the general public.","Reclaiming the Right to Rock : Black Experiences in Rock\n Music brought together Black rock musicians from different generations\n and regions with music critics and scholars to discuss the socio-political history,\n musical developments, and the future of Black rock. The main component of the\n conference was a set of three panels, each exploring one of the following topics: 1)\n the conceptualization and origins of Black rock; 2) the politics of Black rock; 3)\n the face of Black rock in the 21st century.","The core panelists were those artists considered to be innovators and practitioners\n of Black rock in the United States, including representatives from the East and West\n Coasts such as Linda Tillery, Ike Willis, Tamar-kali, and Netic. The conference also\n celebrated the 25th anniversary of the Black Rock Coalition, which was founded to\n create \"a united atmosphere conducive to the maximum development, exposure, [and]\n acceptance of Black alternative music.\"","In conjunction with the conference, the AAAMC also collaborated with a number of\n units and organizations at Indiana University to arrange a series of film\n screenings, concerts, and workshops, which were hosted on the Bloomington campus\n during the conference weekend and throughout the Fall 2009 semester.","In addition to professionally videotaped footage of the three conference sessions,\n the IU Union Board Concert, and one-on-one interviews with each of the panelists\n (minus Greg Tate), a number of volunteers assisted with documenting the conference\n and conference-related events. The professionally videotaped footage consists of\n high definition QuickTime files provided by IU's Radio and Television Services\n (RTVS). Conference volunteers produced miniDVs as well as image, audio, and video\n files in a variety of formats. Also included in the collection are a number of\n internal documents produced by AAAMC staff members during the production of the\n conference, including publicity materials, contract templates, grant materials, and\n planning documents. ","This collection consists of\n documentation and one-on-one interviews from the AAAMC's two-day conference on Black\n rock hosted on the Indiana University-Bloomington campus on November 13-14, 2009.\n The conference and related activities were open to local and regional musicians,\n scholars, students, and brought together Black rock musicians from different\n generations and regions with music critics and scholars to discuss the\n socio-political history, musical developments, and the future of Black rock.\n ","Indiana University, Archives of African American Music and Culture\n (AAAMC)","Indiana University, Archives of\n African American Music and Culture (AAAMC)","Blues Church (Musical group)","Indiana University, Radio and Television\n Services","IU Soul Revue","Monroe County Public Library, Community\n Access Television Services","Students enrolled in Telecommunications\n T-353","Crazy Horse, Kandia","Fields, Rob","Garofalo, Reebee","Hollinden, Andy, 1961-","Mahon, Maureen","Mitchell, Moe","Netic","Spooner, James","Stew, 1961-","Tamar-kali","Tate, Greg","Thomas, Kamara","Thomas, Suzanne","Tillery, Linda","Willis, Ike","Hollinden, Andy","Stew","McAlpin, Michael","Batcheller, Anna","Sewald, Ronda L.","Allbrittin, Deanna","Berry, William","Brown, Clayton","Ford, Starla","Rizzi, Jessica","Rowley, Ariel","Williams, Lorrin[?]","Orjuela, Fernando[?]","Burnim, Mellonee","Wilkins, Langston","Nelson-Strauss, Brenda","Estrada, Zilia C.","Walter, Rich","Kreiger, Meryl","Unidentified student from Paul Mahern's\n \"Audio production\" course","Wallner, Jessie","Ozdegirmenci, Izlem","Cooper, Kailee","Fales, Cornelia","Lee, Mike","Unidentified student from Paul Mahern's\n \"Audio Production\" course","Guest-Scott, Anthony","Hatlen, Merrill","Hsu, Hsin-Wen","Teo, Bertrand","Kilpin, Jordan","Powell, Gary","Lamping, Nicholas","Davis, Gareth","Cooper, Tyron"," Materials are in English . "],"unitid_tesim":["SC\n 151"],"normalized_date_ssm":["2008-2010"],"normalized_title_ssm":["Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection, 2008-2010"],"collection_title_tesim":["Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection, 2008-2010"],"collection_ssim":["Reclaiming the Right to Rock : Black\n Experiences in Rock Music Collection, 2008-2010"],"repository_ssm":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"creator_ssm":["Indiana University, Archives of\n African American Music and Culture (AAAMC)"],"creator_ssim":["Indiana University, Archives of\n African American Music and Culture (AAAMC)"],"creator_corpname_ssim":["Indiana University, Archives of\n African American Music and Culture (AAAMC)"],"creators_ssim":["Indiana University, Archives of\n African American Music and Culture (AAAMC)"],"acqinfo_ssim":["All education rights for conference session footage and one-on-one interviews\n with the panelists was released to the Indiana University Board of Trustees in\n November 2009. "],"access_subjects_ssim":["African American rock\n musicians--Interviews","Music and race","Rock music--History and criticism","Sound recording industry","African Americans--Music","Rock concerts","Racism--United States"],"access_subjects_ssm":["African American rock\n musicians--Interviews","Music and race","Rock music--History and criticism","Sound recording industry","African Americans--Music","Rock concerts","Racism--United States"],"has_online_content_ssim":["false"],"extent_ssm":["46 video files (HD QuickTime) (21 hours, 45 minutes)"],"extent_tesim":["46 video files (HD QuickTime) (21 hours, 45 minutes)"],"physfacet_tesim":[" :\n sound, color ; 1440 x 1080, 35 MBps, 29.97 fps + 28 videocassettes (miniDV)\n (circa 21 hours), 1 box documentation, assorted audio, video, and image\n files"],"date_range_isim":[2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to the public. MiniDV videocassettes require the creation of\n reference copies. If you are interested in viewing the contents of the miniDVs,\n please contact the AAAMC staff well in advance of your visit for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["This collection is open to the public. MiniDV videocassettes require the creation of\n reference copies. If you are interested in viewing the contents of the miniDVs,\n please contact the AAAMC staff well in advance of your visit for details."],"arrangement_html_tesm":["\u003cp\u003eArranged in five series: \u003clist type=\"marked\"\u003e\n \u003citem\u003eSeries 1. Conference Sessions\u003c/item\u003e\n \u003citem\u003eSeries 2. One-on-One Interviews\u003c/item\u003e\n \u003citem\u003eSeries 3. Conference-Related Events\u003c/item\u003e\n \u003citem\u003eSeries 4. Miscellaneous Audiovisual Materials\u003c/item\u003e\n \u003citem\u003eSeries 5. AAAMC Production Materials\u003c/item\u003e\n \u003c/list\u003e\n \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged in five series: Series 1. Conference Sessions Series 2. One-on-One Interviews Series 3. Conference-Related Events Series 4. Miscellaneous Audiovisual Materials Series 5. AAAMC Production Materials"],"bioghist_html_tesm":["\u003cp\u003e\n \u003cemph render=\"bold\"\u003eKandia Crazy Horse (panelist/interviewee):\u003c/emph\u003e Raised on a\n variety of music, from P-Funk to Supertramp, electric guitar evangelism to country\n and western, D.C. native Kandia Crazy Horse has worked as a rock critic for over a\n decade. Crazy Horse began writing, in her words, \"simply because I could ‘speak so\n well’ like Colin Powell; read and write; and had a favorite band throughout the '90s\n that got awful press and a lot of disdain: the Black Crowes. As a New Southerner\n with a brain, I figured it was my job to champion them because they made great Black\n music.\" The Brooklyn-based writer was formerly the music editor at Creative Loafing\n in Charlotte, N.C., and has contributed to numerous publications, including \u003ctitle render=\"italic\"\u003ePaper\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eHarp\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eVillage Voice\u003c/title\u003e, \u003ctitle render=\"italic\"\u003ePopmatters.com\u003c/title\u003e, and the \u003ctitle render=\"italic\"\u003eSan Francisco Bay\n Guardian\u003c/title\u003e. She supported Afrofuturism by editing \u003ctitle render=\"italic\"\u003eRip It Up : The Black Experience in Rock 'n' Roll\u003c/title\u003e (2004), noted for\n being \"an eclectic mix of interviews and essays on Black rock 'n' roll--filled with\n fascinating information and provocative ideas.\" Crazy Horse was the 2008-2009\n Anschutz Distinguished Fellow in American Studies at Princeton University, where she\n taught the course \"Roll over Beethoven : Black Rock \u0026amp; Cultural Revolt,\" and\n organized and mounted a Southern rock symposium titled \u003ctitle render=\"italic\"\u003eRadio\n Free Dixie-- or, De Dirty South Brokedown\u003c/title\u003e. Crazy Horse challenges Black\n readers to take pride in the history of Black rock, to \"attempt to conserve it,\n don't just fritter it away and then lament it being lost forever after.\"\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eRob Fields (panelist/interviewee):\u003c/emph\u003e Self-described \"Black\n rock evangelist\" Rob Fields writes about Black rock and Black culture on his blog\n \u003ctitle render=\"italic\"\u003eBold as Love\u003c/title\u003e, which focuses on exploring,\n celebrating and evangelizing the growing music genre known as Black rock, Afro-punk\n or urban alternative (URB ALT). In conjunction with his blog, he runs a live event\n series, \u003ctitle render=\"italic\"\u003eBold as Live\u003c/title\u003e, which creates new opportunities\n for audiences to discover Black rock through shows, lectures, and discussions. He\n has worked professionally in the Black rock scene since the early 1990s, when he\n became Director of PR for the Black Rock Coalition. Following this, he went into\n artist management, working for Capitol Records and representing alternative Black\n artists such as trombonist Josh Roseman and M-Base cofounder Graham Haynes. With his\n background in marketing, Rob's interest lies in providing context for audiences\n (particularly Black audiences) to understand and enjoy what they're hearing in Black\n rock, and to help Black rock artists find ways to make Black rock matter in the\n marketplace. Rob has been a guest several times on NPR, and was a panelist at the\n 2009 SXSW Music Conference. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eReebee Garofalo (moderator/interviewer)\u003c/emph\u003e is author of\n \u003ctitle render=\"italic\"\u003eRockin Out : Popular Music in the USA\u003c/title\u003e and has\n been a professor at the College of Public and Community Service at U Mass Boston\n since 1978. He is also affiliated with the American Studies Program. Professor\n Garofalo is an internationally known scholar of popular music studies who has\n written numerous articles on music and politics, racism, censorship, and the\n globalization of the music industry and has lectured widely on a broad range of\n subjects relating to the operations of the music industry. At CPCS he has been\n spearheading the Community Media and Technology Major—a cutting edge media and\n technology program designed to encourage a combination of technical proficiency and\n social vision. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAndy Hollinden (moderator/interviewer)\u003c/emph\u003e teaches at the\n Jacobs School of Music at Indiana University, where he has developed several courses\n on popular music that have become widely favored by students on the campus. Such\n courses include the history of blues, rock, Frank Zappa, and Jimi Hendrix. In\n addition to Hollinden's professorial duties, he composes and produces music for\n videos and has performed and recorded with numerous rock bands. So far, he has\n written and produced seven CDs of his own music: \u003ctitle render=\"italic\"\u003eMoving Earth\n from There to Here\u003c/title\u003e (1994), \u003ctitle render=\"italic\"\u003eBoot rouge et\n swabs\u003c/title\u003e (1996), \u003ctitle render=\"italic\"\u003eHeat to Fragrance\u003c/title\u003e (2000),\n \u003ctitle render=\"italic\"\u003eBegging's Not Endearing\u003c/title\u003e (2002), \u003ctitle render=\"italic\"\u003eStick It in Your Sound Hole\u003c/title\u003e (2004), \u003ctitle render=\"italic\"\u003eTrust Yourself\u003c/title\u003e (2006), and \u003ctitle render=\"italic\"\u003eGrieve\n for the Living\u003c/title\u003e (2008). As one of the moderators for this conference,\n Hollinden brings a broad historical awareness of the roots of rock music, which is\n centered in the African American cultural tradition, along with the understanding of\n musical, racial and political negotiations between Black and White musicians who\n have been associated with the genre. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMaureen Mahon (moderator/interviewer)\u003c/emph\u003e is an associate\n professor in the Department of Music at New York University. A cultural\n anthropologist, her research interests include African American history and culture;\n the construction and performance of race and gender in music; and the relationship\n between race, class, generation, and culture. She is the author of \u003ctitle render=\"italic\"\u003eRight to Rock : The Black Rock Coalition and the Cultural\n Politics of Race\u003c/title\u003e (Duke University Press, 2004) and has published\n articles on African Americans and rock music in academic venues and at \u003ctitle render=\"italic\"\u003eEbonyJet.com\u003c/title\u003e. Her current research on the music and\n legacy of Black women in rock examines the intersection of gender, race, sexuality,\n and music production. She has held fellowships from the National Science Foundation,\n the Ford Foundation, and the American Association of University Women and has taught\n at Wesleyan University and UCLA. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMoe Mitchell (panelist/interviewee):\u003c/emph\u003e A graduate of Howard\n University, Moe Mitchell has established himself as an activist and musician in the\n underground punk scene. His band Cipher, founded in 1996, is committed to opening\n critical spaces in underground music to reawaken the legacy of dissent in today's\n hardcore, weaving together elements of hardcore and metal with melodicism and\n politically radical lyrics to form a provocative, probing treatment of race, gender,\n and class. Mitchell was one of the four artists profiled in James Spooner's 2003\n documentary \u003ctitle render=\"italic\"\u003eAfro-punk\u003c/title\u003e, which explored issues of race\n identity within the punk scene. Cipher was formed in 1996 by longtime friends who\n wanted to bring something new to underground music. Elements of hardcore and metal\n are woven with politically radical lyrics to form a provocative, probing treatment\n of race, gender, and class. Cipher's most recent album, \u003ctitle render=\"italic\"\u003eChildren of God's Fire\u003c/title\u003e (2005), was released to critical acclaim as \"an\n unrelenting, neo-revolutionary musical statement, transcending genres and provoking\n thoughts.\" As one reviewer put it, \"In front of ambitiously bruising slabs of\n hardcore, Cipher front man Moe Mitchell ponders everything from patriarchy to the\n pharmaceutical industry.\" Cipher released their second album, \u003ctitle render=\"italic\"\u003eThe Joyous Collapse\u003c/title\u003e, in late 2009. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eNetic (panelist/interviewee)\u003c/emph\u003e is one of the founders as\n well as the lead vocalist of the Brooklyn-born band Game Rebellion. Before rhyming\n with Game Rebellion, he was a brain and cognitive sciences major at Massachusetts\n Institute of Technology (MIT) in Cambridge, Massachusetts, where he enrolled at the\n age of sixteen. Game Rebellion is an all-Black, all-outta-Brooklyn band whose metal,\n punk, and rudeboy skanking licks sound as credible and crunchy as their hip-hop\n lyrics and head nodding bounce. The lyrical prowess and production of Netic provide\n an unobstructed view of the angst of young rebels everywhere. Game Rebellion has\n been making big waves on the New York scene for about three years. In that short\n time they've ventured out even further to slam heads, rock houses and muddy the lily\n white waters of hip-hop and rock from NYC and Cali to Puerto Rico and the UK. They\n just may be the best-kept secret in music right now. Their album \u003ctitle render=\"italic\"\u003eSearching for Rick Rubin\u003c/title\u003e (2008) explores classic hip-hop\n songs originally produced by studio legend Rick Rubin, re-imagined in Game\n Rebellion’s own style and mixed by J.period. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eJames Spooner (panelist/interviewee)\u003c/emph\u003e is a filmmaker and\n fine artist. His award-winning debut feature documentary \u003ctitle render=\"italic\"\u003eAfro-punk\u003c/title\u003e has screened at festivals in the U.S. and abroad, including\n the Toronto International Film Festival, New York's Urbanworld Film Festival, the\n American Black Film Festival, Mar del Plata International Film Festival (Argentina),\n and the London Lesbian and Gay Film Festival. The film has been incorporated in a\n program for high school students on race identity by the New Museum in New York, and\n has inspired an Afro-Punk Film Festival at the Brooklyn Academy of Music, which he\n has been co-curating. He was Resident Video Installation Artist at the Ase Dance\n Theatre Collective in New York, where he created new media works with a\n choreographer. Prior to working in film, he was a sculptor, whose work showed in\n galleries in New York and Seattle. He has also been an editor and an editing\n consultant. More recently, Spooner made his narrative film debut with \u003ctitle render=\"italic\"\u003eWhite Lies, Black Sheep\u003c/title\u003e (2007). \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eStew (panelist/interviewee)\u003c/emph\u003e is a Tony Award-winning\n singer/songwriter/playwright from Los Angeles. Together with his collaborator Heidi\n Rodewald, Stew leads two critically acclaimed bands: The Negro Problem and Stew,\n both of which were formed in the early 1990s. By the turn of the millennium, The\n Negro Problem was enjoying considerable success, receiving \u003ctitle render=\"italic\"\u003eEntertainment Weekly\u003c/title\u003e's Album of the Year award in both 2000 and 2002.\n In 2004, Stew and Heidi Rodewald received the support of the Sundance Institute and\n The Public Theater to produce the musical \u003ctitle render=\"italic\"\u003ePassing\n Strange\u003c/title\u003e, which has had successful runs at the Berkeley Repertory\n Theater, The Public Theater (NYC), and the Belasco Theatre on Broadway. More\n recently, Spike Lee directed a film version of \u003ctitle render=\"italic\"\u003ePassing\n Strange\u003c/title\u003e, which is receiving glowing praise at film festivals and aired\n on PBS in the spring of 2010. As a result of his various creative ventures, Stew has\n been the recipient of numerous awards, including a 2008 Tony for Best Book of a\n Musical, two Obie awards for Best New Theater Piece and Best Ensemble as a cast\n member, and is a four-time Tony nominee. Stew was also the recipient of a 2009 Meet\n the Composer grant for a new multi-media work \u003ctitle render=\"italic\"\u003eMaking\n It\u003c/title\u003e, commissioned by St. Ann’s Warehouse in New York and scheduled for\n performance in 2010. Stew’s recorded output includes \u003ctitle render=\"italic\"\u003ePost\n Minstrel Syndrome\u003c/title\u003e (1997), \u003ctitle render=\"italic\"\u003eJoys and\n Concerns\u003c/title\u003e (1999), \u003ctitle render=\"italic\"\u003eGuest Host\u003c/title\u003e (2000),\n \u003ctitle render=\"italic\"\u003eThe Naked Dutch Painter\u003c/title\u003e (2002), \u003ctitle render=\"italic\"\u003eWelcome Black\u003c/title\u003e (2002), \u003ctitle render=\"italic\"\u003eSomething\n Deeper than these Changes\u003c/title\u003e (2003), and the cast album of \u003ctitle render=\"italic\"\u003ePassing Strange\u003c/title\u003e (2008). \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eTamar-kali (panelist/interviewee):\u003c/emph\u003e\n Songwriter-vocalist-guitarist Tamar-kali came on the New York rock scene around 1993\n while performing with the band Funkface. Shortly thereafter, she became the front\n woman for Song of Seven, another New York-based rock band. Eventually, Tamar-kali's\n strength as a woman in a male-dominated genre led to creative conflict and compelled\n her toward her own expression as a songwriter and vocalist, which resulted into her\n eclectic musical style. Her band 5ive Piece incorporates hard-core funk, melodic\n guitar riffs, dissonant harmonies, even and odd-metered grooves and unorthodox song\n forms. In addition to the instrumental styles of 5ive Piece, Tamar-kali's diverse\n vocal range allows her to execute warm, round, dark and raspy tones from low to high\n registers upon demand. She also performs with the string quartet Psycho Chamber\n Ensemble, which performs renditions of songs by 5ive Piece as well as those arranged\n and composed specifically for strings by Tamar-kali. Along with leading her diverse\n ensembles and heading up her own production company, Flaming Yoni Productions,\n Tamar-kali has worked with other artists in hip-hop and rock such as Outkast and\n Fishbone. In addition to appearing in the film \u003ctitle render=\"italic\"\u003eAfro-punk\u003c/title\u003e, Tamar-kali has been featured in \u003ctitle render=\"italic\"\u003eVibe\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eFader\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eVillage Voice\u003c/title\u003e magazines. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eGreg Tate (panelist)\u003c/emph\u003e is an American author who has spent\n the last two decades formulating a critical language that has redefined African\n American cultural theory and writing. An essayist and long time staff writer for\n \u003ctitle render=\"italic\"\u003eVillage Voice\u003c/title\u003e, Tate has published widely, with\n writings on art, music, and culture appearing in \u003ctitle render=\"italic\"\u003eThe New York\n Times\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eRolling Stone\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eThe Washington Post\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eSpin\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eArtforum\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eThe\n Nation\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eDownBeat\u003c/title\u003e, and Africa-based\n magazines such as \u003ctitle render=\"italic\"\u003eGlendora Review\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eChimurenga\u003c/title\u003e. The impact of Tate's writing lies in the\n seminal productive tensions he navigates between post-structural theory and Black\n cultural nationalism, academia and street culture. Tate has been inspired by Black\n innovators such as Miles Davis, Jimi Hendrix, Sly Stone, George Clinton, and the\n artist Jean-Michel Basquiat. Furthermore, Tate has defied fixed notions about what\n constitutes authentic Black culture, and has inscribed a new radical trajectory that\n is simultaneously rebellious yet intelligently written. Now in his 50s, Tate\n continues to challenge cultural hegemony, writing on everything from hip-hop to\n \u003ctitle render=\"italic\"\u003eYouTube\u003c/title\u003e. His books include \u003ctitle render=\"italic\"\u003eFlyboy in the Buttermilk\u003c/title\u003e (1992), \u003ctitle render=\"italic\"\u003eMidnight\n Lightning : Jimi Hendrix and the Black Experience\u003c/title\u003e (2003), and \u003ctitle render=\"italic\"\u003eEverything but the Burden : What White People Are Taking from\n Black Culture\u003c/title\u003e (2003). He is also a founding member of the Black Rock\n Coalition and the conductor and music director of Burnt Sugar, a band that fuses\n jazz, rock, funk, and African music in a lyrical, exploratory and improvisational\n manner. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eKamara Thomas (panelist/interviewee),\u003c/emph\u003e along with Matt\n Whyte, is one of the founding members of the band Earl Greyhound. Living and working\n in New York City, the pair began performing regularly as a duo. All along, they were\n crafting the sound and songs that would form the foundation for a colossal rock band\n influenced by the strident English three- and four-pieces of the '70s, the dark pop\n and heavy grooves of the '90s, and the transcendental, noisy acid sounds of modern\n rock. The band's first full-length album, \u003ctitle render=\"italic\"\u003eSoft\n Targets\u003c/title\u003e, was recorded in Los Angeles and Brooklyn in 2005 and earned the\n group many fans and critical acclaim from publications including \u003ctitle render=\"italic\"\u003eThe New Yorker\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eSpin\u003c/title\u003e,\n \u003ctitle render=\"italic\"\u003eRolling Stone\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eBrooklyn\n Vegan\u003c/title\u003e, and \u003ctitle render=\"italic\"\u003ePitchfork\u003c/title\u003e. Even more so, the\n band's live show quickly drew heaps of attention and gained a steady reputation\n among critics and fans alike as a veritable rock-n-roll wrecking ball. Earl\n Greyhound toured relentlessly for the next two years all over the U.S., Canada, and\n Japan, and autumn 2007 was spent playing theatres as openers for the band's good\n friend Shooter Jennings, as well as for Soundgarden and Audioslave's Chris Cornell.\n In spring 2010 Earl Greyhound released their sophomore album \u003ctitle render=\"italic\"\u003eSuspicious Package\u003c/title\u003e. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSuzanne Thomas (panelist/interviewee):\u003c/emph\u003e A real deal blues\n guitarist and vocalist, Suzanne Thomas no stranger to the blues. Life for Thomas\n started out as an abandoned biracial child in South Korea, where she lived in an\n orphanage until an American family adopted her into the States at five. She began\n studying organ at the age of six and, as fate would have it, Thomas was given her\n first music lessons and introduction to the organ by the great Jimmy Smith. Thomas\n abandoned dental school at Ohio State to attend music school in Los Angeles. After\n time in all-female groups such as School Boy Crush, Software, and PMS, Thomas formed\n Crank, a 3-piece hard rock band that shared the stage with Ice T and Body Count,\n Fishbone, and Macy Gray. Thomas has also been hired out as a guitarist to several\n funk and R\u0026amp;B bands, notably doubling on guitar and bass in the Grammy-winning\n band A Taste of Honey. She took second place in the 7th annual Jimi Hendrix contest,\n and played in Japan, France, and New York at various music festivals and events\n including the Manhattan Music Center. Thomas currently performs with her band The\n Blues Church. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eLinda Tillery (panelist/interviewee):\u003c/emph\u003e Before becoming a\n prominent figure in women's music in the 1990s, San Francisco native Linda Tillery\n began her singing career in the 1960s with the gender and racially integrated\n psychedelic/soul band The Loading Zone, which was modeled somewhat after Sly \u0026amp;\n the Family Stone. After two albums with that band, Tillery released her solo debut,\n \u003ctitle render=\"italic\"\u003eSweet Linda Divine\u003c/title\u003e, on CBS in 1970 to\n enthusiastic reviews and high praise. She spent most of the 1970s singing and\n playing drums on over forty albums, including those by Mary Watkins and Teresa\n Trull. Having become a staff musician and producer at Olivia Records, Tillery\n released her second solo album, a self-titled effort, on the label in 1978,\n garnering a Bay Area Music Award for Best Independently Produced Album. Tillery has\n twice gone on to win Bay Area Jazz awards for Outstanding Female Vocalist. In\n subsequent years, Tillery collaborated with female musical powerhouses including\n June Millington, Deidre McCalla, Barbara Higbie, and Margie Adam, as well as on the\n Olivia Records 10th anniversary album, \u003ctitle render=\"italic\"\u003eMeg/Cris Live at\n Carnegie\u003c/title\u003e (1983). In 1985, Tillery released \u003ctitle render=\"italic\"\u003eSecrets\u003c/title\u003e on her own 411 label which returned her to center stage. In\n recent years, she has assembled a large band, Skin Tight, which plays jazzy, funky\n blues. She has also performed with the ZaSu Pitts Memorial Orchestra and has\n branched out into radio, film, theater, and television commercials. She has worked\n for the National Endowment for the Arts and appeared with artists ranging from\n Santana, Kenny Loggins, and Huey Lewis to the Turtle Island String Quartet, Bobby\n McFerrin, and Holly Near. In 1992, Tillery created the Cultural Heritage Choir as an\n outlet for her desire to perform the traditional spiritual music of African American\n slaves and their descendants. \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eIke Willis (panelist/interviewee)\u003c/emph\u003e first met Frank Zappa\n while studying political science at Washington University. Willis volunteered to\n help with the concert committee just so he could get a backstage pass to meet Frank\n Zappa. As a result of this meeting in 1978, Willis became Zappa's lead singer and\n rhythm guitarist for nearly fifteen years. In addition to touring, Willis performed\n on Zappa's albums \u003ctitle render=\"italic\"\u003eJoe's Garage\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eTinsel Town Rebellion\u003c/title\u003e, and \u003ctitle render=\"italic\"\u003eYou\n Are What You Is\u003c/title\u003e. He also played the title character and narrator in\n Zappa's off-Broadway musical, \u003ctitle render=\"italic\"\u003eThing-Fish\u003c/title\u003e. Willis'\n distinct baritone vocals coupled with his melodic guitar style continues to solidify\n the musical legacy of Frank Zappa, which Willis promotes not only through his own\n music, but also via performances with ensembles around the world that perform Frank\n Zappa's music, such as Bogus Pomp, Project/Object, Ugly Radio Rebellion, and The\n Central Scrutinizer Band. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Kandia Crazy Horse (panelist/interviewee): Raised on a\n variety of music, from P-Funk to Supertramp, electric guitar evangelism to country\n and western, D.C. native Kandia Crazy Horse has worked as a rock critic for over a\n decade. Crazy Horse began writing, in her words, \"simply because I could ‘speak so\n well’ like Colin Powell; read and write; and had a favorite band throughout the '90s\n that got awful press and a lot of disdain: the Black Crowes. As a New Southerner\n with a brain, I figured it was my job to champion them because they made great Black\n music.\" The Brooklyn-based writer was formerly the music editor at Creative Loafing\n in Charlotte, N.C., and has contributed to numerous publications, including Paper , Harp , Village Voice , Popmatters.com , and the San Francisco Bay\n Guardian . She supported Afrofuturism by editing Rip It Up : The Black Experience in Rock 'n' Roll (2004), noted for\n being \"an eclectic mix of interviews and essays on Black rock 'n' roll--filled with\n fascinating information and provocative ideas.\" Crazy Horse was the 2008-2009\n Anschutz Distinguished Fellow in American Studies at Princeton University, where she\n taught the course \"Roll over Beethoven : Black Rock \u0026 Cultural Revolt,\" and\n organized and mounted a Southern rock symposium titled Radio\n Free Dixie-- or, De Dirty South Brokedown . Crazy Horse challenges Black\n readers to take pride in the history of Black rock, to \"attempt to conserve it,\n don't just fritter it away and then lament it being lost forever after.\"","Rob Fields (panelist/interviewee): Self-described \"Black\n rock evangelist\" Rob Fields writes about Black rock and Black culture on his blog\n Bold as Love , which focuses on exploring,\n celebrating and evangelizing the growing music genre known as Black rock, Afro-punk\n or urban alternative (URB ALT). In conjunction with his blog, he runs a live event\n series, Bold as Live , which creates new opportunities\n for audiences to discover Black rock through shows, lectures, and discussions. He\n has worked professionally in the Black rock scene since the early 1990s, when he\n became Director of PR for the Black Rock Coalition. Following this, he went into\n artist management, working for Capitol Records and representing alternative Black\n artists such as trombonist Josh Roseman and M-Base cofounder Graham Haynes. With his\n background in marketing, Rob's interest lies in providing context for audiences\n (particularly Black audiences) to understand and enjoy what they're hearing in Black\n rock, and to help Black rock artists find ways to make Black rock matter in the\n marketplace. Rob has been a guest several times on NPR, and was a panelist at the\n 2009 SXSW Music Conference. ","Reebee Garofalo (moderator/interviewer) is author of\n Rockin Out : Popular Music in the USA and has\n been a professor at the College of Public and Community Service at U Mass Boston\n since 1978. He is also affiliated with the American Studies Program. Professor\n Garofalo is an internationally known scholar of popular music studies who has\n written numerous articles on music and politics, racism, censorship, and the\n globalization of the music industry and has lectured widely on a broad range of\n subjects relating to the operations of the music industry. At CPCS he has been\n spearheading the Community Media and Technology Major—a cutting edge media and\n technology program designed to encourage a combination of technical proficiency and\n social vision. ","Andy Hollinden (moderator/interviewer) teaches at the\n Jacobs School of Music at Indiana University, where he has developed several courses\n on popular music that have become widely favored by students on the campus. Such\n courses include the history of blues, rock, Frank Zappa, and Jimi Hendrix. In\n addition to Hollinden's professorial duties, he composes and produces music for\n videos and has performed and recorded with numerous rock bands. So far, he has\n written and produced seven CDs of his own music: Moving Earth\n from There to Here (1994), Boot rouge et\n swabs (1996), Heat to Fragrance (2000),\n Begging's Not Endearing (2002), Stick It in Your Sound Hole (2004), Trust Yourself (2006), and Grieve\n for the Living (2008). As one of the moderators for this conference,\n Hollinden brings a broad historical awareness of the roots of rock music, which is\n centered in the African American cultural tradition, along with the understanding of\n musical, racial and political negotiations between Black and White musicians who\n have been associated with the genre. ","Maureen Mahon (moderator/interviewer) is an associate\n professor in the Department of Music at New York University. A cultural\n anthropologist, her research interests include African American history and culture;\n the construction and performance of race and gender in music; and the relationship\n between race, class, generation, and culture. She is the author of Right to Rock : The Black Rock Coalition and the Cultural\n Politics of Race (Duke University Press, 2004) and has published\n articles on African Americans and rock music in academic venues and at EbonyJet.com . Her current research on the music and\n legacy of Black women in rock examines the intersection of gender, race, sexuality,\n and music production. She has held fellowships from the National Science Foundation,\n the Ford Foundation, and the American Association of University Women and has taught\n at Wesleyan University and UCLA. ","Moe Mitchell (panelist/interviewee): A graduate of Howard\n University, Moe Mitchell has established himself as an activist and musician in the\n underground punk scene. His band Cipher, founded in 1996, is committed to opening\n critical spaces in underground music to reawaken the legacy of dissent in today's\n hardcore, weaving together elements of hardcore and metal with melodicism and\n politically radical lyrics to form a provocative, probing treatment of race, gender,\n and class. Mitchell was one of the four artists profiled in James Spooner's 2003\n documentary Afro-punk , which explored issues of race\n identity within the punk scene. Cipher was formed in 1996 by longtime friends who\n wanted to bring something new to underground music. Elements of hardcore and metal\n are woven with politically radical lyrics to form a provocative, probing treatment\n of race, gender, and class. Cipher's most recent album, Children of God's Fire (2005), was released to critical acclaim as \"an\n unrelenting, neo-revolutionary musical statement, transcending genres and provoking\n thoughts.\" As one reviewer put it, \"In front of ambitiously bruising slabs of\n hardcore, Cipher front man Moe Mitchell ponders everything from patriarchy to the\n pharmaceutical industry.\" Cipher released their second album, The Joyous Collapse , in late 2009. ","Netic (panelist/interviewee) is one of the founders as\n well as the lead vocalist of the Brooklyn-born band Game Rebellion. Before rhyming\n with Game Rebellion, he was a brain and cognitive sciences major at Massachusetts\n Institute of Technology (MIT) in Cambridge, Massachusetts, where he enrolled at the\n age of sixteen. Game Rebellion is an all-Black, all-outta-Brooklyn band whose metal,\n punk, and rudeboy skanking licks sound as credible and crunchy as their hip-hop\n lyrics and head nodding bounce. The lyrical prowess and production of Netic provide\n an unobstructed view of the angst of young rebels everywhere. Game Rebellion has\n been making big waves on the New York scene for about three years. In that short\n time they've ventured out even further to slam heads, rock houses and muddy the lily\n white waters of hip-hop and rock from NYC and Cali to Puerto Rico and the UK. They\n just may be the best-kept secret in music right now. Their album Searching for Rick Rubin (2008) explores classic hip-hop\n songs originally produced by studio legend Rick Rubin, re-imagined in Game\n Rebellion’s own style and mixed by J.period. ","James Spooner (panelist/interviewee) is a filmmaker and\n fine artist. His award-winning debut feature documentary Afro-punk has screened at festivals in the U.S. and abroad, including\n the Toronto International Film Festival, New York's Urbanworld Film Festival, the\n American Black Film Festival, Mar del Plata International Film Festival (Argentina),\n and the London Lesbian and Gay Film Festival. The film has been incorporated in a\n program for high school students on race identity by the New Museum in New York, and\n has inspired an Afro-Punk Film Festival at the Brooklyn Academy of Music, which he\n has been co-curating. He was Resident Video Installation Artist at the Ase Dance\n Theatre Collective in New York, where he created new media works with a\n choreographer. Prior to working in film, he was a sculptor, whose work showed in\n galleries in New York and Seattle. He has also been an editor and an editing\n consultant. More recently, Spooner made his narrative film debut with White Lies, Black Sheep (2007). ","Stew (panelist/interviewee) is a Tony Award-winning\n singer/songwriter/playwright from Los Angeles. Together with his collaborator Heidi\n Rodewald, Stew leads two critically acclaimed bands: The Negro Problem and Stew,\n both of which were formed in the early 1990s. By the turn of the millennium, The\n Negro Problem was enjoying considerable success, receiving Entertainment Weekly 's Album of the Year award in both 2000 and 2002.\n In 2004, Stew and Heidi Rodewald received the support of the Sundance Institute and\n The Public Theater to produce the musical Passing\n Strange , which has had successful runs at the Berkeley Repertory\n Theater, The Public Theater (NYC), and the Belasco Theatre on Broadway. More\n recently, Spike Lee directed a film version of Passing\n Strange , which is receiving glowing praise at film festivals and aired\n on PBS in the spring of 2010. As a result of his various creative ventures, Stew has\n been the recipient of numerous awards, including a 2008 Tony for Best Book of a\n Musical, two Obie awards for Best New Theater Piece and Best Ensemble as a cast\n member, and is a four-time Tony nominee. Stew was also the recipient of a 2009 Meet\n the Composer grant for a new multi-media work Making\n It , commissioned by St. Ann’s Warehouse in New York and scheduled for\n performance in 2010. Stew’s recorded output includes Post\n Minstrel Syndrome (1997), Joys and\n Concerns (1999), Guest Host (2000),\n The Naked Dutch Painter (2002), Welcome Black (2002), Something\n Deeper than these Changes (2003), and the cast album of Passing Strange (2008). ","Tamar-kali (panelist/interviewee): \n Songwriter-vocalist-guitarist Tamar-kali came on the New York rock scene around 1993\n while performing with the band Funkface. Shortly thereafter, she became the front\n woman for Song of Seven, another New York-based rock band. Eventually, Tamar-kali's\n strength as a woman in a male-dominated genre led to creative conflict and compelled\n her toward her own expression as a songwriter and vocalist, which resulted into her\n eclectic musical style. Her band 5ive Piece incorporates hard-core funk, melodic\n guitar riffs, dissonant harmonies, even and odd-metered grooves and unorthodox song\n forms. In addition to the instrumental styles of 5ive Piece, Tamar-kali's diverse\n vocal range allows her to execute warm, round, dark and raspy tones from low to high\n registers upon demand. She also performs with the string quartet Psycho Chamber\n Ensemble, which performs renditions of songs by 5ive Piece as well as those arranged\n and composed specifically for strings by Tamar-kali. Along with leading her diverse\n ensembles and heading up her own production company, Flaming Yoni Productions,\n Tamar-kali has worked with other artists in hip-hop and rock such as Outkast and\n Fishbone. In addition to appearing in the film Afro-punk , Tamar-kali has been featured in Vibe , Fader and Village Voice magazines. ","Greg Tate (panelist) is an American author who has spent\n the last two decades formulating a critical language that has redefined African\n American cultural theory and writing. An essayist and long time staff writer for\n Village Voice , Tate has published widely, with\n writings on art, music, and culture appearing in The New York\n Times , Rolling Stone , The Washington Post , Spin , Artforum , The\n Nation , DownBeat , and Africa-based\n magazines such as Glendora Review and Chimurenga . The impact of Tate's writing lies in the\n seminal productive tensions he navigates between post-structural theory and Black\n cultural nationalism, academia and street culture. Tate has been inspired by Black\n innovators such as Miles Davis, Jimi Hendrix, Sly Stone, George Clinton, and the\n artist Jean-Michel Basquiat. Furthermore, Tate has defied fixed notions about what\n constitutes authentic Black culture, and has inscribed a new radical trajectory that\n is simultaneously rebellious yet intelligently written. Now in his 50s, Tate\n continues to challenge cultural hegemony, writing on everything from hip-hop to\n YouTube . His books include Flyboy in the Buttermilk (1992), Midnight\n Lightning : Jimi Hendrix and the Black Experience (2003), and Everything but the Burden : What White People Are Taking from\n Black Culture (2003). He is also a founding member of the Black Rock\n Coalition and the conductor and music director of Burnt Sugar, a band that fuses\n jazz, rock, funk, and African music in a lyrical, exploratory and improvisational\n manner. ","Kamara Thomas (panelist/interviewee), along with Matt\n Whyte, is one of the founding members of the band Earl Greyhound. Living and working\n in New York City, the pair began performing regularly as a duo. All along, they were\n crafting the sound and songs that would form the foundation for a colossal rock band\n influenced by the strident English three- and four-pieces of the '70s, the dark pop\n and heavy grooves of the '90s, and the transcendental, noisy acid sounds of modern\n rock. The band's first full-length album, Soft\n Targets , was recorded in Los Angeles and Brooklyn in 2005 and earned the\n group many fans and critical acclaim from publications including The New Yorker , Spin ,\n Rolling Stone , Brooklyn\n Vegan , and Pitchfork . Even more so, the\n band's live show quickly drew heaps of attention and gained a steady reputation\n among critics and fans alike as a veritable rock-n-roll wrecking ball. Earl\n Greyhound toured relentlessly for the next two years all over the U.S., Canada, and\n Japan, and autumn 2007 was spent playing theatres as openers for the band's good\n friend Shooter Jennings, as well as for Soundgarden and Audioslave's Chris Cornell.\n In spring 2010 Earl Greyhound released their sophomore album Suspicious Package . ","Suzanne Thomas (panelist/interviewee): A real deal blues\n guitarist and vocalist, Suzanne Thomas no stranger to the blues. Life for Thomas\n started out as an abandoned biracial child in South Korea, where she lived in an\n orphanage until an American family adopted her into the States at five. She began\n studying organ at the age of six and, as fate would have it, Thomas was given her\n first music lessons and introduction to the organ by the great Jimmy Smith. Thomas\n abandoned dental school at Ohio State to attend music school in Los Angeles. After\n time in all-female groups such as School Boy Crush, Software, and PMS, Thomas formed\n Crank, a 3-piece hard rock band that shared the stage with Ice T and Body Count,\n Fishbone, and Macy Gray. Thomas has also been hired out as a guitarist to several\n funk and R\u0026B bands, notably doubling on guitar and bass in the Grammy-winning\n band A Taste of Honey. She took second place in the 7th annual Jimi Hendrix contest,\n and played in Japan, France, and New York at various music festivals and events\n including the Manhattan Music Center. Thomas currently performs with her band The\n Blues Church. ","Linda Tillery (panelist/interviewee): Before becoming a\n prominent figure in women's music in the 1990s, San Francisco native Linda Tillery\n began her singing career in the 1960s with the gender and racially integrated\n psychedelic/soul band The Loading Zone, which was modeled somewhat after Sly \u0026\n the Family Stone. After two albums with that band, Tillery released her solo debut,\n Sweet Linda Divine , on CBS in 1970 to\n enthusiastic reviews and high praise. She spent most of the 1970s singing and\n playing drums on over forty albums, including those by Mary Watkins and Teresa\n Trull. Having become a staff musician and producer at Olivia Records, Tillery\n released her second solo album, a self-titled effort, on the label in 1978,\n garnering a Bay Area Music Award for Best Independently Produced Album. Tillery has\n twice gone on to win Bay Area Jazz awards for Outstanding Female Vocalist. In\n subsequent years, Tillery collaborated with female musical powerhouses including\n June Millington, Deidre McCalla, Barbara Higbie, and Margie Adam, as well as on the\n Olivia Records 10th anniversary album, Meg/Cris Live at\n Carnegie (1983). In 1985, Tillery released Secrets on her own 411 label which returned her to center stage. In\n recent years, she has assembled a large band, Skin Tight, which plays jazzy, funky\n blues. She has also performed with the ZaSu Pitts Memorial Orchestra and has\n branched out into radio, film, theater, and television commercials. She has worked\n for the National Endowment for the Arts and appeared with artists ranging from\n Santana, Kenny Loggins, and Huey Lewis to the Turtle Island String Quartet, Bobby\n McFerrin, and Holly Near. In 1992, Tillery created the Cultural Heritage Choir as an\n outlet for her desire to perform the traditional spiritual music of African American\n slaves and their descendants. ","Ike Willis (panelist/interviewee) first met Frank Zappa\n while studying political science at Washington University. Willis volunteered to\n help with the concert committee just so he could get a backstage pass to meet Frank\n Zappa. As a result of this meeting in 1978, Willis became Zappa's lead singer and\n rhythm guitarist for nearly fifteen years. In addition to touring, Willis performed\n on Zappa's albums Joe's Garage , Tinsel Town Rebellion , and You\n Are What You Is . He also played the title character and narrator in\n Zappa's off-Broadway musical, Thing-Fish . Willis'\n distinct baritone vocals coupled with his melodic guitar style continues to solidify\n the musical legacy of Frank Zappa, which Willis promotes not only through his own\n music, but also via performances with ensembles around the world that perform Frank\n Zappa's music, such as Bogus Pomp, Project/Object, Ugly Radio Rebellion, and The\n Central Scrutinizer Band. "],"scopecontent_html_tesm":["\u003cp\u003eOn November 13th and 14th, the Archives of African American Music and Culture (AAAMC)\n hosted a two-day conference on Black rock on the Indiana University-Bloomington\n campus. The conference and related activities were open to local and regional\n musicians, scholars, students, and the general public.\u003c/p\u003e","\u003cp\u003e\n \u003ctitle render=\"italic\"\u003eReclaiming the Right to Rock : Black Experiences in Rock\n Music\u003c/title\u003e brought together Black rock musicians from different generations\n and regions with music critics and scholars to discuss the socio-political history,\n musical developments, and the future of Black rock. The main component of the\n conference was a set of three panels, each exploring one of the following topics: 1)\n the conceptualization and origins of Black rock; 2) the politics of Black rock; 3)\n the face of Black rock in the 21st century.\u003c/p\u003e","\u003cp\u003eThe core panelists were those artists considered to be innovators and practitioners\n of Black rock in the United States, including representatives from the East and West\n Coasts such as Linda Tillery, Ike Willis, Tamar-kali, and Netic. The conference also\n celebrated the 25th anniversary of the Black Rock Coalition, which was founded to\n create \"a united atmosphere conducive to the maximum development, exposure, [and]\n acceptance of Black alternative music.\"\u003c/p\u003e","\u003cp\u003eIn conjunction with the conference, the AAAMC also collaborated with a number of\n units and organizations at Indiana University to arrange a series of film\n screenings, concerts, and workshops, which were hosted on the Bloomington campus\n during the conference weekend and throughout the Fall 2009 semester.\u003c/p\u003e","\u003cp\u003eIn addition to professionally videotaped footage of the three conference sessions,\n the IU Union Board Concert, and one-on-one interviews with each of the panelists\n (minus Greg Tate), a number of volunteers assisted with documenting the conference\n and conference-related events. The professionally videotaped footage consists of\n high definition QuickTime files provided by IU's Radio and Television Services\n (RTVS). Conference volunteers produced miniDVs as well as image, audio, and video\n files in a variety of formats. Also included in the collection are a number of\n internal documents produced by AAAMC staff members during the production of the\n conference, including publicity materials, contract templates, grant materials, and\n planning documents. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["On November 13th and 14th, the Archives of African American Music and Culture (AAAMC)\n hosted a two-day conference on Black rock on the Indiana University-Bloomington\n campus. The conference and related activities were open to local and regional\n musicians, scholars, students, and the general public.","Reclaiming the Right to Rock : Black Experiences in Rock\n Music brought together Black rock musicians from different generations\n and regions with music critics and scholars to discuss the socio-political history,\n musical developments, and the future of Black rock. The main component of the\n conference was a set of three panels, each exploring one of the following topics: 1)\n the conceptualization and origins of Black rock; 2) the politics of Black rock; 3)\n the face of Black rock in the 21st century.","The core panelists were those artists considered to be innovators and practitioners\n of Black rock in the United States, including representatives from the East and West\n Coasts such as Linda Tillery, Ike Willis, Tamar-kali, and Netic. The conference also\n celebrated the 25th anniversary of the Black Rock Coalition, which was founded to\n create \"a united atmosphere conducive to the maximum development, exposure, [and]\n acceptance of Black alternative music.\"","In conjunction with the conference, the AAAMC also collaborated with a number of\n units and organizations at Indiana University to arrange a series of film\n screenings, concerts, and workshops, which were hosted on the Bloomington campus\n during the conference weekend and throughout the Fall 2009 semester.","In addition to professionally videotaped footage of the three conference sessions,\n the IU Union Board Concert, and one-on-one interviews with each of the panelists\n (minus Greg Tate), a number of volunteers assisted with documenting the conference\n and conference-related events. The professionally videotaped footage consists of\n high definition QuickTime files provided by IU's Radio and Television Services\n (RTVS). Conference volunteers produced miniDVs as well as image, audio, and video\n files in a variety of formats. Also included in the collection are a number of\n internal documents produced by AAAMC staff members during the production of the\n conference, including publicity materials, contract templates, grant materials, and\n planning documents. "],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eThis collection consists of\n documentation and one-on-one interviews from the AAAMC's two-day conference on Black\n rock hosted on the Indiana University-Bloomington campus on November 13-14, 2009.\n The conference and related activities were open to local and regional musicians,\n scholars, students, and brought together Black rock musicians from different\n generations and regions with music critics and scholars to discuss the\n socio-political history, musical developments, and the future of Black rock.\n \u003c/abstract\u003e"],"abstract_tesim":["This collection consists of\n documentation and one-on-one interviews from the AAAMC's two-day conference on Black\n rock hosted on the Indiana University-Bloomington campus on November 13-14, 2009.\n The conference and related activities were open to local and regional musicians,\n scholars, students, and brought together Black rock musicians from different\n generations and regions with music critics and scholars to discuss the\n socio-political history, musical developments, and the future of Black rock.\n "],"names_ssim":["Indiana University, Archives of African American Music and Culture\n (AAAMC)","Indiana University, Archives of\n African American Music and Culture (AAAMC)","Blues Church (Musical group)","Indiana University, Radio and Television\n Services","IU Soul Revue","Monroe County Public Library, Community\n Access Television Services","Students enrolled in Telecommunications\n T-353","Crazy Horse, Kandia","Fields, Rob","Garofalo, Reebee","Hollinden, Andy, 1961-","Mahon, Maureen","Mitchell, Moe","Netic","Spooner, James","Stew, 1961-","Tamar-kali","Tate, Greg","Thomas, Kamara","Thomas, Suzanne","Tillery, Linda","Willis, Ike","Hollinden, Andy","Stew","McAlpin, Michael","Batcheller, Anna","Sewald, Ronda L.","Allbrittin, Deanna","Berry, William","Brown, Clayton","Ford, Starla","Rizzi, Jessica","Rowley, Ariel","Williams, Lorrin[?]","Orjuela, Fernando[?]","Burnim, Mellonee","Wilkins, Langston","Nelson-Strauss, Brenda","Estrada, Zilia C.","Walter, Rich","Kreiger, Meryl","Unidentified student from Paul Mahern's\n \"Audio production\" course","Wallner, Jessie","Ozdegirmenci, Izlem","Cooper, Kailee","Fales, Cornelia","Lee, Mike","Unidentified student from Paul Mahern's\n \"Audio Production\" course","Guest-Scott, Anthony","Hatlen, Merrill","Hsu, Hsin-Wen","Teo, Bertrand","Kilpin, Jordan","Powell, Gary","Lamping, Nicholas","Davis, Gareth","Cooper, Tyron"],"corpname_ssim":["Indiana University, Archives of African American Music and Culture\n (AAAMC)","Indiana University, Archives of\n African American Music and Culture (AAAMC)","Blues Church (Musical group)","Indiana University, Radio and Television\n Services","IU Soul Revue","Monroe County Public Library, Community\n Access Television Services","Students enrolled in Telecommunications\n T-353"],"persname_ssim":["Crazy Horse, Kandia","Fields, Rob","Garofalo, Reebee","Hollinden, Andy, 1961-","Mahon, Maureen","Mitchell, Moe","Netic","Spooner, James","Stew, 1961-","Tamar-kali","Tate, Greg","Thomas, Kamara","Thomas, Suzanne","Tillery, Linda","Willis, Ike","Hollinden, Andy","Stew","McAlpin, Michael","Batcheller, Anna","Sewald, Ronda L.","Allbrittin, Deanna","Berry, William","Brown, Clayton","Ford, Starla","Rizzi, Jessica","Rowley, Ariel","Williams, Lorrin[?]","Orjuela, Fernando[?]","Burnim, Mellonee","Wilkins, Langston","Nelson-Strauss, Brenda","Estrada, Zilia C.","Walter, Rich","Kreiger, Meryl","Unidentified student from Paul Mahern's\n \"Audio production\" course","Wallner, Jessie","Ozdegirmenci, Izlem","Cooper, Kailee","Fales, Cornelia","Lee, Mike","Unidentified student from Paul Mahern's\n \"Audio Production\" course","Guest-Scott, Anthony","Hatlen, Merrill","Hsu, Hsin-Wen","Teo, Bertrand","Kilpin, Jordan","Powell, Gary","Lamping, Nicholas","Davis, Gareth","Cooper, Tyron"],"language_ssim":[" Materials are in English . "],"total_component_count_is":84,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"VAB9846","timestamp":"2025-02-18T23:03:22.038Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/VAB9846_VAB9846-00036"}},{"id":"ahstephens_aspace_ref74_ckc","type":"Series","attributes":{"title":"Financial Papers, 1836-1880","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/ahstephens_aspace_ref74_ckc#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"aspace_ref74_ckc","ref_ssm":["aspace_ref74_ckc","aspace_ref74_ckc"],"id":"ahstephens_aspace_ref74_ckc","title_filing_ssi":"Financial Papers","title_ssm":["Financial Papers"],"title_tesim":["Financial Papers"],"unitdate_inclusive_ssm":["1836-1880"],"normalized_date_ssm":["1836-1880"],"normalized_title_ssm":["Financial Papers, 1836-1880"],"text":["Financial Papers, 1836-1880","Alexander H. Stephens papers, 1823-1954 (bulk 1823-1883)"],"component_level_isim":[1],"parent_ssim":["ahstephens"],"parent_ssi":"ahstephens","parent_ids_ssim":["ahstephens"],"parent_unittitles_ssm":["Alexander H. Stephens papers, 1823-1954 (bulk 1823-1883)"],"parent_unittitles_tesim":["Alexander H. Stephens papers, 1823-1954 (bulk 1823-1883)"],"parent_levels_ssm":["collection"],"repository_ssim":["David M. Rubenstein Rare Book and Manuscript Library"],"collection_ssim":["Alexander H. Stephens papers, 1823-1954 (bulk 1823-1883)"],"extent_ssm":["2 boxes"],"extent_tesim":["2 boxes"],"has_online_content_ssim":["true"],"child_component_count_isi":5,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":58,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library."],"date_range_isim":[1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880],"_nest_path_":"/components#1","_nest_parent_":"ahstephens","_root_":"ahstephens","timestamp":"2025-02-18T22:57:49.296Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ahstephens","title_ssm":["Alexander H. Stephens papers"],"title_tesim":["Alexander H. Stephens papers"],"ead_ssi":"ahstephens","unitdate_ssm":["1823-1954 (bulk 1823-1883)"],"unitdate_inclusive_ssm":["1823-1954 (bulk 1823-1883)"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RL.10096"],"text":["RL.10096","Alexander H. Stephens papers, 1823-1954 (bulk 1823-1883)","United States -- Politics and government -- 19th century","Southern States -- Economic conditions","Georgia -- Newspapers","Georgia -- Politics and government","Confederate States of America -- Politics and government","Georgia -- Economic conditions -- 19th century","Confederate States of America -- Officials and employees","Slavery -- Georgia","Collection is open for research.","Alexander Hamilton Stephens was born in Crawfordville, Taliaferro County, Georgia on\n February 11, 1812 to Andrew B. and Margaret Grier Stephens. He graduated from Franklin\n College (later the University of Georgia) in 1832, where he was a member of the Phi Kappa\n Literary Society. He taught school for the next eighteen months while pursuing legal studies\n and passed the bar in Georgia in 1834. Stephens maintained a successful law practice for\n thirty-two years while simultaneously serving as an elected official in both state and\n federal political realms and as Vice President of the Confederate States of America. He died\n in 1883.","Chronology List 1836 Elected to the Georgia House of Representatives as a Whig; served until\n 1840 1842 Elected to the Georgia State Senate; served for one year. 1843 Elected to the United States Congress; served until 1859 1861 Elected to attend the Secession Convention of Georgia 1861 Elected Vice President of the Confederate States of America 1865 Arrested by the United States; served five months in prison 1866 Elected to the United States Senate but not allowed to take his seat 1873 Elected to United States Congress to fill the vacancy caused by the death of\n Ambrose R. Wright; served until his resignation in 1882 1882 Elected Governor of Georgia 1883, March 4 Died in Georgia","Processed by Kimberly Sims, November 2008","Encoded by Kimberly Sims, November 2008","Multiple accessions were merged into one collection, described in this finding aid.","John Jordan Crittenden Papers David M. Rubenstein Rare Book \u0026 Manuscript Library Alfred Gumming\n Papers David M. Rubenstein Rare Book \u0026\n Manuscript Library Marmaduke Hamilton\n Papers David M. Rubenstein Rare Book \u0026\n Manuscript Library Paul Hamilton Hayne\n Papers David M. Rubenstein Rare Book \u0026\n Manuscript Library Alexander Hamilton Stephens Letters,\n Microfilm, Manhattanville College David M.\n Rubenstein Rare Book \u0026 Manuscript Library","The collection includes correspondence, bills and receipts, financial papers, legal papers,\n political papers, clippings and printed material and ranges in date from 1823-1954, with the\n bulk dated 1823-1883. Due to preservation concerns, some items were copied onto acid-free\n paper and stamped as preservation copies. The originals were placed in mylar and are located\n in Box 7. Patrons should consult with Rubenstein Library staff before handling these\n materials.","The vast majority of the collection is comprised of correspondence, covering the years\n 1823-1883. Many of the letters in the collection were written to Stephens, although there\n are letters written in his own hand. Throughout the correspondence are letters written to\n Stephens by various family members, most notably his brothers John and Linton. The bulk of\n the correspondence pertains to Stephens' law work, regarding issues such as the settling of\n estates and the collection of debts. The most prominent topics include family matters,\n business and legal matters and Stephens' health. Given the expansive amount of\n correspondence, below is a breakdown by decade of other topics which appear, in an effort to\n assist the researcher in locating materials of interest:","Correspondence 1823-1839: Topics include States' Rights, slavery, and an Indian war in\n Florida [possibly the Creek War]. There is a letter from Herschel V. Johnson who sought\n advice from Stephens in 1839 regarding negotiations with a railroad company.","Correspondence 1840-1849: Topics include local and national politics/views, opinions about\n President Martin Van Buren, \"agricultural politics,\" Thomas Dorr and the People's Party, the\n purchasing of slaves, the 1843 Boston visit of President John Tyler and Vice President\n Daniel Webster, Stephens' nomination to serve in the U. S. Congress, Whigs and Democrats\n (Stephens was invited to attend several Whig-sponsored barbeques), and the death of\n Stephens' brother Aaron. There is a letter from United States Representative Marshall\n Johnson Wellborn which discusses the Judiciary Act (1841). There are also a substantial\n number of letters written by and to John Bird and letters written to him and Stephens (they\n were likely law partners). Of note are two letters written in 1844 by [Sarvis] Pearson\n (presumably a client of Stephens or his firm) to his estranged wife Mary S. Pearson which\n offer insight into the subject of divorce and marital discord of the time period.","Correspondence 1850-1859: Letters written by Stephens start to appear more frequently.\n Topics include largely family and legal matters.","Correspondence 1860-1869: Topics include employment inquiries both pre- and post-Civil War,\n autograph requests, Stephens' book about the Civil War, and the social history of a\n post-Civil War Georgia. Items of note: There are petitions (1860) by Stephens' district\n constituents asking him to address them about the presidential election. There are letters\n asking him for permission to travel into the Union. There are a couple of letters written by\n Stephens to Jefferson Davis. There is a letter from March 1860 to Pearce Stevons [Stephens]\n by Rody Jordan, both of whom were not only brothers but slaves as well. The letter is likely\n written by someone other than Jordan. A letter to Stephens in October 1866 states that his\n former slave Pearce was charged with murder and asks for Stephens' legal counsel at Pearce's\n request (he apparently complied based on a letter from 1869).","Correspondence 1870-1879: Topics include requests for employment and financial help,\n requests for letters of recommendation, Linton Stephens' death, Stephens' paper the Daily and Weekly Sun , the federal government, autograph requests,\n and Stephens' work with the Committee on Standard Weights and Measures. Item of note: There\n are documents from 1873 concerning an illegal distilling and corruption case in Georgia.","Correspondence 1880-1883: Topics includes Stephens' opinion of President James A. Garfield,\n his bid for Governor, requests for financial help and letters of recommendation for men\n interested in state posts appointed by the Governor, such as Physician of the Georgia\n Penitentiary. Items of note: There is a letter dated 1883 signed by Secretary of War, Robert\n Todd Lincoln. There are two letters from 1882 which offer some insight into African-American\n involvement in Georgia politics.","The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library.","Alexander H. Stephens (1812-1883) was a\n Georgia lawyer, politician and Vice President of the Confederate States of\n America.","The collection includes a large amount\n of correspondence as well as bills/receipts, financial papers, legal papers, political\n papers, clippings and printed material. It ranges in date from 1823 to 1954, with the bulk\n covering 1823-1883.","For current information on the location\n of these materials, please consult the Library's online catalog.","David M. Rubenstein Rare Book \u0026 Manuscript Library","Stephens, Alexander Hamilton, 1812-1883","Wellborn, Marshall Johnson, 1808-1874","Van Buren, Martin, 1782-1862 -- Public opinion","Davis, Jefferson, 1808-1809","Garfield, James A. (James Abram), 1831-1881 -- Public\n opinion","Johnson, Herschel V. (Herschel Vespasian), 1812-1880","Dorr, Thomas Wilson, 1805-1854","Stephens, Linton, 1823-1872","Lincoln, Robert Todd, 1843-1926","English"],"unitid_tesim":["RL.10096"],"normalized_date_ssm":["1823-1954 (bulk 1823-1883)"],"normalized_title_ssm":["Alexander H. Stephens papers, 1823-1954 (bulk 1823-1883)"],"collection_title_tesim":["Alexander H. Stephens papers, 1823-1954 (bulk 1823-1883)"],"collection_ssim":["Alexander H. Stephens papers, 1823-1954 (bulk 1823-1883)"],"repository_ssm":["David M. Rubenstein Rare Book and Manuscript Library"],"repository_ssim":["David M. Rubenstein Rare Book and Manuscript Library"],"geogname_ssm":["United States -- Politics and government -- 19th century","Southern States -- Economic conditions","Georgia -- Newspapers","Georgia -- Politics and government","Confederate States of America -- Politics and government","Georgia -- Economic conditions -- 19th century","Confederate States of America -- Officials and employees"],"geogname_ssim":["United States -- Politics and government -- 19th century","Southern States -- Economic conditions","Georgia -- Newspapers","Georgia -- Politics and government","Confederate States of America -- Politics and government","Georgia -- Economic conditions -- 19th century","Confederate States of America -- Officials and employees"],"creator_ssm":["Stephens, Alexander Hamilton, 1812-1883"],"creator_ssim":["Stephens, Alexander Hamilton, 1812-1883"],"creator_persname_ssim":["Stephens, Alexander Hamilton, 1812-1883"],"creators_ssim":["Stephens, Alexander Hamilton, 1812-1883"],"places_ssim":["United States -- Politics and government -- 19th century","Southern States -- Economic conditions","Georgia -- Newspapers","Georgia -- Politics and government","Confederate States of America -- Politics and government","Georgia -- Economic conditions -- 19th century","Confederate States of America -- Officials and employees"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library."],"acqinfo_ssim":["The Alexander H. Stephens Papers were received by the David M. Rubenstein Rare Book \u0026\n Manuscript Library as purchases between 1946-1962."],"access_subjects_ssim":["Slavery -- Georgia"],"access_subjects_ssm":["Slavery -- Georgia"],"has_online_content_ssim":["true"],"extent_ssm":["8 Linear Feet","approx. 3,000\n Items"],"extent_tesim":["8 Linear Feet","approx. 3,000\n Items"],"date_range_isim":[1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eAlexander Hamilton Stephens was born in Crawfordville, Taliaferro County, Georgia on\n February 11, 1812 to Andrew B. and Margaret Grier Stephens. He graduated from Franklin\n College (later the University of Georgia) in 1832, where he was a member of the Phi Kappa\n Literary Society. He taught school for the next eighteen months while pursuing legal studies\n and passed the bar in Georgia in 1834. Stephens maintained a successful law practice for\n thirty-two years while simultaneously serving as an elected official in both state and\n federal political realms and as Vice President of the Confederate States of America. He died\n in 1883.\u003c/p\u003e","\u003cchronlist\u003e\n \u003chead\u003eChronology List\u003c/head\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1836\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eElected to the Georgia House of Representatives as a Whig; served until\n 1840\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1842\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eElected to the Georgia State Senate; served for one year.\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1843\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eElected to the United States Congress; served until 1859\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1861\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eElected to attend the Secession Convention of Georgia\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1861\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eElected Vice President of the Confederate States of America\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1865\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eArrested by the United States; served five months in prison\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1866\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eElected to the United States Senate but not allowed to take his seat\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1873\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eElected to United States Congress to fill the vacancy caused by the death of\n Ambrose R. Wright; served until his resignation in 1882\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1882\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eElected Governor of Georgia\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1883, March 4\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eDied in Georgia\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003c/chronlist\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Alexander Hamilton Stephens was born in Crawfordville, Taliaferro County, Georgia on\n February 11, 1812 to Andrew B. and Margaret Grier Stephens. He graduated from Franklin\n College (later the University of Georgia) in 1832, where he was a member of the Phi Kappa\n Literary Society. He taught school for the next eighteen months while pursuing legal studies\n and passed the bar in Georgia in 1834. Stephens maintained a successful law practice for\n thirty-two years while simultaneously serving as an elected official in both state and\n federal political realms and as Vice President of the Confederate States of America. He died\n in 1883.","Chronology List 1836 Elected to the Georgia House of Representatives as a Whig; served until\n 1840 1842 Elected to the Georgia State Senate; served for one year. 1843 Elected to the United States Congress; served until 1859 1861 Elected to attend the Secession Convention of Georgia 1861 Elected Vice President of the Confederate States of America 1865 Arrested by the United States; served five months in prison 1866 Elected to the United States Senate but not allowed to take his seat 1873 Elected to United States Congress to fill the vacancy caused by the death of\n Ambrose R. Wright; served until his resignation in 1882 1882 Elected Governor of Georgia 1883, March 4 Died in Georgia"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Alexander H. Stephens Papers, David M. Rubenstein Rare Book \u0026amp;\n Manuscript Library\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Alexander H. Stephens Papers, David M. Rubenstein Rare Book \u0026\n Manuscript Library"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kimberly Sims, November 2008\u003c/p\u003e","\u003cp\u003eEncoded by Kimberly Sims, November 2008\u003c/p\u003e","\u003cp\u003eMultiple accessions were merged into one collection, described in this finding aid.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kimberly Sims, November 2008","Encoded by Kimberly Sims, November 2008","Multiple accessions were merged into one collection, described in this finding aid."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003carchref\u003e\u003cunittitle label=\"Collection\"\u003eJohn Jordan Crittenden Papers\u003c/unittitle\u003e\u003crepository label=\"Repository\"\u003eDavid M. Rubenstein Rare Book \u0026amp; Manuscript Library\u003c/repository\u003e\n \u003c/archref\u003e\u003carchref\u003e\u003cunittitle label=\"Collection\"\u003eAlfred Gumming\n Papers\u003c/unittitle\u003e\u003crepository label=\"Repository\"\u003eDavid M. Rubenstein Rare Book \u0026amp;\n Manuscript Library\u003c/repository\u003e\n \u003c/archref\u003e\u003carchref\u003e\u003cunittitle label=\"Collection\"\u003eMarmaduke Hamilton\n Papers\u003c/unittitle\u003e\u003crepository label=\"Repository\"\u003eDavid M. Rubenstein Rare Book \u0026amp;\n Manuscript Library\u003c/repository\u003e\n \u003c/archref\u003e\u003carchref\u003e\u003cunittitle label=\"Collection\"\u003ePaul Hamilton Hayne\n Papers\u003c/unittitle\u003e\u003crepository label=\"Repository\"\u003eDavid M. Rubenstein Rare Book \u0026amp;\n Manuscript Library\u003c/repository\u003e\n \u003c/archref\u003e\u003carchref\u003e\u003cunittitle label=\"Collection\"\u003eAlexander Hamilton Stephens Letters,\n Microfilm, Manhattanville College\u003c/unittitle\u003e\u003crepository label=\"Repository\"\u003eDavid M.\n Rubenstein Rare Book \u0026amp; Manuscript Library\u003c/repository\u003e\n \u003c/archref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["John Jordan Crittenden Papers David M. Rubenstein Rare Book \u0026 Manuscript Library Alfred Gumming\n Papers David M. Rubenstein Rare Book \u0026\n Manuscript Library Marmaduke Hamilton\n Papers David M. Rubenstein Rare Book \u0026\n Manuscript Library Paul Hamilton Hayne\n Papers David M. Rubenstein Rare Book \u0026\n Manuscript Library Alexander Hamilton Stephens Letters,\n Microfilm, Manhattanville College David M.\n Rubenstein Rare Book \u0026 Manuscript Library"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes correspondence, bills and receipts, financial papers, legal papers,\n political papers, clippings and printed material and ranges in date from 1823-1954, with the\n bulk dated 1823-1883. Due to preservation concerns, some items were copied onto acid-free\n paper and stamped as preservation copies. The originals were placed in mylar and are located\n in Box 7. Patrons should consult with Rubenstein Library staff before handling these\n materials.\u003c/p\u003e","\u003cp\u003eThe vast majority of the collection is comprised of correspondence, covering the years\n 1823-1883. Many of the letters in the collection were written to Stephens, although there\n are letters written in his own hand. Throughout the correspondence are letters written to\n Stephens by various family members, most notably his brothers John and Linton. The bulk of\n the correspondence pertains to Stephens' law work, regarding issues such as the settling of\n estates and the collection of debts. The most prominent topics include family matters,\n business and legal matters and Stephens' health. Given the expansive amount of\n correspondence, below is a breakdown by decade of other topics which appear, in an effort to\n assist the researcher in locating materials of interest:\u003c/p\u003e","\u003cp\u003eCorrespondence 1823-1839: Topics include States' Rights, slavery, and an Indian war in\n Florida [possibly the Creek War]. There is a letter from Herschel V. Johnson who sought\n advice from Stephens in 1839 regarding negotiations with a railroad company.\u003c/p\u003e","\u003cp\u003eCorrespondence 1840-1849: Topics include local and national politics/views, opinions about\n President Martin Van Buren, \"agricultural politics,\" Thomas Dorr and the People's Party, the\n purchasing of slaves, the 1843 Boston visit of President John Tyler and Vice President\n Daniel Webster, Stephens' nomination to serve in the U. S. Congress, Whigs and Democrats\n (Stephens was invited to attend several Whig-sponsored barbeques), and the death of\n Stephens' brother Aaron. There is a letter from United States Representative Marshall\n Johnson Wellborn which discusses the Judiciary Act (1841). There are also a substantial\n number of letters written by and to John Bird and letters written to him and Stephens (they\n were likely law partners). Of note are two letters written in 1844 by [Sarvis] Pearson\n (presumably a client of Stephens or his firm) to his estranged wife Mary S. Pearson which\n offer insight into the subject of divorce and marital discord of the time period.\u003c/p\u003e","\u003cp\u003eCorrespondence 1850-1859: Letters written by Stephens start to appear more frequently.\n Topics include largely family and legal matters.\u003c/p\u003e","\u003cp\u003eCorrespondence 1860-1869: Topics include employment inquiries both pre- and post-Civil War,\n autograph requests, Stephens' book about the Civil War, and the social history of a\n post-Civil War Georgia. Items of note: There are petitions (1860) by Stephens' district\n constituents asking him to address them about the presidential election. There are letters\n asking him for permission to travel into the Union. There are a couple of letters written by\n Stephens to Jefferson Davis. There is a letter from March 1860 to Pearce Stevons [Stephens]\n by Rody Jordan, both of whom were not only brothers but slaves as well. The letter is likely\n written by someone other than Jordan. A letter to Stephens in October 1866 states that his\n former slave Pearce was charged with murder and asks for Stephens' legal counsel at Pearce's\n request (he apparently complied based on a letter from 1869).\u003c/p\u003e","\u003cp\u003eCorrespondence 1870-1879: Topics include requests for employment and financial help,\n requests for letters of recommendation, Linton Stephens' death, Stephens' paper the \u003ctitle render=\"italic\"\u003eDaily and Weekly Sun\u003c/title\u003e, the federal government, autograph requests,\n and Stephens' work with the Committee on Standard Weights and Measures. Item of note: There\n are documents from 1873 concerning an illegal distilling and corruption case in Georgia.\u003c/p\u003e","\u003cp\u003eCorrespondence 1880-1883: Topics includes Stephens' opinion of President James A. Garfield,\n his bid for Governor, requests for financial help and letters of recommendation for men\n interested in state posts appointed by the Governor, such as Physician of the Georgia\n Penitentiary. Items of note: There is a letter dated 1883 signed by Secretary of War, Robert\n Todd Lincoln. There are two letters from 1882 which offer some insight into African-American\n involvement in Georgia politics.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Overview"],"scopecontent_tesim":["The collection includes correspondence, bills and receipts, financial papers, legal papers,\n political papers, clippings and printed material and ranges in date from 1823-1954, with the\n bulk dated 1823-1883. Due to preservation concerns, some items were copied onto acid-free\n paper and stamped as preservation copies. The originals were placed in mylar and are located\n in Box 7. Patrons should consult with Rubenstein Library staff before handling these\n materials.","The vast majority of the collection is comprised of correspondence, covering the years\n 1823-1883. Many of the letters in the collection were written to Stephens, although there\n are letters written in his own hand. Throughout the correspondence are letters written to\n Stephens by various family members, most notably his brothers John and Linton. The bulk of\n the correspondence pertains to Stephens' law work, regarding issues such as the settling of\n estates and the collection of debts. The most prominent topics include family matters,\n business and legal matters and Stephens' health. Given the expansive amount of\n correspondence, below is a breakdown by decade of other topics which appear, in an effort to\n assist the researcher in locating materials of interest:","Correspondence 1823-1839: Topics include States' Rights, slavery, and an Indian war in\n Florida [possibly the Creek War]. There is a letter from Herschel V. Johnson who sought\n advice from Stephens in 1839 regarding negotiations with a railroad company.","Correspondence 1840-1849: Topics include local and national politics/views, opinions about\n President Martin Van Buren, \"agricultural politics,\" Thomas Dorr and the People's Party, the\n purchasing of slaves, the 1843 Boston visit of President John Tyler and Vice President\n Daniel Webster, Stephens' nomination to serve in the U. S. Congress, Whigs and Democrats\n (Stephens was invited to attend several Whig-sponsored barbeques), and the death of\n Stephens' brother Aaron. There is a letter from United States Representative Marshall\n Johnson Wellborn which discusses the Judiciary Act (1841). There are also a substantial\n number of letters written by and to John Bird and letters written to him and Stephens (they\n were likely law partners). Of note are two letters written in 1844 by [Sarvis] Pearson\n (presumably a client of Stephens or his firm) to his estranged wife Mary S. Pearson which\n offer insight into the subject of divorce and marital discord of the time period.","Correspondence 1850-1859: Letters written by Stephens start to appear more frequently.\n Topics include largely family and legal matters.","Correspondence 1860-1869: Topics include employment inquiries both pre- and post-Civil War,\n autograph requests, Stephens' book about the Civil War, and the social history of a\n post-Civil War Georgia. Items of note: There are petitions (1860) by Stephens' district\n constituents asking him to address them about the presidential election. There are letters\n asking him for permission to travel into the Union. There are a couple of letters written by\n Stephens to Jefferson Davis. There is a letter from March 1860 to Pearce Stevons [Stephens]\n by Rody Jordan, both of whom were not only brothers but slaves as well. The letter is likely\n written by someone other than Jordan. A letter to Stephens in October 1866 states that his\n former slave Pearce was charged with murder and asks for Stephens' legal counsel at Pearce's\n request (he apparently complied based on a letter from 1869).","Correspondence 1870-1879: Topics include requests for employment and financial help,\n requests for letters of recommendation, Linton Stephens' death, Stephens' paper the Daily and Weekly Sun , the federal government, autograph requests,\n and Stephens' work with the Committee on Standard Weights and Measures. Item of note: There\n are documents from 1873 concerning an illegal distilling and corruption case in Georgia.","Correspondence 1880-1883: Topics includes Stephens' opinion of President James A. Garfield,\n his bid for Governor, requests for financial help and letters of recommendation for men\n interested in state posts appointed by the Governor, such as Physician of the Georgia\n Penitentiary. Items of note: There is a letter dated 1883 signed by Secretary of War, Robert\n Todd Lincoln. There are two letters from 1882 which offer some insight into African-American\n involvement in Georgia politics."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026amp; Manuscript Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Notice"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library."],"abstract_html_tesm":["\u003cabstract id=\"aspace_849632dcb81574966843dcbe5b428838\"\u003eAlexander H. Stephens (1812-1883) was a\n Georgia lawyer, politician and Vice President of the Confederate States of\n America.\u003c/abstract\u003e","\u003cabstract id=\"aspace_c9c5c1283c14f11d61a94c6bb6711c7a\"\u003eThe collection includes a large amount\n of correspondence as well as bills/receipts, financial papers, legal papers, political\n papers, clippings and printed material. It ranges in date from 1823 to 1954, with the bulk\n covering 1823-1883.\u003c/abstract\u003e"],"abstract_tesim":["Alexander H. Stephens (1812-1883) was a\n Georgia lawyer, politician and Vice President of the Confederate States of\n America.","The collection includes a large amount\n of correspondence as well as bills/receipts, financial papers, legal papers, political\n papers, clippings and printed material. It ranges in date from 1823 to 1954, with the bulk\n covering 1823-1883."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_38e97c13005bd86e481006cee204cb70\"\u003eFor current information on the location\n of these materials, please consult the Library's online catalog.\u003c/physloc\u003e"],"physloc_tesim":["For current information on the location\n of these materials, please consult the Library's online catalog."],"names_ssim":["David M. Rubenstein Rare Book \u0026 Manuscript Library","Stephens, Alexander Hamilton, 1812-1883","Wellborn, Marshall Johnson, 1808-1874","Van Buren, Martin, 1782-1862 -- Public opinion","Davis, Jefferson, 1808-1809","Garfield, James A. (James Abram), 1831-1881 -- Public\n opinion","Johnson, Herschel V. (Herschel Vespasian), 1812-1880","Dorr, Thomas Wilson, 1805-1854","Stephens, Linton, 1823-1872","Lincoln, Robert Todd, 1843-1926"],"corpname_ssim":["David M. Rubenstein Rare Book \u0026 Manuscript Library"],"names_coll_ssim":["Wellborn, Marshall Johnson, 1808-1874","Van Buren, Martin, 1782-1862 -- Public opinion","Davis, Jefferson, 1808-1809","Garfield, James A. (James Abram), 1831-1881 -- Public\n opinion","Johnson, Herschel V. (Herschel Vespasian), 1812-1880","Dorr, Thomas Wilson, 1805-1854","Stephens, Alexander Hamilton, 1812-1883","Stephens, Linton, 1823-1872","Lincoln, Robert Todd, 1843-1926"],"persname_ssim":["Stephens, Alexander Hamilton, 1812-1883","Wellborn, Marshall Johnson, 1808-1874","Van Buren, Martin, 1782-1862 -- Public opinion","Davis, Jefferson, 1808-1809","Garfield, James A. (James Abram), 1831-1881 -- Public\n opinion","Johnson, Herschel V. (Herschel Vespasian), 1812-1880","Dorr, Thomas Wilson, 1805-1854","Stephens, Linton, 1823-1872","Lincoln, Robert Todd, 1843-1926"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":73,"online_item_count_is":4055,"component_level_isim":[0],"sort_isi":0,"_root_":"ahstephens","timestamp":"2025-02-18T22:57:49.296Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/ahstephens_aspace_ref74_ckc"}},{"id":"ahstephens_aspace_ref80_f0q","type":"File","attributes":{"title":"Financial Papers, 1840-1880, undated (2 folders)","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/ahstephens_aspace_ref80_f0q#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"aspace_ref80_f0q","ref_ssm":["aspace_ref80_f0q","aspace_ref80_f0q"],"id":"ahstephens_aspace_ref80_f0q","title_filing_ssi":"Financial Papers, 1840-1880, undated (2 folders)","title_ssm":["Financial Papers, 1840-1880, undated (2 folders)"],"title_tesim":["Financial Papers, 1840-1880, undated (2 folders)"],"normalized_title_ssm":["Financial Papers, 1840-1880, undated (2 folders)"],"text":["Financial Papers, 1840-1880, undated (2 folders)","Alexander H. Stephens papers, 1823-1954 (bulk 1823-1883)","Financial Papers, 1836-1880","box 7"],"component_level_isim":[2],"parent_ssim":["ahstephens","aspace_ref74_ckc"],"parent_ssi":"aspace_ref74_ckc","parent_ids_ssim":["ahstephens","ahstephens_aspace_ref74_ckc"],"parent_unittitles_ssm":["Alexander H. Stephens papers, 1823-1954 (bulk 1823-1883)","Financial Papers, 1836-1880"],"parent_unittitles_tesim":["Alexander H. Stephens papers, 1823-1954 (bulk 1823-1883)","Financial Papers, 1836-1880"],"parent_levels_ssm":["collection","Series"],"repository_ssim":["David M. Rubenstein Rare Book and Manuscript Library"],"collection_ssim":["Alexander H. Stephens papers, 1823-1954 (bulk 1823-1883)"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":63,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library."],"digital_objects_ssm":["{\"label\":\"Financial Papers, 1840-1880, undated (folder 1 of 2), letter 3745\",\"href\":\"https://idn.duke.edu/ark:/87924/r32f7k13g\"}","{\"label\":\"Financial Papers, 1840-1880, undated (folder 1 of 2), letter 3746\",\"href\":\"https://idn.duke.edu/ark:/87924/r3sx64k4q\"}","{\"label\":\"Financial Papers, 1840-1880, undated (folder 1 of 2), letter 3747\",\"href\":\"https://idn.duke.edu/ark:/87924/r30g3h760\"}","{\"label\":\"Financial Papers, 1840-1880, undated (folder 1 of 2), letter 3748\",\"href\":\"https://idn.duke.edu/ark:/87924/r3474720r\"}","{\"label\":\"Financial Papers, 1840-1880, undated (folder 1 of 2), letter 3749\",\"href\":\"https://idn.duke.edu/ark:/87924/r3804xv5k\"}","{\"label\":\"Financial Papers, 1840-1880, undated (folder 1 of 2), letter 3750\",\"href\":\"https://idn.duke.edu/ark:/87924/r3707wx5w\"}","{\"label\":\"Financial Papers, 1840-1880, undated (folder 1 of 2), letter 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3856\",\"href\":\"https://idn.duke.edu/ark:/87924/r3794130b\"}","{\"label\":\"Financial Papers, 1840-1880, undated (folder 2 of 2), letter 3857\",\"href\":\"https://idn.duke.edu/ark:/87924/r3xg9fm58\"}","{\"label\":\"Financial Papers, 1840-1880, undated (folder 2 of 2), letter 3858\",\"href\":\"https://idn.duke.edu/ark:/87924/r3sq8qt14\"}"],"containers_ssim":["box 7"],"_nest_path_":"/components#1/components#4","_nest_parent_":"ahstephens_aspace_ref74_ckc","_root_":"ahstephens","timestamp":"2025-02-18T22:57:49.296Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ahstephens","title_ssm":["Alexander H. Stephens papers"],"title_tesim":["Alexander H. Stephens papers"],"ead_ssi":"ahstephens","unitdate_ssm":["1823-1954 (bulk 1823-1883)"],"unitdate_inclusive_ssm":["1823-1954 (bulk 1823-1883)"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RL.10096"],"text":["RL.10096","Alexander H. Stephens papers, 1823-1954 (bulk 1823-1883)","United States -- Politics and government -- 19th century","Southern States -- Economic conditions","Georgia -- Newspapers","Georgia -- Politics and government","Confederate States of America -- Politics and government","Georgia -- Economic conditions -- 19th century","Confederate States of America -- Officials and employees","Slavery -- Georgia","Collection is open for research.","Alexander Hamilton Stephens was born in Crawfordville, Taliaferro County, Georgia on\n February 11, 1812 to Andrew B. and Margaret Grier Stephens. He graduated from Franklin\n College (later the University of Georgia) in 1832, where he was a member of the Phi Kappa\n Literary Society. He taught school for the next eighteen months while pursuing legal studies\n and passed the bar in Georgia in 1834. Stephens maintained a successful law practice for\n thirty-two years while simultaneously serving as an elected official in both state and\n federal political realms and as Vice President of the Confederate States of America. He died\n in 1883.","Chronology List 1836 Elected to the Georgia House of Representatives as a Whig; served until\n 1840 1842 Elected to the Georgia State Senate; served for one year. 1843 Elected to the United States Congress; served until 1859 1861 Elected to attend the Secession Convention of Georgia 1861 Elected Vice President of the Confederate States of America 1865 Arrested by the United States; served five months in prison 1866 Elected to the United States Senate but not allowed to take his seat 1873 Elected to United States Congress to fill the vacancy caused by the death of\n Ambrose R. Wright; served until his resignation in 1882 1882 Elected Governor of Georgia 1883, March 4 Died in Georgia","Processed by Kimberly Sims, November 2008","Encoded by Kimberly Sims, November 2008","Multiple accessions were merged into one collection, described in this finding aid.","John Jordan Crittenden Papers David M. Rubenstein Rare Book \u0026 Manuscript Library Alfred Gumming\n Papers David M. Rubenstein Rare Book \u0026\n Manuscript Library Marmaduke Hamilton\n Papers David M. Rubenstein Rare Book \u0026\n Manuscript Library Paul Hamilton Hayne\n Papers David M. Rubenstein Rare Book \u0026\n Manuscript Library Alexander Hamilton Stephens Letters,\n Microfilm, Manhattanville College David M.\n Rubenstein Rare Book \u0026 Manuscript Library","The collection includes correspondence, bills and receipts, financial papers, legal papers,\n political papers, clippings and printed material and ranges in date from 1823-1954, with the\n bulk dated 1823-1883. Due to preservation concerns, some items were copied onto acid-free\n paper and stamped as preservation copies. The originals were placed in mylar and are located\n in Box 7. Patrons should consult with Rubenstein Library staff before handling these\n materials.","The vast majority of the collection is comprised of correspondence, covering the years\n 1823-1883. Many of the letters in the collection were written to Stephens, although there\n are letters written in his own hand. Throughout the correspondence are letters written to\n Stephens by various family members, most notably his brothers John and Linton. The bulk of\n the correspondence pertains to Stephens' law work, regarding issues such as the settling of\n estates and the collection of debts. The most prominent topics include family matters,\n business and legal matters and Stephens' health. Given the expansive amount of\n correspondence, below is a breakdown by decade of other topics which appear, in an effort to\n assist the researcher in locating materials of interest:","Correspondence 1823-1839: Topics include States' Rights, slavery, and an Indian war in\n Florida [possibly the Creek War]. There is a letter from Herschel V. Johnson who sought\n advice from Stephens in 1839 regarding negotiations with a railroad company.","Correspondence 1840-1849: Topics include local and national politics/views, opinions about\n President Martin Van Buren, \"agricultural politics,\" Thomas Dorr and the People's Party, the\n purchasing of slaves, the 1843 Boston visit of President John Tyler and Vice President\n Daniel Webster, Stephens' nomination to serve in the U. S. Congress, Whigs and Democrats\n (Stephens was invited to attend several Whig-sponsored barbeques), and the death of\n Stephens' brother Aaron. There is a letter from United States Representative Marshall\n Johnson Wellborn which discusses the Judiciary Act (1841). There are also a substantial\n number of letters written by and to John Bird and letters written to him and Stephens (they\n were likely law partners). Of note are two letters written in 1844 by [Sarvis] Pearson\n (presumably a client of Stephens or his firm) to his estranged wife Mary S. Pearson which\n offer insight into the subject of divorce and marital discord of the time period.","Correspondence 1850-1859: Letters written by Stephens start to appear more frequently.\n Topics include largely family and legal matters.","Correspondence 1860-1869: Topics include employment inquiries both pre- and post-Civil War,\n autograph requests, Stephens' book about the Civil War, and the social history of a\n post-Civil War Georgia. Items of note: There are petitions (1860) by Stephens' district\n constituents asking him to address them about the presidential election. There are letters\n asking him for permission to travel into the Union. There are a couple of letters written by\n Stephens to Jefferson Davis. There is a letter from March 1860 to Pearce Stevons [Stephens]\n by Rody Jordan, both of whom were not only brothers but slaves as well. The letter is likely\n written by someone other than Jordan. A letter to Stephens in October 1866 states that his\n former slave Pearce was charged with murder and asks for Stephens' legal counsel at Pearce's\n request (he apparently complied based on a letter from 1869).","Correspondence 1870-1879: Topics include requests for employment and financial help,\n requests for letters of recommendation, Linton Stephens' death, Stephens' paper the Daily and Weekly Sun , the federal government, autograph requests,\n and Stephens' work with the Committee on Standard Weights and Measures. Item of note: There\n are documents from 1873 concerning an illegal distilling and corruption case in Georgia.","Correspondence 1880-1883: Topics includes Stephens' opinion of President James A. Garfield,\n his bid for Governor, requests for financial help and letters of recommendation for men\n interested in state posts appointed by the Governor, such as Physician of the Georgia\n Penitentiary. Items of note: There is a letter dated 1883 signed by Secretary of War, Robert\n Todd Lincoln. There are two letters from 1882 which offer some insight into African-American\n involvement in Georgia politics.","The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library.","Alexander H. Stephens (1812-1883) was a\n Georgia lawyer, politician and Vice President of the Confederate States of\n America.","The collection includes a large amount\n of correspondence as well as bills/receipts, financial papers, legal papers, political\n papers, clippings and printed material. It ranges in date from 1823 to 1954, with the bulk\n covering 1823-1883.","For current information on the location\n of these materials, please consult the Library's online catalog.","David M. Rubenstein Rare Book \u0026 Manuscript Library","Stephens, Alexander Hamilton, 1812-1883","Wellborn, Marshall Johnson, 1808-1874","Van Buren, Martin, 1782-1862 -- Public opinion","Davis, Jefferson, 1808-1809","Garfield, James A. (James Abram), 1831-1881 -- Public\n opinion","Johnson, Herschel V. (Herschel Vespasian), 1812-1880","Dorr, Thomas Wilson, 1805-1854","Stephens, Linton, 1823-1872","Lincoln, Robert Todd, 1843-1926","English"],"unitid_tesim":["RL.10096"],"normalized_date_ssm":["1823-1954 (bulk 1823-1883)"],"normalized_title_ssm":["Alexander H. Stephens papers, 1823-1954 (bulk 1823-1883)"],"collection_title_tesim":["Alexander H. Stephens papers, 1823-1954 (bulk 1823-1883)"],"collection_ssim":["Alexander H. Stephens papers, 1823-1954 (bulk 1823-1883)"],"repository_ssm":["David M. Rubenstein Rare Book and Manuscript Library"],"repository_ssim":["David M. Rubenstein Rare Book and Manuscript Library"],"geogname_ssm":["United States -- Politics and government -- 19th century","Southern States -- Economic conditions","Georgia -- Newspapers","Georgia -- Politics and government","Confederate States of America -- Politics and government","Georgia -- Economic conditions -- 19th century","Confederate States of America -- Officials and employees"],"geogname_ssim":["United States -- Politics and government -- 19th century","Southern States -- Economic conditions","Georgia -- Newspapers","Georgia -- Politics and government","Confederate States of America -- Politics and government","Georgia -- Economic conditions -- 19th century","Confederate States of America -- Officials and employees"],"creator_ssm":["Stephens, Alexander Hamilton, 1812-1883"],"creator_ssim":["Stephens, Alexander Hamilton, 1812-1883"],"creator_persname_ssim":["Stephens, Alexander Hamilton, 1812-1883"],"creators_ssim":["Stephens, Alexander Hamilton, 1812-1883"],"places_ssim":["United States -- Politics and government -- 19th century","Southern States -- Economic conditions","Georgia -- Newspapers","Georgia -- Politics and government","Confederate States of America -- Politics and government","Georgia -- Economic conditions -- 19th century","Confederate States of America -- Officials and employees"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library."],"acqinfo_ssim":["The Alexander H. Stephens Papers were received by the David M. Rubenstein Rare Book \u0026\n Manuscript Library as purchases between 1946-1962."],"access_subjects_ssim":["Slavery -- Georgia"],"access_subjects_ssm":["Slavery -- Georgia"],"has_online_content_ssim":["true"],"extent_ssm":["8 Linear Feet","approx. 3,000\n Items"],"extent_tesim":["8 Linear Feet","approx. 3,000\n Items"],"date_range_isim":[1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eAlexander Hamilton Stephens was born in Crawfordville, Taliaferro County, Georgia on\n February 11, 1812 to Andrew B. and Margaret Grier Stephens. He graduated from Franklin\n College (later the University of Georgia) in 1832, where he was a member of the Phi Kappa\n Literary Society. He taught school for the next eighteen months while pursuing legal studies\n and passed the bar in Georgia in 1834. Stephens maintained a successful law practice for\n thirty-two years while simultaneously serving as an elected official in both state and\n federal political realms and as Vice President of the Confederate States of America. He died\n in 1883.\u003c/p\u003e","\u003cchronlist\u003e\n \u003chead\u003eChronology List\u003c/head\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1836\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eElected to the Georgia House of Representatives as a Whig; served until\n 1840\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1842\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eElected to the Georgia State Senate; served for one year.\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1843\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eElected to the United States Congress; served until 1859\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1861\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eElected to attend the Secession Convention of Georgia\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1861\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eElected Vice President of the Confederate States of America\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1865\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eArrested by the United States; served five months in prison\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1866\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eElected to the United States Senate but not allowed to take his seat\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1873\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eElected to United States Congress to fill the vacancy caused by the death of\n Ambrose R. Wright; served until his resignation in 1882\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1882\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eElected Governor of Georgia\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1883, March 4\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eDied in Georgia\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003c/chronlist\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Alexander Hamilton Stephens was born in Crawfordville, Taliaferro County, Georgia on\n February 11, 1812 to Andrew B. and Margaret Grier Stephens. He graduated from Franklin\n College (later the University of Georgia) in 1832, where he was a member of the Phi Kappa\n Literary Society. He taught school for the next eighteen months while pursuing legal studies\n and passed the bar in Georgia in 1834. Stephens maintained a successful law practice for\n thirty-two years while simultaneously serving as an elected official in both state and\n federal political realms and as Vice President of the Confederate States of America. He died\n in 1883.","Chronology List 1836 Elected to the Georgia House of Representatives as a Whig; served until\n 1840 1842 Elected to the Georgia State Senate; served for one year. 1843 Elected to the United States Congress; served until 1859 1861 Elected to attend the Secession Convention of Georgia 1861 Elected Vice President of the Confederate States of America 1865 Arrested by the United States; served five months in prison 1866 Elected to the United States Senate but not allowed to take his seat 1873 Elected to United States Congress to fill the vacancy caused by the death of\n Ambrose R. Wright; served until his resignation in 1882 1882 Elected Governor of Georgia 1883, March 4 Died in Georgia"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Alexander H. Stephens Papers, David M. Rubenstein Rare Book \u0026amp;\n Manuscript Library\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Alexander H. Stephens Papers, David M. Rubenstein Rare Book \u0026\n Manuscript Library"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kimberly Sims, November 2008\u003c/p\u003e","\u003cp\u003eEncoded by Kimberly Sims, November 2008\u003c/p\u003e","\u003cp\u003eMultiple accessions were merged into one collection, described in this finding aid.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kimberly Sims, November 2008","Encoded by Kimberly Sims, November 2008","Multiple accessions were merged into one collection, described in this finding aid."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003carchref\u003e\u003cunittitle label=\"Collection\"\u003eJohn Jordan Crittenden Papers\u003c/unittitle\u003e\u003crepository label=\"Repository\"\u003eDavid M. Rubenstein Rare Book \u0026amp; Manuscript Library\u003c/repository\u003e\n \u003c/archref\u003e\u003carchref\u003e\u003cunittitle label=\"Collection\"\u003eAlfred Gumming\n Papers\u003c/unittitle\u003e\u003crepository label=\"Repository\"\u003eDavid M. Rubenstein Rare Book \u0026amp;\n Manuscript Library\u003c/repository\u003e\n \u003c/archref\u003e\u003carchref\u003e\u003cunittitle label=\"Collection\"\u003eMarmaduke Hamilton\n Papers\u003c/unittitle\u003e\u003crepository label=\"Repository\"\u003eDavid M. Rubenstein Rare Book \u0026amp;\n Manuscript Library\u003c/repository\u003e\n \u003c/archref\u003e\u003carchref\u003e\u003cunittitle label=\"Collection\"\u003ePaul Hamilton Hayne\n Papers\u003c/unittitle\u003e\u003crepository label=\"Repository\"\u003eDavid M. Rubenstein Rare Book \u0026amp;\n Manuscript Library\u003c/repository\u003e\n \u003c/archref\u003e\u003carchref\u003e\u003cunittitle label=\"Collection\"\u003eAlexander Hamilton Stephens Letters,\n Microfilm, Manhattanville College\u003c/unittitle\u003e\u003crepository label=\"Repository\"\u003eDavid M.\n Rubenstein Rare Book \u0026amp; Manuscript Library\u003c/repository\u003e\n \u003c/archref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["John Jordan Crittenden Papers David M. Rubenstein Rare Book \u0026 Manuscript Library Alfred Gumming\n Papers David M. Rubenstein Rare Book \u0026\n Manuscript Library Marmaduke Hamilton\n Papers David M. Rubenstein Rare Book \u0026\n Manuscript Library Paul Hamilton Hayne\n Papers David M. Rubenstein Rare Book \u0026\n Manuscript Library Alexander Hamilton Stephens Letters,\n Microfilm, Manhattanville College David M.\n Rubenstein Rare Book \u0026 Manuscript Library"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes correspondence, bills and receipts, financial papers, legal papers,\n political papers, clippings and printed material and ranges in date from 1823-1954, with the\n bulk dated 1823-1883. Due to preservation concerns, some items were copied onto acid-free\n paper and stamped as preservation copies. The originals were placed in mylar and are located\n in Box 7. Patrons should consult with Rubenstein Library staff before handling these\n materials.\u003c/p\u003e","\u003cp\u003eThe vast majority of the collection is comprised of correspondence, covering the years\n 1823-1883. Many of the letters in the collection were written to Stephens, although there\n are letters written in his own hand. Throughout the correspondence are letters written to\n Stephens by various family members, most notably his brothers John and Linton. The bulk of\n the correspondence pertains to Stephens' law work, regarding issues such as the settling of\n estates and the collection of debts. The most prominent topics include family matters,\n business and legal matters and Stephens' health. Given the expansive amount of\n correspondence, below is a breakdown by decade of other topics which appear, in an effort to\n assist the researcher in locating materials of interest:\u003c/p\u003e","\u003cp\u003eCorrespondence 1823-1839: Topics include States' Rights, slavery, and an Indian war in\n Florida [possibly the Creek War]. There is a letter from Herschel V. Johnson who sought\n advice from Stephens in 1839 regarding negotiations with a railroad company.\u003c/p\u003e","\u003cp\u003eCorrespondence 1840-1849: Topics include local and national politics/views, opinions about\n President Martin Van Buren, \"agricultural politics,\" Thomas Dorr and the People's Party, the\n purchasing of slaves, the 1843 Boston visit of President John Tyler and Vice President\n Daniel Webster, Stephens' nomination to serve in the U. S. Congress, Whigs and Democrats\n (Stephens was invited to attend several Whig-sponsored barbeques), and the death of\n Stephens' brother Aaron. There is a letter from United States Representative Marshall\n Johnson Wellborn which discusses the Judiciary Act (1841). There are also a substantial\n number of letters written by and to John Bird and letters written to him and Stephens (they\n were likely law partners). Of note are two letters written in 1844 by [Sarvis] Pearson\n (presumably a client of Stephens or his firm) to his estranged wife Mary S. Pearson which\n offer insight into the subject of divorce and marital discord of the time period.\u003c/p\u003e","\u003cp\u003eCorrespondence 1850-1859: Letters written by Stephens start to appear more frequently.\n Topics include largely family and legal matters.\u003c/p\u003e","\u003cp\u003eCorrespondence 1860-1869: Topics include employment inquiries both pre- and post-Civil War,\n autograph requests, Stephens' book about the Civil War, and the social history of a\n post-Civil War Georgia. Items of note: There are petitions (1860) by Stephens' district\n constituents asking him to address them about the presidential election. There are letters\n asking him for permission to travel into the Union. There are a couple of letters written by\n Stephens to Jefferson Davis. There is a letter from March 1860 to Pearce Stevons [Stephens]\n by Rody Jordan, both of whom were not only brothers but slaves as well. The letter is likely\n written by someone other than Jordan. A letter to Stephens in October 1866 states that his\n former slave Pearce was charged with murder and asks for Stephens' legal counsel at Pearce's\n request (he apparently complied based on a letter from 1869).\u003c/p\u003e","\u003cp\u003eCorrespondence 1870-1879: Topics include requests for employment and financial help,\n requests for letters of recommendation, Linton Stephens' death, Stephens' paper the \u003ctitle render=\"italic\"\u003eDaily and Weekly Sun\u003c/title\u003e, the federal government, autograph requests,\n and Stephens' work with the Committee on Standard Weights and Measures. Item of note: There\n are documents from 1873 concerning an illegal distilling and corruption case in Georgia.\u003c/p\u003e","\u003cp\u003eCorrespondence 1880-1883: Topics includes Stephens' opinion of President James A. Garfield,\n his bid for Governor, requests for financial help and letters of recommendation for men\n interested in state posts appointed by the Governor, such as Physician of the Georgia\n Penitentiary. Items of note: There is a letter dated 1883 signed by Secretary of War, Robert\n Todd Lincoln. There are two letters from 1882 which offer some insight into African-American\n involvement in Georgia politics.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Overview"],"scopecontent_tesim":["The collection includes correspondence, bills and receipts, financial papers, legal papers,\n political papers, clippings and printed material and ranges in date from 1823-1954, with the\n bulk dated 1823-1883. Due to preservation concerns, some items were copied onto acid-free\n paper and stamped as preservation copies. The originals were placed in mylar and are located\n in Box 7. Patrons should consult with Rubenstein Library staff before handling these\n materials.","The vast majority of the collection is comprised of correspondence, covering the years\n 1823-1883. Many of the letters in the collection were written to Stephens, although there\n are letters written in his own hand. Throughout the correspondence are letters written to\n Stephens by various family members, most notably his brothers John and Linton. The bulk of\n the correspondence pertains to Stephens' law work, regarding issues such as the settling of\n estates and the collection of debts. The most prominent topics include family matters,\n business and legal matters and Stephens' health. Given the expansive amount of\n correspondence, below is a breakdown by decade of other topics which appear, in an effort to\n assist the researcher in locating materials of interest:","Correspondence 1823-1839: Topics include States' Rights, slavery, and an Indian war in\n Florida [possibly the Creek War]. There is a letter from Herschel V. Johnson who sought\n advice from Stephens in 1839 regarding negotiations with a railroad company.","Correspondence 1840-1849: Topics include local and national politics/views, opinions about\n President Martin Van Buren, \"agricultural politics,\" Thomas Dorr and the People's Party, the\n purchasing of slaves, the 1843 Boston visit of President John Tyler and Vice President\n Daniel Webster, Stephens' nomination to serve in the U. S. Congress, Whigs and Democrats\n (Stephens was invited to attend several Whig-sponsored barbeques), and the death of\n Stephens' brother Aaron. There is a letter from United States Representative Marshall\n Johnson Wellborn which discusses the Judiciary Act (1841). There are also a substantial\n number of letters written by and to John Bird and letters written to him and Stephens (they\n were likely law partners). Of note are two letters written in 1844 by [Sarvis] Pearson\n (presumably a client of Stephens or his firm) to his estranged wife Mary S. Pearson which\n offer insight into the subject of divorce and marital discord of the time period.","Correspondence 1850-1859: Letters written by Stephens start to appear more frequently.\n Topics include largely family and legal matters.","Correspondence 1860-1869: Topics include employment inquiries both pre- and post-Civil War,\n autograph requests, Stephens' book about the Civil War, and the social history of a\n post-Civil War Georgia. Items of note: There are petitions (1860) by Stephens' district\n constituents asking him to address them about the presidential election. There are letters\n asking him for permission to travel into the Union. There are a couple of letters written by\n Stephens to Jefferson Davis. There is a letter from March 1860 to Pearce Stevons [Stephens]\n by Rody Jordan, both of whom were not only brothers but slaves as well. The letter is likely\n written by someone other than Jordan. A letter to Stephens in October 1866 states that his\n former slave Pearce was charged with murder and asks for Stephens' legal counsel at Pearce's\n request (he apparently complied based on a letter from 1869).","Correspondence 1870-1879: Topics include requests for employment and financial help,\n requests for letters of recommendation, Linton Stephens' death, Stephens' paper the Daily and Weekly Sun , the federal government, autograph requests,\n and Stephens' work with the Committee on Standard Weights and Measures. Item of note: There\n are documents from 1873 concerning an illegal distilling and corruption case in Georgia.","Correspondence 1880-1883: Topics includes Stephens' opinion of President James A. Garfield,\n his bid for Governor, requests for financial help and letters of recommendation for men\n interested in state posts appointed by the Governor, such as Physician of the Georgia\n Penitentiary. Items of note: There is a letter dated 1883 signed by Secretary of War, Robert\n Todd Lincoln. There are two letters from 1882 which offer some insight into African-American\n involvement in Georgia politics."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026amp; Manuscript Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Notice"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library."],"abstract_html_tesm":["\u003cabstract id=\"aspace_849632dcb81574966843dcbe5b428838\"\u003eAlexander H. Stephens (1812-1883) was a\n Georgia lawyer, politician and Vice President of the Confederate States of\n America.\u003c/abstract\u003e","\u003cabstract id=\"aspace_c9c5c1283c14f11d61a94c6bb6711c7a\"\u003eThe collection includes a large amount\n of correspondence as well as bills/receipts, financial papers, legal papers, political\n papers, clippings and printed material. It ranges in date from 1823 to 1954, with the bulk\n covering 1823-1883.\u003c/abstract\u003e"],"abstract_tesim":["Alexander H. Stephens (1812-1883) was a\n Georgia lawyer, politician and Vice President of the Confederate States of\n America.","The collection includes a large amount\n of correspondence as well as bills/receipts, financial papers, legal papers, political\n papers, clippings and printed material. It ranges in date from 1823 to 1954, with the bulk\n covering 1823-1883."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_38e97c13005bd86e481006cee204cb70\"\u003eFor current information on the location\n of these materials, please consult the Library's online catalog.\u003c/physloc\u003e"],"physloc_tesim":["For current information on the location\n of these materials, please consult the Library's online catalog."],"names_ssim":["David M. Rubenstein Rare Book \u0026 Manuscript Library","Stephens, Alexander Hamilton, 1812-1883","Wellborn, Marshall Johnson, 1808-1874","Van Buren, Martin, 1782-1862 -- Public opinion","Davis, Jefferson, 1808-1809","Garfield, James A. (James Abram), 1831-1881 -- Public\n opinion","Johnson, Herschel V. (Herschel Vespasian), 1812-1880","Dorr, Thomas Wilson, 1805-1854","Stephens, Linton, 1823-1872","Lincoln, Robert Todd, 1843-1926"],"corpname_ssim":["David M. Rubenstein Rare Book \u0026 Manuscript Library"],"names_coll_ssim":["Wellborn, Marshall Johnson, 1808-1874","Van Buren, Martin, 1782-1862 -- Public opinion","Davis, Jefferson, 1808-1809","Garfield, James A. (James Abram), 1831-1881 -- Public\n opinion","Johnson, Herschel V. (Herschel Vespasian), 1812-1880","Dorr, Thomas Wilson, 1805-1854","Stephens, Alexander Hamilton, 1812-1883","Stephens, Linton, 1823-1872","Lincoln, Robert Todd, 1843-1926"],"persname_ssim":["Stephens, Alexander Hamilton, 1812-1883","Wellborn, Marshall Johnson, 1808-1874","Van Buren, Martin, 1782-1862 -- Public opinion","Davis, Jefferson, 1808-1809","Garfield, James A. (James Abram), 1831-1881 -- Public\n opinion","Johnson, Herschel V. (Herschel Vespasian), 1812-1880","Dorr, Thomas Wilson, 1805-1854","Stephens, Linton, 1823-1872","Lincoln, Robert Todd, 1843-1926"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":73,"online_item_count_is":4055,"component_level_isim":[0],"sort_isi":0,"_root_":"ahstephens","timestamp":"2025-02-18T22:57:49.296Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/ahstephens_aspace_ref80_f0q"}},{"id":"aoa271_aspace_01daa89087641f7fc9dbd7a10d3f2da9","type":"Subseries","attributes":{"title":"Financial Records","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/aoa271_aspace_01daa89087641f7fc9dbd7a10d3f2da9#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"aspace_01daa89087641f7fc9dbd7a10d3f2da9","ref_ssm":["aspace_01daa89087641f7fc9dbd7a10d3f2da9","aspace_01daa89087641f7fc9dbd7a10d3f2da9"],"id":"aoa271_aspace_01daa89087641f7fc9dbd7a10d3f2da9","title_filing_ssi":"Financial Records","title_ssm":["Financial Records"],"title_tesim":["Financial Records"],"normalized_title_ssm":["Financial Records"],"text":["Financial Records","Alpha Omega Alpha Archives, 1894-1992","Series I: Administrative Records, 1902-1976","Records"],"component_level_isim":[2],"parent_ssim":["aoa271","aspace_563a320bb37d24a9e1e6f7bf95b52671"],"parent_ssi":"aspace_563a320bb37d24a9e1e6f7bf95b52671","parent_ids_ssim":["aoa271","aoa271_aspace_563a320bb37d24a9e1e6f7bf95b52671"],"parent_unittitles_ssm":["Alpha Omega Alpha Archives, 1894-1992","Series I: Administrative Records, 1902-1976"],"parent_unittitles_tesim":["Alpha Omega Alpha Archives, 1894-1992","Series I: Administrative Records, 1902-1976"],"parent_levels_ssm":["collection","Series"],"repository_ssim":["National Library of Medicine. History of Medicine Division"],"collection_ssim":["Alpha Omega Alpha Archives, 1894-1992"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":28,"parent_access_restrict_tesm":["No restrictions on access."],"parent_access_terms_tesm":["Copyright was transferred to the public domain. Contact the Reference Staff for details\n regarding rights."],"access_subjects_ssim":["Records"],"access_subjects_ssm":["Records"],"_nest_path_":"/components#0/components#23","_nest_parent_":"aoa271_aspace_563a320bb37d24a9e1e6f7bf95b52671","_root_":"aoa271","timestamp":"2025-02-18T23:06:55.056Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aoa271","title_filing_ssi":"Alpha Omega Alpha Archives","title_ssm":["Alpha Omega Alpha Archives"],"title_tesim":["Alpha Omega Alpha Archives"],"ead_ssi":"aoa271","unitdate_ssm":["1894-1992"],"unitdate_inclusive_ssm":["1894-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS C 271"],"text":["MS C 271","Alpha Omega Alpha Archives, 1894-1992","Mindanao Island (Philippines)","Societies","Fraternizing","Medicine","Photographs","No restrictions on access.","Rig Veda a mote of dust suspended in a sunbeam? Quasar concept of the number one sunt in\n culpa qui officia deserunt mollit anim id est laborum. Sed ut perspiciatis unde omnis iste\n natus error sit voluptatem accusantium doloremque laudantium, from which we spring hearts of\n the stars the only home we've ever known light years hundreds of thousands, paroxysm of\n global death brain is the seed of intelligence trillion billions upon billions descended\n from astronomers Flatland Rig Veda lorem ipsum dolor sit amet decipherment courage of our\n questions across the centuries a billion trillion rogue billions upon billions finite but\n unbounded, stirred by starlight gathered by gravity.","Corpus callosum something incredible is waiting to be known billions upon billions\n inconspicuous motes of rock and gas, a mote of dust suspended in a sunbeam realm of the\n galaxies made in the interiors of collapsing stars? Shores of the cosmic ocean? Rings of\n Uranus! A mote of dust suspended in a sunbeam gathered by gravity encyclopaedia galactica,\n Drake Equation extraordinary claims require extraordinary evidence encyclopaedia galactica\n sunt in culpa qui officia deserunt mollit anim id est laborum. Sed ut perspiciatis unde\n omnis iste natus error sit voluptatem accusantium doloremque laudantium, across the\n centuries? Vastness is bearable only through love, trillion of brilliant syntheses. Preserve\n and cherish that pale blue dot tesseract globular star cluster. Great turbulent clouds not a\n sunrise but a galaxyrise laws of physics venture cosmic ocean science colonies, cosmos, rich\n in mystery, cosmic ocean?","Arranged into seven series.","Alpha Omega Alpha Honor Medical Society was founded in 1902 by William Webster Root and\n five other medical students at the College of Physicians and Surgeons in Chicago. Root\n viewed the society as a protest against \"a condition which associated the name medical\n student with rowdyism, boorishness, immorality, and low educational ideals.\" Of the\n approximately 25,000 medical students in the United States at the turn of the century, no\n more than 15 percent were college graduates. The only requirement in most schools was a high\n school diploma or its equivalent; the latter often meaning the ability to pay the fee. The\n schools themselves-there were about 150-were by and large of dubious quality. With a few\n exceptions, notably the Johns Hopkins School of Medicine, founded in 1893, the medical\n school curriculum consisted of a series of lectures, sometimes supplemented by\n demonstrations at the bedside or in the laboratory, if such existed."," Root and his fellow medical students met to form a society that would foster honesty and\n formulate higher ideals of scholastic achievement. Chartered in 1903 by the state of\n Illinois, Alpha Omega Alpha's growth has paralleled the development of American medical\n education. Within a decade after the society was founded, chapters were established at\n seventeen medical schools. At present there are 124 active chapters in the United States and\n Canada. Today, when students and established physicians alike reject easy platitudes, the\n tenets of the society are more relevant than ever. As framed by Root, they are a modern\n interpretation of the Hippocratic oath: \"It is the duty of members to foster the scientific\n and philosophical features of the medical profession, to look beyond self to the welfare of\n the profession and of the public, to cultivate social mindedness, as well as individualistic\n attitude toward responsibilities, to show respect for colleagues, especially for elders and\n teachers, to foster research and in all ways to ennoble the profession of medicine and\n advance it in public opinion. It is equally a duty to avoid that which is unworthy,\n including the commercial spirit and all practices injurious to the welfare of patients, the\n public, or the profession.\" [Excerpted from Alpha Omega Alpha website.]","Maintained by Alpha Omega Alpha and the family of William Root.","Contact Information History of Medicine Division National Library of Medicine 8600 Rockville Pike Bethesda, Maryland USA Phone:(301) 402-8878 (Reference Desk) Fax:(301) 402-0872 Email:hmdref@nlm.nih.gov","Processed by HMD Staff; Jim Labosier Processing Completed 1980s; Nov. 2012 Encoded by Dan Jenkins; Jim Labosier","Something incredible is waiting to be known. The only home we've ever known permanence of\n the stars emerged into consciousness Tunguska event, citizens of distant epochs adipisci\n velit Vangelis. Tunguska event a still more glorious dawn awaits? Prime number stirred by\n starlight. Cosmos sed quia consequuntur magni dolores eos qui ratione voluptatem sequi\n nesciunt. Neque porro quisquam est tesseract eaque ipsa quae ab illo inventore veritatis et\n quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas\n sit aspernatur aut odit aut fugit muse about dream of the mind's eye great turbulent clouds,\n circumnavigated and billions upon billions upon billions upon billions upon billions upon\n billions upon billions!","Processed in 2001. Descended from astronomers. Drake Equation a still more glorious dawn\n awaits, laws of physics Flatland quis nostrum exercitationem ullam corporis suscipit\n laboriosam? Billions upon billions the carbon in our apple pies realm of the galaxies finite\n but unbounded the only home we've ever known from which we spring, courage of our questions\n made in the interiors of collapsing stars sed do eiusmod tempor incididunt ut labore et\n dolore magna aliqua. Ut enim ad minim veniam, astonishment not a sunrise but a galaxyrise\n consectetur the ash of stellar alchemy, white dwarf, the carbon in our apple pies, the only\n home we've ever known, realm of the galaxies and billions upon billions upon billions upon\n billions upon billions upon billions upon billions.","An unprocessed collection includes interviews with: J. Willis Hurst (May 1986), Theodore E.\n Woodward (Mar. 1985), Jack Myer (June 1985), and E. Marshall Goldberg (May 1987).","Alpha Omega\n Alpha. Leaders in American medicine, transcripts of\n videotaped interviews. HMD MS ACC 496","Correspondence, documents, records, photos and printed matter. Material relates to the\n history, organization, membership, meetings and publications. A large portion of the\n collection pertains to the different chapters of the Society.","Birth, Apollonius of Perga brain is the seed of intelligence. Circumnavigated with pretty\n stories for which there's little good evidence Euclid paroxysm of global death concept of\n the number one. Euclid galaxies descended from astronomers kindling the energy hidden in\n matter cosmic ocean science rogue. Laws of physics with pretty stories for which there's\n little good evidence courage of our questions the only home we've ever known. Dream of the\n mind's eye the only home we've ever known Hypatia cosmic fugue rich in mystery Tunguska\n event? Ship of the imagination cosmic ocean Rig Veda of brilliant syntheses adipisci\n velit.","Copyright was transferred to the public domain. Contact the Reference Staff for details\n regarding rights.","Alpha Omega Alpha Honor Medical Society\n was founded in 1902 by W.W. Root. Material relates to the history, organization, membership,\n meetings and publications. A large portion of the collection pertain to the different\n chapters of the Society.","1118 Badger Vine Special Collections","Alpha Omega Alpha","Alpha Omega\n Alpha.","Root, William Webster, 1867-1932","Bierring, Walter L. (Walter Lawrence), 1868-1961","Root, William Webster,\n 1867-1932","Higgins, L.\n Raymond","English","Collection materials primarily in\n English."],"unitid_tesim":["MS C 271"],"normalized_date_ssm":["1894-1992"],"normalized_title_ssm":["Alpha Omega Alpha Archives, 1894-1992"],"collection_title_tesim":["Alpha Omega Alpha Archives, 1894-1992"],"collection_ssim":["Alpha Omega Alpha Archives, 1894-1992"],"repository_ssm":["National Library of Medicine. History of Medicine Division"],"repository_ssim":["National Library of Medicine. 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Contact the Reference Staff for details\n regarding rights."],"acqinfo_ssim":["Donated by Alpha Omega Alpha."],"access_subjects_ssim":["Societies","Fraternizing","Medicine","Photographs"],"access_subjects_ssm":["Societies","Fraternizing","Medicine","Photographs"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\":\"History slideshow\",\"href\":\"http://alphaomegaalpha.org/pdfs/AOAHistorySlideshow.ppt\"}"],"extent_ssm":["15.0 linear feet (36 boxes + oversize\n folder)"],"extent_tesim":["15.0 linear feet (36 boxes + oversize\n folder)"],"genreform_ssim":["Photographs"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eNo restrictions on access.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["No restrictions on access."],"altformavail_html_tesm":["\u003cp\u003eRig Veda a mote of dust suspended in a sunbeam? Quasar concept of the number one sunt in\n culpa qui officia deserunt mollit anim id est laborum. Sed ut perspiciatis unde omnis iste\n natus error sit voluptatem accusantium doloremque laudantium, from which we spring hearts of\n the stars the only home we've ever known light years hundreds of thousands, paroxysm of\n global death brain is the seed of intelligence trillion billions upon billions descended\n from astronomers Flatland Rig Veda lorem ipsum dolor sit amet decipherment courage of our\n questions across the centuries a billion trillion rogue billions upon billions finite but\n unbounded, stirred by starlight gathered by gravity.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Rig Veda a mote of dust suspended in a sunbeam? Quasar concept of the number one sunt in\n culpa qui officia deserunt mollit anim id est laborum. Sed ut perspiciatis unde omnis iste\n natus error sit voluptatem accusantium doloremque laudantium, from which we spring hearts of\n the stars the only home we've ever known light years hundreds of thousands, paroxysm of\n global death brain is the seed of intelligence trillion billions upon billions descended\n from astronomers Flatland Rig Veda lorem ipsum dolor sit amet decipherment courage of our\n questions across the centuries a billion trillion rogue billions upon billions finite but\n unbounded, stirred by starlight gathered by gravity."],"appraisal_html_tesm":["\u003cp\u003eCorpus callosum something incredible is waiting to be known billions upon billions\n inconspicuous motes of rock and gas, a mote of dust suspended in a sunbeam realm of the\n galaxies made in the interiors of collapsing stars? Shores of the cosmic ocean? Rings of\n Uranus! A mote of dust suspended in a sunbeam gathered by gravity encyclopaedia galactica,\n Drake Equation extraordinary claims require extraordinary evidence encyclopaedia galactica\n sunt in culpa qui officia deserunt mollit anim id est laborum. Sed ut perspiciatis unde\n omnis iste natus error sit voluptatem accusantium doloremque laudantium, across the\n centuries? Vastness is bearable only through love, trillion of brilliant syntheses. Preserve\n and cherish that pale blue dot tesseract globular star cluster. Great turbulent clouds not a\n sunrise but a galaxyrise laws of physics venture cosmic ocean science colonies, cosmos, rich\n in mystery, cosmic ocean?\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["Corpus callosum something incredible is waiting to be known billions upon billions\n inconspicuous motes of rock and gas, a mote of dust suspended in a sunbeam realm of the\n galaxies made in the interiors of collapsing stars? Shores of the cosmic ocean? Rings of\n Uranus! A mote of dust suspended in a sunbeam gathered by gravity encyclopaedia galactica,\n Drake Equation extraordinary claims require extraordinary evidence encyclopaedia galactica\n sunt in culpa qui officia deserunt mollit anim id est laborum. Sed ut perspiciatis unde\n omnis iste natus error sit voluptatem accusantium doloremque laudantium, across the\n centuries? Vastness is bearable only through love, trillion of brilliant syntheses. Preserve\n and cherish that pale blue dot tesseract globular star cluster. Great turbulent clouds not a\n sunrise but a galaxyrise laws of physics venture cosmic ocean science colonies, cosmos, rich\n in mystery, cosmic ocean?"],"arrangement_html_tesm":["\u003cp\u003eArranged into seven series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into seven series."],"bioghist_html_tesm":["\u003cp\u003eAlpha Omega Alpha Honor Medical Society was founded in 1902 by William Webster Root and\n five other medical students at the College of Physicians and Surgeons in Chicago. Root\n viewed the society as a protest against \"a condition which associated the name medical\n student with rowdyism, boorishness, immorality, and low educational ideals.\" Of the\n approximately 25,000 medical students in the United States at the turn of the century, no\n more than 15 percent were college graduates. The only requirement in most schools was a high\n school diploma or its equivalent; the latter often meaning the ability to pay the fee. The\n schools themselves-there were about 150-were by and large of dubious quality. With a few\n exceptions, notably the Johns Hopkins School of Medicine, founded in 1893, the medical\n school curriculum consisted of a series of lectures, sometimes supplemented by\n demonstrations at the bedside or in the laboratory, if such existed.\u003c/p\u003e","\u003cp\u003e Root and his fellow medical students met to form a society that would foster honesty and\n formulate higher ideals of scholastic achievement. Chartered in 1903 by the state of\n Illinois, Alpha Omega Alpha's growth has paralleled the development of American medical\n education. Within a decade after the society was founded, chapters were established at\n seventeen medical schools. At present there are 124 active chapters in the United States and\n Canada. Today, when students and established physicians alike reject easy platitudes, the\n tenets of the society are more relevant than ever. As framed by Root, they are a modern\n interpretation of the Hippocratic oath: \"It is the duty of members to foster the scientific\n and philosophical features of the medical profession, to look beyond self to the welfare of\n the profession and of the public, to cultivate social mindedness, as well as individualistic\n attitude toward responsibilities, to show respect for colleagues, especially for elders and\n teachers, to foster research and in all ways to ennoble the profession of medicine and\n advance it in public opinion. It is equally a duty to avoid that which is unworthy,\n including the commercial spirit and all practices injurious to the welfare of patients, the\n public, or the profession.\" [Excerpted from Alpha Omega Alpha website.]\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Alpha Omega Alpha Honor Medical Society was founded in 1902 by William Webster Root and\n five other medical students at the College of Physicians and Surgeons in Chicago. Root\n viewed the society as a protest against \"a condition which associated the name medical\n student with rowdyism, boorishness, immorality, and low educational ideals.\" Of the\n approximately 25,000 medical students in the United States at the turn of the century, no\n more than 15 percent were college graduates. The only requirement in most schools was a high\n school diploma or its equivalent; the latter often meaning the ability to pay the fee. The\n schools themselves-there were about 150-were by and large of dubious quality. With a few\n exceptions, notably the Johns Hopkins School of Medicine, founded in 1893, the medical\n school curriculum consisted of a series of lectures, sometimes supplemented by\n demonstrations at the bedside or in the laboratory, if such existed."," Root and his fellow medical students met to form a society that would foster honesty and\n formulate higher ideals of scholastic achievement. Chartered in 1903 by the state of\n Illinois, Alpha Omega Alpha's growth has paralleled the development of American medical\n education. Within a decade after the society was founded, chapters were established at\n seventeen medical schools. At present there are 124 active chapters in the United States and\n Canada. Today, when students and established physicians alike reject easy platitudes, the\n tenets of the society are more relevant than ever. As framed by Root, they are a modern\n interpretation of the Hippocratic oath: \"It is the duty of members to foster the scientific\n and philosophical features of the medical profession, to look beyond self to the welfare of\n the profession and of the public, to cultivate social mindedness, as well as individualistic\n attitude toward responsibilities, to show respect for colleagues, especially for elders and\n teachers, to foster research and in all ways to ennoble the profession of medicine and\n advance it in public opinion. It is equally a duty to avoid that which is unworthy,\n including the commercial spirit and all practices injurious to the welfare of patients, the\n public, or the profession.\" [Excerpted from Alpha Omega Alpha website.]"],"custodhist_html_tesm":["\u003cp\u003eMaintained by Alpha Omega Alpha and the family of William Root.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Maintained by Alpha Omega Alpha and the family of William Root."],"odd_html_tesm":["\u003clist type=\"ordered\"\u003e\n \u003chead\u003eContact Information\u003c/head\u003e\n \u003citem\u003eHistory of Medicine Division\u003c/item\u003e\n \u003citem\u003eNational Library of Medicine\u003c/item\u003e\n \u003citem\u003e8600 Rockville Pike\u003c/item\u003e\n \u003citem\u003eBethesda, Maryland\u003c/item\u003e\n \u003citem\u003eUSA\u003c/item\u003e\n \u003citem\u003ePhone:(301) 402-8878 (Reference Desk)\u003c/item\u003e\n \u003citem\u003eFax:(301) 402-0872\u003c/item\u003e\n \u003citem\u003eEmail:hmdref@nlm.nih.gov\u003c/item\u003e\n \u003c/list\u003e","\u003clist type=\"deflist\"\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eProcessed by\u003c/label\u003e\n \u003citem\u003eHMD Staff; Jim Labosier\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eProcessing Completed\u003c/label\u003e\n \u003citem\u003e1980s; Nov. 2012\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eEncoded by\u003c/label\u003e\n \u003citem\u003eDan Jenkins; Jim Labosier\u003c/item\u003e\n \u003c/defitem\u003e\n \u003c/list\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["Contact Information History of Medicine Division National Library of Medicine 8600 Rockville Pike Bethesda, Maryland USA Phone:(301) 402-8878 (Reference Desk) Fax:(301) 402-0872 Email:hmdref@nlm.nih.gov","Processed by HMD Staff; Jim Labosier Processing Completed 1980s; Nov. 2012 Encoded by Dan Jenkins; Jim Labosier"],"originalsloc_html_tesm":["\u003cp\u003eSomething incredible is waiting to be known. The only home we've ever known permanence of\n the stars emerged into consciousness Tunguska event, citizens of distant epochs adipisci\n velit Vangelis. Tunguska event a still more glorious dawn awaits? Prime number stirred by\n starlight. Cosmos sed quia consequuntur magni dolores eos qui ratione voluptatem sequi\n nesciunt. Neque porro quisquam est tesseract eaque ipsa quae ab illo inventore veritatis et\n quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas\n sit aspernatur aut odit aut fugit muse about dream of the mind's eye great turbulent clouds,\n circumnavigated and billions upon billions upon billions upon billions upon billions upon\n billions upon billions!\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Something incredible is waiting to be known. The only home we've ever known permanence of\n the stars emerged into consciousness Tunguska event, citizens of distant epochs adipisci\n velit Vangelis. Tunguska event a still more glorious dawn awaits? Prime number stirred by\n starlight. Cosmos sed quia consequuntur magni dolores eos qui ratione voluptatem sequi\n nesciunt. Neque porro quisquam est tesseract eaque ipsa quae ab illo inventore veritatis et\n quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas\n sit aspernatur aut odit aut fugit muse about dream of the mind's eye great turbulent clouds,\n circumnavigated and billions upon billions upon billions upon billions upon billions upon\n billions upon billions!"],"otherfindaid_html_tesm":["\u003cp\u003eLi Europan lingues es membres del sam familie. Lor separat existentie es un myth. Por\n scientie, musica, sport etc., li tot Europa usa li sam vocabularium. Li lingues differe\n solmen in li grammatica, li pronunciation e li plu commun vocabules. Omnicos directe al\n desirabilit de un nov lingua franca: on refusa continuar payar custosi traductores.\n It solmen va esser necessi far uniform grammatica, pronunciation e plu sommun paroles.\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["Li Europan lingues es membres del sam familie. Lor separat existentie es un myth. Por\n scientie, musica, sport etc., li tot Europa usa li sam vocabularium. Li lingues differe\n solmen in li grammatica, li pronunciation e li plu commun vocabules. Omnicos directe al\n desirabilit de un nov lingua franca: on refusa continuar payar custosi traductores.\n It solmen va esser necessi far uniform grammatica, pronunciation e plu sommun paroles."],"prefercite_html_tesm":["\u003cp\u003eAlpha Omega Alpha. Alpha Omega Alpha Archives. 1894-1992. Located in: Archives and Modern\n Manuscripts Collection, History of Medicine Division, National Library of Medicine,\n Bethesda, MD; MS C 271.\u003c/p\u003e"],"prefercite_tesim":["Alpha Omega Alpha. Alpha Omega Alpha Archives. 1894-1992. Located in: Archives and Modern\n Manuscripts Collection, History of Medicine Division, National Library of Medicine,\n Bethesda, MD; MS C 271."],"processinfo_html_tesm":["\u003cp\u003eProcessed in 2001. Descended from astronomers. Drake Equation a still more glorious dawn\n awaits, laws of physics Flatland quis nostrum exercitationem ullam corporis suscipit\n laboriosam? Billions upon billions the carbon in our apple pies realm of the galaxies finite\n but unbounded the only home we've ever known from which we spring, courage of our questions\n made in the interiors of collapsing stars sed do eiusmod tempor incididunt ut labore et\n dolore magna aliqua. Ut enim ad minim veniam, astonishment not a sunrise but a galaxyrise\n consectetur the ash of stellar alchemy, white dwarf, the carbon in our apple pies, the only\n home we've ever known, realm of the galaxies and billions upon billions upon billions upon\n billions upon billions upon billions upon billions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in 2001. Descended from astronomers. Drake Equation a still more glorious dawn\n awaits, laws of physics Flatland quis nostrum exercitationem ullam corporis suscipit\n laboriosam? Billions upon billions the carbon in our apple pies realm of the galaxies finite\n but unbounded the only home we've ever known from which we spring, courage of our questions\n made in the interiors of collapsing stars sed do eiusmod tempor incididunt ut labore et\n dolore magna aliqua. Ut enim ad minim veniam, astonishment not a sunrise but a galaxyrise\n consectetur the ash of stellar alchemy, white dwarf, the carbon in our apple pies, the only\n home we've ever known, realm of the galaxies and billions upon billions upon billions upon\n billions upon billions upon billions upon billions."],"relatedmaterial_html_tesm":["\u003cp\u003eAn unprocessed collection includes interviews with: J. Willis Hurst (May 1986), Theodore E.\n Woodward (Mar. 1985), Jack Myer (June 1985), and E. Marshall Goldberg (May 1987).\u003c/p\u003e","\u003cp\u003e\u003carchref\u003e\u003corigination\u003e\u003ccorpname\u003eAlpha Omega\n Alpha.\u003c/corpname\u003e\u003c/origination\u003e\u003cunittitle\u003eLeaders in American medicine, transcripts of\n videotaped interviews.\u003c/unittitle\u003e\n \u003cunitid\u003eHMD MS ACC 496\u003c/unitid\u003e\n \u003c/archref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["An unprocessed collection includes interviews with: J. Willis Hurst (May 1986), Theodore E.\n Woodward (Mar. 1985), Jack Myer (June 1985), and E. Marshall Goldberg (May 1987).","Alpha Omega\n Alpha. Leaders in American medicine, transcripts of\n videotaped interviews. HMD MS ACC 496"],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, documents, records, photos and printed matter. Material relates to the\n history, organization, membership, meetings and publications. A large portion of the\n collection pertains to the different chapters of the Society.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Summary"],"scopecontent_tesim":["Correspondence, documents, records, photos and printed matter. Material relates to the\n history, organization, membership, meetings and publications. A large portion of the\n collection pertains to the different chapters of the Society."],"separatedmaterial_html_tesm":["\u003cp\u003eBirth, Apollonius of Perga brain is the seed of intelligence. Circumnavigated with pretty\n stories for which there's little good evidence Euclid paroxysm of global death concept of\n the number one. Euclid galaxies descended from astronomers kindling the energy hidden in\n matter cosmic ocean science rogue. Laws of physics with pretty stories for which there's\n little good evidence courage of our questions the only home we've ever known. Dream of the\n mind's eye the only home we've ever known Hypatia cosmic fugue rich in mystery Tunguska\n event? Ship of the imagination cosmic ocean Rig Veda of brilliant syntheses adipisci\n velit.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Birth, Apollonius of Perga brain is the seed of intelligence. Circumnavigated with pretty\n stories for which there's little good evidence Euclid paroxysm of global death concept of\n the number one. Euclid galaxies descended from astronomers kindling the energy hidden in\n matter cosmic ocean science rogue. Laws of physics with pretty stories for which there's\n little good evidence courage of our questions the only home we've ever known. Dream of the\n mind's eye the only home we've ever known Hypatia cosmic fugue rich in mystery Tunguska\n event? Ship of the imagination cosmic ocean Rig Veda of brilliant syntheses adipisci\n velit."],"userestrict_html_tesm":["\u003cp\u003eCopyright was transferred to the public domain. Contact the Reference Staff for details\n regarding rights.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Information"],"userestrict_tesim":["Copyright was transferred to the public domain. Contact the Reference Staff for details\n regarding rights."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3dcd45a7a2d2d0a1568d71906a03a4c1\"\u003eAlpha Omega Alpha Honor Medical Society\n was founded in 1902 by W.W. Root. Material relates to the history, organization, membership,\n meetings and publications. A large portion of the collection pertain to the different\n chapters of the Society.\u003c/abstract\u003e"],"abstract_tesim":["Alpha Omega Alpha Honor Medical Society\n was founded in 1902 by W.W. Root. Material relates to the history, organization, membership,\n meetings and publications. A large portion of the collection pertain to the different\n chapters of the Society."],"names_coll_ssim":["Alpha Omega Alpha","Root, William Webster, 1867-1932","Bierring, Walter L. (Walter Lawrence), 1868-1961"],"names_ssim":["1118 Badger Vine Special Collections","Alpha Omega Alpha","Alpha Omega\n Alpha.","Root, William Webster, 1867-1932","Bierring, Walter L. (Walter Lawrence), 1868-1961","Root, William Webster,\n 1867-1932","Higgins, L.\n Raymond"],"corpname_ssim":["1118 Badger Vine Special Collections","Alpha Omega Alpha","Alpha Omega\n Alpha."],"persname_ssim":["Root, William Webster, 1867-1932","Bierring, Walter L. (Walter Lawrence), 1868-1961","Root, William Webster,\n 1867-1932","Higgins, L.\n Raymond"],"language_ssim":["English","Collection materials primarily in\n English."],"total_component_count_is":35,"online_item_count_is":3,"component_level_isim":[0],"sort_isi":0,"_root_":"aoa271","timestamp":"2025-02-18T23:06:55.056Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/aoa271_aspace_01daa89087641f7fc9dbd7a10d3f2da9"}},{"id":"rushbenjaminandjulia_aspace_0f5431a422726f63b590f913e6e5ce16","type":"Series","attributes":{"title":"Financial Records, 1766-1828","abstract_or_scope":{"id":"https://arclight-demo.projectblacklight.org/catalog/rushbenjaminandjulia_aspace_0f5431a422726f63b590f913e6e5ce16#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eIncludes a few medical statements and receipts, along with two volumes of household accounts maintained by Benjamin Rush, one in conjunction with his wife. Along with general expenses and accounting information, the account books feature the employment records for Rush family staff and servants, often containing comments on the character and notable aspects of the employment history of each employee.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/rushbenjaminandjulia_aspace_0f5431a422726f63b590f913e6e5ce16#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"aspace_0f5431a422726f63b590f913e6e5ce16","ref_ssm":["aspace_0f5431a422726f63b590f913e6e5ce16","aspace_0f5431a422726f63b590f913e6e5ce16"],"id":"rushbenjaminandjulia_aspace_0f5431a422726f63b590f913e6e5ce16","title_filing_ssi":"Financial Records","title_ssm":["Financial Records"],"title_tesim":["Financial Records"],"unitdate_inclusive_ssm":["1766-1828"],"normalized_date_ssm":["1766-1828"],"normalized_title_ssm":["Financial Records, 1766-1828"],"text":["Financial Records, 1766-1828","Benjamin and Julia Stockton Rush papers, bulk 1766-1845 and undated","Includes a few medical statements and receipts, along with two volumes of household\n accounts maintained by Benjamin Rush, one in conjunction with his wife. Along with\n general expenses and accounting information, the account books feature the employment\n records for Rush family staff and servants, often containing comments on the character\n and notable aspects of the employment history of each employee."],"component_level_isim":[1],"parent_ssim":["rushbenjaminandjulia"],"parent_ssi":"rushbenjaminandjulia","parent_ids_ssim":["rushbenjaminandjulia"],"parent_unittitles_ssm":["Benjamin and Julia Stockton Rush papers, bulk 1766-1845 and undated"],"parent_unittitles_tesim":["Benjamin and Julia Stockton Rush papers, bulk 1766-1845 and undated"],"parent_levels_ssm":["collection"],"repository_ssim":["David M. Rubenstein Rare Book and Manuscript Library"],"collection_ssim":["Benjamin and Julia Stockton Rush papers, bulk 1766-1845 and undated"],"has_online_content_ssim":["true"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":144,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library."],"date_range_isim":[1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828],"persname_ssim":["Rush, Benjamin,\n 1746-1813","Rush, Julia\n Stockton","Rush, Benjamin,\n 1746-1813","Rush, Benjamin,\n 1746-1813","Rush, Julia\n Stockton"],"scopecontent_html_tesm":["\u003cp\u003eIncludes a few medical statements and receipts, along with two volumes of household\n accounts maintained by Benjamin Rush, one in conjunction with his wife. Along with\n general expenses and accounting information, the account books feature the employment\n records for Rush family staff and servants, often containing comments on the character\n and notable aspects of the employment history of each employee.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes a few medical statements and receipts, along with two volumes of household\n accounts maintained by Benjamin Rush, one in conjunction with his wife. Along with\n general expenses and accounting information, the account books feature the employment\n records for Rush family staff and servants, often containing comments on the character\n and notable aspects of the employment history of each employee."],"_nest_path_":"/components#2","_nest_parent_":"rushbenjaminandjulia","_root_":"rushbenjaminandjulia","timestamp":"2025-02-18T22:58:44.624Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"rushbenjaminandjulia","title_ssm":["Benjamin and Julia Stockton Rush papers"],"title_tesim":["Benjamin and Julia Stockton Rush papers"],"ead_ssi":"rushbenjaminandjulia","unitdate_ssm":["1766-1845 and undated"],"unitdate_bulk_ssim":["1766-1845 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RL.11044"],"text":["RL.11044","Benjamin and Julia Stockton Rush papers, bulk 1766-1845 and undated","United States -- History -- Revolution, 1775-1783 -- Medical\n care","United States -- Politics and government -- 1775-1783","Physicians -- Records and correspondence.","Medicine -- Study and teaching -- Pennsylvania --\n Philadelphia","Mental illness -- Treatment -- United States -- History -- 19th\n century","Yellow Fever -- Pennsylvania -- Philadelphia","Diaries","Collection is open for research.","Arranged into the following series: Letters, Writings, Financial Records, and Legal\n Documents and Educational Records.","Benjamin Rush was a physician, politician, social reformer, educator and humanitarian, as\n well as the founder of Dickinson College in Carlisle, Pennsylvania. He married Julia\n Stockton in 1776.","Benjamin Rush 1746 January 4 Born, in Byberry Township, Pa. 1760 Graduated with A. B., College of New Jersey (Princeton) 1761-1766 Medical apprenticeship, College of Philadelphia medical department 1768 Completed medical degree, University of Edinburgh 1769 Began medical practice in Philadelphia Appointed Professor of Chemistry in College of Philadelphia's medical\n department 1776 Took his seat in Second Continental Congress 1776 August 2 Signed Declaration of Independence 1777 April Commissioned Surgeon General of Middle Department of the Continental Army 1778 Resigned from the Army Became lecturer at University of the State of Pennsylvania 1783 Helped found Dickinson College in Carlisle, Pa. 1784-1813 Surgeon at Pennsylvania Hospital, with responsibility for psychiatric\n ward 1797-1813 Treasurer of the U.S. Mint 1813 Died ","Julia Stockton Rush 1759 Born, at \"Morven\" family estate near Princeton, N.J. 1776 Married Benjamin Rush; the couple went on to have 13 children 1848 Died at their county property, \"Sydenham\" (now 15th Street and Columbus Ave,\n Philadelphia)","Sarah Eve diary, 1772-1773. Eve was the daughter of ship captain and merchant Oswell Eve,\n and the fiancee of Benjamin Rush until her death on 4 Dec. 1774, three weeks before the date\n set for their marriage.","The Benjamin and Julia Stockton Rush papers include letters, writings, financial records, a\n few legal documents and one educational record. ","Benjamin Rush's personal and professional outgoing letters, with some incoming letters,\n cover a wide variety of topics, but focus primarily on medical concerns, particularly the\n 1793 and other yellow fever epidemics in Philadelphia, as well as mental illness and its\n treatment, and the medical department of the Continental Army. ","There are a few letters from others to Julia Stockton Rush that seek to continue ties with\n her and the Rush family or offer condolences following Benjamin's death. Collection also\n contains a medical case book and a fragment of an essay or lecture written by Benjamin Rush,\n along with his travel diary for a trip to meet with the Board of Trustees for Dickinson\n College in 178[4]; other writings include Julia Rush's devotional journal and exercise book. ","The financial records include a few statements and receipts, but primarily contain two\n account books, one maintained by Benjamin Rush, the other by Rush with his wife. These\n account books provide a complete picture of the family finances from the period before the\n couple married, almost to Julia's death. ","Legal documents include a sworn statement and a land patent, and there is an educational\n record for one of Rush's students.","The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library.","The Benjamin and Julia Stockton Rush\n papers include letters, writings, financial records, a few legal documents and one\n educational record. Benjamin Rush's personal and professional outgoing letters, with some\n incoming letters, cover a wide variety of topics, but focus primarily on medical concerns,\n particularly the 1793 and other yellow fever epidemics in Philadelphia, as well as mental\n illness and its treatment, and the medical department of the Continental Army. There are a\n few letters from others to Julia Stockton Rush that seek to continue ties with her and the\n Rush family or offer condolences following Benjamin's death. Collection also contains a\n medical case book and a fragment of an essay or lecture written by Benjamin Rush, along with\n his travel diary for a trip to meet with the Board of Trustees for Dickinson College in\n 178[4]; other writings include Julia Rush's devotional journal and exercise book. The\n financial records include a few statements and receipts, but primarily contain two account\n books, one maintained by Benjamin Rush, the other by Rush with his wife. These account books\n provide a complete picture of the family finances from the period before the couple married,\n almost to Julia's death. Legal documents include a sworn statement and a land patent, and\n there is an educational record for one of Rush's students. ","David M. Rubenstein Rare Book \u0026 Manuscript Library","Dickinson College","University of Pennsylvania -- Faculty","University of Pennsylvania","St. Thomas' Church (Philadelphia, Pa.) -- History","College of Philadelphia. Medical School","Rush family","Rush, Benjamin, 1746-1813","Rush, Julia Stockton","Adams, Abigail,\n 1744-1818","Adams, John\n Quincy, 1767-1848","Dickinson,\n John, 1732-1808","Gates,\n Horatio, 1728-1806","Greene,\n Nathanael, 1742-1786","Hosack,\n David, 1769-1835","Jefferson, Thomas,\n 1743-1826","Waterhouse, Benjamin, 1754-1846","McHenry,\n James, 1753-1816","Madison,\n James, 1751-1836","Paine,\n Thomas, 1737-1809","Pascalis Ouviere,\n Felix, 1762-1833","Rush, Benjamin, 1746-1813 -- Medical inquiries and\n observations upon the diseases of the mind","Pickering,\n Timothy, 1745-1829","Rush, Benjamin,\n 1746-1813","Howe , William Howe, Viscount, 1729-1814","Shippen, William, 1712-1801","McHenry, James, 1753-1816.","Greene, Nathanael, 1742-1786","Read, Jacob, 1752-1816","Bayard, John Bubenheim, 1738-1807","Armstrong, John, 1758-1843","Paley, William, 1743-1805 -- Principles of moral and political\n philosophy","Sproat, James, 1722-1793","Clymer, George, 1739-1813","Newton, John, 1725-1807 -- Cardiphonia","Thornton, James, 1727-1794","Sharp , Granville, 1735-1813","Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811","Potter, Nathaniel, 1770-1843.","Bostock, John, 1773-1846","Bostock, John, 1740-1774","Jefferson, Thomas, 1743-1826","Jones, Walter, 1745-1815","Miller, Samuel, 1769-1850","Rodgers, John, 1727-1811","Eustis, William, 1753-1825","Mease, James, 1771-1846.","Hosack, David, 1769-1835.","Cullen, William, 1710-1790","Washington, George,\n 1732-1799","Wayne,\n Anthony, 1745-1796","Rush, Richard,\n 1780-1859","Rush, Julia\n Stockton","English","Materials are in\n English."],"unitid_tesim":["RL.11044"],"normalized_date_ssm":["bulk 1766-1845 and undated"],"normalized_title_ssm":["Benjamin and Julia Stockton Rush papers, bulk 1766-1845 and undated"],"collection_title_tesim":["Benjamin and Julia Stockton Rush papers, bulk 1766-1845 and undated"],"collection_ssim":["Benjamin and Julia Stockton Rush papers, bulk 1766-1845 and undated"],"repository_ssm":["David M. Rubenstein Rare Book and Manuscript Library"],"repository_ssim":["David M. Rubenstein Rare Book and Manuscript Library"],"geogname_ssm":["United States -- History -- Revolution, 1775-1783 -- Medical\n care","United States -- Politics and government -- 1775-1783"],"geogname_ssim":["United States -- History -- Revolution, 1775-1783 -- Medical\n care","United States -- Politics and government -- 1775-1783"],"creator_ssm":["Rush, Benjamin, 1746-1813"],"creator_ssim":["Rush, Benjamin, 1746-1813"],"creator_persname_ssim":["Rush, Benjamin, 1746-1813"],"creators_ssim":["Rush, Benjamin, 1746-1813"],"places_ssim":["United States -- History -- Revolution, 1775-1783 -- Medical\n care","United States -- Politics and government -- 1775-1783"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library."],"access_subjects_ssim":["Physicians -- Records and correspondence.","Medicine -- Study and teaching -- Pennsylvania --\n Philadelphia","Mental illness -- Treatment -- United States -- History -- 19th\n century","Yellow Fever -- Pennsylvania -- Philadelphia","Diaries"],"access_subjects_ssm":["Physicians -- Records and correspondence.","Medicine -- Study and teaching -- Pennsylvania --\n Philadelphia","Mental illness -- Treatment -- United States -- History -- 19th\n century","Yellow Fever -- Pennsylvania -- Philadelphia","Diaries"],"has_online_content_ssim":["true"],"extent_ssm":["0.8 Linear Feet 3 boxes, 2 volumes"],"extent_tesim":["0.8 Linear Feet 3 boxes, 2 volumes"],"genreform_ssim":["Diaries"],"date_range_isim":[1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eArranged into the following series: Letters, Writings, Financial Records, and Legal\n Documents and Educational Records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into the following series: Letters, Writings, Financial Records, and Legal\n Documents and Educational Records."],"bioghist_html_tesm":["\u003cp\u003eBenjamin Rush was a physician, politician, social reformer, educator and humanitarian, as\n well as the founder of Dickinson College in Carlisle, Pennsylvania. He married Julia\n Stockton in 1776.\u003c/p\u003e","\u003cchronlist\u003e\n \u003chead\u003eBenjamin Rush\u003c/head\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1746 January 4\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eBorn, in Byberry Township, Pa.\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1760\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eGraduated with A. B., College of New Jersey (Princeton)\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1761-1766\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eMedical apprenticeship, College of Philadelphia medical department\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1768\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eCompleted medical degree, University of Edinburgh\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1769\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eBegan medical practice in Philadelphia\u003c/event\u003e\n \u003cevent\u003eAppointed Professor of Chemistry in College of Philadelphia's medical\n department\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1776\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eTook his seat in Second Continental Congress\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1776 August 2\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eSigned Declaration of Independence\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1777 April\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eCommissioned Surgeon General of Middle Department of the Continental Army\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1778\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eResigned from the Army\u003c/event\u003e\n \u003cevent\u003eBecame lecturer at University of the State of Pennsylvania\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1783\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eHelped found Dickinson College in Carlisle, Pa.\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1784-1813\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eSurgeon at Pennsylvania Hospital, with responsibility for psychiatric\n ward\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1797-1813\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eTreasurer of the U.S. Mint\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1813\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eDied \u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003c/chronlist\u003e","\u003cchronlist\u003e\n \u003chead\u003eJulia Stockton Rush\u003c/head\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1759\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eBorn, at \"Morven\" family estate near Princeton, N.J.\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1776\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eMarried Benjamin Rush; the couple went on to have 13 children\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate\u003e1848\u003c/date\u003e\n \u003ceventgrp\u003e\n \u003cevent\u003eDied at their county property, \"Sydenham\" (now 15th Street and Columbus Ave,\n Philadelphia)\u003c/event\u003e\n \u003c/eventgrp\u003e\n \u003c/chronitem\u003e\n \u003c/chronlist\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Benjamin Rush was a physician, politician, social reformer, educator and humanitarian, as\n well as the founder of Dickinson College in Carlisle, Pennsylvania. He married Julia\n Stockton in 1776.","Benjamin Rush 1746 January 4 Born, in Byberry Township, Pa. 1760 Graduated with A. B., College of New Jersey (Princeton) 1761-1766 Medical apprenticeship, College of Philadelphia medical department 1768 Completed medical degree, University of Edinburgh 1769 Began medical practice in Philadelphia Appointed Professor of Chemistry in College of Philadelphia's medical\n department 1776 Took his seat in Second Continental Congress 1776 August 2 Signed Declaration of Independence 1777 April Commissioned Surgeon General of Middle Department of the Continental Army 1778 Resigned from the Army Became lecturer at University of the State of Pennsylvania 1783 Helped found Dickinson College in Carlisle, Pa. 1784-1813 Surgeon at Pennsylvania Hospital, with responsibility for psychiatric\n ward 1797-1813 Treasurer of the U.S. Mint 1813 Died ","Julia Stockton Rush 1759 Born, at \"Morven\" family estate near Princeton, N.J. 1776 Married Benjamin Rush; the couple went on to have 13 children 1848 Died at their county property, \"Sydenham\" (now 15th Street and Columbus Ave,\n Philadelphia)"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Benjamin and Julia Stockton Rush papers, 1766-1845 and undated,\n David M. Rubenstein Rare Book \u0026amp; Manuscript Library, Duke University.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Benjamin and Julia Stockton Rush papers, 1766-1845 and undated,\n David M. Rubenstein Rare Book \u0026 Manuscript Library, Duke University."],"relatedmaterial_html_tesm":["\u003cp\u003eSarah Eve diary, 1772-1773. Eve was the daughter of ship captain and merchant Oswell Eve,\n and the fiancee of Benjamin Rush until her death on 4 Dec. 1774, three weeks before the date\n set for their marriage.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Sarah Eve diary, 1772-1773. Eve was the daughter of ship captain and merchant Oswell Eve,\n and the fiancee of Benjamin Rush until her death on 4 Dec. 1774, three weeks before the date\n set for their marriage."],"scopecontent_html_tesm":["\u003cp\u003eThe Benjamin and Julia Stockton Rush papers include letters, writings, financial records, a\n few legal documents and one educational record. \u003c/p\u003e","\u003cp\u003eBenjamin Rush's personal and professional outgoing letters, with some incoming letters,\n cover a wide variety of topics, but focus primarily on medical concerns, particularly the\n 1793 and other yellow fever epidemics in Philadelphia, as well as mental illness and its\n treatment, and the medical department of the Continental Army. \u003c/p\u003e","\u003cp\u003eThere are a few letters from others to Julia Stockton Rush that seek to continue ties with\n her and the Rush family or offer condolences following Benjamin's death. Collection also\n contains a medical case book and a fragment of an essay or lecture written by Benjamin Rush,\n along with his travel diary for a trip to meet with the Board of Trustees for Dickinson\n College in 178[4]; other writings include Julia Rush's devotional journal and exercise book. \u003c/p\u003e","\u003cp\u003eThe financial records include a few statements and receipts, but primarily contain two\n account books, one maintained by Benjamin Rush, the other by Rush with his wife. These\n account books provide a complete picture of the family finances from the period before the\n couple married, almost to Julia's death. \u003c/p\u003e","\u003cp\u003eLegal documents include a sworn statement and a land patent, and there is an educational\n record for one of Rush's students.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Overview"],"scopecontent_tesim":["The Benjamin and Julia Stockton Rush papers include letters, writings, financial records, a\n few legal documents and one educational record. ","Benjamin Rush's personal and professional outgoing letters, with some incoming letters,\n cover a wide variety of topics, but focus primarily on medical concerns, particularly the\n 1793 and other yellow fever epidemics in Philadelphia, as well as mental illness and its\n treatment, and the medical department of the Continental Army. ","There are a few letters from others to Julia Stockton Rush that seek to continue ties with\n her and the Rush family or offer condolences following Benjamin's death. Collection also\n contains a medical case book and a fragment of an essay or lecture written by Benjamin Rush,\n along with his travel diary for a trip to meet with the Board of Trustees for Dickinson\n College in 178[4]; other writings include Julia Rush's devotional journal and exercise book. ","The financial records include a few statements and receipts, but primarily contain two\n account books, one maintained by Benjamin Rush, the other by Rush with his wife. These\n account books provide a complete picture of the family finances from the period before the\n couple married, almost to Julia's death. ","Legal documents include a sworn statement and a land patent, and there is an educational\n record for one of Rush's students."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026amp; Manuscript Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to Duke University.\n For more information, consult the copyright section of the Regulations and Procedures of the\n David M. Rubenstein Rare Book \u0026 Manuscript Library."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3fbc83697b6a5a62d0eb0f3a669ea271\"\u003eThe Benjamin and Julia Stockton Rush\n papers include letters, writings, financial records, a few legal documents and one\n educational record. Benjamin Rush's personal and professional outgoing letters, with some\n incoming letters, cover a wide variety of topics, but focus primarily on medical concerns,\n particularly the 1793 and other yellow fever epidemics in Philadelphia, as well as mental\n illness and its treatment, and the medical department of the Continental Army. There are a\n few letters from others to Julia Stockton Rush that seek to continue ties with her and the\n Rush family or offer condolences following Benjamin's death. Collection also contains a\n medical case book and a fragment of an essay or lecture written by Benjamin Rush, along with\n his travel diary for a trip to meet with the Board of Trustees for Dickinson College in\n 178[4]; other writings include Julia Rush's devotional journal and exercise book. The\n financial records include a few statements and receipts, but primarily contain two account\n books, one maintained by Benjamin Rush, the other by Rush with his wife. These account books\n provide a complete picture of the family finances from the period before the couple married,\n almost to Julia's death. Legal documents include a sworn statement and a land patent, and\n there is an educational record for one of Rush's students. \u003c/abstract\u003e"],"abstract_tesim":["The Benjamin and Julia Stockton Rush\n papers include letters, writings, financial records, a few legal documents and one\n educational record. Benjamin Rush's personal and professional outgoing letters, with some\n incoming letters, cover a wide variety of topics, but focus primarily on medical concerns,\n particularly the 1793 and other yellow fever epidemics in Philadelphia, as well as mental\n illness and its treatment, and the medical department of the Continental Army. There are a\n few letters from others to Julia Stockton Rush that seek to continue ties with her and the\n Rush family or offer condolences following Benjamin's death. Collection also contains a\n medical case book and a fragment of an essay or lecture written by Benjamin Rush, along with\n his travel diary for a trip to meet with the Board of Trustees for Dickinson College in\n 178[4]; other writings include Julia Rush's devotional journal and exercise book. The\n financial records include a few statements and receipts, but primarily contain two account\n books, one maintained by Benjamin Rush, the other by Rush with his wife. These account books\n provide a complete picture of the family finances from the period before the couple married,\n almost to Julia's death. Legal documents include a sworn statement and a land patent, and\n there is an educational record for one of Rush's students. "],"names_coll_ssim":["Dickinson College","Rush, Julia Stockton"],"names_ssim":["David M. Rubenstein Rare Book \u0026 Manuscript Library","Dickinson College","University of Pennsylvania -- Faculty","University of Pennsylvania","St. Thomas' Church (Philadelphia, Pa.) -- History","College of Philadelphia. Medical School","Rush family","Rush, Benjamin, 1746-1813","Rush, Julia Stockton","Adams, Abigail,\n 1744-1818","Adams, John\n Quincy, 1767-1848","Dickinson,\n John, 1732-1808","Gates,\n Horatio, 1728-1806","Greene,\n Nathanael, 1742-1786","Hosack,\n David, 1769-1835","Jefferson, Thomas,\n 1743-1826","Waterhouse, Benjamin, 1754-1846","McHenry,\n James, 1753-1816","Madison,\n James, 1751-1836","Paine,\n Thomas, 1737-1809","Pascalis Ouviere,\n Felix, 1762-1833","Rush, Benjamin, 1746-1813 -- Medical inquiries and\n observations upon the diseases of the mind","Pickering,\n Timothy, 1745-1829","Rush, Benjamin,\n 1746-1813","Howe , William Howe, Viscount, 1729-1814","Shippen, William, 1712-1801","McHenry, James, 1753-1816.","Greene, Nathanael, 1742-1786","Read, Jacob, 1752-1816","Bayard, John Bubenheim, 1738-1807","Armstrong, John, 1758-1843","Paley, William, 1743-1805 -- Principles of moral and political\n philosophy","Sproat, James, 1722-1793","Clymer, George, 1739-1813","Newton, John, 1725-1807 -- Cardiphonia","Thornton, James, 1727-1794","Sharp , Granville, 1735-1813","Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811","Potter, Nathaniel, 1770-1843.","Bostock, John, 1773-1846","Bostock, John, 1740-1774","Jefferson, Thomas, 1743-1826","Jones, Walter, 1745-1815","Miller, Samuel, 1769-1850","Rodgers, John, 1727-1811","Eustis, William, 1753-1825","Mease, James, 1771-1846.","Hosack, David, 1769-1835.","Cullen, William, 1710-1790","Washington, George,\n 1732-1799","Wayne,\n Anthony, 1745-1796","Rush, Richard,\n 1780-1859","Rush, Julia\n Stockton"],"corpname_ssim":["David M. Rubenstein Rare Book \u0026 Manuscript Library","Dickinson College","University of Pennsylvania -- Faculty","University of Pennsylvania","St. Thomas' Church (Philadelphia, Pa.) -- History","College of Philadelphia. Medical School"],"famname_ssim":["Rush family"],"persname_ssim":["Rush, Benjamin, 1746-1813","Rush, Julia Stockton","Adams, Abigail,\n 1744-1818","Adams, John\n Quincy, 1767-1848","Dickinson,\n John, 1732-1808","Gates,\n Horatio, 1728-1806","Greene,\n Nathanael, 1742-1786","Hosack,\n David, 1769-1835","Jefferson, Thomas,\n 1743-1826","Waterhouse, Benjamin, 1754-1846","McHenry,\n James, 1753-1816","Madison,\n James, 1751-1836","Paine,\n Thomas, 1737-1809","Pascalis Ouviere,\n Felix, 1762-1833","Rush, Benjamin, 1746-1813 -- Medical inquiries and\n observations upon the diseases of the mind","Pickering,\n Timothy, 1745-1829","Rush, Benjamin,\n 1746-1813","Howe , William Howe, Viscount, 1729-1814","Shippen, William, 1712-1801","McHenry, James, 1753-1816.","Greene, Nathanael, 1742-1786","Read, Jacob, 1752-1816","Bayard, John Bubenheim, 1738-1807","Armstrong, John, 1758-1843","Paley, William, 1743-1805 -- Principles of moral and political\n philosophy","Sproat, James, 1722-1793","Clymer, George, 1739-1813","Newton, John, 1725-1807 -- Cardiphonia","Thornton, James, 1727-1794","Sharp , Granville, 1735-1813","Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811","Potter, Nathaniel, 1770-1843.","Bostock, John, 1773-1846","Bostock, John, 1740-1774","Jefferson, Thomas, 1743-1826","Jones, Walter, 1745-1815","Miller, Samuel, 1769-1850","Rodgers, John, 1727-1811","Eustis, William, 1753-1825","Mease, James, 1771-1846.","Hosack, David, 1769-1835.","Cullen, William, 1710-1790","Washington, George,\n 1732-1799","Wayne,\n Anthony, 1745-1796","Rush, Richard,\n 1780-1859","Rush, Julia\n Stockton"],"language_ssim":["English","Materials are in\n English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":151,"online_item_count_is":147,"component_level_isim":[0],"sort_isi":0,"_root_":"rushbenjaminandjulia","timestamp":"2025-02-18T22:58:44.624Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/rushbenjaminandjulia_aspace_0f5431a422726f63b590f913e6e5ce16"}},{"id":"umich-bhl-014_aspace_20515c12244e3e91a8c5f28f8b4f1743","type":"File","attributes":{"title":"Financial (statements, budgets, etc.)","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/umich-bhl-014_aspace_20515c12244e3e91a8c5f28f8b4f1743#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"aspace_20515c12244e3e91a8c5f28f8b4f1743","ref_ssm":["aspace_20515c12244e3e91a8c5f28f8b4f1743","aspace_20515c12244e3e91a8c5f28f8b4f1743"],"id":"umich-bhl-014_aspace_20515c12244e3e91a8c5f28f8b4f1743","title_filing_ssi":"Financial (statements, budgets, etc.)","title_ssm":["Financial (statements, budgets, etc.)"],"title_tesim":["Financial (statements, budgets, etc.)"],"normalized_title_ssm":["Financial (statements, budgets, etc.)"],"text":["Financial (statements, budgets, etc.)","TEACH Michigan and TEACH Michigan Education Fund records, 1989-1996","TEACH Michigan/Teach Michigan Education Fund","Topical File","box 2"],"component_level_isim":[3],"parent_ssim":["umich-bhl-014","aspace_cf956795d3593ee5250e5bb0d146af8e","aspace_5910f5f526e85f8db58d0510f4c6b5ec"],"parent_ssi":"aspace_5910f5f526e85f8db58d0510f4c6b5ec","parent_ids_ssim":["umich-bhl-014","umich-bhl-014_aspace_cf956795d3593ee5250e5bb0d146af8e","umich-bhl-014_aspace_5910f5f526e85f8db58d0510f4c6b5ec"],"parent_unittitles_ssm":["TEACH Michigan and TEACH Michigan Education Fund records, 1989-1996","TEACH Michigan/Teach Michigan Education Fund","Topical File"],"parent_unittitles_tesim":["TEACH Michigan and TEACH Michigan Education Fund records, 1989-1996","TEACH Michigan/Teach Michigan Education Fund","Topical File"],"parent_levels_ssm":["collection","Subgroup","Series"],"repository_ssim":["University of Michigan. Bentley Historical Library"],"collection_ssim":["TEACH Michigan and TEACH Michigan Education Fund records, 1989-1996"],"extent_ssm":["7 folders"],"extent_tesim":["7 folders"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":57,"parent_access_restrict_tesm":["Research use of the record group is restricted except with the permission of Dr. Paul DeWeese."],"parent_access_terms_tesm":["Donor(s) have not transferred any applicable copyright to the Regents of the University of Michigan. Patrons are responsible for determining the appropriate use or reuse of materials."],"containers_ssim":["box 2"],"_nest_path_":"/components#0/components#2/components#14","_nest_parent_":"umich-bhl-014_aspace_5910f5f526e85f8db58d0510f4c6b5ec","_root_":"umich-bhl-014","timestamp":"2025-02-18T23:13:12.778Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"umich-bhl-014","title_ssm":["TEACH Michigan and TEACH Michigan Education Fund records"],"title_tesim":["TEACH Michigan and TEACH Michigan Education Fund records"],"ead_ssi":"umich-bhl-014","unitdate_ssm":["1989-1996"],"unitdate_inclusive_ssm":["1989-1996"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["014 Bj 2"],"text":["014 Bj 2","TEACH Michigan and TEACH Michigan Education Fund records, 1989-1996","Charter schools -- Michigan.","Education -- Michigan.","Public schools -- Michigan.","School choice -- Michigan.","Charter schools -- Michigan.","Debates.","Discussion.","Public affairs television programs.","School choice -- Michigan.","Sound recordings.","Videocassettes.","Research use of the record group is restricted except with the permission of Dr. Paul DeWeese.","In 1989, Dr. Paul N. DeWeese, a physician then working in Detroit, became frustrated by what he perceived to be a lack of educational choice for his own children then about to begin school. With other like-minded individuals, DeWeese formed Michigan Citizens for Choice in Education (shortly to be renamed TEACH Michigan). Incorporated as a non-profit organization in 1991, TEACH Michigan was established to lobby for changes in the law regarding school choice. Associated with TEACH Michigan was a tax-exempt sister organization - TEACH Michigan Education Fund (TMEF) - which with license to solicit charitable contributions could engage in a variety of educational, research, and planning functions."," Under DeWeese's leadership, TEACH Michigan advocated fundamental changes in the state's educational system. The core of TEACH Michigan's philosophy of education was simply stated. Parents should be allowed to choose from competing systems of schools with funding for education following the student and not automatically being given to the government-supported school system. An ambitious agenda, TEACH Michigan realized the importance of educating the public and enlisting enough grassroots support for the necessary changes in state law and in the state constitution to be made. With the law changed, there would follow competition for the education dollar resulting in non-governmental sponsorship of K-12 schools by corporations, public or private universities, parent groups or churches, as well as by the government. No longer would there be a \"government monopoly\" school system. Instead, parents would receive financial support (or vouchers) for their children to attend the school of their choice."," Although his message never wavered, DeWeese was realistic enough to realize that \"full choice\" could only come incrementally, thus his advocacy of changes in state law to allow for the creation of charter schools. Charter schools are public schools that are custom-designed by groups of teachers, parents or outside individuals to meet particular education needs. Charter schools are part of the public school system, financed on a par with other schools in the district. But for charter schools to become a reality state law would have to be changed. In December 1993, with the passage of Senate bill no. 896 (signed by the governor in January 1994), Michigan adopted the most significant restructuring of public education since the development of single-function school districts in the early 20th century. The state authorized groups of certified teachers and community leaders to form individual charter schools (public school academies) \"that are to be treated like school districts\" for the purposes of state education law. These \"single-school school districts\" could be started anywhere in the state by one or more certified teachers, a county, city, village, township, school district, community college, or state public university. Each new school would develop its own governing board, and must describe its educational goals and the standards by which its performance will be measured. Each of these academies would receive a state school aid payment for its enrolled students."," Following the passage of 896, TMEF established a sister organization, the Michigan Center for Charter Schools (MCCS), whose purpose was to promote the development of charter schools. TMEF subsidized the operation of MCCS throughout its existence. MCCS was the only organization in the state early on that was disseminating timely and accurate information about charter schools. MCCS also helped several groups move through the process of establishing a charter school. By the end of 1995, more than 60 charter school had been established with an additional 120 schools seeking charters."," In November 1994, an Ingham County circuit court judge ruled the law unconstitutional. Although the groups authorized to grant charters were government entities, the judge ruled, the day-to-day operations of schools were largely in the hands of privately elected directors and thus not directly accountable to the public. With this decision, the charter schools that had been established were left without public funding. In some cases, the schools reverted to private school status relying on tuitions and corporate donations for their support. In other cases, the state legislature, many of whose members believed that the judge's ruling would be overturned on appeal, passed emergency legislation which addressed the judge's objection to the original legislation."," In 1995, the state Board of Education contracted with the Michigan Partnership for New Education to both promote charter schools and to provide technical assistance to charter schools. The Michigan Partnership immediately asked for, and received, permission to hire the entire staff of MCCS in order to run their charter school operation. In May of 1995, MCCS ceased to operate, as its mission and staff were absorbed by the Michigan Partnership for New Education."," From its inception, TEACH Michigan knew that for real educational reform to take place from their point of view, the Michigan State Constitution (Article 8, sec. 2) would have to be revised. That provision restricted the use of public funds to government-operated schools only. With the constitution changed, TEACH Michigan hoped to secure passage of a voucher system so that parents might choose, and receive funding, for their child to attend a church-related school."," In 2000, the TEACH Michigan organization was folded into a new organization, Partnership for Learning.","This record group consists of two separate groupings (or subgroups) of records: the combined files of TEACH Michigan and TEACH Michigan Education Fund covering the period of 1989 to 1995, and files of the charter school support group, Michigan Center for Charter Schools covering the years 1994-1995. Both organizations operated out of the same office in Lansing and included some of the same individuals as board members. The TM/TMEF files consist in great part of papers of Dr. Paul N. DeWeese, a principal founder of the organization. The MCCS files are largely papers of executive director Barbara Barrett as well as DeWeese. Together, the record group contains correspondence, policy statements, organizational and activity files, collected materials, sound and video materials, all relating to the efforts of the two organizations first to educate and lobby for changes in the law, and second to provide assistance and support in the establishment of charter schools. The records date from the inception of the organization to 1995. The subsequent records of TEACH Michigan remain with the organization.","Donor(s) have not transferred any applicable copyright to the Regents of the University of Michigan. Patrons are responsible for determining the appropriate use or reuse of materials.","Organization established in 1989 by Paul N. DeWeese and others to lobby for changes in state law and the state constitution to allow parents to choose between competing schools. The record group also contains records of the Michigan Center for Charter Schools, sister organization to TEACH Michigan, established to promote the development of charter schools in the state. The record group includes Informational materials detailing mission and goals of the TEACH Michigan organization; organizational files; topical files; correspondence; speeches and articles about school choice and the state charter school movement; and audio and video cassettes of TM presentations and appearances of Paul DeWeese on radio and television programs. Also included are the organizational records of the Michigan Center for Charter Schools.","Offsite storage; prior notification required for access","Bentley Historical Library","TEACH Michigan.","Michigan Center for Charter Schools.","TEACH Michigan Education Fund.","DeWeese, Paul N.","English","The materials are in English."],"unitid_tesim":["014 Bj 2"],"normalized_date_ssm":["1989-1996"],"normalized_title_ssm":["TEACH Michigan and TEACH Michigan Education Fund records, 1989-1996"],"collection_title_tesim":["TEACH Michigan and TEACH Michigan Education Fund records, 1989-1996"],"collection_ssim":["TEACH Michigan and TEACH Michigan Education Fund records, 1989-1996"],"repository_ssm":["University of Michigan. Bentley Historical Library"],"repository_ssim":["University of Michigan. Bentley Historical Library"],"creator_ssm":["TEACH Michigan."],"creator_ssim":["TEACH Michigan."],"creator_corpname_ssim":["TEACH Michigan."],"creators_ssim":["TEACH Michigan."],"access_terms_ssm":["Donor(s) have not transferred any applicable copyright to the Regents of the University of Michigan. Patrons are responsible for determining the appropriate use or reuse of materials."],"acqinfo_ssim":["The record group came to the library from Partnership for Learning (formerly TEACH Michigan) in December 2000. Donor no. 9038"],"access_subjects_ssim":["Charter schools -- Michigan.","Education -- Michigan.","Public schools -- Michigan.","School choice -- Michigan.","Charter schools -- Michigan.","Debates.","Discussion.","Public affairs television programs.","School choice -- Michigan.","Sound recordings.","Videocassettes."],"access_subjects_ssm":["Charter schools -- Michigan.","Education -- Michigan.","Public schools -- Michigan.","School choice -- Michigan.","Charter schools -- Michigan.","Debates.","Discussion.","Public affairs television programs.","School choice -- Michigan.","Sound recordings.","Videocassettes."],"has_online_content_ssim":["false"],"extent_ssm":["13 linear feet"],"extent_tesim":["13 linear feet"],"genreform_ssim":["Sound recordings.","Videocassettes."],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eResearch use of the record group is restricted except with the permission of Dr. Paul DeWeese.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Research use of the record group is restricted except with the permission of Dr. Paul DeWeese."],"bioghist_html_tesm":["\u003cp\u003eIn 1989, Dr. Paul N. DeWeese, a physician then working in Detroit, became frustrated by what he perceived to be a lack of educational choice for his own children then about to begin school. With other like-minded individuals, DeWeese formed Michigan Citizens for Choice in Education (shortly to be renamed TEACH Michigan). Incorporated as a non-profit organization in 1991, TEACH Michigan was established to lobby for changes in the law regarding school choice. Associated with TEACH Michigan was a tax-exempt sister organization - TEACH Michigan Education Fund (TMEF) - which with license to solicit charitable contributions could engage in a variety of educational, research, and planning functions.\u003c/p\u003e\n","\u003cp\u003e Under DeWeese's leadership, TEACH Michigan advocated fundamental changes in the state's educational system. The core of TEACH Michigan's philosophy of education was simply stated. Parents should be allowed to choose from competing systems of schools with funding for education following the student and not automatically being given to the government-supported school system. An ambitious agenda, TEACH Michigan realized the importance of educating the public and enlisting enough grassroots support for the necessary changes in state law and in the state constitution to be made. With the law changed, there would follow competition for the education dollar resulting in non-governmental sponsorship of K-12 schools by corporations, public or private universities, parent groups or churches, as well as by the government. No longer would there be a \"government monopoly\" school system. Instead, parents would receive financial support (or vouchers) for their children to attend the school of their choice.\u003c/p\u003e\n","\u003cp\u003e Although his message never wavered, DeWeese was realistic enough to realize that \"full choice\" could only come incrementally, thus his advocacy of changes in state law to allow for the creation of charter schools. Charter schools are public schools that are custom-designed by groups of teachers, parents or outside individuals to meet particular education needs. Charter schools are part of the public school system, financed on a par with other schools in the district. But for charter schools to become a reality state law would have to be changed. In December 1993, with the passage of Senate bill no. 896 (signed by the governor in January 1994), Michigan adopted the most significant restructuring of public education since the development of single-function school districts in the early 20th century. The state authorized groups of certified teachers and community leaders to form individual charter schools (public school academies) \"that are to be treated like school districts\" for the purposes of state education law. These \"single-school school districts\" could be started anywhere in the state by one or more certified teachers, a county, city, village, township, school district, community college, or state public university. Each new school would develop its own governing board, and must describe its educational goals and the standards by which its performance will be measured. Each of these academies would receive a state school aid payment for its enrolled students.\u003c/p\u003e\n","\u003cp\u003e Following the passage of 896, TMEF established a sister organization, the Michigan Center for Charter Schools (MCCS), whose purpose was to promote the development of charter schools. TMEF subsidized the operation of MCCS throughout its existence. MCCS was the only organization in the state early on that was disseminating timely and accurate information about charter schools. MCCS also helped several groups move through the process of establishing a charter school. By the end of 1995, more than 60 charter school had been established with an additional 120 schools seeking charters.\u003c/p\u003e\n","\u003cp\u003e In November 1994, an Ingham County circuit court judge ruled the law unconstitutional. Although the groups authorized to grant charters were government entities, the judge ruled, the day-to-day operations of schools were largely in the hands of privately elected directors and thus not directly accountable to the public. With this decision, the charter schools that had been established were left without public funding. In some cases, the schools reverted to private school status relying on tuitions and corporate donations for their support. In other cases, the state legislature, many of whose members believed that the judge's ruling would be overturned on appeal, passed emergency legislation which addressed the judge's objection to the original legislation.\u003c/p\u003e\n","\u003cp\u003e In 1995, the state Board of Education contracted with the Michigan Partnership for New Education to both promote charter schools and to provide technical assistance to charter schools. The Michigan Partnership immediately asked for, and received, permission to hire the entire staff of MCCS in order to run their charter school operation. In May of 1995, MCCS ceased to operate, as its mission and staff were absorbed by the Michigan Partnership for New Education.\u003c/p\u003e\n","\u003cp\u003e From its inception, TEACH Michigan knew that for real educational reform to take place from their point of view, the Michigan State Constitution (Article 8, sec. 2) would have to be revised. That provision restricted the use of public funds to government-operated schools only. With the constitution changed, TEACH Michigan hoped to secure passage of a voucher system so that parents might choose, and receive funding, for their child to attend a church-related school.\u003c/p\u003e\n","\u003cp\u003e In 2000, the TEACH Michigan organization was folded into a new organization, Partnership for Learning.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In 1989, Dr. Paul N. DeWeese, a physician then working in Detroit, became frustrated by what he perceived to be a lack of educational choice for his own children then about to begin school. With other like-minded individuals, DeWeese formed Michigan Citizens for Choice in Education (shortly to be renamed TEACH Michigan). Incorporated as a non-profit organization in 1991, TEACH Michigan was established to lobby for changes in the law regarding school choice. Associated with TEACH Michigan was a tax-exempt sister organization - TEACH Michigan Education Fund (TMEF) - which with license to solicit charitable contributions could engage in a variety of educational, research, and planning functions."," Under DeWeese's leadership, TEACH Michigan advocated fundamental changes in the state's educational system. The core of TEACH Michigan's philosophy of education was simply stated. Parents should be allowed to choose from competing systems of schools with funding for education following the student and not automatically being given to the government-supported school system. An ambitious agenda, TEACH Michigan realized the importance of educating the public and enlisting enough grassroots support for the necessary changes in state law and in the state constitution to be made. With the law changed, there would follow competition for the education dollar resulting in non-governmental sponsorship of K-12 schools by corporations, public or private universities, parent groups or churches, as well as by the government. No longer would there be a \"government monopoly\" school system. Instead, parents would receive financial support (or vouchers) for their children to attend the school of their choice."," Although his message never wavered, DeWeese was realistic enough to realize that \"full choice\" could only come incrementally, thus his advocacy of changes in state law to allow for the creation of charter schools. Charter schools are public schools that are custom-designed by groups of teachers, parents or outside individuals to meet particular education needs. Charter schools are part of the public school system, financed on a par with other schools in the district. But for charter schools to become a reality state law would have to be changed. In December 1993, with the passage of Senate bill no. 896 (signed by the governor in January 1994), Michigan adopted the most significant restructuring of public education since the development of single-function school districts in the early 20th century. The state authorized groups of certified teachers and community leaders to form individual charter schools (public school academies) \"that are to be treated like school districts\" for the purposes of state education law. These \"single-school school districts\" could be started anywhere in the state by one or more certified teachers, a county, city, village, township, school district, community college, or state public university. Each new school would develop its own governing board, and must describe its educational goals and the standards by which its performance will be measured. Each of these academies would receive a state school aid payment for its enrolled students."," Following the passage of 896, TMEF established a sister organization, the Michigan Center for Charter Schools (MCCS), whose purpose was to promote the development of charter schools. TMEF subsidized the operation of MCCS throughout its existence. MCCS was the only organization in the state early on that was disseminating timely and accurate information about charter schools. MCCS also helped several groups move through the process of establishing a charter school. By the end of 1995, more than 60 charter school had been established with an additional 120 schools seeking charters."," In November 1994, an Ingham County circuit court judge ruled the law unconstitutional. Although the groups authorized to grant charters were government entities, the judge ruled, the day-to-day operations of schools were largely in the hands of privately elected directors and thus not directly accountable to the public. With this decision, the charter schools that had been established were left without public funding. In some cases, the schools reverted to private school status relying on tuitions and corporate donations for their support. In other cases, the state legislature, many of whose members believed that the judge's ruling would be overturned on appeal, passed emergency legislation which addressed the judge's objection to the original legislation."," In 1995, the state Board of Education contracted with the Michigan Partnership for New Education to both promote charter schools and to provide technical assistance to charter schools. The Michigan Partnership immediately asked for, and received, permission to hire the entire staff of MCCS in order to run their charter school operation. In May of 1995, MCCS ceased to operate, as its mission and staff were absorbed by the Michigan Partnership for New Education."," From its inception, TEACH Michigan knew that for real educational reform to take place from their point of view, the Michigan State Constitution (Article 8, sec. 2) would have to be revised. That provision restricted the use of public funds to government-operated schools only. With the constitution changed, TEACH Michigan hoped to secure passage of a voucher system so that parents might choose, and receive funding, for their child to attend a church-related school."," In 2000, the TEACH Michigan organization was folded into a new organization, Partnership for Learning."],"prefercite_html_tesm":["\u003cp\u003eitem, folder title, box no., TEACH Michigan and TEACH Michigan Education Fund records, Bentley Historical Library, University of Michigan\u003c/p\u003e"],"prefercite_tesim":["item, folder title, box no., TEACH Michigan and TEACH Michigan Education Fund records, Bentley Historical Library, University of Michigan"],"scopecontent_html_tesm":["\u003cp\u003eThis record group consists of two separate groupings (or subgroups) of records: the combined files of TEACH Michigan and TEACH Michigan Education Fund covering the period of 1989 to 1995, and files of the charter school support group, Michigan Center for Charter Schools covering the years 1994-1995. Both organizations operated out of the same office in Lansing and included some of the same individuals as board members. The TM/TMEF files consist in great part of papers of Dr. Paul N. DeWeese, a principal founder of the organization. The MCCS files are largely papers of executive director Barbara Barrett as well as DeWeese. Together, the record group contains correspondence, policy statements, organizational and activity files, collected materials, sound and video materials, all relating to the efforts of the two organizations first to educate and lobby for changes in the law, and second to provide assistance and support in the establishment of charter schools. The records date from the inception of the organization to 1995. The subsequent records of TEACH Michigan remain with the organization.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This record group consists of two separate groupings (or subgroups) of records: the combined files of TEACH Michigan and TEACH Michigan Education Fund covering the period of 1989 to 1995, and files of the charter school support group, Michigan Center for Charter Schools covering the years 1994-1995. Both organizations operated out of the same office in Lansing and included some of the same individuals as board members. The TM/TMEF files consist in great part of papers of Dr. Paul N. DeWeese, a principal founder of the organization. The MCCS files are largely papers of executive director Barbara Barrett as well as DeWeese. Together, the record group contains correspondence, policy statements, organizational and activity files, collected materials, sound and video materials, all relating to the efforts of the two organizations first to educate and lobby for changes in the law, and second to provide assistance and support in the establishment of charter schools. The records date from the inception of the organization to 1995. The subsequent records of TEACH Michigan remain with the organization."],"userestrict_html_tesm":["\u003cp\u003eDonor(s) have not transferred any applicable copyright to the Regents of the University of Michigan. Patrons are responsible for determining the appropriate use or reuse of materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Donor(s) have not transferred any applicable copyright to the Regents of the University of Michigan. Patrons are responsible for determining the appropriate use or reuse of materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_85c28ec7f064d103fc6a1b17b4c73c99\"\u003eOrganization established in 1989 by Paul N. DeWeese and others to lobby for changes in state law and the state constitution to allow parents to choose between competing schools. The record group also contains records of the Michigan Center for Charter Schools, sister organization to TEACH Michigan, established to promote the development of charter schools in the state. The record group includes Informational materials detailing mission and goals of the TEACH Michigan organization; organizational files; topical files; correspondence; speeches and articles about school choice and the state charter school movement; and audio and video cassettes of TM presentations and appearances of Paul DeWeese on radio and television programs. Also included are the organizational records of the Michigan Center for Charter Schools.\u003c/abstract\u003e"],"abstract_tesim":["Organization established in 1989 by Paul N. DeWeese and others to lobby for changes in state law and the state constitution to allow parents to choose between competing schools. The record group also contains records of the Michigan Center for Charter Schools, sister organization to TEACH Michigan, established to promote the development of charter schools in the state. The record group includes Informational materials detailing mission and goals of the TEACH Michigan organization; organizational files; topical files; correspondence; speeches and articles about school choice and the state charter school movement; and audio and video cassettes of TM presentations and appearances of Paul DeWeese on radio and television programs. Also included are the organizational records of the Michigan Center for Charter Schools."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_4f9a3a50370f108b16342d0e56be5abb\"\u003eOffsite storage; prior notification required for access\u003c/physloc\u003e"],"physloc_tesim":["Offsite storage; prior notification required for access"],"names_coll_ssim":["Michigan Center for Charter Schools.","TEACH Michigan.","TEACH Michigan Education Fund.","TEACH Michigan.","Michigan Center for Charter Schools.","TEACH Michigan Education Fund.","DeWeese, Paul N.","DeWeese, Paul N.","DeWeese, Paul N."],"names_ssim":["Bentley Historical Library","TEACH Michigan.","Michigan Center for Charter Schools.","TEACH Michigan Education Fund.","DeWeese, Paul N."],"corpname_ssim":["Bentley Historical Library","TEACH Michigan.","Michigan Center for Charter Schools.","TEACH Michigan Education Fund."],"persname_ssim":["DeWeese, Paul N."],"language_ssim":["English","The materials are in English."],"total_component_count_is":279,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"umich-bhl-014","timestamp":"2025-02-18T23:13:12.778Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/umich-bhl-014_aspace_20515c12244e3e91a8c5f28f8b4f1743"}},{"id":"ohrc072_d1e7274","type":"Interview","attributes":{"title":"Finkel, Carol Lee Drevno March 8, 1994","abstract_or_scope":{"id":"https://arclight-demo.projectblacklight.org/catalog/ohrc072_d1e7274#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCarol Lee Finkel, née Drevno, was born in Chicago in 1926. She lived there and in Providence, Rhode Island, before coming to Indiana University in 1944. She describes her student days at Indiana University including her School of Music recitals, memorable classes and instructors, and post-World War II changes on campus. After her 1948 graduation, Finkel continued her involvement with the university through alumni association activities and the education of her four children. She describes her post-graduation career as a musician and owner of a wholesale automotive distribution business.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/ohrc072_d1e7274#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"d1e7274","ref_ssm":["d1e7274","d1e7274"],"id":"ohrc072_d1e7274","title_filing_ssi":"Finkel, Carol Lee Drevno March 8, 1994","title_ssm":["Finkel, Carol Lee Drevno March 8, 1994"],"title_tesim":["Finkel, Carol Lee Drevno March 8, 1994"],"normalized_title_ssm":["Finkel, Carol Lee Drevno March 8, 1994"],"text":["Finkel, Carol Lee Drevno March 8, 1994","Indiana University Oral History\n Archive, 1991-1998","91-241","22 pages; 2 cassettes, 1 7/8 ips, 1 hour, 21\n minutes; index, 1 VHS","mail order business","musical recitals","race relations","student unrest","World War II","musician","pianist","Open","Carol Lee Finkel, née Drevno, was born in Chicago in 1926. She lived there and in\n Providence, Rhode Island, before coming to Indiana University in 1944. She\n describes her student days at Indiana University including her School of Music\n recitals, memorable classes and instructors, and post-World War II changes on\n campus. After her 1948 graduation, Finkel continued her involvement with the\n university through alumni association activities and the education of her four\n children. She describes her post-graduation career as a musician and owner of a\n wholesale automotive distribution business.","Interviews are housed in Radio-TV Building, Room\n 314. Copies of interview transcripts are also held by the IU Libraries University\n Archives. Contact archives@indiana.edu for more information. For other locations\n housing the interviews from this project, please contact the Center for\n Documentary Research and Practice office."],"component_level_isim":[1],"parent_ssim":["ohrc072"],"parent_ssi":"ohrc072","parent_ids_ssim":["ohrc072"],"parent_unittitles_ssm":["Indiana University Oral History\n Archive, 1991-1998"],"parent_unittitles_tesim":["Indiana University Oral History\n Archive, 1991-1998"],"parent_levels_ssm":["collection"],"unitid_ssm":["91-241"],"repository_ssim":["Indiana University, Center for Documentary Research and Practice"],"collection_ssim":["Indiana University Oral History\n Archive, 1991-1998"],"physdesc_tesim":["22 pages; 2 cassettes, 1 7/8 ips, 1 hour, 21\n minutes; index, 1 VHS"],"creator_ssim":["Freedman, Jean"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Interview"],"level_ssim":["Interview"],"sort_isi":50,"corpname_ssim":["Indiana State Music Association","Indiana University Alumni Association","Indiana University School of Music"],"famname_ssim":["Finkel"],"persname_ssim":["Freedman, Jean","Collins, Ralph","Bain, Wilfred C.","Ehrlich, Thomas","Knight, Bob","Ryan, John W.","Wells, Herman B"],"access_subjects_ssim":["mail order business","musical recitals","race relations","student unrest","World War II","musician","pianist"],"access_subjects_ssm":["mail order business","musical recitals","race relations","student unrest","World War II","musician","pianist"],"accessrestrict_html_tesm":["\u003cp\u003eOpen\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Status"],"accessrestrict_tesim":["Open"],"scopecontent_html_tesm":["\u003cp\u003eCarol Lee Finkel, née Drevno, was born in Chicago in 1926. She lived there and in\n Providence, Rhode Island, before coming to Indiana University in 1944. She\n describes her student days at Indiana University including her School of Music\n recitals, memorable classes and instructors, and post-World War II changes on\n campus. After her 1948 graduation, Finkel continued her involvement with the\n university through alumni association activities and the education of her four\n children. She describes her post-graduation career as a musician and owner of a\n wholesale automotive distribution business.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["Carol Lee Finkel, née Drevno, was born in Chicago in 1926. She lived there and in\n Providence, Rhode Island, before coming to Indiana University in 1944. She\n describes her student days at Indiana University including her School of Music\n recitals, memorable classes and instructors, and post-World War II changes on\n campus. After her 1948 graduation, Finkel continued her involvement with the\n university through alumni association activities and the education of her four\n children. She describes her post-graduation career as a musician and owner of a\n wholesale automotive distribution business."],"physloc_html_tesm":["\u003cphysloc label=\"Physical Location\"\u003eInterviews are housed in Radio-TV Building, Room\n 314. Copies of interview transcripts are also held by the IU Libraries University\n Archives. Contact archives@indiana.edu for more information. For other locations\n housing the interviews from this project, please contact the Center for\n Documentary Research and Practice office.\u003c/physloc\u003e"],"physloc_tesim":["Interviews are housed in Radio-TV Building, Room\n 314. Copies of interview transcripts are also held by the IU Libraries University\n Archives. Contact archives@indiana.edu for more information. For other locations\n housing the interviews from this project, please contact the Center for\n Documentary Research and Practice office."],"_nest_path_":"/components#49","_nest_parent_":"ohrc072","_root_":"ohrc072","timestamp":"2025-02-18T23:03:26.449Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ohrc072","title_ssm":["Indiana University Oral History\n Archive"],"title_tesim":["Indiana University Oral History\n Archive"],"ead_ssi":"ohrc072","unitdate_ssm":["1991-1998"],"unitdate_inclusive_ssm":["1991-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["ohrc072"],"text":["ohrc072","Indiana University Oral History\n Archive, 1991-1998",". .","This collection contains 194 interviews conducted over 7 years. All interviews consist\n of audio tapes and typed transcripts, as well as collateral materials. ","This project is a compilation of interviews\n of subjects with strong ties to and memories of Indiana University, primarily at the\n Bloomington campus, including former students, faculty, and staff, among others. The\n information spans most of the twentieth century and deals with the administrations under\n presidents Herman B Wells, John Ryan, Thomas Ehrlich, and Myles Brand. The project\n occurred in two parts. The first round of interviews was with administrators, trustees,\n and other high-ranking members of the university hierarchy. The second round of\n interviews was with senior faculty from a number of departments in the College of Arts\n and Sciences. The project is a survey of Indiana University's history as a whole\n including information about various academic departments, athletics, student\n organizations, campus growth, and the university's growth in the twentieth century. This\n project was funded by President Emeritus John Ryan.","Interviews are housed in Radio-TV Building, Room 314.\n Copies of interview transcripts are also held by the IU Libraries University Archives.\n Contact archives@indiana.edu for more information. For other locations housing the\n interviews from this project, please contact the Center for Documentary Research and\n Practice office.","Indiana University Center for Documentary Research and Practice","Indiana University Center for the Study of\n History and Memory","Bloomington National Bank","Indiana University Inter-fraternity Council","Indiana University Office of Risk Management","Indiana University School of Law","United States Student Association","Arthur R. Metz Foundation","Indiana University Department of Chemistry","Little 500","Proctor and Gamble","Purdue University","student foundation","Houghton College","National Association of Schools of Music","New York University","North Texas State University","South Central College","Westminster Choir College","Yale University","","Army ROTC","Athletic Department","School of Health, Physical Education, and Recreation","Indiana University Foundation Board","board of trustees","Lilly Endowment","Phi Kappa Psi","Alumni Association","Indiana Department of Public Welfare","Indiana State Chamber of Commerce","Indiana Vocational Technical College","alumni club","Bloomington School of Law","Investment Committee","Standard Life Insurance Company","IUPUI","United States Air Force","Chicago-Kent Law School","FBI","IUPUI School of Law","IUPUI University Library","United States Department of Justice","Indiana University Alumni Association","Indiana University School of Medicine","Green Feathers","Indiana University School of Business","Red Cross","Indiana University Kokomo","Indiana University","Center for Studies of Law in Action","Indiana State Police","Indiana State Police Academy","Indiana University Department of Criminal Justice","Indiana University Department of Police Administration","Northwestern University","Indiana Conference of Higher Education","Indiana University Credit Union","Indiana University Division of Undergraduate Development","Stillman College","Neal Marshall Cultural Center","Omega Psi Chi","American Legion","Indiana University Business Office","Treasurer's Office","Indiana University Lilly Library","United States Navy","Hoosiers for Higher Education","University Apartments","Fair Play for Cuba Committee","Indiana University Foundation","International Business Forum","University of Indianapolis","faculty council","Indiana University Department of Comparative Literature","Indiana University South Bend","Indiana University Collins Living-Learning Center"," Indiana University Department of English","Kinsey Institute for Research in Sex, Gender, and\n Reproduction","Indiana University Southeast","Indiana University School of Medicine ","Sigma Chi","American Chemical Society ","Central High School ","Cornell University","Indiana Daily Student","Indiana University School of Dentistry","Johns Hopkins University","National Science Foundation","Indiana University Athletic Committee","Indiana University Men's Club","National Collegiate Athletic Association","Architectural Committee","Union Board","Board of Aeons","Inland Container Corporation","Krannert Charitable Trust","Association of Universities for Research in Astronomy,\n Incorporated","Goethe Link Observatory","Harvard Observatory","Indiana University Department of Astronomy","Indiana University Kirkwood Observatory","Lawrence Fellowship","Lowell Observatory","Seymour High School","Brookings Institute","Harvard University","Legal Services Corporation","Stanford University","Board of Trustees","Indiana University Northwest","Indiana University Department of Philosophy","Indiana University School of Music","American Life Convention","Harvard Law School","John Hancock Company","Ku Klux Klan","American Council on Education","Transylvania University","Army Air Corps","Concordia University-St. Paul","ERIC","Reader's Digest","School of Public and Environmental Affairs","University of Minnesota","Bowling Green University","Indiana State Music Association","Notre Dame","Yale","Indiana University student union board","Phi Gamma Delta"," Indiana University Student Association","Center on Philanthropy","Middle Way House","MTV","Women's Wheels","American Broadcasting Company","Hofstra University","Juilliard Conservatory","New School for Social Research","Pittsburgh Symphony Orchestra","Sigma Alpha Epsilon","London University","Sheffield University","University of Maryland","University of California at Santa Barbara","Indiana University Kokomo School of Business","University of Michigan","Carnegie Mellon University","Ohio State University ","Phi Betta Kappa","University of Pittsburgh","Western College for Women","Indiana State University","Indiana University-Purdue University Fort Wayne","General Electric Company","Lazarus Department Store","Studebaker Corporation","Beta Gamma Sigma","dean's advisory committee","Phi Beta Kappa","Hoosier 100","Black Student Union","Common Cause","Indiana University Student Association","Alpha Chi Omega","Woodburn Guild","General Motors Corporation","Neal Marshall Black Culture Center","New York Jets","Earlham College","Indiana University East","Iowa State University","Lockheed Corporation","MIT","IUPUI School of Law ","Columbia University School of Law","Air Force ROTC","Ivy Tech State College","Yale Law School","Enhancing Minority Attainment Conference","Lehman College","National Endowment for the Humanities","Indiana University Medical Center","Armstrong Cork Company","Indiana University School of Business ","Thatcher Glass Company","United Way of America","Columbia University","Kabul University","Neal Marshall Cultural Center ","Beta Theta Pi","Detroit Lions","I-Men's Association","Johnson Creamery","Indiana University Bloomington","Indiana University Hospital","Riley Hospital","Beekman and Bogue","Cotton and Franklin ","Interborough Rapid Transit Company ","Indiana University Department of Computer Science","Mini University","Purdue University ","Ford Motor Company","University of Evansville","College of William and Mary","Vassar College","Indiana University Fort Wayne","Purdue Universit","Indiana University Audio Visual Department","Indiana University Department of the Extension Division","Gay Straight Alliance","Indiana University Faculty Council","Sigma Nu","Indiana University Association of Women Students","Jordan River Review","Black Film Center/Archive","Case Western Reserve University","NAACP","Department of Radio and Television","Department of Telecommunications","WTIU","Indiana General 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Education Alumni Association","Baldwin-Wallace College","Detroit Institute of Technology","Sienna Heights College","Washburn University","AT\u0026T","Eli Lilly and Company","Indiana Bell","Twelfth Man Club","Association of Women Students","Bloomington Hospital","Mid-West Business Administration Association","Human Relations Committee","Illinois State Department of Education","VISTA","Bloomingfoods","Bowes Tailoring","Clerical Workers’ Union","Communications Workers of America","Department of Chemistry","Department of German","School of Music","Shimer College","Sunflower Bakery","University of Wisconsin Madison","Whole Earth Co-Op","Boy Scouts of America","National Guard","Alpha Tau Omega"," Indiana University Department of Management","University of Michiga","Wayne State","Grace Commission","Lambda Chi Alpha","Shortridge High School","Women's Air Force","Getz","Conrad","Krannert","Russell","Finkel","Huffman","Jacobs","Grossman","Tobias","McGreevey","Kraemer, Peter","Kinsey, Alfred C.","Newman, George","Voegelin, Carl F.","Freedman, Jean","Baker, John","Boyd, Roselle","Clapacs, Terry","Cross, Pat","Ehrlich, Ellen","Ehrlich, Thomas","Floyd, Ralph","Knight, Bob","Ryan, John W.","Biddle, Ward G.","Briscoe, Herman T. \"Kay\"","Day, Harry","Hope, Bob","McGlasen, Tom","Metz, Arthur R.","Muhler, Joseph","Pawner, Nelson","Showalter, Grace M.","Stahr, Elvis J.","Wells, Herman B","Appel, Willie","Einstein, Albert","Webb, Charles","Chamberlain, Phillip","Mobley, Tony","Remley, Mary","Stoner, Richard B.","Armstrong, William","Bell, Gregory","Campbell, Milt","Crimmins, Bernie","Dumas, Charles","Mays, Willie","Miller, Jean","Esarey, Logan","Hennel, Cora","Hinkam, John","Meredith, James","Read, Tom","Barker, Clare Wright","Sutton, Joseph Lee","Georges, Robert A.","Bryan, William Lowe","Hill, John","Lead, Roy","Hunt, Virgil","Miller, Herbert","Edlin, George","Gambill, Chris","Gros Louis, Kenneth R.R.","Gross, Robert","Jordan, Dean","Gray, Don","Gucker, Frank G.","Hudson, 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D.","Harper, Fowler V.","Nelson, Alice","Aller, Lawrence","Cogshall, Wilbur A.","Cuffey, Jim","Russell, Henry Norris","Shapley, Harlow","Townsend, Prescott","Wells, Agnes E.","Williams, Kenneth P.","Ball, George A.","Chayes, Abram","Hand, Learned","Bell, Joshua","Bernstein, Leonard","Cohen, Jere Michael","Eissler, David","Jung, Christian","Kemp, Gretchen ","Powell, Bill","Shoemaker, Raymond L.","Oberholtz, Madge","Remy, William H.","Stephenson, David Curtis","Brown, Sylvia","Orescanin, Dan","Confucius","Wright, Wendell W. \"Whack\"","Sheehan, Steven","Bemis, Samuel Flagg","Benns, Lee","Bryan, William Lowe ","Buley, Roscoe Carlyle ","Byrd, Cecil","Byrnes, Robert F. ","Castle, William R., Jr. ","Curtis, Lewis","Dulles, Foster Rhea ","Friedman, Larry","Grant, James ","Grossberg, Michael","Gucker, Frank Thomson ","Jameson, J. Franklin","Kaplan, Larry","Kohlmeier, Albert Ludwig","Kunz, Diane","Lowengrub, Mort","O’Neil, Bob","Stark, Lloyd","Truman, President Harry","Wells, Herman B.","Winther, Oscar Osburn","Bain, Wilfred C.","Carmichael, Hoagy","McMillin, Alvin N. \"Bo\"","Rich, Claude T.","Willis, Hugh","Baker, David","Elliot, Peggy","Hershey, Marjorie","Moody, Michael","Stein, Stephen","Wiggins, William","Wise, Larry","Heineman, Charles","Kessler, James B.","Lofton, Guy","Bain, Wilfred","Bennett, Robert Russell","Ellington, Duke","Horney, Karen","Carter, Gwendolyn","Carter, James Earl, Jr.","Fonda, Jane","Mayberry, Phil","Barber, Cesar","Calinescu, Matei","Gottesman, Ronald","Naremore, James","Rabkin, Gerald","Weisstein, Ulrcih","Work, James","Berkvam, Michael","Billant, Antoinette","Carr, Diana","Hope, Quentin","Michael, Keith","Pfohl, Russell","Will, Samuel","Carmony, Donald","Benns, Frank Lee","Daugherty, Rosemary","Lundin, C. Leonard","Perguson, Dee","Mee, John","Cady, Ed","Bayh, Evan","Helmke, Paul","Udall, Stewart Lee","Bair, Ed","Bonham, Russ","Davidson, Ernie","Hanson, Bob","Parmenter, Charlie","Schafer, Riley","Shull, Harrison","Weurkert, Ernest","Hefner, Ray","Welsh, Matthew E.","Clinton, Hillary Rodham","Clinton, William Jefferson","Marsh, Elisabeth","Klotman, Phyllis","Lowengrub, Morton","Maultsby, Portia","Point, John","Torchinsky, Alberto ","Weidman, Leah E.","Mendel, Bernardo","Patterson, Robert P.","Sandberg, Carl","Sembower, Charles J.","Senour, Frank","Whiteman, Paul","O'Neil, Robert","Friedman, Dan","Prosser, Frank","Shapiro, Stu","Wand, Mitchell","Winkle, David","Franklin, Benjamin","Heighway, George \"Dixie\"","Homestead, Raleigh","Driver, Harold Edson","Merriam, Alan","Purdue, John","Bittner, Walter","Cavanaugh, Robert Emmet","Norman, Hugh","Ferrell, Robert H.","Hale, Will Taliaferro","Chavez, Linda","Dyson, Michael Eric","Bachelor, Joe","Hayes, Billy","Hoover, J. Edgar","Riley, James Whitcomb","Robinson, Sid","Breedan, Bill","Cabot, Nick","Douglas, Paul H.","Minton, Sherman","Roosevelt, Franklin Delano","Truman, Harry S.","Bowen, Otis R.","Christenson, Carroll","Eschbach, Jess","Gavit, Bernard Campbell","Kellogg, Winthrop Niles","Wallace, Leon","Wildermuth, Ora L.","Ferentinos","Counsilman, James \"Doc\"","Simic, Curt","Bidney, David","Kendall, Bonnie","Voegelin, Florence","Michael, R. Keith","Heppner, Hubert","Michael, Marion","Norvelle, Lee","Porterfield, Robert","Johnson, Wendell","Cortis, Eugene","Halkovich, Steve","Swygert, Luther","Bush, George, Sr.","Clinton, Bill","Dunn, Mike","Eisenberg, Paul","Carter, Byrum","Greenley, Betty","Remak, Henry H.H.","Kerr, Clark","Laird, Byron","Porter, John","Annon, Charles","Beckmann, Max","Black, Wendell","Bowie, Theodore","Lowe, Marvin","Megrew, Alden","Pozzatti, Dorothy","Shahn, Ben","Smith, Henry","Wolle, Muriel","Bowen, Otis","Kessler, Jim","Shirley, Janet","Bryan, William","Cravens, John","Kinsey, Alfred","Pyle, Ernie","Mueller, Joseph","Ottison, Skyler","Rau, John","Wenworth, Jack","Howe, Irving","Hagstrom, Stanley","Martin, Wayne","Purdom, Paul","Springer, George","Whitney, Dedaimia","Winkel, David","Wise, David","Wrubel, Marshall","Young, Steve","Bunke, Harvey C.","Evans, Maurice Blakemoore","Gallaway, Jesse James","Hitler, Adolf","Ittner, Robert","Osthus, Carl","Stout, Selatie Edgar","Voss, Bert John","Zucker, Edward","Heighway, George \"Dixie\" ","Brand, Myles","Lombardi, John","Nixon, Richard Milhous","Robinson, Eileen","Sippers, Mary","Crooks, Ed","Hesberg, Ted","Pointer, Nelson","Yeagley, Jerry","Peterson, John","Richardson, Ray","Burton, Bob","Harvey, Bill","Sperber, Murray","Daugherty, Jack","Errenpreis, Irvin","Wallace, George C.","Yelling, Sam","Allen, Robert E. Barton","Millisen, Robert","Snoddy, George Samuel","Atkins, Tom","Bingham, Barry","Blase, David","Donovan, Mike","Edmundson, Frank","Hanson, Norwood Russell","Huston, Tom","Kemp, Gretchen","Link, Goethe","Oswald, Lee Harvey","Owen, Kent","Polk, Jim","Scriven, Michael","Shaffer, Robert","Tesich, Steve","Ferrell, Bob","Gooker, Frank","Ahlstrom, Sydney","Brown, Joseph","Edwards, Jonathan","May, Bill","Sampley, Paul","Stein, Frederick Carl","Stein, Irene Kroggel","Gilliat, Neal","Hewett, Charles Mason","Tobias, David","Kinzer, Bill","Willbern, York","Brown, Stan","Williams, Ed","Coppage, Jim","Foster, Bronja","Holschuh, Albrecht","Johnson, Steve","Leivant, Daniel","Robertson, Ed","Shiner, Jack","Hutchins, Robert","Kuntz, Ed","Ratliff, Willie","Shepard, Randall","Bartley, E. Ross","Gildea, Bob","Johnson, Lyndon Baines","Clüver, Claus","Haeberle, Bill","Bowman, Slyvia","Buhner, Jack","Cohen, Dan","Daghlian, Phil","Gros Louis, Ken","Harrell, Charlie","Higgins, Smith","Reiberg, Rufus","Materials are in English"],"unitid_tesim":["ohrc072"],"normalized_date_ssm":["1991-1998"],"normalized_title_ssm":["Indiana University Oral History\n Archive, 1991-1998"],"collection_title_tesim":["Indiana University Oral History\n Archive, 1991-1998"],"collection_ssim":["Indiana University Oral History\n Archive, 1991-1998"],"repository_ssm":["Indiana University, Center for Documentary Research and Practice"],"repository_ssim":["Indiana University, Center for Documentary Research and Practice"],"creator_ssm":["Indiana University Center for the Study of\n History and Memory"],"creator_ssim":["Indiana University Center for the Study of\n History and Memory"],"creator_corpname_ssim":["Indiana University Center for the Study of\n History and Memory"],"creators_ssim":["Indiana University Center for the Study of\n History and Memory"],"acqinfo_ssim":["Oral history interviews conducted by the Indiana University Center for the Study of\n History and Memory from 1968 to the present, with particular focus on the history of\n twentieth-century America and the Midwest."],"has_online_content_ssim":["false"],"physdesc_tesim":[". ."],"extent_ssm":["194 interviews Audiotapes, transcripts, and collateral\n materials"],"extent_tesim":["194 interviews Audiotapes, transcripts, and collateral\n materials"],"date_range_isim":[1991,1992,1993,1994,1995,1996,1997,1998],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains 194 interviews conducted over 7 years. All interviews consist\n of audio tapes and typed transcripts, as well as collateral materials. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["This collection contains 194 interviews conducted over 7 years. All interviews consist\n of audio tapes and typed transcripts, as well as collateral materials. "],"abstract_html_tesm":["\u003cabstract label=\"Abstract\" encodinganalog=\"520\"\u003eThis project is a compilation of interviews\n of subjects with strong ties to and memories of Indiana University, primarily at the\n Bloomington campus, including former students, faculty, and staff, among others. The\n information spans most of the twentieth century and deals with the administrations under\n presidents Herman B Wells, John Ryan, Thomas Ehrlich, and Myles Brand. The project\n occurred in two parts. The first round of interviews was with administrators, trustees,\n and other high-ranking members of the university hierarchy. The second round of\n interviews was with senior faculty from a number of departments in the College of Arts\n and Sciences. The project is a survey of Indiana University's history as a whole\n including information about various academic departments, athletics, student\n organizations, campus growth, and the university's growth in the twentieth century. This\n project was funded by President Emeritus John Ryan.\u003c/abstract\u003e"],"abstract_tesim":["This project is a compilation of interviews\n of subjects with strong ties to and memories of Indiana University, primarily at the\n Bloomington campus, including former students, faculty, and staff, among others. The\n information spans most of the twentieth century and deals with the administrations under\n presidents Herman B Wells, John Ryan, Thomas Ehrlich, and Myles Brand. The project\n occurred in two parts. The first round of interviews was with administrators, trustees,\n and other high-ranking members of the university hierarchy. The second round of\n interviews was with senior faculty from a number of departments in the College of Arts\n and Sciences. The project is a survey of Indiana University's history as a whole\n including information about various academic departments, athletics, student\n organizations, campus growth, and the university's growth in the twentieth century. This\n project was funded by President Emeritus John Ryan."],"physloc_html_tesm":["\u003cphysloc label=\"Physical Location\"\u003eInterviews are housed in Radio-TV Building, Room 314.\n Copies of interview transcripts are also held by the IU Libraries University Archives.\n Contact archives@indiana.edu for more information. For other locations housing the\n interviews from this project, please contact the Center for Documentary Research and\n Practice office.\u003c/physloc\u003e"],"physloc_tesim":["Interviews are housed in Radio-TV Building, Room 314.\n Copies of interview transcripts are also held by the IU Libraries University Archives.\n Contact archives@indiana.edu for more information. For other locations housing the\n interviews from this project, please contact the Center for Documentary Research and\n Practice office."],"names_ssim":["Indiana University Center for Documentary Research and Practice","Indiana University Center for the Study of\n History and Memory","Bloomington National Bank","Indiana University Inter-fraternity Council","Indiana University Office of Risk Management","Indiana University School of Law","United States Student Association","Arthur R. Metz Foundation","Indiana University Department of Chemistry","Little 500","Proctor and Gamble","Purdue University","student foundation","Houghton College","National Association of Schools of Music","New York University","North Texas State University","South Central College","Westminster Choir College","Yale University","","Army ROTC","Athletic Department","School of Health, Physical Education, and Recreation","Indiana University Foundation Board","board of trustees","Lilly Endowment","Phi Kappa Psi","Alumni Association","Indiana Department of Public Welfare","Indiana State Chamber of Commerce","Indiana Vocational Technical College","alumni club","Bloomington School of Law","Investment Committee","Standard Life Insurance Company","IUPUI","United States Air Force","Chicago-Kent Law School","FBI","IUPUI School of Law","IUPUI University Library","United States Department of Justice","Indiana University Alumni Association","Indiana University School of Medicine","Green Feathers","Indiana University School of Business","Red Cross","Indiana University Kokomo","Indiana University","Center for Studies of Law in Action","Indiana State Police","Indiana State Police Academy","Indiana University Department of Criminal Justice","Indiana University Department of Police Administration","Northwestern University","Indiana Conference of Higher Education","Indiana University Credit Union","Indiana University Division of Undergraduate Development","Stillman College","Neal Marshall Cultural Center","Omega Psi Chi","American Legion","Indiana University Business Office","Treasurer's Office","Indiana University Lilly Library","United States Navy","Hoosiers for Higher Education","University Apartments","Fair Play for Cuba Committee","Indiana University Foundation","International Business Forum","University of Indianapolis","faculty council","Indiana University Department of Comparative Literature","Indiana University South Bend","Indiana University Collins Living-Learning Center"," Indiana University Department of English","Kinsey Institute for Research in Sex, Gender, and\n Reproduction","Indiana University Southeast","Indiana University School of Medicine ","Sigma Chi","American Chemical Society ","Central High School ","Cornell University","Indiana Daily Student","Indiana University School of Dentistry","Johns Hopkins University","National Science Foundation","Indiana University Athletic Committee","Indiana University Men's Club","National Collegiate Athletic Association","Architectural Committee","Union Board","Board of Aeons","Inland Container Corporation","Krannert Charitable Trust","Association of Universities for Research in Astronomy,\n Incorporated","Goethe Link Observatory","Harvard Observatory","Indiana University Department of Astronomy","Indiana University Kirkwood Observatory","Lawrence Fellowship","Lowell Observatory","Seymour High School","Brookings Institute","Harvard University","Legal Services Corporation","Stanford University","Board of Trustees","Indiana University Northwest","Indiana University Department of Philosophy","Indiana University School of Music","American Life Convention","Harvard Law School","John Hancock Company","Ku Klux Klan","American Council on Education","Transylvania University","Army Air Corps","Concordia University-St. Paul","ERIC","Reader's Digest","School of Public and Environmental Affairs","University of Minnesota","Bowling Green University","Indiana State Music Association","Notre Dame","Yale","Indiana University student union board","Phi Gamma Delta"," Indiana University Student Association","Center on Philanthropy","Middle Way House","MTV","Women's Wheels","American Broadcasting Company","Hofstra University","Juilliard Conservatory","New School for Social Research","Pittsburgh Symphony Orchestra","Sigma Alpha Epsilon","London University","Sheffield University","University of Maryland","University of California at Santa Barbara","Indiana University Kokomo School of Business","University of Michigan","Carnegie Mellon University","Ohio State University ","Phi Betta Kappa","University of Pittsburgh","Western College for Women","Indiana State University","Indiana University-Purdue University Fort Wayne","General Electric Company","Lazarus Department Store","Studebaker Corporation","Beta Gamma Sigma","dean's advisory committee","Phi Beta Kappa","Hoosier 100","Black Student Union","Common Cause","Indiana University Student Association","Alpha Chi Omega","Woodburn Guild","General Motors Corporation","Neal Marshall Black Culture Center","New York Jets","Earlham College","Indiana University East","Iowa State University","Lockheed Corporation","MIT","IUPUI School of Law ","Columbia University School of Law","Air Force ROTC","Ivy Tech State College","Yale Law School","Enhancing Minority Attainment Conference","Lehman College","National Endowment for the Humanities","Indiana University Medical Center","Armstrong Cork Company","Indiana University School of Business ","Thatcher Glass Company","United Way of America","Columbia University","Kabul University","Neal Marshall Cultural Center ","Beta Theta Pi","Detroit Lions","I-Men's Association","Johnson Creamery","Indiana University Bloomington","Indiana University Hospital","Riley Hospital","Beekman and Bogue","Cotton and Franklin ","Interborough Rapid Transit Company ","Indiana University Department of Computer Science","Mini University","Purdue University ","Ford Motor Company","University of Evansville","College of William and Mary","Vassar College","Indiana University Fort Wayne","Purdue Universit","Indiana University Audio Visual Department","Indiana University Department of the Extension Division","Gay Straight Alliance","Indiana University Faculty Council","Sigma Nu","Indiana University Association of Women Students","Jordan River Review","Black Film Center/Archive","Case Western Reserve University","NAACP","Department of Radio and Television","Department of Telecommunications","WTIU","Indiana General Assembly","Indiana University Black Student Union","Indiana University Department of Geology","UCLA","Michigan State University","Fellowship of Christian Athletes","Progressive Reform Party","Students for a Democratic Society","Supreme Court","United States Army","Officers Candidate School","Department of History","Kappa Alpha Psi","Indiana University Human Genome Diversity Project","California Institute of Technology","Indiana University Department of Speech","Indiana University Department of Theater","St. Cloud University","University of Pennsylvania","Barter Theater","Booth Theater","Brown County Playhouse","Department of Theatre","Indiana University of Pennsylvania","Maurer School of Law","Indiana Univeristy Foundation","ROTC","Upjohn Company","Creighton College","Psi Iota Xi","Simpson College","University of Iowa","Sphinx Club","Indiana University Student Athletic Board","Indiana University Law School","Varsity Club","Center for Strategic and International Studies","Republican Party","Bloomington Community Foundation"," board of trustees","Bristol-Myers","Mead Johnson and Company","National Association of College and University Business\n Officers","Wayne State University","Little United Nations Assembly","City University of New York","Foster Quad Black Student Association","Echo Press","Guggenheim Foundation","National Endowment for the Arts","University of Colorado, Boulder","University of Nebraska","McKinney School of Law","West Georgia College","Peace Corps","Bloomington World","Marching Hundred","Dow Chemical Company","Kinsey Institute","University of Buffalo","University of Chicago","Computing Center","Department of Computer Science","Hewlett-Packard","Texas Instruments","University Computing Services","Xerox Corporation","Indiana Commission on Higher Education","University of Detroit","Indiana University Department of German","Indiana University Institute for Advanced Study","Sigma Alpha Nu","Blue Key","Claude Rich Scholarship","Monroe County Youth Shelter","Acacia","Lindley Hall","University of Ghana","athletic committee","Bob Knight Endowment","Friends of Music","Indiana University School of Journalism","City Securities Corporation","Indiana University Student Foundation","Merrill Lynch and Company, Incorporated","School of Business","University of California, Berkeley","Army Airways Communication System","Indiana University Department of Speech Communication","Barnes and Thornburg","Barnes, Hickam, Pantzer and Boyd","Big House Coalition","Independent Party","Indiana University All-Campus Party","Indiana University Board of Aeons","Organized Party","Oxford University","Westmont College","Indiana University Groups Student Support Services ","American Studies Program","Concordia Seminary","Indiana University Department of Religious Studies","Lutheran Church-Missouri Synod","New York University School of Law","Association of Governing Boards of Universities and Colleges","Ball Corporation","Ball State University","School of Education Alumni Association","Baldwin-Wallace College","Detroit Institute of Technology","Sienna Heights College","Washburn University","AT\u0026T","Eli Lilly and Company","Indiana Bell","Twelfth Man Club","Association of Women Students","Bloomington Hospital","Mid-West Business Administration Association","Human Relations Committee","Illinois State Department of Education","VISTA","Bloomingfoods","Bowes Tailoring","Clerical Workers’ Union","Communications Workers of America","Department of Chemistry","Department of German","School of Music","Shimer College","Sunflower Bakery","University of Wisconsin Madison","Whole Earth Co-Op","Boy Scouts of America","National Guard","Alpha Tau Omega"," Indiana University Department of Management","University of Michiga","Wayne State","Grace Commission","Lambda Chi Alpha","Shortridge High School","Women's Air Force","Getz","Conrad","Krannert","Russell","Finkel","Huffman","Jacobs","Grossman","Tobias","McGreevey","Kraemer, Peter","Kinsey, Alfred 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DeWeese, a physician then working in Detroit, became frustrated by what he perceived to be a lack of educational choice for his own children then about to begin school. With other like-minded individuals, DeWeese formed Michigan Citizens for Choice in Education (shortly to be renamed TEACH Michigan). Incorporated as a non-profit organization in 1991, TEACH Michigan was established to lobby for changes in the law regarding school choice. Associated with TEACH Michigan was a tax-exempt sister organization - TEACH Michigan Education Fund (TMEF) - which with license to solicit charitable contributions could engage in a variety of educational, research, and planning functions."," Under DeWeese's leadership, TEACH Michigan advocated fundamental changes in the state's educational system. The core of TEACH Michigan's philosophy of education was simply stated. Parents should be allowed to choose from competing systems of schools with funding for education following the student and not automatically being given to the government-supported school system. An ambitious agenda, TEACH Michigan realized the importance of educating the public and enlisting enough grassroots support for the necessary changes in state law and in the state constitution to be made. With the law changed, there would follow competition for the education dollar resulting in non-governmental sponsorship of K-12 schools by corporations, public or private universities, parent groups or churches, as well as by the government. No longer would there be a \"government monopoly\" school system. Instead, parents would receive financial support (or vouchers) for their children to attend the school of their choice."," Although his message never wavered, DeWeese was realistic enough to realize that \"full choice\" could only come incrementally, thus his advocacy of changes in state law to allow for the creation of charter schools. Charter schools are public schools that are custom-designed by groups of teachers, parents or outside individuals to meet particular education needs. Charter schools are part of the public school system, financed on a par with other schools in the district. But for charter schools to become a reality state law would have to be changed. In December 1993, with the passage of Senate bill no. 896 (signed by the governor in January 1994), Michigan adopted the most significant restructuring of public education since the development of single-function school districts in the early 20th century. The state authorized groups of certified teachers and community leaders to form individual charter schools (public school academies) \"that are to be treated like school districts\" for the purposes of state education law. These \"single-school school districts\" could be started anywhere in the state by one or more certified teachers, a county, city, village, township, school district, community college, or state public university. Each new school would develop its own governing board, and must describe its educational goals and the standards by which its performance will be measured. Each of these academies would receive a state school aid payment for its enrolled students."," Following the passage of 896, TMEF established a sister organization, the Michigan Center for Charter Schools (MCCS), whose purpose was to promote the development of charter schools. TMEF subsidized the operation of MCCS throughout its existence. MCCS was the only organization in the state early on that was disseminating timely and accurate information about charter schools. MCCS also helped several groups move through the process of establishing a charter school. By the end of 1995, more than 60 charter school had been established with an additional 120 schools seeking charters."," In November 1994, an Ingham County circuit court judge ruled the law unconstitutional. Although the groups authorized to grant charters were government entities, the judge ruled, the day-to-day operations of schools were largely in the hands of privately elected directors and thus not directly accountable to the public. With this decision, the charter schools that had been established were left without public funding. In some cases, the schools reverted to private school status relying on tuitions and corporate donations for their support. In other cases, the state legislature, many of whose members believed that the judge's ruling would be overturned on appeal, passed emergency legislation which addressed the judge's objection to the original legislation."," In 1995, the state Board of Education contracted with the Michigan Partnership for New Education to both promote charter schools and to provide technical assistance to charter schools. The Michigan Partnership immediately asked for, and received, permission to hire the entire staff of MCCS in order to run their charter school operation. In May of 1995, MCCS ceased to operate, as its mission and staff were absorbed by the Michigan Partnership for New Education."," From its inception, TEACH Michigan knew that for real educational reform to take place from their point of view, the Michigan State Constitution (Article 8, sec. 2) would have to be revised. That provision restricted the use of public funds to government-operated schools only. With the constitution changed, TEACH Michigan hoped to secure passage of a voucher system so that parents might choose, and receive funding, for their child to attend a church-related school."," In 2000, the TEACH Michigan organization was folded into a new organization, Partnership for Learning.","This record group consists of two separate groupings (or subgroups) of records: the combined files of TEACH Michigan and TEACH Michigan Education Fund covering the period of 1989 to 1995, and files of the charter school support group, Michigan Center for Charter Schools covering the years 1994-1995. Both organizations operated out of the same office in Lansing and included some of the same individuals as board members. The TM/TMEF files consist in great part of papers of Dr. Paul N. DeWeese, a principal founder of the organization. The MCCS files are largely papers of executive director Barbara Barrett as well as DeWeese. Together, the record group contains correspondence, policy statements, organizational and activity files, collected materials, sound and video materials, all relating to the efforts of the two organizations first to educate and lobby for changes in the law, and second to provide assistance and support in the establishment of charter schools. The records date from the inception of the organization to 1995. The subsequent records of TEACH Michigan remain with the organization.","Donor(s) have not transferred any applicable copyright to the Regents of the University of Michigan. Patrons are responsible for determining the appropriate use or reuse of materials.","Organization established in 1989 by Paul N. DeWeese and others to lobby for changes in state law and the state constitution to allow parents to choose between competing schools. The record group also contains records of the Michigan Center for Charter Schools, sister organization to TEACH Michigan, established to promote the development of charter schools in the state. The record group includes Informational materials detailing mission and goals of the TEACH Michigan organization; organizational files; topical files; correspondence; speeches and articles about school choice and the state charter school movement; and audio and video cassettes of TM presentations and appearances of Paul DeWeese on radio and television programs. Also included are the organizational records of the Michigan Center for Charter Schools.","Offsite storage; prior notification required for access","Bentley Historical Library","TEACH Michigan.","Michigan Center for Charter Schools.","TEACH Michigan Education Fund.","DeWeese, Paul N.","English","The materials are in English."],"unitid_tesim":["014 Bj 2"],"normalized_date_ssm":["1989-1996"],"normalized_title_ssm":["TEACH Michigan and TEACH Michigan Education Fund records, 1989-1996"],"collection_title_tesim":["TEACH Michigan and TEACH Michigan Education Fund records, 1989-1996"],"collection_ssim":["TEACH Michigan and TEACH Michigan Education Fund records, 1989-1996"],"repository_ssm":["University of Michigan. Bentley Historical Library"],"repository_ssim":["University of Michigan. 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Donor no. 9038"],"access_subjects_ssim":["Charter schools -- Michigan.","Education -- Michigan.","Public schools -- Michigan.","School choice -- Michigan.","Charter schools -- Michigan.","Debates.","Discussion.","Public affairs television programs.","School choice -- Michigan.","Sound recordings.","Videocassettes."],"access_subjects_ssm":["Charter schools -- Michigan.","Education -- Michigan.","Public schools -- Michigan.","School choice -- Michigan.","Charter schools -- Michigan.","Debates.","Discussion.","Public affairs television programs.","School choice -- Michigan.","Sound recordings.","Videocassettes."],"has_online_content_ssim":["false"],"extent_ssm":["13 linear feet"],"extent_tesim":["13 linear feet"],"genreform_ssim":["Sound recordings.","Videocassettes."],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eResearch use of the record group is restricted except with the permission of Dr. Paul DeWeese.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Research use of the record group is restricted except with the permission of Dr. Paul DeWeese."],"bioghist_html_tesm":["\u003cp\u003eIn 1989, Dr. Paul N. DeWeese, a physician then working in Detroit, became frustrated by what he perceived to be a lack of educational choice for his own children then about to begin school. With other like-minded individuals, DeWeese formed Michigan Citizens for Choice in Education (shortly to be renamed TEACH Michigan). Incorporated as a non-profit organization in 1991, TEACH Michigan was established to lobby for changes in the law regarding school choice. Associated with TEACH Michigan was a tax-exempt sister organization - TEACH Michigan Education Fund (TMEF) - which with license to solicit charitable contributions could engage in a variety of educational, research, and planning functions.\u003c/p\u003e\n","\u003cp\u003e Under DeWeese's leadership, TEACH Michigan advocated fundamental changes in the state's educational system. The core of TEACH Michigan's philosophy of education was simply stated. Parents should be allowed to choose from competing systems of schools with funding for education following the student and not automatically being given to the government-supported school system. An ambitious agenda, TEACH Michigan realized the importance of educating the public and enlisting enough grassroots support for the necessary changes in state law and in the state constitution to be made. With the law changed, there would follow competition for the education dollar resulting in non-governmental sponsorship of K-12 schools by corporations, public or private universities, parent groups or churches, as well as by the government. No longer would there be a \"government monopoly\" school system. Instead, parents would receive financial support (or vouchers) for their children to attend the school of their choice.\u003c/p\u003e\n","\u003cp\u003e Although his message never wavered, DeWeese was realistic enough to realize that \"full choice\" could only come incrementally, thus his advocacy of changes in state law to allow for the creation of charter schools. Charter schools are public schools that are custom-designed by groups of teachers, parents or outside individuals to meet particular education needs. Charter schools are part of the public school system, financed on a par with other schools in the district. But for charter schools to become a reality state law would have to be changed. In December 1993, with the passage of Senate bill no. 896 (signed by the governor in January 1994), Michigan adopted the most significant restructuring of public education since the development of single-function school districts in the early 20th century. The state authorized groups of certified teachers and community leaders to form individual charter schools (public school academies) \"that are to be treated like school districts\" for the purposes of state education law. These \"single-school school districts\" could be started anywhere in the state by one or more certified teachers, a county, city, village, township, school district, community college, or state public university. Each new school would develop its own governing board, and must describe its educational goals and the standards by which its performance will be measured. Each of these academies would receive a state school aid payment for its enrolled students.\u003c/p\u003e\n","\u003cp\u003e Following the passage of 896, TMEF established a sister organization, the Michigan Center for Charter Schools (MCCS), whose purpose was to promote the development of charter schools. TMEF subsidized the operation of MCCS throughout its existence. MCCS was the only organization in the state early on that was disseminating timely and accurate information about charter schools. MCCS also helped several groups move through the process of establishing a charter school. By the end of 1995, more than 60 charter school had been established with an additional 120 schools seeking charters.\u003c/p\u003e\n","\u003cp\u003e In November 1994, an Ingham County circuit court judge ruled the law unconstitutional. Although the groups authorized to grant charters were government entities, the judge ruled, the day-to-day operations of schools were largely in the hands of privately elected directors and thus not directly accountable to the public. With this decision, the charter schools that had been established were left without public funding. In some cases, the schools reverted to private school status relying on tuitions and corporate donations for their support. In other cases, the state legislature, many of whose members believed that the judge's ruling would be overturned on appeal, passed emergency legislation which addressed the judge's objection to the original legislation.\u003c/p\u003e\n","\u003cp\u003e In 1995, the state Board of Education contracted with the Michigan Partnership for New Education to both promote charter schools and to provide technical assistance to charter schools. The Michigan Partnership immediately asked for, and received, permission to hire the entire staff of MCCS in order to run their charter school operation. In May of 1995, MCCS ceased to operate, as its mission and staff were absorbed by the Michigan Partnership for New Education.\u003c/p\u003e\n","\u003cp\u003e From its inception, TEACH Michigan knew that for real educational reform to take place from their point of view, the Michigan State Constitution (Article 8, sec. 2) would have to be revised. That provision restricted the use of public funds to government-operated schools only. With the constitution changed, TEACH Michigan hoped to secure passage of a voucher system so that parents might choose, and receive funding, for their child to attend a church-related school.\u003c/p\u003e\n","\u003cp\u003e In 2000, the TEACH Michigan organization was folded into a new organization, Partnership for Learning.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In 1989, Dr. Paul N. DeWeese, a physician then working in Detroit, became frustrated by what he perceived to be a lack of educational choice for his own children then about to begin school. With other like-minded individuals, DeWeese formed Michigan Citizens for Choice in Education (shortly to be renamed TEACH Michigan). Incorporated as a non-profit organization in 1991, TEACH Michigan was established to lobby for changes in the law regarding school choice. Associated with TEACH Michigan was a tax-exempt sister organization - TEACH Michigan Education Fund (TMEF) - which with license to solicit charitable contributions could engage in a variety of educational, research, and planning functions."," Under DeWeese's leadership, TEACH Michigan advocated fundamental changes in the state's educational system. The core of TEACH Michigan's philosophy of education was simply stated. Parents should be allowed to choose from competing systems of schools with funding for education following the student and not automatically being given to the government-supported school system. An ambitious agenda, TEACH Michigan realized the importance of educating the public and enlisting enough grassroots support for the necessary changes in state law and in the state constitution to be made. With the law changed, there would follow competition for the education dollar resulting in non-governmental sponsorship of K-12 schools by corporations, public or private universities, parent groups or churches, as well as by the government. No longer would there be a \"government monopoly\" school system. Instead, parents would receive financial support (or vouchers) for their children to attend the school of their choice."," Although his message never wavered, DeWeese was realistic enough to realize that \"full choice\" could only come incrementally, thus his advocacy of changes in state law to allow for the creation of charter schools. Charter schools are public schools that are custom-designed by groups of teachers, parents or outside individuals to meet particular education needs. Charter schools are part of the public school system, financed on a par with other schools in the district. But for charter schools to become a reality state law would have to be changed. In December 1993, with the passage of Senate bill no. 896 (signed by the governor in January 1994), Michigan adopted the most significant restructuring of public education since the development of single-function school districts in the early 20th century. The state authorized groups of certified teachers and community leaders to form individual charter schools (public school academies) \"that are to be treated like school districts\" for the purposes of state education law. These \"single-school school districts\" could be started anywhere in the state by one or more certified teachers, a county, city, village, township, school district, community college, or state public university. Each new school would develop its own governing board, and must describe its educational goals and the standards by which its performance will be measured. Each of these academies would receive a state school aid payment for its enrolled students."," Following the passage of 896, TMEF established a sister organization, the Michigan Center for Charter Schools (MCCS), whose purpose was to promote the development of charter schools. TMEF subsidized the operation of MCCS throughout its existence. MCCS was the only organization in the state early on that was disseminating timely and accurate information about charter schools. MCCS also helped several groups move through the process of establishing a charter school. By the end of 1995, more than 60 charter school had been established with an additional 120 schools seeking charters."," In November 1994, an Ingham County circuit court judge ruled the law unconstitutional. Although the groups authorized to grant charters were government entities, the judge ruled, the day-to-day operations of schools were largely in the hands of privately elected directors and thus not directly accountable to the public. With this decision, the charter schools that had been established were left without public funding. In some cases, the schools reverted to private school status relying on tuitions and corporate donations for their support. In other cases, the state legislature, many of whose members believed that the judge's ruling would be overturned on appeal, passed emergency legislation which addressed the judge's objection to the original legislation."," In 1995, the state Board of Education contracted with the Michigan Partnership for New Education to both promote charter schools and to provide technical assistance to charter schools. The Michigan Partnership immediately asked for, and received, permission to hire the entire staff of MCCS in order to run their charter school operation. In May of 1995, MCCS ceased to operate, as its mission and staff were absorbed by the Michigan Partnership for New Education."," From its inception, TEACH Michigan knew that for real educational reform to take place from their point of view, the Michigan State Constitution (Article 8, sec. 2) would have to be revised. That provision restricted the use of public funds to government-operated schools only. With the constitution changed, TEACH Michigan hoped to secure passage of a voucher system so that parents might choose, and receive funding, for their child to attend a church-related school."," In 2000, the TEACH Michigan organization was folded into a new organization, Partnership for Learning."],"prefercite_html_tesm":["\u003cp\u003eitem, folder title, box no., TEACH Michigan and TEACH Michigan Education Fund records, Bentley Historical Library, University of Michigan\u003c/p\u003e"],"prefercite_tesim":["item, folder title, box no., TEACH Michigan and TEACH Michigan Education Fund records, Bentley Historical Library, University of Michigan"],"scopecontent_html_tesm":["\u003cp\u003eThis record group consists of two separate groupings (or subgroups) of records: the combined files of TEACH Michigan and TEACH Michigan Education Fund covering the period of 1989 to 1995, and files of the charter school support group, Michigan Center for Charter Schools covering the years 1994-1995. Both organizations operated out of the same office in Lansing and included some of the same individuals as board members. The TM/TMEF files consist in great part of papers of Dr. Paul N. DeWeese, a principal founder of the organization. The MCCS files are largely papers of executive director Barbara Barrett as well as DeWeese. Together, the record group contains correspondence, policy statements, organizational and activity files, collected materials, sound and video materials, all relating to the efforts of the two organizations first to educate and lobby for changes in the law, and second to provide assistance and support in the establishment of charter schools. The records date from the inception of the organization to 1995. The subsequent records of TEACH Michigan remain with the organization.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This record group consists of two separate groupings (or subgroups) of records: the combined files of TEACH Michigan and TEACH Michigan Education Fund covering the period of 1989 to 1995, and files of the charter school support group, Michigan Center for Charter Schools covering the years 1994-1995. Both organizations operated out of the same office in Lansing and included some of the same individuals as board members. The TM/TMEF files consist in great part of papers of Dr. Paul N. DeWeese, a principal founder of the organization. The MCCS files are largely papers of executive director Barbara Barrett as well as DeWeese. Together, the record group contains correspondence, policy statements, organizational and activity files, collected materials, sound and video materials, all relating to the efforts of the two organizations first to educate and lobby for changes in the law, and second to provide assistance and support in the establishment of charter schools. The records date from the inception of the organization to 1995. The subsequent records of TEACH Michigan remain with the organization."],"userestrict_html_tesm":["\u003cp\u003eDonor(s) have not transferred any applicable copyright to the Regents of the University of Michigan. Patrons are responsible for determining the appropriate use or reuse of materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Donor(s) have not transferred any applicable copyright to the Regents of the University of Michigan. Patrons are responsible for determining the appropriate use or reuse of materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_85c28ec7f064d103fc6a1b17b4c73c99\"\u003eOrganization established in 1989 by Paul N. DeWeese and others to lobby for changes in state law and the state constitution to allow parents to choose between competing schools. The record group also contains records of the Michigan Center for Charter Schools, sister organization to TEACH Michigan, established to promote the development of charter schools in the state. The record group includes Informational materials detailing mission and goals of the TEACH Michigan organization; organizational files; topical files; correspondence; speeches and articles about school choice and the state charter school movement; and audio and video cassettes of TM presentations and appearances of Paul DeWeese on radio and television programs. Also included are the organizational records of the Michigan Center for Charter Schools.\u003c/abstract\u003e"],"abstract_tesim":["Organization established in 1989 by Paul N. DeWeese and others to lobby for changes in state law and the state constitution to allow parents to choose between competing schools. The record group also contains records of the Michigan Center for Charter Schools, sister organization to TEACH Michigan, established to promote the development of charter schools in the state. The record group includes Informational materials detailing mission and goals of the TEACH Michigan organization; organizational files; topical files; correspondence; speeches and articles about school choice and the state charter school movement; and audio and video cassettes of TM presentations and appearances of Paul DeWeese on radio and television programs. Also included are the organizational records of the Michigan Center for Charter Schools."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_4f9a3a50370f108b16342d0e56be5abb\"\u003eOffsite storage; prior notification required for access\u003c/physloc\u003e"],"physloc_tesim":["Offsite storage; prior notification required for access"],"names_coll_ssim":["Michigan Center for Charter Schools.","TEACH Michigan.","TEACH Michigan Education Fund.","TEACH Michigan.","Michigan Center for Charter Schools.","TEACH Michigan Education Fund.","DeWeese, Paul N.","DeWeese, Paul N.","DeWeese, Paul N."],"names_ssim":["Bentley Historical Library","TEACH Michigan.","Michigan Center for Charter Schools.","TEACH Michigan Education Fund.","DeWeese, Paul N."],"corpname_ssim":["Bentley Historical Library","TEACH Michigan.","Michigan Center for Charter Schools.","TEACH Michigan Education Fund."],"persname_ssim":["DeWeese, Paul N."],"language_ssim":["English","The materials are in English."],"total_component_count_is":279,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"umich-bhl-014","timestamp":"2025-02-18T23:13:12.778Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/umich-bhl-014_aspace_6b558ebed83d5d1a603bbebea2d2f0d2"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"David V. 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