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","This project is a compilation of interviews\n            of subjects with strong ties to and memories of Indiana University, primarily at the\n            Bloomington campus, including former students, faculty, and staff, among others. The\n            information spans most of the twentieth century and deals with the administrations under\n            presidents Herman B Wells, John Ryan, Thomas Ehrlich, and Myles Brand. The project\n            occurred in two parts. The first round of interviews was with administrators, trustees,\n            and other high-ranking members of the university hierarchy. The second round of\n            interviews was with senior faculty from a number of departments in the College of Arts\n            and Sciences. The project is a survey of Indiana University's history as a whole\n            including information about various academic departments, athletics, student\n            organizations, campus growth, and the university's growth in the twentieth century. This\n            project was funded by President Emeritus John Ryan.","Interviews are housed in Radio-TV Building, Room 314.\n            Copies of interview transcripts are also held by the IU Libraries University Archives.\n            Contact archives@indiana.edu for more information. For other locations housing the\n            interviews from this project, please contact the Center for Documentary Research and\n            Practice office.","Indiana University Center for Documentary Research and Practice","Indiana University Center for the Study of\n               History and Memory","Bloomington National Bank","Indiana University Inter-fraternity Council","Indiana University Office of Risk Management","Indiana University School of Law","United States Student Association","Arthur R. Metz Foundation","Indiana University Department of Chemistry","Little 500","Proctor and Gamble","Purdue University","student foundation","Houghton College","National Association of Schools of Music","New York University","North Texas State University","South Central College","Westminster Choir College","Yale University","","Army ROTC","Athletic Department","School of Health, Physical Education, and Recreation","Indiana University Foundation Board","board of trustees","Lilly Endowment","Phi Kappa Psi","Alumni Association","Indiana Department of Public Welfare","Indiana State Chamber of Commerce","Indiana Vocational Technical College","alumni club","Bloomington School of Law","Investment Committee","Standard Life Insurance Company","IUPUI","United States Air Force","Chicago-Kent Law School","FBI","IUPUI School of Law","IUPUI University Library","United States Department of Justice","Indiana University Alumni Association","Indiana University School of Medicine","Green Feathers","Indiana University School of Business","Red Cross","Indiana University Kokomo","Indiana University","Center for Studies of Law in Action","Indiana State Police","Indiana State Police Academy","Indiana University Department of Criminal Justice","Indiana University Department of Police Administration","Northwestern University","Indiana Conference of Higher Education","Indiana University Credit Union","Indiana University Division of Undergraduate Development","Stillman College","Neal Marshall Cultural Center","Omega Psi Chi","American Legion","Indiana University Business Office","Treasurer's Office","Indiana University Lilly Library","United States Navy","Hoosiers for Higher Education","University Apartments","Fair Play for Cuba Committee","Indiana University Foundation","International Business Forum","University of Indianapolis","faculty council","Indiana University Department of Comparative Literature","Indiana University South Bend","Indiana University Collins Living-Learning Center"," Indiana University Department of English","Kinsey Institute for Research in Sex, Gender, and\n                     Reproduction","Indiana University Southeast","Indiana University School of Medicine ","Sigma Chi","American Chemical Society ","Central High School ","Cornell University","Indiana Daily Student","Indiana University School of Dentistry","Johns Hopkins University","National Science Foundation","Indiana University Athletic Committee","Indiana University Men's Club","National Collegiate Athletic Association","Architectural Committee","Union Board","Board of Aeons","Inland Container Corporation","Krannert Charitable Trust","Association of Universities for Research in Astronomy,\n                     Incorporated","Goethe Link Observatory","Harvard Observatory","Indiana University Department of Astronomy","Indiana University Kirkwood Observatory","Lawrence Fellowship","Lowell Observatory","Seymour High School","Brookings Institute","Harvard University","Legal Services 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University Kokomo School of Business","University of Michigan","Carnegie Mellon University","Ohio State University ","Phi Betta Kappa","University of Pittsburgh","Western College for Women","Indiana State University","Indiana University-Purdue University Fort Wayne","General Electric Company","Lazarus Department Store","Studebaker Corporation","Beta Gamma Sigma","dean's advisory committee","Phi Beta Kappa","Hoosier 100","Black Student Union","Common Cause","Indiana University Student Association","Alpha Chi Omega","Woodburn Guild","General Motors Corporation","Neal Marshall Black Culture Center","New York Jets","Earlham College","Indiana University East","Iowa State University","Lockheed Corporation","MIT","IUPUI School of Law ","Columbia University School of Law","Air Force ROTC","Ivy Tech State College","Yale Law School","Enhancing Minority Attainment Conference","Lehman College","National Endowment for the Humanities","Indiana University Medical Center","Armstrong Cork 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Leonard","Perguson, Dee","Mee, John","Cady, Ed","Bayh, Evan","Helmke, Paul","Udall, Stewart Lee","Bair, Ed","Bonham, Russ","Davidson, Ernie","Hanson, Bob","Parmenter, Charlie","Schafer, Riley","Shull, Harrison","Weurkert, Ernest","Hefner, Ray","Welsh, Matthew E.","Clinton, Hillary Rodham","Clinton, William Jefferson","Marsh, Elisabeth","Klotman, Phyllis","Lowengrub, Morton","Maultsby, Portia","Point, John","Torchinsky, Alberto ","Weidman, Leah E.","Mendel, Bernardo","Patterson, Robert P.","Sandberg, Carl","Sembower, Charles J.","Senour, Frank","Whiteman, Paul","O'Neil, Robert","Friedman, Dan","Prosser, Frank","Shapiro, Stu","Wand, Mitchell","Winkle, David","Franklin, Benjamin","Heighway, George \"Dixie\"","Homestead, Raleigh","Driver, Harold Edson","Merriam, Alan","Purdue, John","Bittner, Walter","Cavanaugh, Robert Emmet","Norman, Hugh","Ferrell, Robert H.","Hale, Will Taliaferro","Chavez, Linda","Dyson, Michael Eric","Bachelor, Joe","Hayes, Billy","Hoover, J. Edgar","Riley, James Whitcomb","Robinson, Sid","Breedan, Bill","Cabot, Nick","Douglas, Paul H.","Minton, Sherman","Roosevelt, Franklin Delano","Truman, Harry S.","Bowen, Otis R.","Christenson, Carroll","Eschbach, Jess","Gavit, Bernard Campbell","Kellogg, Winthrop Niles","Wallace, Leon","Wildermuth, Ora L.","Ferentinos","Counsilman, James \"Doc\"","Simic, Curt","Bidney, David","Kendall, Bonnie","Voegelin, Florence","Michael, R. Keith","Heppner, Hubert","Michael, Marion","Norvelle, Lee","Porterfield, Robert","Johnson, Wendell","Cortis, Eugene","Halkovich, Steve","Swygert, Luther","Bush, George, Sr.","Clinton, Bill","Dunn, Mike","Eisenberg, Paul","Carter, Byrum","Greenley, Betty","Remak, Henry H.H.","Kerr, Clark","Laird, Byron","Porter, John","Annon, Charles","Beckmann, Max","Black, Wendell","Bowie, Theodore","Lowe, Marvin","Megrew, Alden","Pozzatti, Dorothy","Shahn, Ben","Smith, Henry","Wolle, Muriel","Bowen, Otis","Kessler, Jim","Shirley, Janet","Bryan, William","Cravens, John","Kinsey, Alfred","Pyle, Ernie","Mueller, Joseph","Ottison, Skyler","Rau, John","Wenworth, Jack","Howe, Irving","Hagstrom, Stanley","Martin, Wayne","Purdom, Paul","Springer, George","Whitney, Dedaimia","Winkel, David","Wise, David","Wrubel, Marshall","Young, Steve","Bunke, Harvey C.","Evans, Maurice Blakemoore","Gallaway, Jesse James","Hitler, Adolf","Ittner, Robert","Osthus, Carl","Stout, Selatie Edgar","Voss, Bert John","Zucker, Edward","Heighway, George \"Dixie\" ","Brand, Myles","Lombardi, John","Nixon, Richard Milhous","Robinson, Eileen","Sippers, Mary","Crooks, Ed","Hesberg, Ted","Pointer, Nelson","Yeagley, Jerry","Peterson, John","Richardson, Ray","Burton, Bob","Harvey, Bill","Sperber, Murray","Daugherty, Jack","Errenpreis, Irvin","Wallace, George C.","Yelling, Sam","Allen, Robert E. Barton","Millisen, Robert","Snoddy, George Samuel","Atkins, Tom","Bingham, Barry","Blase, David","Donovan, Mike","Edmundson, Frank","Hanson, Norwood Russell","Huston, Tom","Kemp, Gretchen","Link, Goethe","Oswald, Lee Harvey","Owen, Kent","Polk, Jim","Scriven, Michael","Shaffer, Robert","Tesich, Steve","Ferrell, Bob","Gooker, Frank","Ahlstrom, Sydney","Brown, Joseph","Edwards, Jonathan","May, Bill","Sampley, Paul","Stein, Frederick Carl","Stein, Irene Kroggel","Gilliat, Neal","Hewett, Charles Mason","Tobias, David","Kinzer, Bill","Willbern, York","Brown, Stan","Williams, Ed","Coppage, Jim","Foster, Bronja","Holschuh, Albrecht","Johnson, Steve","Leivant, Daniel","Robertson, Ed","Shiner, Jack","Hutchins, Robert","Kuntz, Ed","Ratliff, Willie","Shepard, Randall","Bartley, E. Ross","Gildea, Bob","Johnson, Lyndon Baines","Clüver, Claus","Haeberle, Bill","Bowman, Slyvia","Buhner, Jack","Cohen, Dan","Daghlian, Phil","Gros Louis, Ken","Harrell, Charlie","Higgins, Smith","Reiberg, Rufus","Materials are in  English"],"unitid_tesim":["ohrc072"],"normalized_date_ssm":["1991-1998"],"normalized_title_ssm":["Indiana University Oral History\n            Archive, 1991-1998"],"collection_title_tesim":["Indiana University Oral History\n            Archive, 1991-1998"],"collection_ssim":["Indiana University Oral History\n            Archive, 1991-1998"],"repository_ssm":["Indiana University, Center for Documentary Research and Practice"],"repository_ssim":["Indiana University, Center for Documentary Research and Practice"],"creator_ssm":["Indiana University Center for the Study of\n               History and Memory"],"creator_ssim":["Indiana University Center for the Study of\n               History and Memory"],"creator_corpname_ssim":["Indiana University Center for the Study of\n               History and Memory"],"creators_ssim":["Indiana University Center for the Study of\n               History and Memory"],"acqinfo_ssim":["Oral history interviews conducted by the Indiana University Center for the Study of\n               History and Memory from 1968 to the present, with particular focus on the history of\n               twentieth-century America and the Midwest."],"has_online_content_ssim":["false"],"physdesc_tesim":[". ."],"extent_ssm":["194 interviews Audiotapes, transcripts, and collateral\n               materials"],"extent_tesim":["194 interviews Audiotapes, transcripts, and collateral\n               materials"],"date_range_isim":[1991,1992,1993,1994,1995,1996,1997,1998],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains 194 interviews conducted over 7 years. 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The first round of interviews was with administrators, trustees,\n            and other high-ranking members of the university hierarchy. The second round of\n            interviews was with senior faculty from a number of departments in the College of Arts\n            and Sciences. The project is a survey of Indiana University's history as a whole\n            including information about various academic departments, athletics, student\n            organizations, campus growth, and the university's growth in the twentieth century. This\n            project was funded by President Emeritus John Ryan.\u003c/abstract\u003e"],"abstract_tesim":["This project is a compilation of interviews\n            of subjects with strong ties to and memories of Indiana University, primarily at the\n            Bloomington campus, including former students, faculty, and staff, among others. 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This\n            project was funded by President Emeritus John Ryan."],"physloc_html_tesm":["\u003cphysloc label=\"Physical Location\"\u003eInterviews are housed in Radio-TV Building, Room 314.\n            Copies of interview transcripts are also held by the IU Libraries University Archives.\n            Contact archives@indiana.edu for more information. For other locations housing the\n            interviews from this project, please contact the Center for Documentary Research and\n            Practice office.\u003c/physloc\u003e"],"physloc_tesim":["Interviews are housed in Radio-TV Building, Room 314.\n            Copies of interview transcripts are also held by the IU Libraries University Archives.\n            Contact archives@indiana.edu for more information. 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Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989","INT 17","cass 1264","Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n                                        File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n                                        File (BWF) Compact disc(s): CDREF 86","Pagination for transcript skips page 5.","Interview with Michael Frisby, entertainment attorney and former\n                                radio program director; recorded in Los Angeles, California."],"component_level_isim":[3],"parent_ssim":["VAB9025","VAB9025-00001","VAB9025-00002"],"parent_ssi":"VAB9025-00002","parent_ids_ssim":["VAB9025","VAB9025_VAB9025-00001","VAB9025_VAB9025-00002"],"parent_unittitles_ssm":["Portia K. Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989"],"parent_unittitles_tesim":["Portia K. 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Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details.","Currently organized into one series and the following subseries:  Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews.","Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of  African American Music : An Introduction , (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music.","The collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. 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If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details."],"arrangement_html_tesm":["\u003cp\u003eCurrently organized into one series and the following subseries: \u003clist\u003e\n               \u003citem\u003eSubseries 1. Interviews by Maultsby, 1979-1989\u003c/item\u003e\n               \u003citem\u003eSubseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/p\u003e","\u003cp\u003eEach subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Currently organized into one series and the following subseries:  Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews."],"bioghist_html_tesm":["\u003cp\u003ePortia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of  African American Music : An Introduction , (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use."],"names_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n                                Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n                            1941-2000","Foster, William P. (William\n                            Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"corpname_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n                                Records"],"persname_ssim":["Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n                            1941-2000","Foster, William P. (William\n                            Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"language_ssim":["Materials are in  English."],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00025"}},{"id":"2013C4-xml_ref61","type":"File","attributes":{"title":"From Bo Yixiang to Li Jingfang 博义祥写给李景芳的信件, 1959","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/2013C4-xml_ref61#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"ref61","ref_ssm":["ref61","ref61"],"id":"2013C4-xml_ref61","title_filing_ssi":"From Bo Yixiang to Li Jingfang 博义祥写给李景芳的信件,","title_ssm":["From Bo Yixiang to Li Jingfang 博义祥写给李景芳的信件,"],"title_tesim":["From Bo Yixiang to Li Jingfang 博义祥写给李景芳的信件,"],"unitdate_other_ssim":["1959"],"normalized_date_ssm":["1959"],"normalized_title_ssm":["From Bo Yixiang to Li Jingfang 博义祥写给李景芳的信件, 1959"],"text":["From Bo Yixiang to Li Jingfang 博义祥写给李景芳的信件, 1959","Song Feiqing (宋棐卿) papers, 1926-2009","Correspondence 通信, 1951-1961","Box-folder 6:6"],"component_level_isim":[2],"parent_ssim":["2013C4-xml","ref45"],"parent_ssi":"ref45","parent_ids_ssim":["2013C4-xml","2013C4-xml_ref45"],"parent_unittitles_ssm":["Song Feiqing (宋棐卿) papers, 1926-2009","Correspondence 通信, 1951-1961"],"parent_unittitles_tesim":["Song Feiqing (宋棐卿) papers, 1926-2009","Correspondence 通信, 1951-1961"],"parent_levels_ssm":["collection","Series"],"repository_ssim":["Hoover Institution Archives"],"collection_ssim":["Song Feiqing (宋棐卿) papers, 1926-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":51,"parent_access_restrict_tesm":["The collection is open for research.","The Hoover Institution Archives only allows access to \n                copies of audiovisual items. To listen to sound recordings or to view videos or films during your visit, please contact the Archives at least two working days before your arrival. We will then advise you of the accessibility of the material you wish to see or hear. Please note that not all audiovisual material is immediately accessible."],"parent_access_terms_tesm":["For copyright status, please contact the Hoover Institution Archives."],"containers_ssim":["Box-folder 6:6"],"_nest_path_":"/components#3/components#15","_nest_parent_":"2013C4-xml_ref45","_root_":"2013C4-xml","timestamp":"2025-02-18T23:00:35.990Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2013C4-xml","title_filing_ssi":"Song Feiqing papers","title_ssm":["Song Feiqing (宋棐卿) papers"],"title_tesim":["Song Feiqing (宋棐卿) papers"],"ead_ssi":"2013C4.xml","unitdate_ssm":["1926-2009"],"unitdate_inclusive_ssm":["1926-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2013C4"],"text":["2013C4","Song Feiqing (宋棐卿) papers, 1926-2009","Business enterprises--China--Hong Kong.","Business enterprises--China.","The collection is open for research.","The Hoover Institution Archives only allows access to \n                 copies  of audiovisual items. To listen to sound recordings or to view videos or films during your visit, please contact the Archives at least two working days before your arrival. We will then advise you of the accessibility of the material you wish to see or hear. Please note that not all audiovisual material is immediately accessible.","Materials may have been added to the collection since this finding aid was prepared. To determine if this has occurred, find the collection in Stanford University's online catalog at \n                 http://searchworks.stanford.edu/ . Materials have been added to the collection if the number of boxes listed in the catalog is larger than the number of boxes listed in this finding aid.","Born in 1898, the Chinese businessman Song Feiqing is best known for his role in modern China's industrialization and promoting the spirit of entrepreneurship in China. \n                Born into a Christian family in Shandong Province, in the early 1920s Song went to Chicago to study business management at Northwestern University. \n                In 1925, he returned to China and spent the next several years working in his father's business in Tianjin. \n                Seeing that China's industry was lacking entrepreneurship, especially in the textile market where foreign countries were profiting at China's expense, in 1932 Song established the Oriental Corporation (Dongya) in Tianjin. \n                That corporation became China's first textile company to use Chinese wool to produce its yarn and to sell its products both domestically and internationally. \n                By the 1940s, the corporation had become the largest yarn production company in China, having garnered more than 80 percent of the domestic Chinese market.","Song's entrepreneurship transformed the business environment in modern China. \n                In addition, Song brought his religious beliefs into his management style and enterprise culture, as well as forming a social communication network that relied on the Christian spirit to serve his entrepreneurial purposes. \n                After the Chinese Communists won the civil war and established the People's Republic in 1949, Song struggled to keep his enterprises intact but was unable to do so. \n                In 1950, he moved his company to Hong Kong and later immigrated to Argentina. He died in Buenos Aires in 1955.","The papers of Song Feiqing include correspondence, writings, legal and financial records, printed matter, motion picture film, and audiovisual material relating to the operations of the Oriental Corporation in Tianjin, China and then in Hong Kong, including what part Christian beliefs played in Song's management practices. The papers also provide a rare glimpse into the formation of industrialization and entrepreneurship in China’s recent past.","For copyright status, please contact the Hoover Institution Archives.","Correspondence, writings, legal and financial records, printed matter, motion picture film, and audiovisual material relating to operations of the Oriental Corporation in Tianjin, China and subsequently in Hong Kong.","Hoover Institution Archives","Hoover Institution Archives","Oriental Corporation.","Song, Feiqing, 1898-1955.","Chinese  and  English"],"unitid_tesim":["2013C4"],"normalized_date_ssm":["1926-2009"],"normalized_title_ssm":["Song Feiqing (宋棐卿) papers, 1926-2009"],"collection_title_tesim":["Song Feiqing (宋棐卿) papers, 1926-2009"],"collection_ssim":["Song Feiqing (宋棐卿) papers, 1926-2009"],"repository_ssm":["Hoover Institution Archives"],"repository_ssim":["Hoover Institution Archives"],"creator_ssm":["Song, Feiqing, 1898-1955."],"creator_ssim":["Song, Feiqing, 1898-1955."],"creator_persname_ssim":["Song, Feiqing, 1898-1955."],"creators_ssim":["Song, Feiqing, 1898-1955."],"access_terms_ssm":["For copyright status, please contact the Hoover Institution Archives."],"acqinfo_ssim":["Materials were acquired by the Hoover Institution Archives in 2013."],"access_subjects_ssim":["Business enterprises--China--Hong Kong.","Business enterprises--China."],"access_subjects_ssm":["Business enterprises--China--Hong Kong.","Business enterprises--China."],"has_online_content_ssim":["false"],"extent_ssm":["8 manuscript boxes, 1 motion picture film reel (4 linear feet)"],"extent_tesim":["8 manuscript boxes, 1 motion picture film reel (4 linear feet)"],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eThe Hoover Institution Archives only allows access to \n                \u003cemph render=\"italic\"\u003ecopies\u003c/emph\u003e of audiovisual items. To listen to sound recordings or to view videos or films during your visit, please contact the Archives at least two working days before your arrival. We will then advise you of the accessibility of the material you wish to see or hear. Please note that not all audiovisual material is immediately accessible.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research.","The Hoover Institution Archives only allows access to \n                 copies  of audiovisual items. To listen to sound recordings or to view videos or films during your visit, please contact the Archives at least two working days before your arrival. We will then advise you of the accessibility of the material you wish to see or hear. Please note that not all audiovisual material is immediately accessible."],"accruals_html_tesm":["\u003cp\u003eMaterials may have been added to the collection since this finding aid was prepared. To determine if this has occurred, find the collection in Stanford University's online catalog at \n                \u003cextref actuate=\"onRequest\" show=\"new\" href=\"http://searchworks.stanford.edu/\"\u003ehttp://searchworks.stanford.edu/\u003c/extref\u003e. Materials have been added to the collection if the number of boxes listed in the catalog is larger than the number of boxes listed in this finding aid.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Materials may have been added to the collection since this finding aid was prepared. To determine if this has occurred, find the collection in Stanford University's online catalog at \n                 http://searchworks.stanford.edu/ . Materials have been added to the collection if the number of boxes listed in the catalog is larger than the number of boxes listed in this finding aid."],"bioghist_html_tesm":["\u003cp\u003eBorn in 1898, the Chinese businessman Song Feiqing is best known for his role in modern China's industrialization and promoting the spirit of entrepreneurship in China. \n                Born into a Christian family in Shandong Province, in the early 1920s Song went to Chicago to study business management at Northwestern University. \n                In 1925, he returned to China and spent the next several years working in his father's business in Tianjin. \n                Seeing that China's industry was lacking entrepreneurship, especially in the textile market where foreign countries were profiting at China's expense, in 1932 Song established the Oriental Corporation (Dongya) in Tianjin. \n                That corporation became China's first textile company to use Chinese wool to produce its yarn and to sell its products both domestically and internationally. \n                By the 1940s, the corporation had become the largest yarn production company in China, having garnered more than 80 percent of the domestic Chinese market.\u003c/p\u003e","\u003cp\u003eSong's entrepreneurship transformed the business environment in modern China. \n                In addition, Song brought his religious beliefs into his management style and enterprise culture, as well as forming a social communication network that relied on the Christian spirit to serve his entrepreneurial purposes. \n                After the Chinese Communists won the civil war and established the People's Republic in 1949, Song struggled to keep his enterprises intact but was unable to do so. \n                In 1950, he moved his company to Hong Kong and later immigrated to Argentina. He died in Buenos Aires in 1955.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born in 1898, the Chinese businessman Song Feiqing is best known for his role in modern China's industrialization and promoting the spirit of entrepreneurship in China. \n                Born into a Christian family in Shandong Province, in the early 1920s Song went to Chicago to study business management at Northwestern University. \n                In 1925, he returned to China and spent the next several years working in his father's business in Tianjin. \n                Seeing that China's industry was lacking entrepreneurship, especially in the textile market where foreign countries were profiting at China's expense, in 1932 Song established the Oriental Corporation (Dongya) in Tianjin. \n                That corporation became China's first textile company to use Chinese wool to produce its yarn and to sell its products both domestically and internationally. \n                By the 1940s, the corporation had become the largest yarn production company in China, having garnered more than 80 percent of the domestic Chinese market.","Song's entrepreneurship transformed the business environment in modern China. \n                In addition, Song brought his religious beliefs into his management style and enterprise culture, as well as forming a social communication network that relied on the Christian spirit to serve his entrepreneurial purposes. \n                After the Chinese Communists won the civil war and established the People's Republic in 1949, Song struggled to keep his enterprises intact but was unable to do so. \n                In 1950, he moved his company to Hong Kong and later immigrated to Argentina. He died in Buenos Aires in 1955."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Song Feiqing papers, [Box no.], Hoover Institution Archives\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Song Feiqing papers, [Box no.], Hoover Institution Archives"],"scopecontent_html_tesm":["\u003cp\u003eThe papers of Song Feiqing include correspondence, writings, legal and financial records, printed matter, motion picture film, and audiovisual material relating to the operations of the Oriental Corporation in Tianjin, China and then in Hong Kong, including what part Christian beliefs played in Song's management practices. The papers also provide a rare glimpse into the formation of industrialization and entrepreneurship in China’s recent past.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content of Collection"],"scopecontent_tesim":["The papers of Song Feiqing include correspondence, writings, legal and financial records, printed matter, motion picture film, and audiovisual material relating to the operations of the Oriental Corporation in Tianjin, China and then in Hong Kong, including what part Christian beliefs played in Song's management practices. The papers also provide a rare glimpse into the formation of industrialization and entrepreneurship in China’s recent past."],"userestrict_html_tesm":["\u003cp\u003eFor copyright status, please contact the Hoover Institution Archives.\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["For copyright status, please contact the Hoover Institution Archives."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eCorrespondence, writings, legal and financial records, printed matter, motion picture film, and audiovisual material relating to operations of the Oriental Corporation in Tianjin, China and subsequently in Hong Kong.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, writings, legal and financial records, printed matter, motion picture film, and audiovisual material relating to operations of the Oriental Corporation in Tianjin, China and subsequently in Hong Kong."],"physloc_html_tesm":["\u003cphysloc id=\"ref3\" label=\"Physical Location\"\u003eHoover Institution Archives\u003c/physloc\u003e"],"physloc_tesim":["Hoover Institution Archives"],"names_coll_ssim":["Oriental Corporation."],"names_ssim":["Hoover Institution Archives","Oriental Corporation.","Song, Feiqing, 1898-1955."],"corpname_ssim":["Hoover Institution Archives","Oriental Corporation."],"persname_ssim":["Song, Feiqing, 1898-1955."],"language_ssim":["Chinese  and  English"],"total_component_count_is":68,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2013C4-xml","timestamp":"2025-02-18T23:00:35.990Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/2013C4-xml_ref61"}},{"id":"umich-bhl-0312_aspace_2ae90bc1aafe6a26768ba634b1c5cb2a","type":"File","attributes":{"title":"From Rust and Ruin (A Solo for Peninsula)","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/umich-bhl-0312_aspace_2ae90bc1aafe6a26768ba634b1c5cb2a#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"aspace_2ae90bc1aafe6a26768ba634b1c5cb2a","ref_ssm":["aspace_2ae90bc1aafe6a26768ba634b1c5cb2a","aspace_2ae90bc1aafe6a26768ba634b1c5cb2a"],"id":"umich-bhl-0312_aspace_2ae90bc1aafe6a26768ba634b1c5cb2a","title_filing_ssi":"From Rust and Ruin (A Solo for Peninsula)","title_ssm":["From Rust and Ruin (A Solo for Peninsula)"],"title_tesim":["From Rust and Ruin (A Solo for Peninsula)"],"normalized_title_ssm":["From Rust and Ruin (A Solo for Peninsula)"],"text":["From Rust and Ruin (A Solo for Peninsula)","Peter Sparling papers, 1961-2013, bulk 1970-2000","Performance, Audition, and Rehearsal Videos","Solos and Transfigurations , Choreography and Improvisation, University of Michigan Dance Gallery, November-February 2004","box 6"],"component_level_isim":[3],"parent_ssim":["umich-bhl-0312","aspace_ea04e152d4703cedcf32d8d9c2b86eab","aspace_78c1524a7734877b9ca6c447adfedad3"],"parent_ssi":"aspace_78c1524a7734877b9ca6c447adfedad3","parent_ids_ssim":["umich-bhl-0312","umich-bhl-0312_aspace_ea04e152d4703cedcf32d8d9c2b86eab","umich-bhl-0312_aspace_78c1524a7734877b9ca6c447adfedad3"],"parent_unittitles_ssm":["Peter Sparling papers, 1961-2013, bulk 1970-2000","Performance, Audition, and Rehearsal Videos","Solos and Transfigurations , Choreography and Improvisation, University of Michigan Dance Gallery, November-February 2004"],"parent_unittitles_tesim":["Peter Sparling papers, 1961-2013, bulk 1970-2000","Performance, Audition, and Rehearsal Videos","Solos and Transfigurations , Choreography and Improvisation, University of Michigan Dance Gallery, November-February 2004"],"parent_levels_ssm":["collection","Series","File"],"repository_ssim":["University of Michigan. Bentley Historical Library"],"collection_ssim":["Peter Sparling papers, 1961-2013, bulk 1970-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":259,"parent_access_restrict_tesm":["Restricted Access: All performances in DVC-Pro format are preservation copies dubbed from original VHS and 3/4-inch tape. Arrangements for duplication need to be made with the Reference Archivist. Equipment needed to view digital video cassettes is not available at the Bentley Library. Access to some of the online digital files is restricted to the viewing in the Bentley Library reading room and the School of Music."],"parent_access_terms_tesm":["Copyright is retained by Peter Sparling. Patrons are responsible for determining the appropriate use or reuse of materials."],"containers_ssim":["box 6"],"_nest_path_":"/components#7/components#53/components#3","_nest_parent_":"umich-bhl-0312_aspace_78c1524a7734877b9ca6c447adfedad3","_root_":"umich-bhl-0312","timestamp":"2025-02-18T23:13:20.872Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"umich-bhl-0312","title_ssm":["Peter Sparling papers"],"title_tesim":["Peter Sparling papers"],"ead_ssi":"umich-bhl-0312","unitdate_ssm":["1961-2013","1970-2000"],"unitdate_bulk_ssim":["1970-2000"],"unitdate_inclusive_ssm":["1961-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["0312 Aa2"],"text":["0312 Aa2","Peter Sparling papers, 1961-2013, bulk 1970-2000","Choreographers -- United States.","Dancers -- United States.","Ballet -- United States.","Ballet -- Study and teaching.","Choreography.","Ballet -- United States.","Dancers.","Posters.","Videotapes.","Motion pictures.","Photographs.","The collection is open to research."," Access to some of the online digital files in the Performance, Audition, and Rehearsal Videos series is restricted to viewing the Bentley Library Reading Room and at the University of Michigan School of Music, Theatre and Dance. Equipment needed to view the DVC-Pro digital cassettes in this series is not currently available at the Bentley Library. Contact the reference archivist to arrange for duplication of tapes.","Periodic additions to the records expected.","Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon."," Sparling got his first dance training while on a scholarship for violin performance at Interlochen Arts Academy. He added dance to his major and graduated in 1969, and then attended The Juilliard School, receiving his B.F.A. in 1973. While still at Juilliard, Sparling began touring with the Jose Limon Dance Company, traveling to Europe, Russia and Asia. He co-founded Dance Mobile with Janet Eilber, Ange Wolf and Diana Hart, all of whom he met at Interlochen. In 1974, he married another dancer he had met while at Interlochen, Shelley Washington. They divorced after three years."," In 1973, after the death of Jose Limon, Sparling was invited to join the Martha Graham Dance Company. Graham dramatically influenced Sparling's performance and his choreography, and he created and performed his own works during the six years he was with the Graham Company. When he left the company in 1979, he formed Peter Sparling Presents Solo Flight, and then the Peter Sparling Dance Company, as vehicles for his choreography. He continued to dance occasionally with the Graham Company until 1987."," In 1984, after several teaching residencies in such institutions as Barnard College in New York, Florida State University, Cloud Gate Dance Theatre in Taiwan and the Laban Centre for Movement Studies in London, Sparling was hired as Assistant Professor at the University of Michigan Dance Department. He was chair of the Department from 1988 through 1995. In 1984, he co-founded Ann Arbor Dance Works, the University of Michigan's resident dance company. In 1993, Peter founded the Peter Sparling Dance Co. a non-profit organization that continues today. Further information about Sparling's dance company or current work see http://www.dancegalleryfoundation.org.","","The Peter Sparling Papers include materials relating to Sparling's dance training, performance, and teaching. The papers are divided into eight series: Background Materials, Choreography, Correspondence, Dance Companies, Programs, Reviews, Photographs, Performance, Audition, and Rehearsal Videos, and Posters.","Copyright is retained by Peter Sparling. Patrons are responsible for determining the appropriate use or reuse of materials.","Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. Papers consist of materials relating to Sparling's dance training, performance, and teaching including background materials; choreography notes and sketches; correspondence; clippings and publicity from dance companies with whom he was associated; programs and reviews; photographs, video and film of performances; and posters.","Bentley Historical Library","University of Michigan. -- Faculty.","University of Michigan. School of Music.","Sparling, Peter.","Sparling, Peter, 1951-","Sparling, Peter, Performances, 1951-","English","The material is in  English"],"unitid_tesim":["0312 Aa2"],"normalized_date_ssm":["1961-2013, bulk 1970-2000"],"normalized_title_ssm":["Peter Sparling papers, 1961-2013, bulk 1970-2000"],"collection_title_tesim":["Peter Sparling papers, 1961-2013, bulk 1970-2000"],"collection_ssim":["Peter Sparling papers, 1961-2013, bulk 1970-2000"],"repository_ssm":["University of Michigan. Bentley Historical Library"],"repository_ssim":["University of Michigan. Bentley Historical Library"],"creator_ssm":["Sparling, Peter."],"creator_ssim":["Sparling, Peter."],"creator_persname_ssim":["Sparling, Peter."],"creators_ssim":["Sparling, Peter."],"access_terms_ssm":["Copyright is retained by Peter Sparling. Patrons are responsible for determining the appropriate use or reuse of materials."],"acqinfo_ssim":["Materials were donated by Peter Sparling (donor no. 8992) beginning in 2001."],"access_subjects_ssim":["Choreographers -- United States.","Dancers -- United States.","Ballet -- United States.","Ballet -- Study and teaching.","Choreography.","Ballet -- United States.","Dancers.","Posters.","Videotapes.","Motion pictures.","Photographs."],"access_subjects_ssm":["Choreographers -- United States.","Dancers -- United States.","Ballet -- United States.","Ballet -- Study and teaching.","Choreography.","Ballet -- United States.","Dancers.","Posters.","Videotapes.","Motion pictures.","Photographs."],"has_online_content_ssim":["true"],"extent_ssm":["6 linear feet","89.5 GB"],"extent_tesim":["6 linear feet","89.5 GB"],"physfacet_tesim":["online"],"genreform_ssim":["Posters.","Videotapes.","Motion pictures.","Photographs."],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e\n","\u003cp\u003e Access to some of the online digital files in the Performance, Audition, and Rehearsal Videos series is restricted to viewing the Bentley Library Reading Room and at the University of Michigan School of Music, Theatre and Dance. 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Please note that not all audiovisual material is immediately accessible."],"parent_access_terms_tesm":["For copyright status, please contact the Hoover Institution Archives."],"containers_ssim":["Box-folder 6:1"],"_nest_path_":"/components#3/components#10","_nest_parent_":"2013C4-xml_ref45","_root_":"2013C4-xml","timestamp":"2025-02-18T23:00:35.990Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2013C4-xml","title_filing_ssi":"Song Feiqing papers","title_ssm":["Song Feiqing (宋棐卿) papers"],"title_tesim":["Song Feiqing (宋棐卿) papers"],"ead_ssi":"2013C4.xml","unitdate_ssm":["1926-2009"],"unitdate_inclusive_ssm":["1926-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2013C4"],"text":["2013C4","Song Feiqing (宋棐卿) papers, 1926-2009","Business enterprises--China--Hong Kong.","Business enterprises--China.","The collection is open for research.","The Hoover Institution Archives only allows access to \n                 copies  of audiovisual items. To listen to sound recordings or to view videos or films during your visit, please contact the Archives at least two working days before your arrival. We will then advise you of the accessibility of the material you wish to see or hear. Please note that not all audiovisual material is immediately accessible.","Materials may have been added to the collection since this finding aid was prepared. To determine if this has occurred, find the collection in Stanford University's online catalog at \n                 http://searchworks.stanford.edu/ . Materials have been added to the collection if the number of boxes listed in the catalog is larger than the number of boxes listed in this finding aid.","Born in 1898, the Chinese businessman Song Feiqing is best known for his role in modern China's industrialization and promoting the spirit of entrepreneurship in China. \n                Born into a Christian family in Shandong Province, in the early 1920s Song went to Chicago to study business management at Northwestern University. \n                In 1925, he returned to China and spent the next several years working in his father's business in Tianjin. \n                Seeing that China's industry was lacking entrepreneurship, especially in the textile market where foreign countries were profiting at China's expense, in 1932 Song established the Oriental Corporation (Dongya) in Tianjin. \n                That corporation became China's first textile company to use Chinese wool to produce its yarn and to sell its products both domestically and internationally. \n                By the 1940s, the corporation had become the largest yarn production company in China, having garnered more than 80 percent of the domestic Chinese market.","Song's entrepreneurship transformed the business environment in modern China. \n                In addition, Song brought his religious beliefs into his management style and enterprise culture, as well as forming a social communication network that relied on the Christian spirit to serve his entrepreneurial purposes. \n                After the Chinese Communists won the civil war and established the People's Republic in 1949, Song struggled to keep his enterprises intact but was unable to do so. \n                In 1950, he moved his company to Hong Kong and later immigrated to Argentina. He died in Buenos Aires in 1955.","The papers of Song Feiqing include correspondence, writings, legal and financial records, printed matter, motion picture film, and audiovisual material relating to the operations of the Oriental Corporation in Tianjin, China and then in Hong Kong, including what part Christian beliefs played in Song's management practices. The papers also provide a rare glimpse into the formation of industrialization and entrepreneurship in China’s recent past.","For copyright status, please contact the Hoover Institution Archives.","Correspondence, writings, legal and financial records, printed matter, motion picture film, and audiovisual material relating to operations of the Oriental Corporation in Tianjin, China and subsequently in Hong Kong.","Hoover Institution Archives","Hoover Institution Archives","Oriental Corporation.","Song, Feiqing, 1898-1955.","Chinese  and  English"],"unitid_tesim":["2013C4"],"normalized_date_ssm":["1926-2009"],"normalized_title_ssm":["Song Feiqing (宋棐卿) papers, 1926-2009"],"collection_title_tesim":["Song Feiqing (宋棐卿) papers, 1926-2009"],"collection_ssim":["Song Feiqing (宋棐卿) papers, 1926-2009"],"repository_ssm":["Hoover Institution Archives"],"repository_ssim":["Hoover Institution Archives"],"creator_ssm":["Song, Feiqing, 1898-1955."],"creator_ssim":["Song, Feiqing, 1898-1955."],"creator_persname_ssim":["Song, Feiqing, 1898-1955."],"creators_ssim":["Song, Feiqing, 1898-1955."],"access_terms_ssm":["For copyright status, please contact the Hoover Institution Archives."],"acqinfo_ssim":["Materials were acquired by the Hoover Institution Archives in 2013."],"access_subjects_ssim":["Business enterprises--China--Hong Kong.","Business enterprises--China."],"access_subjects_ssm":["Business enterprises--China--Hong Kong.","Business enterprises--China."],"has_online_content_ssim":["false"],"extent_ssm":["8 manuscript boxes, 1 motion picture film reel (4 linear feet)"],"extent_tesim":["8 manuscript boxes, 1 motion picture film reel (4 linear feet)"],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eThe Hoover Institution Archives only allows access to \n                \u003cemph render=\"italic\"\u003ecopies\u003c/emph\u003e of audiovisual items. To listen to sound recordings or to view videos or films during your visit, please contact the Archives at least two working days before your arrival. We will then advise you of the accessibility of the material you wish to see or hear. Please note that not all audiovisual material is immediately accessible.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research.","The Hoover Institution Archives only allows access to \n                 copies  of audiovisual items. To listen to sound recordings or to view videos or films during your visit, please contact the Archives at least two working days before your arrival. We will then advise you of the accessibility of the material you wish to see or hear. Please note that not all audiovisual material is immediately accessible."],"accruals_html_tesm":["\u003cp\u003eMaterials may have been added to the collection since this finding aid was prepared. To determine if this has occurred, find the collection in Stanford University's online catalog at \n                \u003cextref actuate=\"onRequest\" show=\"new\" href=\"http://searchworks.stanford.edu/\"\u003ehttp://searchworks.stanford.edu/\u003c/extref\u003e. Materials have been added to the collection if the number of boxes listed in the catalog is larger than the number of boxes listed in this finding aid.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Materials may have been added to the collection since this finding aid was prepared. To determine if this has occurred, find the collection in Stanford University's online catalog at \n                 http://searchworks.stanford.edu/ . Materials have been added to the collection if the number of boxes listed in the catalog is larger than the number of boxes listed in this finding aid."],"bioghist_html_tesm":["\u003cp\u003eBorn in 1898, the Chinese businessman Song Feiqing is best known for his role in modern China's industrialization and promoting the spirit of entrepreneurship in China. \n                Born into a Christian family in Shandong Province, in the early 1920s Song went to Chicago to study business management at Northwestern University. \n                In 1925, he returned to China and spent the next several years working in his father's business in Tianjin. \n                Seeing that China's industry was lacking entrepreneurship, especially in the textile market where foreign countries were profiting at China's expense, in 1932 Song established the Oriental Corporation (Dongya) in Tianjin. \n                That corporation became China's first textile company to use Chinese wool to produce its yarn and to sell its products both domestically and internationally. \n                By the 1940s, the corporation had become the largest yarn production company in China, having garnered more than 80 percent of the domestic Chinese market.\u003c/p\u003e","\u003cp\u003eSong's entrepreneurship transformed the business environment in modern China. \n                In addition, Song brought his religious beliefs into his management style and enterprise culture, as well as forming a social communication network that relied on the Christian spirit to serve his entrepreneurial purposes. \n                After the Chinese Communists won the civil war and established the People's Republic in 1949, Song struggled to keep his enterprises intact but was unable to do so. \n                In 1950, he moved his company to Hong Kong and later immigrated to Argentina. He died in Buenos Aires in 1955.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born in 1898, the Chinese businessman Song Feiqing is best known for his role in modern China's industrialization and promoting the spirit of entrepreneurship in China. \n                Born into a Christian family in Shandong Province, in the early 1920s Song went to Chicago to study business management at Northwestern University. \n                In 1925, he returned to China and spent the next several years working in his father's business in Tianjin. \n                Seeing that China's industry was lacking entrepreneurship, especially in the textile market where foreign countries were profiting at China's expense, in 1932 Song established the Oriental Corporation (Dongya) in Tianjin. \n                That corporation became China's first textile company to use Chinese wool to produce its yarn and to sell its products both domestically and internationally. \n                By the 1940s, the corporation had become the largest yarn production company in China, having garnered more than 80 percent of the domestic Chinese market.","Song's entrepreneurship transformed the business environment in modern China. \n                In addition, Song brought his religious beliefs into his management style and enterprise culture, as well as forming a social communication network that relied on the Christian spirit to serve his entrepreneurial purposes. \n                After the Chinese Communists won the civil war and established the People's Republic in 1949, Song struggled to keep his enterprises intact but was unable to do so. \n                In 1950, he moved his company to Hong Kong and later immigrated to Argentina. He died in Buenos Aires in 1955."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Song Feiqing papers, [Box no.], Hoover Institution Archives\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Song Feiqing papers, [Box no.], Hoover Institution Archives"],"scopecontent_html_tesm":["\u003cp\u003eThe papers of Song Feiqing include correspondence, writings, legal and financial records, printed matter, motion picture film, and audiovisual material relating to the operations of the Oriental Corporation in Tianjin, China and then in Hong Kong, including what part Christian beliefs played in Song's management practices. The papers also provide a rare glimpse into the formation of industrialization and entrepreneurship in China’s recent past.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content of Collection"],"scopecontent_tesim":["The papers of Song Feiqing include correspondence, writings, legal and financial records, printed matter, motion picture film, and audiovisual material relating to the operations of the Oriental Corporation in Tianjin, China and then in Hong Kong, including what part Christian beliefs played in Song's management practices. The papers also provide a rare glimpse into the formation of industrialization and entrepreneurship in China’s recent past."],"userestrict_html_tesm":["\u003cp\u003eFor copyright status, please contact the Hoover Institution Archives.\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["For copyright status, please contact the Hoover Institution Archives."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eCorrespondence, writings, legal and financial records, printed matter, motion picture film, and audiovisual material relating to operations of the Oriental Corporation in Tianjin, China and subsequently in Hong Kong.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, writings, legal and financial records, printed matter, motion picture film, and audiovisual material relating to operations of the Oriental Corporation in Tianjin, China and subsequently in Hong Kong."],"physloc_html_tesm":["\u003cphysloc id=\"ref3\" label=\"Physical Location\"\u003eHoover Institution Archives\u003c/physloc\u003e"],"physloc_tesim":["Hoover Institution Archives"],"names_coll_ssim":["Oriental Corporation."],"names_ssim":["Hoover Institution Archives","Oriental Corporation.","Song, Feiqing, 1898-1955."],"corpname_ssim":["Hoover Institution Archives","Oriental Corporation."],"persname_ssim":["Song, Feiqing, 1898-1955."],"language_ssim":["Chinese  and  English"],"total_component_count_is":68,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2013C4-xml","timestamp":"2025-02-18T23:00:35.990Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/2013C4-xml_ref56"}},{"id":"umich-bhl-9840_aspace_10d99897064c40ee20e2320e07a5750c","type":"File","attributes":{"title":"Fuji Yama (Mt. Fuji), Japan, undated","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/umich-bhl-9840_aspace_10d99897064c40ee20e2320e07a5750c#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"aspace_10d99897064c40ee20e2320e07a5750c","ref_ssm":["aspace_10d99897064c40ee20e2320e07a5750c","aspace_10d99897064c40ee20e2320e07a5750c"],"id":"umich-bhl-9840_aspace_10d99897064c40ee20e2320e07a5750c","title_filing_ssi":"Fuji Yama (Mt. Fuji), Japan","title_ssm":["Fuji Yama (Mt. Fuji), Japan"],"title_tesim":["Fuji Yama (Mt. Fuji), Japan"],"unitdate_inclusive_ssm":["undated"],"normalized_date_ssm":["undated"],"normalized_title_ssm":["Fuji Yama (Mt. Fuji), Japan, undated"],"text":["Fuji Yama (Mt. Fuji), Japan, undated","Charles W. Lane papers, 1935-1997, bulk 1958-1969","World War II Military Service","Photographs","box 6"],"component_level_isim":[3],"parent_ssim":["umich-bhl-9840","aspace_58990490f71df193ccbe063d89c04004","aspace_449f06f752b1dd2e4921741c8b94d2f3"],"parent_ssi":"aspace_449f06f752b1dd2e4921741c8b94d2f3","parent_ids_ssim":["umich-bhl-9840","umich-bhl-9840_aspace_58990490f71df193ccbe063d89c04004","umich-bhl-9840_aspace_449f06f752b1dd2e4921741c8b94d2f3"],"parent_unittitles_ssm":["Charles W. Lane papers, 1935-1997, bulk 1958-1969","World War II Military Service","Photographs"],"parent_unittitles_tesim":["Charles W. Lane papers, 1935-1997, bulk 1958-1969","World War II Military Service","Photographs"],"parent_levels_ssm":["collection","Series","File"],"repository_ssim":["University of Michigan. Bentley Historical Library"],"collection_ssim":["Charles W. Lane papers, 1935-1997, bulk 1958-1969"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":122,"parent_access_restrict_tesm":["The collection is open to research, except for some files in box 2 that are restricted to staff use only."],"parent_access_terms_tesm":["Copyright is held by the Regents of the University of Michigan but the collection may contain third-party materials for which copyright is not held. Patrons are responsible for determining the appropriate use or reuse of materials."],"containers_ssim":["box 6"],"_nest_path_":"/components#4/components#2/components#0","_nest_parent_":"umich-bhl-9840_aspace_449f06f752b1dd2e4921741c8b94d2f3","_root_":"umich-bhl-9840","timestamp":"2025-02-18T23:24:36.652Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"umich-bhl-9840","title_ssm":["Charles W. Lane papers"],"title_tesim":["Charles W. Lane papers"],"ead_ssi":"umich-bhl-9840","unitdate_ssm":["1935-1997","1958-1969"],"unitdate_bulk_ssim":["1958-1969"],"unitdate_inclusive_ssm":["1935-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["9840 Aa 2"],"text":["9840 Aa 2","Charles W. Lane papers, 1935-1997, bulk 1958-1969","Ann Arbor (Mich.) -- Buildings, structures, etc.","Hawaii.","Houma (La.)","Iwo Jima (Volcano Islands, Japan)","Manila (Philippines)","Nagasaki-Shi (Japan) -- History -- Bombardment, 1945.","Okinawa Island (Japan)","Wakayama-Shi (Japan) -- History -- Bombardment, 1945.","Architectural practice -- Michigan -- Ann Arbor.","Architects -- Michigan -- Ann Arbor.","Buildings, Prefabricated.","Mobile home parks -- Michigan.","Schools -- Michigan -- Ann Arbor.","World War, 1939-1945.","Architectural drawings.","Iwo Jima, Battle of, Japan, 1945.","World War, 1939-1945.","World War, 1939-1945 -- Campaigns -- Japan -- Okinawa Island.","Military art and science.","Mobile homes.","Schools -- Michigan.","Schools -- Michigan -- Ann Arbor.","War damage -- Japan -- Iwo Jima (Volcano Islands)","War damage -- Japan -- Nagasaki-Shi.","War damage -- Japan -- Okinawa Island.","War damage -- Japan -- Wakayama-Shi.","War damage -- Philippines -- Manila.","World War, 1939-1945 -- Destruction and pillage.","World War, 1939-1945 -- Military personnel.","World War, 1939-1945 -- Military life.","Architectural drawings.","Photographs.","The collection is open to research, except for some files in box 2 that are restricted to staff use only.","No further additions to the papers are expected.","Charles Wesley Lane was born in 1919. He began his career as an architect by working at construction sites during his summer breaks from the University of Michigan, from 1937 through 1941. He then worked for the U.S. Army Corps of Engineers on the MacArthur Lock in Sault St. Marie. Following Lane's graduation from the University of Michigan he served in World War II. He was in Louisiana for a short time, helping to supervise construction of a blimp hangar. He then began work as a Photo Interpretation officer and was part of the landing at Iwo Jima and Okinawa. He also spent some time in Nagasaki after the atomic bomb. Upon returning he went to work as an architect for George Brigham in Ann Arbor. Brigham's office was divided into two areas, research and production. Lane was assigned to work in research as an architect for Brigham's Progressive Homes Corporation (PHC). The goal of PHC was to design a completely prefabricated home that could be erected in eight hours (with the footings already in place) for the price of $1500. Brigham began the company with funders that included Eugene Cassaroll of Dual Motors. Lane describes the other investors as \"auto people from Detroit.\" The investors disassociated Brigham from the research division when his pace of development did not move along as quickly as they had hoped. The head of PHC was Ira E. \"Mickey\" Gillen, a former production manager for Chrysler Motors."," Gillen and the investors acquired 100,000 square feet of space in Pine Bluff, Arkansas to manufacture their homes. Gillen arranged for the building supplies to come from a variety of companies across the U.S. In a reflection of Gillen's automotive background, he wanted the pieces of the houses brought to Arkansas and assembled as pieces of a car are brought to a central location to be assembled. Gillen set up dealerships for the houses in every state and in England, France and South America. In South America he had a contract for 10,000 homes and in California a naval station wanted 5,000 houses, if they were financed by the Federal Housing Administration. The first two manufactured homes were built in Indiana, then Wisconsin. At about the fifth or sixth house, the local authorities would not issue a building permit because the local plumbers union was against the use of stamped steel in the building. Gillen had the support of the Federal Housing Administration (FHA) over the plumbers, but the FHA still would not finance the homes. This was the end of the company because no one would finance the building of the houses. Since 1947, 400 homes had come off of the assembly line. Those homes were built around Washington D.C. because of a contract the PHC had with the government, which the latter was forced to honor. By 1948, about 250 similar companies producing manufactured homes had sprung up around the United States."," After the failure of PHC, Lane went to work for the Walter Aneche firm in Ann Arbor; he worked at the firm from 1948 to 1952. Lane designed drawings for  Good Housekeeping  and schools in Michigan. In 1952 Lane established his own firm in Ann Arbor with architects Alex Riebe and Keith Weiland. Lane developed a 24 x 36 steel sheet that was repetitive and was used in about 400 schools in Michigan. Lane designed many schools and residences throughout Michigan with his firm. The firm was hired in the 1960s to design Huron High School in Ann Arbor, Michigan. This was the largest, most unique school that he designed. He originally made 17 designs of the building, all which were rectangular in shape. In an effort to save money he created a circular design that reduced corridor space and cost. Lane was lauded for the unique design and budget reducing measures. In addition to the actual structure, Lane also made recommendations, which were followed, on where Huron Parkway should be placed."," In 1971, shortly after the completion of Huron High School, Lane left his firm to pursue his interest in manufactured housing. Alex Riebe moved the firm to Farmington, Michigan. Lane saw that many of the same obstacles remained, with the exception of the invention of the mobile home park. In the late 1960s Lane designed a mobile home park in Almont, Michigan which was unique because it had paved streets, parking, and landscaping.","The collection is arranged into five series, Brigham Building System, Lane Projects, Huron High School, Personal and World War II Military Service. The series include the many projects that Charles Wesley Lane worked on during his architectural career and some materials from his military service as well. The collection is composed of photographs, slides, microfilm, microfiche and prints. The researcher will be interested in the variety of architectural projects in which Lane was involved, which include schools, mobile homes, churches, and other types of structures. A small number of photographs of Nagasaki after the atomic bomb may also be of interest.","Copyright is held by the Regents of the University of Michigan but the collection may contain third-party materials for which copyright is not held. Patrons are responsible for determining the appropriate use or reuse of materials.","Architect based in Ann Arbor, Michigan. Project files relate to work with George Brigham and his system of constructing prefabricated homes, 1944-1947; files relating to design and construction of Huron High School in Ann Arbor; other projects concern design of mobile home parks and other Michigan school buildings.","Bentley Historical Library","Huron High School (Ann Arbor, Mich.)","Lane, Charles W. (Charles Wesley), 1919-","Brigham, George Bickford, 1889-","English","The material is in  English"],"unitid_tesim":["9840 Aa 2"],"normalized_date_ssm":["1935-1997, bulk 1958-1969"],"normalized_title_ssm":["Charles W. Lane papers, 1935-1997, bulk 1958-1969"],"collection_title_tesim":["Charles W. Lane papers, 1935-1997, bulk 1958-1969"],"collection_ssim":["Charles W. Lane papers, 1935-1997, bulk 1958-1969"],"repository_ssm":["University of Michigan. Bentley Historical Library"],"repository_ssim":["University of Michigan. Bentley Historical Library"],"geogname_ssm":["Ann Arbor (Mich.) -- Buildings, structures, etc.","Hawaii.","Houma (La.)","Iwo Jima (Volcano Islands, Japan)","Manila (Philippines)","Nagasaki-Shi (Japan) -- History -- Bombardment, 1945.","Okinawa Island (Japan)","Wakayama-Shi (Japan) -- History -- Bombardment, 1945."],"geogname_ssim":["Ann Arbor (Mich.) -- Buildings, structures, etc.","Hawaii.","Houma (La.)","Iwo Jima (Volcano Islands, Japan)","Manila (Philippines)","Nagasaki-Shi (Japan) -- History -- Bombardment, 1945.","Okinawa Island (Japan)","Wakayama-Shi (Japan) -- History -- Bombardment, 1945."],"creator_ssm":["Lane, Charles W. (Charles Wesley), 1919-"],"creator_ssim":["Lane, Charles W. (Charles Wesley), 1919-"],"creator_persname_ssim":["Lane, Charles W. (Charles Wesley), 1919-"],"creators_ssim":["Lane, Charles W. (Charles Wesley), 1919-"],"places_ssim":["Ann Arbor (Mich.) -- Buildings, structures, etc.","Hawaii.","Houma (La.)","Iwo Jima (Volcano Islands, Japan)","Manila (Philippines)","Nagasaki-Shi (Japan) -- History -- Bombardment, 1945.","Okinawa Island (Japan)","Wakayama-Shi (Japan) -- History -- Bombardment, 1945."],"access_terms_ssm":["Copyright is held by the Regents of the University of Michigan but the collection may contain third-party materials for which copyright is not held. Patrons are responsible for determining the appropriate use or reuse of materials."],"acqinfo_ssim":["The collection was donated by Charles Wesley Lane (donor  8716 ) in 1998; additions were received from the family in 2008."],"access_subjects_ssim":["Architectural practice -- Michigan -- Ann Arbor.","Architects -- Michigan -- Ann Arbor.","Buildings, Prefabricated.","Mobile home parks -- Michigan.","Schools -- Michigan -- Ann Arbor.","World War, 1939-1945.","Architectural drawings.","Iwo Jima, Battle of, Japan, 1945.","World War, 1939-1945.","World War, 1939-1945 -- Campaigns -- Japan -- Okinawa Island.","Military art and science.","Mobile homes.","Schools -- Michigan.","Schools -- Michigan -- Ann Arbor.","War damage -- Japan -- Iwo Jima (Volcano Islands)","War damage -- Japan -- Nagasaki-Shi.","War damage -- Japan -- Okinawa Island.","War damage -- Japan -- Wakayama-Shi.","War damage -- Philippines -- Manila.","World War, 1939-1945 -- Destruction and pillage.","World War, 1939-1945 -- Military personnel.","World War, 1939-1945 -- Military life.","Architectural drawings.","Photographs."],"access_subjects_ssm":["Architectural practice -- Michigan -- Ann Arbor.","Architects -- Michigan -- Ann Arbor.","Buildings, Prefabricated.","Mobile home parks -- Michigan.","Schools -- Michigan -- Ann Arbor.","World War, 1939-1945.","Architectural drawings.","Iwo Jima, Battle of, Japan, 1945.","World War, 1939-1945.","World War, 1939-1945 -- Campaigns -- Japan -- Okinawa Island.","Military art and science.","Mobile homes.","Schools -- Michigan.","Schools -- Michigan -- Ann Arbor.","War damage -- Japan -- Iwo Jima (Volcano Islands)","War damage -- Japan -- Nagasaki-Shi.","War damage -- Japan -- Okinawa Island.","War damage -- Japan -- Wakayama-Shi.","War damage -- Philippines -- Manila.","World War, 1939-1945 -- Destruction and pillage.","World War, 1939-1945 -- Military personnel.","World War, 1939-1945 -- Military life.","Architectural drawings.","Photographs."],"has_online_content_ssim":["false"],"extent_ssm":["4.5 linear feet in 6 boxes","7 oversize folders"],"extent_tesim":["4.5 linear feet in 6 boxes","7 oversize folders"],"genreform_ssim":["Architectural drawings.","Photographs."],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research, except for some files in box 2 that are restricted to staff use only.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research, except for some files in box 2 that are restricted to staff use only."],"accruals_html_tesm":["\u003cp\u003eNo further additions to the papers are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["No further additions to the papers are expected."],"bioghist_html_tesm":["\u003cp\u003eCharles Wesley Lane was born in 1919. He began his career as an architect by working at construction sites during his summer breaks from the University of Michigan, from 1937 through 1941. He then worked for the U.S. Army Corps of Engineers on the MacArthur Lock in Sault St. Marie. Following Lane's graduation from the University of Michigan he served in World War II. He was in Louisiana for a short time, helping to supervise construction of a blimp hangar. He then began work as a Photo Interpretation officer and was part of the landing at Iwo Jima and Okinawa. He also spent some time in Nagasaki after the atomic bomb. Upon returning he went to work as an architect for George Brigham in Ann Arbor. Brigham's office was divided into two areas, research and production. Lane was assigned to work in research as an architect for Brigham's Progressive Homes Corporation (PHC). The goal of PHC was to design a completely prefabricated home that could be erected in eight hours (with the footings already in place) for the price of $1500. Brigham began the company with funders that included Eugene Cassaroll of Dual Motors. Lane describes the other investors as \"auto people from Detroit.\" The investors disassociated Brigham from the research division when his pace of development did not move along as quickly as they had hoped. The head of PHC was Ira E. \"Mickey\" Gillen, a former production manager for Chrysler Motors.\u003c/p\u003e\n","\u003cp\u003e Gillen and the investors acquired 100,000 square feet of space in Pine Bluff, Arkansas to manufacture their homes. Gillen arranged for the building supplies to come from a variety of companies across the U.S. In a reflection of Gillen's automotive background, he wanted the pieces of the houses brought to Arkansas and assembled as pieces of a car are brought to a central location to be assembled. Gillen set up dealerships for the houses in every state and in England, France and South America. In South America he had a contract for 10,000 homes and in California a naval station wanted 5,000 houses, if they were financed by the Federal Housing Administration. The first two manufactured homes were built in Indiana, then Wisconsin. At about the fifth or sixth house, the local authorities would not issue a building permit because the local plumbers union was against the use of stamped steel in the building. Gillen had the support of the Federal Housing Administration (FHA) over the plumbers, but the FHA still would not finance the homes. This was the end of the company because no one would finance the building of the houses. Since 1947, 400 homes had come off of the assembly line. Those homes were built around Washington D.C. because of a contract the PHC had with the government, which the latter was forced to honor. By 1948, about 250 similar companies producing manufactured homes had sprung up around the United States.\u003c/p\u003e\n","\u003cp\u003e After the failure of PHC, Lane went to work for the Walter Aneche firm in Ann Arbor; he worked at the firm from 1948 to 1952. Lane designed drawings for \u003ctitle render=\"italic\"\u003eGood Housekeeping\u003c/title\u003e and schools in Michigan. In 1952 Lane established his own firm in Ann Arbor with architects Alex Riebe and Keith Weiland. Lane developed a 24 x 36 steel sheet that was repetitive and was used in about 400 schools in Michigan. Lane designed many schools and residences throughout Michigan with his firm. The firm was hired in the 1960s to design Huron High School in Ann Arbor, Michigan. This was the largest, most unique school that he designed. He originally made 17 designs of the building, all which were rectangular in shape. In an effort to save money he created a circular design that reduced corridor space and cost. Lane was lauded for the unique design and budget reducing measures. In addition to the actual structure, Lane also made recommendations, which were followed, on where Huron Parkway should be placed.\u003c/p\u003e\n","\u003cp\u003e In 1971, shortly after the completion of Huron High School, Lane left his firm to pursue his interest in manufactured housing. Alex Riebe moved the firm to Farmington, Michigan. Lane saw that many of the same obstacles remained, with the exception of the invention of the mobile home park. In the late 1960s Lane designed a mobile home park in Almont, Michigan which was unique because it had paved streets, parking, and landscaping.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Charles Wesley Lane was born in 1919. He began his career as an architect by working at construction sites during his summer breaks from the University of Michigan, from 1937 through 1941. He then worked for the U.S. Army Corps of Engineers on the MacArthur Lock in Sault St. Marie. Following Lane's graduation from the University of Michigan he served in World War II. He was in Louisiana for a short time, helping to supervise construction of a blimp hangar. He then began work as a Photo Interpretation officer and was part of the landing at Iwo Jima and Okinawa. He also spent some time in Nagasaki after the atomic bomb. Upon returning he went to work as an architect for George Brigham in Ann Arbor. Brigham's office was divided into two areas, research and production. Lane was assigned to work in research as an architect for Brigham's Progressive Homes Corporation (PHC). The goal of PHC was to design a completely prefabricated home that could be erected in eight hours (with the footings already in place) for the price of $1500. Brigham began the company with funders that included Eugene Cassaroll of Dual Motors. Lane describes the other investors as \"auto people from Detroit.\" The investors disassociated Brigham from the research division when his pace of development did not move along as quickly as they had hoped. The head of PHC was Ira E. \"Mickey\" Gillen, a former production manager for Chrysler Motors."," Gillen and the investors acquired 100,000 square feet of space in Pine Bluff, Arkansas to manufacture their homes. Gillen arranged for the building supplies to come from a variety of companies across the U.S. In a reflection of Gillen's automotive background, he wanted the pieces of the houses brought to Arkansas and assembled as pieces of a car are brought to a central location to be assembled. Gillen set up dealerships for the houses in every state and in England, France and South America. In South America he had a contract for 10,000 homes and in California a naval station wanted 5,000 houses, if they were financed by the Federal Housing Administration. The first two manufactured homes were built in Indiana, then Wisconsin. At about the fifth or sixth house, the local authorities would not issue a building permit because the local plumbers union was against the use of stamped steel in the building. Gillen had the support of the Federal Housing Administration (FHA) over the plumbers, but the FHA still would not finance the homes. This was the end of the company because no one would finance the building of the houses. Since 1947, 400 homes had come off of the assembly line. Those homes were built around Washington D.C. because of a contract the PHC had with the government, which the latter was forced to honor. By 1948, about 250 similar companies producing manufactured homes had sprung up around the United States."," After the failure of PHC, Lane went to work for the Walter Aneche firm in Ann Arbor; he worked at the firm from 1948 to 1952. Lane designed drawings for  Good Housekeeping  and schools in Michigan. In 1952 Lane established his own firm in Ann Arbor with architects Alex Riebe and Keith Weiland. Lane developed a 24 x 36 steel sheet that was repetitive and was used in about 400 schools in Michigan. Lane designed many schools and residences throughout Michigan with his firm. The firm was hired in the 1960s to design Huron High School in Ann Arbor, Michigan. This was the largest, most unique school that he designed. He originally made 17 designs of the building, all which were rectangular in shape. In an effort to save money he created a circular design that reduced corridor space and cost. Lane was lauded for the unique design and budget reducing measures. In addition to the actual structure, Lane also made recommendations, which were followed, on where Huron Parkway should be placed."," In 1971, shortly after the completion of Huron High School, Lane left his firm to pursue his interest in manufactured housing. Alex Riebe moved the firm to Farmington, Michigan. Lane saw that many of the same obstacles remained, with the exception of the invention of the mobile home park. In the late 1960s Lane designed a mobile home park in Almont, Michigan which was unique because it had paved streets, parking, and landscaping."],"prefercite_html_tesm":["\u003cp\u003e[item], folder, box, Charles W. Lane papers, Bentley Historical Library, University of Michigan\u003c/p\u003e"],"prefercite_tesim":["[item], folder, box, Charles W. Lane papers, Bentley Historical Library, University of Michigan"],"scopecontent_html_tesm":["\u003cp\u003eThe collection is arranged into five series, Brigham Building System, Lane Projects, Huron High School, Personal and World War II Military Service. The series include the many projects that Charles Wesley Lane worked on during his architectural career and some materials from his military service as well. The collection is composed of photographs, slides, microfilm, microfiche and prints. The researcher will be interested in the variety of architectural projects in which Lane was involved, which include schools, mobile homes, churches, and other types of structures. A small number of photographs of Nagasaki after the atomic bomb may also be of interest.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is arranged into five series, Brigham Building System, Lane Projects, Huron High School, Personal and World War II Military Service. The series include the many projects that Charles Wesley Lane worked on during his architectural career and some materials from his military service as well. The collection is composed of photographs, slides, microfilm, microfiche and prints. The researcher will be interested in the variety of architectural projects in which Lane was involved, which include schools, mobile homes, churches, and other types of structures. A small number of photographs of Nagasaki after the atomic bomb may also be of interest."],"userestrict_html_tesm":["\u003cp\u003eCopyright is held by the Regents of the University of Michigan but the collection may contain third-party materials for which copyright is not held. Patrons are responsible for determining the appropriate use or reuse of materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright is held by the Regents of the University of Michigan but the collection may contain third-party materials for which copyright is not held. Patrons are responsible for determining the appropriate use or reuse of materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1711e8ec6440e36b108652ca8e44f52e\"\u003eArchitect based in Ann Arbor, Michigan. Project files relate to work with George Brigham and his system of constructing prefabricated homes, 1944-1947; files relating to design and construction of Huron High School in Ann Arbor; other projects concern design of mobile home parks and other Michigan school buildings.\u003c/abstract\u003e"],"abstract_tesim":["Architect based in Ann Arbor, Michigan. Project files relate to work with George Brigham and his system of constructing prefabricated homes, 1944-1947; files relating to design and construction of Huron High School in Ann Arbor; other projects concern design of mobile home parks and other Michigan school buildings."],"names_coll_ssim":["Huron High School (Ann Arbor, Mich.)","Huron High School (Ann Arbor, Mich.)","Lane, Charles W. (Charles Wesley), 1919-","Brigham, George Bickford, 1889-","Lane, Charles W. (Charles Wesley), 1919-"],"names_ssim":["Bentley Historical Library","Huron High School (Ann Arbor, Mich.)","Lane, Charles W. (Charles Wesley), 1919-","Brigham, George Bickford, 1889-"],"corpname_ssim":["Bentley Historical Library","Huron High School (Ann Arbor, Mich.)"],"persname_ssim":["Lane, Charles W. (Charles Wesley), 1919-","Brigham, George Bickford, 1889-"],"language_ssim":["English","The material is in  English"],"descrules_ssm":["Finding aid prepared using Describing Archives: A Content Standard (DACS)"],"total_component_count_is":135,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"umich-bhl-9840","timestamp":"2025-02-18T23:24:36.652Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/umich-bhl-9840_aspace_10d99897064c40ee20e2320e07a5750c"}},{"id":"umich-bhl-0312_aspace_b27ef4d82b6a434b4de404a73a01b86c","type":"File","attributes":{"title":"Funding, 1997","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/umich-bhl-0312_aspace_b27ef4d82b6a434b4de404a73a01b86c#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"aspace_b27ef4d82b6a434b4de404a73a01b86c","ref_ssm":["aspace_b27ef4d82b6a434b4de404a73a01b86c","aspace_b27ef4d82b6a434b4de404a73a01b86c"],"id":"umich-bhl-0312_aspace_b27ef4d82b6a434b4de404a73a01b86c","title_filing_ssi":"Funding","title_ssm":["Funding"],"title_tesim":["Funding"],"unitdate_inclusive_ssm":["1997"],"normalized_date_ssm":["1997"],"normalized_title_ssm":["Funding, 1997"],"text":["Funding, 1997","Peter Sparling papers, 1961-2013, bulk 1970-2000","Choreography, 1982-1999","Seven Enigmas","box 1"],"component_level_isim":[3],"parent_ssim":["umich-bhl-0312","aspace_6660fac86a5c3507d00d532c9318d5a6","aspace_dc4742495a6d5c5bca6d46d6c000596d"],"parent_ssi":"aspace_dc4742495a6d5c5bca6d46d6c000596d","parent_ids_ssim":["umich-bhl-0312","umich-bhl-0312_aspace_6660fac86a5c3507d00d532c9318d5a6","umich-bhl-0312_aspace_dc4742495a6d5c5bca6d46d6c000596d"],"parent_unittitles_ssm":["Peter Sparling papers, 1961-2013, bulk 1970-2000","Choreography, 1982-1999","Seven Enigmas"],"parent_unittitles_tesim":["Peter Sparling papers, 1961-2013, bulk 1970-2000","Choreography, 1982-1999","Seven Enigmas"],"parent_levels_ssm":["collection","Series","File"],"repository_ssim":["University of Michigan. Bentley Historical Library"],"collection_ssim":["Peter Sparling papers, 1961-2013, bulk 1970-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":20,"parent_access_restrict_tesm":["The collection is open to research."," Access to some of the online digital files in the Performance, Audition, and Rehearsal Videos series is restricted to viewing the Bentley Library Reading Room and at the University of Michigan School of Music, Theatre and Dance. Equipment needed to view the DVC-Pro digital cassettes in this series is not currently available at the Bentley Library. Contact the reference archivist to arrange for duplication of tapes."],"parent_access_terms_tesm":["Copyright is retained by Peter Sparling. Patrons are responsible for determining the appropriate use or reuse of materials."],"date_range_isim":[1997],"containers_ssim":["box 1"],"_nest_path_":"/components#1/components#5/components#0","_nest_parent_":"umich-bhl-0312_aspace_dc4742495a6d5c5bca6d46d6c000596d","_root_":"umich-bhl-0312","timestamp":"2025-02-18T23:13:20.872Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"umich-bhl-0312","title_ssm":["Peter Sparling papers"],"title_tesim":["Peter Sparling papers"],"ead_ssi":"umich-bhl-0312","unitdate_ssm":["1961-2013","1970-2000"],"unitdate_bulk_ssim":["1970-2000"],"unitdate_inclusive_ssm":["1961-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["0312 Aa2"],"text":["0312 Aa2","Peter Sparling papers, 1961-2013, bulk 1970-2000","Choreographers -- United States.","Dancers -- United States.","Ballet -- United States.","Ballet -- Study and teaching.","Choreography.","Ballet -- United States.","Dancers.","Posters.","Videotapes.","Motion pictures.","Photographs.","The collection is open to research."," Access to some of the online digital files in the Performance, Audition, and Rehearsal Videos series is restricted to viewing the Bentley Library Reading Room and at the University of Michigan School of Music, Theatre and Dance. Equipment needed to view the DVC-Pro digital cassettes in this series is not currently available at the Bentley Library. Contact the reference archivist to arrange for duplication of tapes.","Periodic additions to the records expected.","Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon."," Sparling got his first dance training while on a scholarship for violin performance at Interlochen Arts Academy. He added dance to his major and graduated in 1969, and then attended The Juilliard School, receiving his B.F.A. in 1973. While still at Juilliard, Sparling began touring with the Jose Limon Dance Company, traveling to Europe, Russia and Asia. He co-founded Dance Mobile with Janet Eilber, Ange Wolf and Diana Hart, all of whom he met at Interlochen. In 1974, he married another dancer he had met while at Interlochen, Shelley Washington. They divorced after three years."," In 1973, after the death of Jose Limon, Sparling was invited to join the Martha Graham Dance Company. Graham dramatically influenced Sparling's performance and his choreography, and he created and performed his own works during the six years he was with the Graham Company. When he left the company in 1979, he formed Peter Sparling Presents Solo Flight, and then the Peter Sparling Dance Company, as vehicles for his choreography. He continued to dance occasionally with the Graham Company until 1987."," In 1984, after several teaching residencies in such institutions as Barnard College in New York, Florida State University, Cloud Gate Dance Theatre in Taiwan and the Laban Centre for Movement Studies in London, Sparling was hired as Assistant Professor at the University of Michigan Dance Department. He was chair of the Department from 1988 through 1995. In 1984, he co-founded Ann Arbor Dance Works, the University of Michigan's resident dance company. In 1993, Peter founded the Peter Sparling Dance Co. a non-profit organization that continues today. Further information about Sparling's dance company or current work see http://www.dancegalleryfoundation.org.","","The Peter Sparling Papers include materials relating to Sparling's dance training, performance, and teaching. The papers are divided into eight series: Background Materials, Choreography, Correspondence, Dance Companies, Programs, Reviews, Photographs, Performance, Audition, and Rehearsal Videos, and Posters.","Copyright is retained by Peter Sparling. Patrons are responsible for determining the appropriate use or reuse of materials.","Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. Papers consist of materials relating to Sparling's dance training, performance, and teaching including background materials; choreography notes and sketches; correspondence; clippings and publicity from dance companies with whom he was associated; programs and reviews; photographs, video and film of performances; and posters.","Bentley Historical Library","University of Michigan. -- Faculty.","University of Michigan. School of Music.","Sparling, Peter.","Sparling, Peter, 1951-","Sparling, Peter, Performances, 1951-","English","The material is in  English"],"unitid_tesim":["0312 Aa2"],"normalized_date_ssm":["1961-2013, bulk 1970-2000"],"normalized_title_ssm":["Peter Sparling papers, 1961-2013, bulk 1970-2000"],"collection_title_tesim":["Peter Sparling papers, 1961-2013, bulk 1970-2000"],"collection_ssim":["Peter Sparling papers, 1961-2013, bulk 1970-2000"],"repository_ssm":["University of Michigan. Bentley Historical Library"],"repository_ssim":["University of Michigan. Bentley Historical Library"],"creator_ssm":["Sparling, Peter."],"creator_ssim":["Sparling, Peter."],"creator_persname_ssim":["Sparling, Peter."],"creators_ssim":["Sparling, Peter."],"access_terms_ssm":["Copyright is retained by Peter Sparling. Patrons are responsible for determining the appropriate use or reuse of materials."],"acqinfo_ssim":["Materials were donated by Peter Sparling (donor no. 8992) beginning in 2001."],"access_subjects_ssim":["Choreographers -- United States.","Dancers -- United States.","Ballet -- United States.","Ballet -- Study and teaching.","Choreography.","Ballet -- United States.","Dancers.","Posters.","Videotapes.","Motion pictures.","Photographs."],"access_subjects_ssm":["Choreographers -- United States.","Dancers -- United States.","Ballet -- United States.","Ballet -- Study and teaching.","Choreography.","Ballet -- United States.","Dancers.","Posters.","Videotapes.","Motion pictures.","Photographs."],"has_online_content_ssim":["true"],"extent_ssm":["6 linear feet","89.5 GB"],"extent_tesim":["6 linear feet","89.5 GB"],"physfacet_tesim":["online"],"genreform_ssim":["Posters.","Videotapes.","Motion pictures.","Photographs."],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e\n","\u003cp\u003e Access to some of the online digital files in the Performance, Audition, and Rehearsal Videos series is restricted to viewing the Bentley Library Reading Room and at the University of Michigan School of Music, Theatre and Dance. Equipment needed to view the DVC-Pro digital cassettes in this series is not currently available at the Bentley Library. Contact the reference archivist to arrange for duplication of tapes.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."," Access to some of the online digital files in the Performance, Audition, and Rehearsal Videos series is restricted to viewing the Bentley Library Reading Room and at the University of Michigan School of Music, Theatre and Dance. Equipment needed to view the DVC-Pro digital cassettes in this series is not currently available at the Bentley Library. Contact the reference archivist to arrange for duplication of tapes."],"accruals_html_tesm":["\u003cp\u003ePeriodic additions to the records expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Periodic additions to the records expected."],"bioghist_html_tesm":["\u003cp\u003ePeter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon.\u003c/p\u003e\n","\u003cp\u003e Sparling got his first dance training while on a scholarship for violin performance at Interlochen Arts Academy. He added dance to his major and graduated in 1969, and then attended The Juilliard School, receiving his B.F.A. in 1973. While still at Juilliard, Sparling began touring with the Jose Limon Dance Company, traveling to Europe, Russia and Asia. He co-founded Dance Mobile with Janet Eilber, Ange Wolf and Diana Hart, all of whom he met at Interlochen. In 1974, he married another dancer he had met while at Interlochen, Shelley Washington. They divorced after three years.\u003c/p\u003e\n","\u003cp\u003e In 1973, after the death of Jose Limon, Sparling was invited to join the Martha Graham Dance Company. Graham dramatically influenced Sparling's performance and his choreography, and he created and performed his own works during the six years he was with the Graham Company. When he left the company in 1979, he formed Peter Sparling Presents Solo Flight, and then the Peter Sparling Dance Company, as vehicles for his choreography. He continued to dance occasionally with the Graham Company until 1987.\u003c/p\u003e\n","\u003cp\u003e In 1984, after several teaching residencies in such institutions as Barnard College in New York, Florida State University, Cloud Gate Dance Theatre in Taiwan and the Laban Centre for Movement Studies in London, Sparling was hired as Assistant Professor at the University of Michigan Dance Department. He was chair of the Department from 1988 through 1995. In 1984, he co-founded Ann Arbor Dance Works, the University of Michigan's resident dance company. In 1993, Peter founded the Peter Sparling Dance Co. a non-profit organization that continues today. Further information about Sparling's dance company or current work see http://www.dancegalleryfoundation.org.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon."," Sparling got his first dance training while on a scholarship for violin performance at Interlochen Arts Academy. He added dance to his major and graduated in 1969, and then attended The Juilliard School, receiving his B.F.A. in 1973. While still at Juilliard, Sparling began touring with the Jose Limon Dance Company, traveling to Europe, Russia and Asia. He co-founded Dance Mobile with Janet Eilber, Ange Wolf and Diana Hart, all of whom he met at Interlochen. In 1974, he married another dancer he had met while at Interlochen, Shelley Washington. They divorced after three years."," In 1973, after the death of Jose Limon, Sparling was invited to join the Martha Graham Dance Company. Graham dramatically influenced Sparling's performance and his choreography, and he created and performed his own works during the six years he was with the Graham Company. When he left the company in 1979, he formed Peter Sparling Presents Solo Flight, and then the Peter Sparling Dance Company, as vehicles for his choreography. He continued to dance occasionally with the Graham Company until 1987."," In 1984, after several teaching residencies in such institutions as Barnard College in New York, Florida State University, Cloud Gate Dance Theatre in Taiwan and the Laban Centre for Movement Studies in London, Sparling was hired as Assistant Professor at the University of Michigan Dance Department. He was chair of the Department from 1988 through 1995. In 1984, he co-founded Ann Arbor Dance Works, the University of Michigan's resident dance company. In 1993, Peter founded the Peter Sparling Dance Co. a non-profit organization that continues today. Further information about Sparling's dance company or current work see http://www.dancegalleryfoundation.org."],"prefercite_html_tesm":["\u003cp\u003e[item], folder, box, Peter Sparling papers, Bentley Historical Library, University of Michigan\u003c/p\u003e"],"prefercite_tesim":["[item], folder, box, Peter Sparling papers, Bentley Historical Library, University of Michigan"],"processinfo_html_tesm":["\u003cp\u003e\u003cextptr actuate=\"onload\" href=\"digitalproc\" show=\"embed\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":[""],"scopecontent_html_tesm":["\u003cp\u003eThe Peter Sparling Papers include materials relating to Sparling's dance training, performance, and teaching. The papers are divided into eight series: Background Materials, Choreography, Correspondence, Dance Companies, Programs, Reviews, Photographs, Performance, Audition, and Rehearsal Videos, and Posters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Peter Sparling Papers include materials relating to Sparling's dance training, performance, and teaching. The papers are divided into eight series: Background Materials, Choreography, Correspondence, Dance Companies, Programs, Reviews, Photographs, Performance, Audition, and Rehearsal Videos, and Posters."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by Peter Sparling. Patrons are responsible for determining the appropriate use or reuse of materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright is retained by Peter Sparling. Patrons are responsible for determining the appropriate use or reuse of materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e7ba80ca0d30560d8aa900af8025f1a9\"\u003ePeter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. Papers consist of materials relating to Sparling's dance training, performance, and teaching including background materials; choreography notes and sketches; correspondence; clippings and publicity from dance companies with whom he was associated; programs and reviews; photographs, video and film of performances; and posters.\u003c/abstract\u003e"],"abstract_tesim":["Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. Papers consist of materials relating to Sparling's dance training, performance, and teaching including background materials; choreography notes and sketches; correspondence; clippings and publicity from dance companies with whom he was associated; programs and reviews; photographs, video and film of performances; and posters."],"names_coll_ssim":["University of Michigan. -- Faculty.","University of Michigan. School of Music.","Sparling, Peter, 1951-","Sparling, Peter, 1951-","Sparling, Peter, Performances, 1951-"],"names_ssim":["Bentley Historical Library","University of Michigan. -- Faculty.","University of Michigan. School of Music.","Sparling, Peter.","Sparling, Peter, 1951-","Sparling, Peter, Performances, 1951-"],"corpname_ssim":["Bentley Historical Library","University of Michigan. -- Faculty.","University of Michigan. 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DeWeese, a physician then working in Detroit, became frustrated by what he perceived to be a lack of educational choice for his own children then about to begin school. With other like-minded individuals, DeWeese formed Michigan Citizens for Choice in Education (shortly to be renamed TEACH Michigan). Incorporated as a non-profit organization in 1991, TEACH Michigan was established to lobby for changes in the law regarding school choice. Associated with TEACH Michigan was a tax-exempt sister organization - TEACH Michigan Education Fund (TMEF) - which with license to solicit charitable contributions could engage in a variety of educational, research, and planning functions."," Under DeWeese's leadership, TEACH Michigan advocated fundamental changes in the state's educational system. The core of TEACH Michigan's philosophy of education was simply stated. Parents should be allowed to choose from competing systems of schools with funding for education following the student and not automatically being given to the government-supported school system. An ambitious agenda, TEACH Michigan realized the importance of educating the public and enlisting enough grassroots support for the necessary changes in state law and in the state constitution to be made. With the law changed, there would follow competition for the education dollar resulting in non-governmental sponsorship of K-12 schools by corporations, public or private universities, parent groups or churches, as well as by the government. No longer would there be a \"government monopoly\" school system. Instead, parents would receive financial support (or vouchers) for their children to attend the school of their choice."," Although his message never wavered, DeWeese was realistic enough to realize that \"full choice\" could only come incrementally, thus his advocacy of changes in state law to allow for the creation of charter schools. Charter schools are public schools that are custom-designed by groups of teachers, parents or outside individuals to meet particular education needs. Charter schools are part of the public school system, financed on a par with other schools in the district. But for charter schools to become a reality state law would have to be changed. In December 1993, with the passage of Senate bill no. 896 (signed by the governor in January 1994), Michigan adopted the most significant restructuring of public education since the development of single-function school districts in the early 20th century. The state authorized groups of certified teachers and community leaders to form individual charter schools (public school academies) \"that are to be treated like school districts\" for the purposes of state education law. These \"single-school school districts\" could be started anywhere in the state by one or more certified teachers, a county, city, village, township, school district, community college, or state public university. Each new school would develop its own governing board, and must describe its educational goals and the standards by which its performance will be measured. Each of these academies would receive a state school aid payment for its enrolled students."," Following the passage of 896, TMEF established a sister organization, the Michigan Center for Charter Schools (MCCS), whose purpose was to promote the development of charter schools. TMEF subsidized the operation of MCCS throughout its existence. MCCS was the only organization in the state early on that was disseminating timely and accurate information about charter schools. MCCS also helped several groups move through the process of establishing a charter school. By the end of 1995, more than 60 charter school had been established with an additional 120 schools seeking charters."," In November 1994, an Ingham County circuit court judge ruled the law unconstitutional. Although the groups authorized to grant charters were government entities, the judge ruled, the day-to-day operations of schools were largely in the hands of privately elected directors and thus not directly accountable to the public. With this decision, the charter schools that had been established were left without public funding. In some cases, the schools reverted to private school status relying on tuitions and corporate donations for their support. In other cases, the state legislature, many of whose members believed that the judge's ruling would be overturned on appeal, passed emergency legislation which addressed the judge's objection to the original legislation."," In 1995, the state Board of Education contracted with the Michigan Partnership for New Education to both promote charter schools and to provide technical assistance to charter schools. The Michigan Partnership immediately asked for, and received, permission to hire the entire staff of MCCS in order to run their charter school operation. In May of 1995, MCCS ceased to operate, as its mission and staff were absorbed by the Michigan Partnership for New Education."," From its inception, TEACH Michigan knew that for real educational reform to take place from their point of view, the Michigan State Constitution (Article 8, sec. 2) would have to be revised. That provision restricted the use of public funds to government-operated schools only. With the constitution changed, TEACH Michigan hoped to secure passage of a voucher system so that parents might choose, and receive funding, for their child to attend a church-related school."," In 2000, the TEACH Michigan organization was folded into a new organization, Partnership for Learning.","This record group consists of two separate groupings (or subgroups) of records: the combined files of TEACH Michigan and TEACH Michigan Education Fund covering the period of 1989 to 1995, and files of the charter school support group, Michigan Center for Charter Schools covering the years 1994-1995. Both organizations operated out of the same office in Lansing and included some of the same individuals as board members. The TM/TMEF files consist in great part of papers of Dr. Paul N. DeWeese, a principal founder of the organization. The MCCS files are largely papers of executive director Barbara Barrett as well as DeWeese. Together, the record group contains correspondence, policy statements, organizational and activity files, collected materials, sound and video materials, all relating to the efforts of the two organizations first to educate and lobby for changes in the law, and second to provide assistance and support in the establishment of charter schools. The records date from the inception of the organization to 1995. The subsequent records of TEACH Michigan remain with the organization.","Donor(s) have not transferred any applicable copyright to the Regents of the University of Michigan. Patrons are responsible for determining the appropriate use or reuse of materials.","Organization established in 1989 by Paul N. DeWeese and others to lobby for changes in state law and the state constitution to allow parents to choose between competing schools. 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Donor no.  9038"],"access_subjects_ssim":["Charter schools -- Michigan.","Education -- Michigan.","Public schools -- Michigan.","School choice -- Michigan.","Charter schools -- Michigan.","Debates.","Discussion.","Public affairs television programs.","School choice -- Michigan.","Sound recordings.","Videocassettes."],"access_subjects_ssm":["Charter schools -- Michigan.","Education -- Michigan.","Public schools -- Michigan.","School choice -- Michigan.","Charter schools -- Michigan.","Debates.","Discussion.","Public affairs television programs.","School choice -- Michigan.","Sound recordings.","Videocassettes."],"has_online_content_ssim":["false"],"extent_ssm":["13 linear feet"],"extent_tesim":["13 linear feet"],"genreform_ssim":["Sound recordings.","Videocassettes."],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eResearch use of the record group is restricted except with the permission of Dr. Paul DeWeese.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Research use of the record group is restricted except with the permission of Dr. Paul DeWeese."],"bioghist_html_tesm":["\u003cp\u003eIn 1989, Dr. Paul N. DeWeese, a physician then working in Detroit, became frustrated by what he perceived to be a lack of educational choice for his own children then about to begin school. With other like-minded individuals, DeWeese formed Michigan Citizens for Choice in Education (shortly to be renamed TEACH Michigan). Incorporated as a non-profit organization in 1991, TEACH Michigan was established to lobby for changes in the law regarding school choice. Associated with TEACH Michigan was a tax-exempt sister organization - TEACH Michigan Education Fund (TMEF) - which with license to solicit charitable contributions could engage in a variety of educational, research, and planning functions.\u003c/p\u003e\n","\u003cp\u003e Under DeWeese's leadership, TEACH Michigan advocated fundamental changes in the state's educational system. The core of TEACH Michigan's philosophy of education was simply stated. Parents should be allowed to choose from competing systems of schools with funding for education following the student and not automatically being given to the government-supported school system. An ambitious agenda, TEACH Michigan realized the importance of educating the public and enlisting enough grassroots support for the necessary changes in state law and in the state constitution to be made. With the law changed, there would follow competition for the education dollar resulting in non-governmental sponsorship of K-12 schools by corporations, public or private universities, parent groups or churches, as well as by the government. No longer would there be a \"government monopoly\" school system. Instead, parents would receive financial support (or vouchers) for their children to attend the school of their choice.\u003c/p\u003e\n","\u003cp\u003e Although his message never wavered, DeWeese was realistic enough to realize that \"full choice\" could only come incrementally, thus his advocacy of changes in state law to allow for the creation of charter schools. Charter schools are public schools that are custom-designed by groups of teachers, parents or outside individuals to meet particular education needs. Charter schools are part of the public school system, financed on a par with other schools in the district. But for charter schools to become a reality state law would have to be changed. In December 1993, with the passage of Senate bill no. 896 (signed by the governor in January 1994), Michigan adopted the most significant restructuring of public education since the development of single-function school districts in the early 20th century. The state authorized groups of certified teachers and community leaders to form individual charter schools (public school academies) \"that are to be treated like school districts\" for the purposes of state education law. These \"single-school school districts\" could be started anywhere in the state by one or more certified teachers, a county, city, village, township, school district, community college, or state public university. Each new school would develop its own governing board, and must describe its educational goals and the standards by which its performance will be measured. Each of these academies would receive a state school aid payment for its enrolled students.\u003c/p\u003e\n","\u003cp\u003e Following the passage of 896, TMEF established a sister organization, the Michigan Center for Charter Schools (MCCS), whose purpose was to promote the development of charter schools. TMEF subsidized the operation of MCCS throughout its existence. MCCS was the only organization in the state early on that was disseminating timely and accurate information about charter schools. MCCS also helped several groups move through the process of establishing a charter school. By the end of 1995, more than 60 charter school had been established with an additional 120 schools seeking charters.\u003c/p\u003e\n","\u003cp\u003e In November 1994, an Ingham County circuit court judge ruled the law unconstitutional. Although the groups authorized to grant charters were government entities, the judge ruled, the day-to-day operations of schools were largely in the hands of privately elected directors and thus not directly accountable to the public. With this decision, the charter schools that had been established were left without public funding. In some cases, the schools reverted to private school status relying on tuitions and corporate donations for their support. In other cases, the state legislature, many of whose members believed that the judge's ruling would be overturned on appeal, passed emergency legislation which addressed the judge's objection to the original legislation.\u003c/p\u003e\n","\u003cp\u003e In 1995, the state Board of Education contracted with the Michigan Partnership for New Education to both promote charter schools and to provide technical assistance to charter schools. The Michigan Partnership immediately asked for, and received, permission to hire the entire staff of MCCS in order to run their charter school operation. In May of 1995, MCCS ceased to operate, as its mission and staff were absorbed by the Michigan Partnership for New Education.\u003c/p\u003e\n","\u003cp\u003e From its inception, TEACH Michigan knew that for real educational reform to take place from their point of view, the Michigan State Constitution (Article 8, sec. 2) would have to be revised. That provision restricted the use of public funds to government-operated schools only. With the constitution changed, TEACH Michigan hoped to secure passage of a voucher system so that parents might choose, and receive funding, for their child to attend a church-related school.\u003c/p\u003e\n","\u003cp\u003e In 2000, the TEACH Michigan organization was folded into a new organization, Partnership for Learning.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In 1989, Dr. Paul N. DeWeese, a physician then working in Detroit, became frustrated by what he perceived to be a lack of educational choice for his own children then about to begin school. With other like-minded individuals, DeWeese formed Michigan Citizens for Choice in Education (shortly to be renamed TEACH Michigan). Incorporated as a non-profit organization in 1991, TEACH Michigan was established to lobby for changes in the law regarding school choice. Associated with TEACH Michigan was a tax-exempt sister organization - TEACH Michigan Education Fund (TMEF) - which with license to solicit charitable contributions could engage in a variety of educational, research, and planning functions."," Under DeWeese's leadership, TEACH Michigan advocated fundamental changes in the state's educational system. The core of TEACH Michigan's philosophy of education was simply stated. Parents should be allowed to choose from competing systems of schools with funding for education following the student and not automatically being given to the government-supported school system. An ambitious agenda, TEACH Michigan realized the importance of educating the public and enlisting enough grassroots support for the necessary changes in state law and in the state constitution to be made. With the law changed, there would follow competition for the education dollar resulting in non-governmental sponsorship of K-12 schools by corporations, public or private universities, parent groups or churches, as well as by the government. No longer would there be a \"government monopoly\" school system. Instead, parents would receive financial support (or vouchers) for their children to attend the school of their choice."," Although his message never wavered, DeWeese was realistic enough to realize that \"full choice\" could only come incrementally, thus his advocacy of changes in state law to allow for the creation of charter schools. Charter schools are public schools that are custom-designed by groups of teachers, parents or outside individuals to meet particular education needs. Charter schools are part of the public school system, financed on a par with other schools in the district. But for charter schools to become a reality state law would have to be changed. In December 1993, with the passage of Senate bill no. 896 (signed by the governor in January 1994), Michigan adopted the most significant restructuring of public education since the development of single-function school districts in the early 20th century. The state authorized groups of certified teachers and community leaders to form individual charter schools (public school academies) \"that are to be treated like school districts\" for the purposes of state education law. These \"single-school school districts\" could be started anywhere in the state by one or more certified teachers, a county, city, village, township, school district, community college, or state public university. Each new school would develop its own governing board, and must describe its educational goals and the standards by which its performance will be measured. Each of these academies would receive a state school aid payment for its enrolled students."," Following the passage of 896, TMEF established a sister organization, the Michigan Center for Charter Schools (MCCS), whose purpose was to promote the development of charter schools. TMEF subsidized the operation of MCCS throughout its existence. MCCS was the only organization in the state early on that was disseminating timely and accurate information about charter schools. MCCS also helped several groups move through the process of establishing a charter school. By the end of 1995, more than 60 charter school had been established with an additional 120 schools seeking charters."," In November 1994, an Ingham County circuit court judge ruled the law unconstitutional. Although the groups authorized to grant charters were government entities, the judge ruled, the day-to-day operations of schools were largely in the hands of privately elected directors and thus not directly accountable to the public. With this decision, the charter schools that had been established were left without public funding. In some cases, the schools reverted to private school status relying on tuitions and corporate donations for their support. In other cases, the state legislature, many of whose members believed that the judge's ruling would be overturned on appeal, passed emergency legislation which addressed the judge's objection to the original legislation."," In 1995, the state Board of Education contracted with the Michigan Partnership for New Education to both promote charter schools and to provide technical assistance to charter schools. The Michigan Partnership immediately asked for, and received, permission to hire the entire staff of MCCS in order to run their charter school operation. In May of 1995, MCCS ceased to operate, as its mission and staff were absorbed by the Michigan Partnership for New Education."," From its inception, TEACH Michigan knew that for real educational reform to take place from their point of view, the Michigan State Constitution (Article 8, sec. 2) would have to be revised. That provision restricted the use of public funds to government-operated schools only. With the constitution changed, TEACH Michigan hoped to secure passage of a voucher system so that parents might choose, and receive funding, for their child to attend a church-related school."," In 2000, the TEACH Michigan organization was folded into a new organization, Partnership for Learning."],"prefercite_html_tesm":["\u003cp\u003eitem, folder title, box no., TEACH Michigan and TEACH Michigan Education Fund records, Bentley Historical Library, University of Michigan\u003c/p\u003e"],"prefercite_tesim":["item, folder title, box no., TEACH Michigan and TEACH Michigan Education Fund records, Bentley Historical Library, University of Michigan"],"scopecontent_html_tesm":["\u003cp\u003eThis record group consists of two separate groupings (or subgroups) of records: the combined files of TEACH Michigan and TEACH Michigan Education Fund covering the period of 1989 to 1995, and files of the charter school support group, Michigan Center for Charter Schools covering the years 1994-1995. Both organizations operated out of the same office in Lansing and included some of the same individuals as board members. The TM/TMEF files consist in great part of papers of Dr. Paul N. DeWeese, a principal founder of the organization. The MCCS files are largely papers of executive director Barbara Barrett as well as DeWeese. Together, the record group contains correspondence, policy statements, organizational and activity files, collected materials, sound and video materials, all relating to the efforts of the two organizations first to educate and lobby for changes in the law, and second to provide assistance and support in the establishment of charter schools. The records date from the inception of the organization to 1995. The subsequent records of TEACH Michigan remain with the organization.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This record group consists of two separate groupings (or subgroups) of records: the combined files of TEACH Michigan and TEACH Michigan Education Fund covering the period of 1989 to 1995, and files of the charter school support group, Michigan Center for Charter Schools covering the years 1994-1995. Both organizations operated out of the same office in Lansing and included some of the same individuals as board members. The TM/TMEF files consist in great part of papers of Dr. Paul N. DeWeese, a principal founder of the organization. The MCCS files are largely papers of executive director Barbara Barrett as well as DeWeese. Together, the record group contains correspondence, policy statements, organizational and activity files, collected materials, sound and video materials, all relating to the efforts of the two organizations first to educate and lobby for changes in the law, and second to provide assistance and support in the establishment of charter schools. The records date from the inception of the organization to 1995. The subsequent records of TEACH Michigan remain with the organization."],"userestrict_html_tesm":["\u003cp\u003eDonor(s) have not transferred any applicable copyright to the Regents of the University of Michigan. Patrons are responsible for determining the appropriate use or reuse of materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Donor(s) have not transferred any applicable copyright to the Regents of the University of Michigan. Patrons are responsible for determining the appropriate use or reuse of materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_85c28ec7f064d103fc6a1b17b4c73c99\"\u003eOrganization established in 1989 by Paul N. DeWeese and others to lobby for changes in state law and the state constitution to allow parents to choose between competing schools. The record group also contains records of the Michigan Center for Charter Schools, sister organization to TEACH Michigan, established to promote the development of charter schools in the state. The record group includes Informational materials detailing mission and goals of the TEACH Michigan organization; organizational files; topical files; correspondence; speeches and articles about school choice and the state charter school movement; and audio and video cassettes of TM presentations and appearances of Paul DeWeese on radio and television programs. Also included are the organizational records of the Michigan Center for Charter Schools.\u003c/abstract\u003e"],"abstract_tesim":["Organization established in 1989 by Paul N. DeWeese and others to lobby for changes in state law and the state constitution to allow parents to choose between competing schools. The record group also contains records of the Michigan Center for Charter Schools, sister organization to TEACH Michigan, established to promote the development of charter schools in the state. The record group includes Informational materials detailing mission and goals of the TEACH Michigan organization; organizational files; topical files; correspondence; speeches and articles about school choice and the state charter school movement; and audio and video cassettes of TM presentations and appearances of Paul DeWeese on radio and television programs. Also included are the organizational records of the Michigan Center for Charter Schools."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_4f9a3a50370f108b16342d0e56be5abb\"\u003eOffsite storage; prior notification required for access\u003c/physloc\u003e"],"physloc_tesim":["Offsite storage; prior notification required for access"],"names_coll_ssim":["Michigan Center for Charter Schools.","TEACH Michigan.","TEACH Michigan Education Fund.","TEACH Michigan.","Michigan Center for Charter Schools.","TEACH Michigan Education Fund.","DeWeese, Paul N.","DeWeese, Paul N.","DeWeese, Paul N."],"names_ssim":["Bentley Historical Library","TEACH Michigan.","Michigan Center for Charter Schools.","TEACH Michigan Education Fund.","DeWeese, Paul N."],"corpname_ssim":["Bentley Historical Library","TEACH Michigan.","Michigan Center for Charter Schools.","TEACH Michigan Education Fund."],"persname_ssim":["DeWeese, Paul N."],"language_ssim":["English","The materials are in  English."],"total_component_count_is":279,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"umich-bhl-014","timestamp":"2025-02-18T23:13:12.778Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/umich-bhl-014_aspace_cc86b3986361adf0d8150ab673c40433"}},{"id":"umich-wcl-G-tind-0083_al_0a940d669e06b3c8e122410369b89d2241975847","type":"File","attributes":{"title":"Funerals \u0026 Postmortem Photography","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/umich-wcl-G-tind-0083_al_0a940d669e06b3c8e122410369b89d2241975847#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"al_0a940d669e06b3c8e122410369b89d2241975847","ref_ssm":["al_0a940d669e06b3c8e122410369b89d2241975847","al_0a940d669e06b3c8e122410369b89d2241975847"],"id":"umich-wcl-G-tind-0083_al_0a940d669e06b3c8e122410369b89d2241975847","title_filing_ssi":"Funerals \u0026 Postmortem Photography","title_ssm":["Funerals \u0026 Postmortem Photography"],"title_tesim":["Funerals \u0026 Postmortem Photography"],"normalized_title_ssm":["Funerals \u0026 Postmortem Photography"],"text":["Funerals \u0026 Postmortem Photography","David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","David V. Tinder collection of Michigan photography, County File, Wayne County, Box 19"],"component_level_isim":[2],"parent_ssim":["umich-wcl-G-tind-0083","al_77f3f614e7ff9428c1440db158a7537dc25855f0"],"parent_ssi":"al_77f3f614e7ff9428c1440db158a7537dc25855f0","parent_ids_ssim":["umich-wcl-G-tind-0083","umich-wcl-G-tind-0083_al_77f3f614e7ff9428c1440db158a7537dc25855f0"],"parent_unittitles_ssm":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","David V. Tinder collection of Michigan photography, County File, Wayne County, Box 19"],"parent_unittitles_tesim":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","David V. Tinder collection of Michigan photography, County File, Wayne County, Box 19"],"parent_levels_ssm":["collection","Series"],"repository_ssim":["University of Michigan. William L. Clements Library"],"collection_ssim":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":364,"_nest_path_":"/components#18/components#11","_nest_parent_":"umich-wcl-G-tind-0083_al_77f3f614e7ff9428c1440db158a7537dc25855f0","_root_":"umich-wcl-G-tind-0083","timestamp":"2025-02-18T23:25:22.393Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"umich-wcl-G-tind-0083","title_ssm":["  David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","Tinder, David V., Collection of Michigan Photography, County File, Wayne County"],"title_tesim":["  David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","Tinder, David V., Collection of Michigan Photography, County File, Wayne County"],"ead_ssi":"umich-wcl-G-tind-0083","level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["wclgrfx000200"],"text":["wclgrfx000200","David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","David V. Tinder Collection of Michigan Photography.","Photographs shelf.","Actors--Michigan--1900-1910.","Actresses--Michigan--1890-1910.","African American businesspeople--Michigan.","African American children--Portraits--Michigan.","African American choirs--Michigan.","African American churches--Michigan.","African American freemasons--Michigan.","African American judges--Michigan.","African American musicians--Michigan.","African Americans--Societies, etc.--Michigan.","African American students--Michigan.","African American Sunday schools--Michigan.","Agricultural laborers--Michigan.","Airports--Michigan.","Aircraft--Michigan--1930-1940.","Aircraft industry--Michigan.","Air shows--Michigan.","Amateur theater--Michigan.","Amusement parks--Michigan.","Animals on television--Michigan.","Asbestos--Michigan.","Automobile factories--Michigan.","Automobile industry workers--Michigan.","Automobile rallies--Michigan.","Automobiles--Michigan.","Automobiles--Design and construction--Michigan.","Balls (Parties)--Michigan--1910-1920.","Bands (Music)--Michigan.","Banquets--Michigan--1920-1930.","Barbers--Michigan.","Barbershops--Michigan--1910-1920.","Bar mitzvah--Michigan.","Bars (Drinking establishments)--Michigan.","Baseball players--Michigan.","Basketball courts--Michigan.","Basketball players--Michigan.","Beauty shops--Michigan.","Beekeepers--Michigan.","Bicycles \u0026 tricycles--Michigan--1890-1930.","Bicycle stores--Michigan.","Blacksmiths--Michigan.","Blizzards--Michigan.","Boats and boating--Michigan.","Boycotts--Michigan.","Breweries--Michigan.","Breweries--Employees--Michigan.","Brick trade--Michigan.","Bridges--Michigan--Detroit.","Broom and brush industry--Michigan.","Building construction--Michigan--1910-1930.","Buses--Michigan--1930-1940.","Business organizations--Michigan.","Business Schools--Michigan.","Button industry--Michigan.","Cafeterias--Michigan.","Camping--Michigan.","Canoes and canoeing--Michigan.","Carts \u0026 wagons--Michigan--1890-1910","Casinos--Michigan.","Catholic schools--Michigan.","Cemeteries--Michigan.","Chauffeurs--Michigan.","Chemical industry--Michigan.","Children's costumes--Michigan.","Children's parties--Michigan--1890-1900.","Children--Michigan--Portraits.","Children's choirs--Michigan.","Church buildings--Michigan.","Cigar industry--Michigan.","Circus animals--Michigan.","Circus performers--Michigan.","City councils--Michigan--Hamtramck (Mich.)","City halls--Michigan.","Commercial photography--Michigan.","Concert programs--Michigan.","Confirmation--Catholic Church--Michigan.","Construction workers--Michigan.","Coopers and Cooperage--Michigan.","Couples--Michigan--Portraits.","Creameries--Michigan.","Cross-country runners--Michigan.","Curling--Michigan.","Dairying--Michigan.","Delivery of goods--Michigan.","Diving--Michigan--1890-1900.","Docks--Michigan.","Dredges--Michigan.","Drugstores--Michigan.","Dwellings--Michigan.","Engines--Michigan.","Entertainers--Michigan--1900-1910.","Ethnic costume--Romania.","Ethnic groups--Michigan.","Exhibitions--Michigan--1880-1890.","Explosions--Michigan.","Factories--Employees--Michigan.","Factories--Michigan.","Families--Michigan--Portraits.","Fire fighters--Michigan.","Florists--Michigan.","Flour mills--Michigan.","Flower arrangements--Michigan--1920-1940.","Football players--Michigan--1900-1910.","Fraternal organizations--Michigan","Funeral rites \u0026 ceremonies--Michigan--1910-1930","Gardens--Michigan--1900-1910.","Gas power plants--Michigan.","Graduation (School)","Grocery trade--Michigan.","Hardware stores--Michigan.","Hat trade--Michigan.","High school students--Michigan.","Horse-drawn rail cars--Michigan.","Horse racing--Michigan--1920-1930","Hospitals--Michigan--Detroit.","Hotels--Michigan--1870-1890.","Ice industry--Michigan.","Insurance companies--Michigan.","Inventors--Michigan","Jazz musicians--Michigan","Kitchen utensils--Michigan.","Laboratories--Michigan.","Lakes--Michigan.","Libraries--Michigan--Detroit.","Lighthouses--Michigan.","Locomotives--Michigan.","Luggage industry--Michigan.","Mausoleums--Michigan.","Mechanical musical instruments--Michigan.","Men--Michigan--Portraits.","Men--Societies  and clubs--Michigan.","Metalworking industries--Michigan.","Military bands--Michigan.","Motion pictures--Michigan--1930-1940.","Motorboat racing--Michigan.","Music stores--Michigan.","Musicians--Michigan.","Nightclubs--Michigan.","Nursing schools--Michigan.","Occupational training--Michigan.","Offices--Michigan--1910-1930.","Old age homes--Michigan.","Opticians--Michigan.","Paddle steamers--Michigan.","Parade floats--Michigan.","Parades--Michigan.","Parks--Michigan--Detroit.","Photography--Societies, etc--Michigan.","Picnics--Michigan.","Playgrounds--Michigan.","Police--Michigan--Detroit.","Police stations--Michigan.","Political parades \u0026 rallies--Michigan--1900-1920.","Portraits, group--Michigan.","Postmortem photography--Michigan.","Power-plants--Design and construction--Michigan.","Priests--Michigan.","Prisons--Michigan.","Public architecture--Michigan.","Radio broadcasting--Michigan.","Railroad stations--Michigan.","Railroad tunnels--Design and construction--Michigan.","Railroad tunnels--Michigan.","Railroads--Employees--Michigan.","Railroads--Michigan.","Residential architecture--Michigan.","Restaurants--Michigan--1920-1930.","Sailors--Michigan.","School children--Michigan.","School buildings--Michigan.","School plays--Michigan.","School yearbooks--Michigan.","Ships--Launching--Michigan.","Ships--Michigan.","Shoes--Repairing--Michigan.","Skyscrapers--Michigan--Detroit.","Soccer players--Michigan--1920-1930","Soldiers--Michigan.","Souvenirs (Keepsakes)--Michigan.","Spanish-American War, 1898--Veterans--Michigan.","Stables--Michigan.","Steamboats--Michigan.","Steel foundries--Michigan.","Stove industry and trade--Michigan.","Street lighting--Michigan.","Street-railroads--Michigan.","Streets--Michigan.","Strikes and lockouts--Automobile industry--Michigan.","String bands--Michigan.","Storefronts--Michigan.","Teeth--Radiography--Michigan.","Television programs--Michigan.","Theaters--Michigan--1910-1920.","Threshing machines--Michigan--1900-1910.","Tour buses--Michigan.","Traffic signs \u0026 signals---Michigan--1930-1950","Train ferries--Michigan.","Trucks--Michigan--1920-1940.","Variety stores--Michigan.","Vocational education--Michigan.","Water mills--Michigan.","Water towers--Michigan.","Waterworks--Michigan.","Weddings--Michigan.","Women automobile industry workers--Michigan.","Women field hockey players--Michigan.","Women figure skaters--Michigan.","Women--Employment--Michigan--1910-1940.","Women--Michigan--Portraits.","Women--Societies and clubs--Michigan.","World War 1914-1918--Michigan.","Clippings.","Cyanotypes.","Documents.","Ephemera.","Pamphlets.","Photocopies.","Photographic prints.","Photomechanical prints.","Postage stamps.","The city of Detroit and its vast metropolitan area has dominated the Wayne County area for centuries. Detroit was founded in 1701 as a French settlement with access to the Great Lakes and Canada and quickly became a strategic military post and trade center. It transferred to British control in 1760 during the Seven Years War and to United States governance in 1796. It became a chartered city in 1802, the capitol of the Michigan Territory in 1805, and Michigan’s first State Capital from 1837 to 1847. The city grew with an economy based largely on agriculture and trade in the early 19th century, becoming one of the nation’s prime manufacturing and cultural centers after the Civil War. Large industries based in the region included railroad equipment manufacturing, ship building, iron and steel production, stoves, pharmaceuticals, brewing, wagon making, and many others.","The industrial strength of Detroit created a large middle-class society as well as vast wealth. In turn, this affluence supported cultural advancement, education, and the arts. Commercial photography studios thrived in this environment. Many prize-winning portrait photographers were based in Detroit, as were those specializing in architecture, and the documentation of industry and commerce.","The diversity of industry of late 19th century Detroit gave way to automobile centered growth in the mid-20th century. The boom in wartime production during World War Two attracted workers from around the country and shifted the racial demographics of the city.","The collapse of manufacturing industries, the disappearance of public transportation, and massive population shifts to the suburbs were factors in the decline of Detroit in the mid to late 20th century.","Included in the Wayne County file of the David V. Tinder Collection of Michigan Photography are images of urban Detroit, people in their places of work, at home, at leisure, and participating in social activities and in fraternal and religious organizations. Numerous images show industrial manufacturing, urban transportation, and civic infrastructure. Activities related to entertainment, sports, parades, and the arts are well represented. The many portraits photographs include formal posed images, casual snapshots, workplace groups and fraternal organizations.","A vast majority of the photographs are the work of commercial photographers, with some amateurs. A significant number of photos were taken by Detroit News and Detroit Free Press photographers. Almost all the images present would be considered vernacular photos rather than fine art; however, many are carefully composed with strong aesthetic characteristics.","Although the photos have been largely sorted by subject, related materials may be present outside of the subject categories, i.e., images of transportation can also be found in the categories Architecture, Business and Commerce, Group Portraits, and in other sections outside of Transportation.","The bulk of the photos in this collection were taken in Detroit during the era of rapid population growth and industrial development around the turn of the century. The diversity of industry that appears in the late 19th century images can be seen giving way to automobile centered growth in the mid-20th century. Evidence of the rich residential lifestyles and multi-ethnic cultures of the Detroit area appear in many images.","At the fringe of the collection’s scope are images of the demolition of factories, the disappearance of public transportation, and racial unrest during the decline of Detroit in the mid to late 20th century.","It should be noted that while most of the collection are mounted and unmounted photographic prints, there are a few bound items as well as printed ephemera.","The collection has been organized into various categories by subject. The first group of photos is comprised of those that did not fit neatly under other categories. These include views of military encampments, disasters and firefighting, civic unrest, commercial product promotions, and other miscellaneous topics. Of particular note is a charming outdoor children’s party scene by amateur photographer Robert R. Oesterreich (no. 9); a double portrait montage by Tony Spina of John F. Kennedy and Robert F. Kennedy, both speaking at Campus Martius (no. 14); the high quality photomechanical prints of Detroit scenes and architecture in the  Detroit Illustrated.  (no. 16); and a collection of 28 miscellaneous nightclub souvenir photographs dating from the 1940s-1980s (no. 20). The rest of the material falls under the following categories:","Transportation: 243 photographs. Material is divided between the following sub-categories: Automobiles and Trucks (56 photographs), Aircraft (18 photographs), Railroads and Trains (58 photographs), Streetcars and Trolleys (20 photographs), Roads and Infrastructure (33 photographs), Wagons (20 photographs), Maritime (38 photographs).","Of note are a photograph of an African American couple posed with a new V-8 Ford (no. 71.3); construction photos of the Detroit River railroad tunnel (no. 95); Goebel’s Brewing Co. delivery wagons (no. 98); and a view of the steamboat  Tashmoo  at speed on the Detroit River (no. 110).","Performers: 107 photographs, most of which (113 photographs) are contained in the sub-category Music and Musicians. Of particular note are numerous photos of community brass bands, a photo of John Philip Sousa and his band at Grand Circus Park (no. 122); an image of the inventor Charles Crawford and his patented \"Pickaphone\" mechanism for playing stringed instruments, ca. 1888 (no. 123); and copy prints of two important early jazz bands, Finney’s Orchestra (no. 131) and McKinney’s Cotton Pickers (no. 132).","Portraits: 505 photographs. Material is divided into the following sub-categories: Individuals (172 photographs), Groups (133 photographs), Children (97 photographs), Weddings (64 photographs), Confirmation and Communion (41 photographs). Of particular interest are a photograph of Joan Baxter and her Hot Dog Cooker (no. 137); three 1860's portraits of members of the Hawley family of Detroit (no. 141), one of which is inscribed with enlargement instructions ca.1901 on its verso; and a portrait of politician and founder of the Republican Party Zachariah Chandler, taken by Benjamin Powelson ca. 1880 (no. 142).","Of the many notable images within the Groups category are an outstanding image of sixteen Packard Motor Car Company employees piled onto a 1911 Packard in front of the then new Packard factory on West Grand Blvd. (no. 144.9); a group of African American women engaged in a ceremonial burning of the mortgage of the Phyllis Wheatley Home for Aged Colored Ladies (no. 162); and a portrait of members of the Direct Credits Society, a Great Depression-era wealth redistribution movement founded by Alfred Lawson (no. 166).","Parades: 54 photographs. Many scenes of massive parades in Detroit. Of note is a series of photographs of women marching in a racially-integrated United Spanish War Veterans Parade, ca.1940 (no. 179); and a view of five young women in a florally decorated early automobile (no. 180.11).","Business \u0026 Commerce: 319 photographs. Where possible, material has been divided into the following sub-categories: Business Exteriors (52 photographs), Business Interiors (125 photographs), Construction (22 photographs), Ford Motor Company (19 photographs). Of note is an image of a group of brewers tapping a keg at the Marx Brewing Co. (no. 186.1); Candler Dock \u0026 Dredge Co. workers and surveyors building a dock, taken by the Manning Bros. ca 1920s (no. 192); women rolling cigars at the R.G. Dunn factory, 1909 (no. 204); workers fabricating automobile bodies at the Briggs Manufacturing Co. ca. 1910s (no. 206);interior view of the Burroughs Adding Machine factory (no 209.11); the Penobscot Building construction in three stages ca 1928 (no. 217); and two fold-out panoramic photos of the Ford complex at River Rouge taken by Otto Rotch in 1925 (no. 218).","Views: 86 photographs. Material is divided into Street Views (28 photographs), Residential Views (51 photographs), and Aerial Views (7 photographs).","Architecture: 69 photographs. Of particular note is a charming view of a small inn at Springwells, Mich., the International Exposition House ca. 1889 (no. 235); an 1870's print of the large Russell House Hotel in Detroit (no. 238); and a panoramic view of downtown Detroit at its peak, taken by the Murray Studio in the 1920s (no. 240.18).","Labor \u0026 Unemployment: 8 photographs primarily focused on unemployment during the Great Depression. Of note is a group photo of the striking Journeyman Bakers International Union in 1902 (no. 248).","Athletes \u0026 Athletics: 58 photographs. Of particular note are a copy-print of a 1910 Detroit Tigers team photo featuring Hall of Famer Ty Cobb (no. 261); a series of 3 group photographs of an early soccer team, Michigan Alkali F.C. in 1923 (no. 265); Wyandotte baseball teams (no. 266);. The Slocum’s Island baseball champions of 1882 (no. 272.4); and a 1943 curling team (no. 273).","Classrooms \u0026 Schools: 38 photographs. Of particular interest are a student group in front of a one-room schoolhouse at Cherry Hill in 1934 (no. 280.11); a kindergarten band at Clippert School taken by the Manning Bros. (no. 280.20); and a ca.1936 Lincoln Park High School album with personal snapshots and autographs of classmates (no. 279).","Places of Worship \u0026 Religious Activities: 43 photographs. One of several images related to African American church congregations shows members of an A.M.E. church dressed in \"traditional\" African garb ca.1920-1930 (no. 284).","Parks: 112 photographs. Of particular focus is Belle Isle (approx. 50 photographs) and Waterworks Park. A series of Belle Isle views taken in 1889 by Holcombe \u0026 Metzen is particularly picturesque (no. 297.1-9).","Funerals \u0026 Postmortem Photography: 14 photographs. These photographs date from the 1910s-1930s and are mostly photographs of open caskets surrounded by the deceased's family.","The collection contains photographs of Wayne County, Michigan. Included are numerous urban scenes and images of everyday life, primarily in the Metropolitan Detroit area between 1860 and the mid-20th century. The bulk of the photographs were taken between 1890 and 1930. A very wide range of topics is represented, among them commercial and residential architecture, urban infrastructure, public and private spaces, civic and domestic activities, individual and group portraits, and events from across the social spectrum.","William L. Clements Library , University of Michigan","American Red Cross.","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America.","BASF Wyandotte Corporation.","Cartercar Co.","Catholic Church--Clergy--Michigan.","Detroit College of Medicine.","Detroit Institute of Arts.","Detroit Museum of Art.","Detroit Opera House.","Detroit Red Wings (Hockey team)","Detroit Symphony Orchestra.","Detroit, Toledo and Ironton Railroad.","Dodge Brothers.","Ford Motor Company.","Ford Motor Company--Employees.","Ford Motor Company. Rouge River Plant.","Ford Rotunda (Dearborn, Mich.)","General Motors Corporation.","Henry Ford Museum and Greenfield Village.","Hudson's (Department store)","International Union, United Automobile Workers of America (CIO)","Journeymen Bakers National Union of the United States.","Knights of Pythias.","Knights Templar (Masonic order)","Michigan Central Railroad Company.","Michigan. National Guard.","Michigan Stove Company.","Tiger Stadium (Detroit, Mich.)","United States. Army--Recruiting, enlistment, etc.--Michigan.","United States. Army. Reserve Officers' Training Corps.","YMCA of the USA.","Young Women's Christian Association.","Agdan Photographic.","Alliance Commercial Photo Co.","Alvord \u0026 Co.","American Commercial Photo Co.","Arthur Studio.","Babas Studio.","Baker Art Studio.","Baker Studio.","Ballaun Studio.","Bonish Studio.","Brown \u0026 Co.","Charles Hopp \u0026 Co.","Club Photos Inc.","Commercial Photo Service Co.","Cousins Art Studio.","Davison Photo Studio.","Deluxe Theatrical Studio.","Detroit Edison Co.","Detroit News Staff.","Fotografia Italiana (G. Lanni \u0026 Co.)","General Motors Photographic Section.","Harbican Studio.","Hoffman Studio.","Holcombe \u0026 Metzen.","Holgate Studio.","Huntington \u0026 Clark.","Litynski-Jakubowski Co.","MacGregor and Company.","Manning Bros.","Metropolitan Art Studio.","Modernistic Photo Studio.","New Chene Studio.","P. Pieronek Studio.","Rembrandt Studios.","Rentschler's Studio.","Smart Set Studio.","Smith Brothers Commerical Photographers.","Spencer \u0026 Wyckoff.","Spooner \u0026 Wells, Inc.","Tiffany Photographic Studio.","Ziawinski Bros.","Tinder, David V.","Grant, Ulysses S. (Ulysses Simpson), 1822-1885--Homes and haunts.","Kennedy, John F. (John Fitzgerald), 1917-1963.","Kennedy, Robert F., 1925-1968.","Robeson, Paul, 1898-1976.","Sousa, John Philip, 1854-1932.","Arthur, Edward J.","Baker, Chas. R.","Ball, Lyman L.","Baron, Herman.","Blanchard, Issac H.","Bleibel, Gustav.","Bowles, Esther A., Mrs.","Burose, Herman.","Cheff, Edmund Archael.","Craine, Benjamin H.","Hayes, Clarence Messenger.","Hediger, James D.","Hillmer, Davis B.","Hoffman, Clarence L.","Howie, George William.","Hughes, John Wesley.","Jackson, Harvey C.","James, Langford P.","Jones, J. F.","Lazarnick, Nathan.","Litynski, Walter E.","Mazur, Anthony","McMichael, A.G.","Merz, Charles J.","Mirecki, Albert J.","Phelps, C.A. (New Castle, IN)","Pipp, Frank H.","Poli, Faustino G.","Pollard, C.H.","Rentschler, Andrew.","Rochowiak, Stanley A.","Rotch, Otto.","Salter, Al.","Sowinski, Joseph.","Spellman, Delmar Driscoe.","Stone, Frank H.","Tomlinson, Frank N.","Wiederhold, John A.","Wright, Fred G.","Ziawinski, Felix.","Ziawinski, Joseph.","The material is in  English ."],"unitid_tesim":["wclgrfx000200"],"normalized_title_ssm":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985"],"collection_title_tesim":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985"],"collection_ssim":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985"],"repository_ssm":["University of Michigan. William L. Clements Library"],"repository_ssim":["University of Michigan. William L. Clements Library"],"creator_ssm":["Tinder, David V."],"creator_ssim":["Tinder, David V."],"creator_persname_ssim":["Tinder, David V."],"creators_ssim":["Tinder, David V."],"acqinfo_ssim":["F-832, F-860, F-861, F-891, F-892, F-893, F-898, F-909, F-911, F-914, F-922, F-938, F-940, F-945, F-961, F-980, F-987, F-1004, F-1005, F-1014,  F-1017, F-1027, F-1028, F-1033, F-1054, F-1066, F-1067, F-1074, F-1076, F-1077, F-1113, F-1114 ."],"access_subjects_ssim":["David V. Tinder Collection of Michigan Photography.","Photographs shelf.","Actors--Michigan--1900-1910.","Actresses--Michigan--1890-1910.","African American businesspeople--Michigan.","African American children--Portraits--Michigan.","African American choirs--Michigan.","African American churches--Michigan.","African American freemasons--Michigan.","African American judges--Michigan.","African American musicians--Michigan.","African Americans--Societies, etc.--Michigan.","African American students--Michigan.","African American Sunday schools--Michigan.","Agricultural laborers--Michigan.","Airports--Michigan.","Aircraft--Michigan--1930-1940.","Aircraft industry--Michigan.","Air shows--Michigan.","Amateur theater--Michigan.","Amusement parks--Michigan.","Animals on television--Michigan.","Asbestos--Michigan.","Automobile factories--Michigan.","Automobile industry workers--Michigan.","Automobile rallies--Michigan.","Automobiles--Michigan.","Automobiles--Design and construction--Michigan.","Balls (Parties)--Michigan--1910-1920.","Bands (Music)--Michigan.","Banquets--Michigan--1920-1930.","Barbers--Michigan.","Barbershops--Michigan--1910-1920.","Bar mitzvah--Michigan.","Bars (Drinking establishments)--Michigan.","Baseball players--Michigan.","Basketball courts--Michigan.","Basketball players--Michigan.","Beauty shops--Michigan.","Beekeepers--Michigan.","Bicycles \u0026 tricycles--Michigan--1890-1930.","Bicycle stores--Michigan.","Blacksmiths--Michigan.","Blizzards--Michigan.","Boats and boating--Michigan.","Boycotts--Michigan.","Breweries--Michigan.","Breweries--Employees--Michigan.","Brick trade--Michigan.","Bridges--Michigan--Detroit.","Broom and brush industry--Michigan.","Building construction--Michigan--1910-1930.","Buses--Michigan--1930-1940.","Business organizations--Michigan.","Business Schools--Michigan.","Button industry--Michigan.","Cafeterias--Michigan.","Camping--Michigan.","Canoes and canoeing--Michigan.","Carts \u0026 wagons--Michigan--1890-1910","Casinos--Michigan.","Catholic schools--Michigan.","Cemeteries--Michigan.","Chauffeurs--Michigan.","Chemical industry--Michigan.","Children's costumes--Michigan.","Children's parties--Michigan--1890-1900.","Children--Michigan--Portraits.","Children's choirs--Michigan.","Church buildings--Michigan.","Cigar industry--Michigan.","Circus animals--Michigan.","Circus performers--Michigan.","City councils--Michigan--Hamtramck (Mich.)","City halls--Michigan.","Commercial photography--Michigan.","Concert programs--Michigan.","Confirmation--Catholic Church--Michigan.","Construction workers--Michigan.","Coopers and Cooperage--Michigan.","Couples--Michigan--Portraits.","Creameries--Michigan.","Cross-country runners--Michigan.","Curling--Michigan.","Dairying--Michigan.","Delivery of goods--Michigan.","Diving--Michigan--1890-1900.","Docks--Michigan.","Dredges--Michigan.","Drugstores--Michigan.","Dwellings--Michigan.","Engines--Michigan.","Entertainers--Michigan--1900-1910.","Ethnic costume--Romania.","Ethnic groups--Michigan.","Exhibitions--Michigan--1880-1890.","Explosions--Michigan.","Factories--Employees--Michigan.","Factories--Michigan.","Families--Michigan--Portraits.","Fire fighters--Michigan.","Florists--Michigan.","Flour mills--Michigan.","Flower arrangements--Michigan--1920-1940.","Football players--Michigan--1900-1910.","Fraternal organizations--Michigan","Funeral rites \u0026 ceremonies--Michigan--1910-1930","Gardens--Michigan--1900-1910.","Gas power plants--Michigan.","Graduation (School)","Grocery trade--Michigan.","Hardware stores--Michigan.","Hat trade--Michigan.","High school students--Michigan.","Horse-drawn rail cars--Michigan.","Horse racing--Michigan--1920-1930","Hospitals--Michigan--Detroit.","Hotels--Michigan--1870-1890.","Ice industry--Michigan.","Insurance companies--Michigan.","Inventors--Michigan","Jazz musicians--Michigan","Kitchen utensils--Michigan.","Laboratories--Michigan.","Lakes--Michigan.","Libraries--Michigan--Detroit.","Lighthouses--Michigan.","Locomotives--Michigan.","Luggage industry--Michigan.","Mausoleums--Michigan.","Mechanical musical instruments--Michigan.","Men--Michigan--Portraits.","Men--Societies  and clubs--Michigan.","Metalworking industries--Michigan.","Military bands--Michigan.","Motion pictures--Michigan--1930-1940.","Motorboat racing--Michigan.","Music stores--Michigan.","Musicians--Michigan.","Nightclubs--Michigan.","Nursing schools--Michigan.","Occupational training--Michigan.","Offices--Michigan--1910-1930.","Old age homes--Michigan.","Opticians--Michigan.","Paddle steamers--Michigan.","Parade floats--Michigan.","Parades--Michigan.","Parks--Michigan--Detroit.","Photography--Societies, etc--Michigan.","Picnics--Michigan.","Playgrounds--Michigan.","Police--Michigan--Detroit.","Police stations--Michigan.","Political parades \u0026 rallies--Michigan--1900-1920.","Portraits, group--Michigan.","Postmortem photography--Michigan.","Power-plants--Design and construction--Michigan.","Priests--Michigan.","Prisons--Michigan.","Public architecture--Michigan.","Radio broadcasting--Michigan.","Railroad stations--Michigan.","Railroad tunnels--Design and construction--Michigan.","Railroad tunnels--Michigan.","Railroads--Employees--Michigan.","Railroads--Michigan.","Residential architecture--Michigan.","Restaurants--Michigan--1920-1930.","Sailors--Michigan.","School children--Michigan.","School buildings--Michigan.","School plays--Michigan.","School yearbooks--Michigan.","Ships--Launching--Michigan.","Ships--Michigan.","Shoes--Repairing--Michigan.","Skyscrapers--Michigan--Detroit.","Soccer players--Michigan--1920-1930","Soldiers--Michigan.","Souvenirs (Keepsakes)--Michigan.","Spanish-American War, 1898--Veterans--Michigan.","Stables--Michigan.","Steamboats--Michigan.","Steel foundries--Michigan.","Stove industry and trade--Michigan.","Street lighting--Michigan.","Street-railroads--Michigan.","Streets--Michigan.","Strikes and lockouts--Automobile industry--Michigan.","String bands--Michigan.","Storefronts--Michigan.","Teeth--Radiography--Michigan.","Television programs--Michigan.","Theaters--Michigan--1910-1920.","Threshing machines--Michigan--1900-1910.","Tour buses--Michigan.","Traffic signs \u0026 signals---Michigan--1930-1950","Train ferries--Michigan.","Trucks--Michigan--1920-1940.","Variety stores--Michigan.","Vocational education--Michigan.","Water mills--Michigan.","Water towers--Michigan.","Waterworks--Michigan.","Weddings--Michigan.","Women automobile industry workers--Michigan.","Women field hockey players--Michigan.","Women figure skaters--Michigan.","Women--Employment--Michigan--1910-1940.","Women--Michigan--Portraits.","Women--Societies and clubs--Michigan.","World War 1914-1918--Michigan.","Clippings.","Cyanotypes.","Documents.","Ephemera.","Pamphlets.","Photocopies.","Photographic prints.","Photomechanical prints.","Postage stamps."],"access_subjects_ssm":["David V. Tinder Collection of Michigan Photography.","Photographs shelf.","Actors--Michigan--1900-1910.","Actresses--Michigan--1890-1910.","African American businesspeople--Michigan.","African American children--Portraits--Michigan.","African American choirs--Michigan.","African American churches--Michigan.","African American freemasons--Michigan.","African American judges--Michigan.","African American musicians--Michigan.","African Americans--Societies, etc.--Michigan.","African American students--Michigan.","African American Sunday schools--Michigan.","Agricultural laborers--Michigan.","Airports--Michigan.","Aircraft--Michigan--1930-1940.","Aircraft industry--Michigan.","Air shows--Michigan.","Amateur theater--Michigan.","Amusement parks--Michigan.","Animals on television--Michigan.","Asbestos--Michigan.","Automobile factories--Michigan.","Automobile industry workers--Michigan.","Automobile rallies--Michigan.","Automobiles--Michigan.","Automobiles--Design and construction--Michigan.","Balls (Parties)--Michigan--1910-1920.","Bands (Music)--Michigan.","Banquets--Michigan--1920-1930.","Barbers--Michigan.","Barbershops--Michigan--1910-1920.","Bar mitzvah--Michigan.","Bars (Drinking establishments)--Michigan.","Baseball players--Michigan.","Basketball courts--Michigan.","Basketball players--Michigan.","Beauty shops--Michigan.","Beekeepers--Michigan.","Bicycles \u0026 tricycles--Michigan--1890-1930.","Bicycle stores--Michigan.","Blacksmiths--Michigan.","Blizzards--Michigan.","Boats and boating--Michigan.","Boycotts--Michigan.","Breweries--Michigan.","Breweries--Employees--Michigan.","Brick trade--Michigan.","Bridges--Michigan--Detroit.","Broom and brush industry--Michigan.","Building construction--Michigan--1910-1930.","Buses--Michigan--1930-1940.","Business organizations--Michigan.","Business Schools--Michigan.","Button industry--Michigan.","Cafeterias--Michigan.","Camping--Michigan.","Canoes and canoeing--Michigan.","Carts \u0026 wagons--Michigan--1890-1910","Casinos--Michigan.","Catholic schools--Michigan.","Cemeteries--Michigan.","Chauffeurs--Michigan.","Chemical industry--Michigan.","Children's costumes--Michigan.","Children's parties--Michigan--1890-1900.","Children--Michigan--Portraits.","Children's choirs--Michigan.","Church buildings--Michigan.","Cigar industry--Michigan.","Circus animals--Michigan.","Circus performers--Michigan.","City councils--Michigan--Hamtramck (Mich.)","City halls--Michigan.","Commercial photography--Michigan.","Concert programs--Michigan.","Confirmation--Catholic Church--Michigan.","Construction workers--Michigan.","Coopers and Cooperage--Michigan.","Couples--Michigan--Portraits.","Creameries--Michigan.","Cross-country runners--Michigan.","Curling--Michigan.","Dairying--Michigan.","Delivery of goods--Michigan.","Diving--Michigan--1890-1900.","Docks--Michigan.","Dredges--Michigan.","Drugstores--Michigan.","Dwellings--Michigan.","Engines--Michigan.","Entertainers--Michigan--1900-1910.","Ethnic costume--Romania.","Ethnic groups--Michigan.","Exhibitions--Michigan--1880-1890.","Explosions--Michigan.","Factories--Employees--Michigan.","Factories--Michigan.","Families--Michigan--Portraits.","Fire fighters--Michigan.","Florists--Michigan.","Flour mills--Michigan.","Flower arrangements--Michigan--1920-1940.","Football players--Michigan--1900-1910.","Fraternal organizations--Michigan","Funeral rites \u0026 ceremonies--Michigan--1910-1930","Gardens--Michigan--1900-1910.","Gas power plants--Michigan.","Graduation (School)","Grocery trade--Michigan.","Hardware stores--Michigan.","Hat trade--Michigan.","High school students--Michigan.","Horse-drawn rail cars--Michigan.","Horse racing--Michigan--1920-1930","Hospitals--Michigan--Detroit.","Hotels--Michigan--1870-1890.","Ice industry--Michigan.","Insurance companies--Michigan.","Inventors--Michigan","Jazz musicians--Michigan","Kitchen utensils--Michigan.","Laboratories--Michigan.","Lakes--Michigan.","Libraries--Michigan--Detroit.","Lighthouses--Michigan.","Locomotives--Michigan.","Luggage industry--Michigan.","Mausoleums--Michigan.","Mechanical musical instruments--Michigan.","Men--Michigan--Portraits.","Men--Societies  and clubs--Michigan.","Metalworking industries--Michigan.","Military bands--Michigan.","Motion pictures--Michigan--1930-1940.","Motorboat racing--Michigan.","Music stores--Michigan.","Musicians--Michigan.","Nightclubs--Michigan.","Nursing schools--Michigan.","Occupational training--Michigan.","Offices--Michigan--1910-1930.","Old age homes--Michigan.","Opticians--Michigan.","Paddle steamers--Michigan.","Parade floats--Michigan.","Parades--Michigan.","Parks--Michigan--Detroit.","Photography--Societies, etc--Michigan.","Picnics--Michigan.","Playgrounds--Michigan.","Police--Michigan--Detroit.","Police stations--Michigan.","Political parades \u0026 rallies--Michigan--1900-1920.","Portraits, group--Michigan.","Postmortem photography--Michigan.","Power-plants--Design and construction--Michigan.","Priests--Michigan.","Prisons--Michigan.","Public architecture--Michigan.","Radio broadcasting--Michigan.","Railroad stations--Michigan.","Railroad tunnels--Design and construction--Michigan.","Railroad tunnels--Michigan.","Railroads--Employees--Michigan.","Railroads--Michigan.","Residential architecture--Michigan.","Restaurants--Michigan--1920-1930.","Sailors--Michigan.","School children--Michigan.","School buildings--Michigan.","School plays--Michigan.","School yearbooks--Michigan.","Ships--Launching--Michigan.","Ships--Michigan.","Shoes--Repairing--Michigan.","Skyscrapers--Michigan--Detroit.","Soccer players--Michigan--1920-1930","Soldiers--Michigan.","Souvenirs (Keepsakes)--Michigan.","Spanish-American War, 1898--Veterans--Michigan.","Stables--Michigan.","Steamboats--Michigan.","Steel foundries--Michigan.","Stove industry and trade--Michigan.","Street lighting--Michigan.","Street-railroads--Michigan.","Streets--Michigan.","Strikes and lockouts--Automobile industry--Michigan.","String bands--Michigan.","Storefronts--Michigan.","Teeth--Radiography--Michigan.","Television programs--Michigan.","Theaters--Michigan--1910-1920.","Threshing machines--Michigan--1900-1910.","Tour buses--Michigan.","Traffic signs \u0026 signals---Michigan--1930-1950","Train ferries--Michigan.","Trucks--Michigan--1920-1940.","Variety stores--Michigan.","Vocational education--Michigan.","Water mills--Michigan.","Water towers--Michigan.","Waterworks--Michigan.","Weddings--Michigan.","Women automobile industry workers--Michigan.","Women field hockey players--Michigan.","Women figure skaters--Michigan.","Women--Employment--Michigan--1910-1940.","Women--Michigan--Portraits.","Women--Societies and clubs--Michigan.","World War 1914-1918--Michigan.","Clippings.","Cyanotypes.","Documents.","Ephemera.","Pamphlets.","Photocopies.","Photographic prints.","Photomechanical prints.","Postage stamps."],"has_online_content_ssim":["true"],"extent_ssm":["1,937 photographs, 16 real photo stamps, 6 booklets, 101 pages, clippings and ephemera"],"extent_tesim":["1,937 photographs, 16 real photo stamps, 6 booklets, 101 pages, clippings and ephemera"],"bioghist_html_tesm":["\u003cp\u003eThe city of Detroit and its vast metropolitan area has dominated the Wayne County area for centuries. Detroit was founded in 1701 as a French settlement with access to the Great Lakes and Canada and quickly became a strategic military post and trade center. It transferred to British control in 1760 during the Seven Years War and to United States governance in 1796. It became a chartered city in 1802, the capitol of the Michigan Territory in 1805, and Michigan’s first State Capital from 1837 to 1847. The city grew with an economy based largely on agriculture and trade in the early 19th century, becoming one of the nation’s prime manufacturing and cultural centers after the Civil War. Large industries based in the region included railroad equipment manufacturing, ship building, iron and steel production, stoves, pharmaceuticals, brewing, wagon making, and many others.\u003c/p\u003e","\u003cp\u003eThe industrial strength of Detroit created a large middle-class society as well as vast wealth. In turn, this affluence supported cultural advancement, education, and the arts. Commercial photography studios thrived in this environment. Many prize-winning portrait photographers were based in Detroit, as were those specializing in architecture, and the documentation of industry and commerce.\u003c/p\u003e","\u003cp\u003eThe diversity of industry of late 19th century Detroit gave way to automobile centered growth in the mid-20th century. The boom in wartime production during World War Two attracted workers from around the country and shifted the racial demographics of the city.\u003c/p\u003e","\u003cp\u003eThe collapse of manufacturing industries, the disappearance of public transportation, and massive population shifts to the suburbs were factors in the decline of Detroit in the mid to late 20th century.\u003c/p\u003e"],"bioghist_heading_ssm":["History"],"bioghist_tesim":["The city of Detroit and its vast metropolitan area has dominated the Wayne County area for centuries. Detroit was founded in 1701 as a French settlement with access to the Great Lakes and Canada and quickly became a strategic military post and trade center. It transferred to British control in 1760 during the Seven Years War and to United States governance in 1796. It became a chartered city in 1802, the capitol of the Michigan Territory in 1805, and Michigan’s first State Capital from 1837 to 1847. The city grew with an economy based largely on agriculture and trade in the early 19th century, becoming one of the nation’s prime manufacturing and cultural centers after the Civil War. Large industries based in the region included railroad equipment manufacturing, ship building, iron and steel production, stoves, pharmaceuticals, brewing, wagon making, and many others.","The industrial strength of Detroit created a large middle-class society as well as vast wealth. In turn, this affluence supported cultural advancement, education, and the arts. Commercial photography studios thrived in this environment. Many prize-winning portrait photographers were based in Detroit, as were those specializing in architecture, and the documentation of industry and commerce.","The diversity of industry of late 19th century Detroit gave way to automobile centered growth in the mid-20th century. The boom in wartime production during World War Two attracted workers from around the country and shifted the racial demographics of the city.","The collapse of manufacturing industries, the disappearance of public transportation, and massive population shifts to the suburbs were factors in the decline of Detroit in the mid to late 20th century."],"scopecontent_html_tesm":["\u003cp\u003eIncluded in the Wayne County file of the David V. Tinder Collection of Michigan Photography are images of urban Detroit, people in their places of work, at home, at leisure, and participating in social activities and in fraternal and religious organizations. Numerous images show industrial manufacturing, urban transportation, and civic infrastructure. Activities related to entertainment, sports, parades, and the arts are well represented. The many portraits photographs include formal posed images, casual snapshots, workplace groups and fraternal organizations.\u003c/p\u003e","\u003cp\u003eA vast majority of the photographs are the work of commercial photographers, with some amateurs. A significant number of photos were taken by Detroit News and Detroit Free Press photographers. Almost all the images present would be considered vernacular photos rather than fine art; however, many are carefully composed with strong aesthetic characteristics.\u003c/p\u003e","\u003cp\u003eAlthough the photos have been largely sorted by subject, related materials may be present outside of the subject categories, i.e., images of transportation can also be found in the categories Architecture, Business and Commerce, Group Portraits, and in other sections outside of Transportation.\u003c/p\u003e","\u003cp\u003eThe bulk of the photos in this collection were taken in Detroit during the era of rapid population growth and industrial development around the turn of the century. The diversity of industry that appears in the late 19th century images can be seen giving way to automobile centered growth in the mid-20th century. Evidence of the rich residential lifestyles and multi-ethnic cultures of the Detroit area appear in many images.\u003c/p\u003e","\u003cp\u003eAt the fringe of the collection’s scope are images of the demolition of factories, the disappearance of public transportation, and racial unrest during the decline of Detroit in the mid to late 20th century.\u003c/p\u003e","\u003cp\u003eIt should be noted that while most of the collection are mounted and unmounted photographic prints, there are a few bound items as well as printed ephemera.\u003c/p\u003e","\u003cp\u003eThe collection has been organized into various categories by subject. The first group of photos is comprised of those that did not fit neatly under other categories. These include views of military encampments, disasters and firefighting, civic unrest, commercial product promotions, and other miscellaneous topics. Of particular note is a charming outdoor children’s party scene by amateur photographer Robert R. Oesterreich (no. 9); a double portrait montage by Tony Spina of John F. Kennedy and Robert F. Kennedy, both speaking at Campus Martius (no. 14); the high quality photomechanical prints of Detroit scenes and architecture in the \u003cemph render=\"italic\"\u003eDetroit Illustrated.\u003c/emph\u003e (no. 16); and a collection of 28 miscellaneous nightclub souvenir photographs dating from the 1940s-1980s (no. 20). The rest of the material falls under the following categories:\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eTransportation:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e243 photographs. Material is divided between the following sub-categories: Automobiles and Trucks (56 photographs), Aircraft (18 photographs), Railroads and Trains (58 photographs), Streetcars and Trolleys (20 photographs), Roads and Infrastructure (33 photographs), Wagons (20 photographs), Maritime (38 photographs).\u003c/p\u003e","\u003cp\u003eOf note are a photograph of an African American couple posed with a new V-8 Ford (no. 71.3); construction photos of the Detroit River railroad tunnel (no. 95); Goebel’s Brewing Co. delivery wagons (no. 98); and a view of the steamboat \u003cemph render=\"italic\"\u003eTashmoo\u003c/emph\u003e at speed on the Detroit River (no. 110).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003ePerformers:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e107 photographs, most of which (113 photographs) are contained in the sub-category Music and Musicians. Of particular note are numerous photos of community brass bands, a photo of John Philip Sousa and his band at Grand Circus Park (no. 122); an image of the inventor Charles Crawford and his patented \"Pickaphone\" mechanism for playing stringed instruments, ca. 1888 (no. 123); and copy prints of two important early jazz bands, Finney’s Orchestra (no. 131) and McKinney’s Cotton Pickers (no. 132).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003ePortraits:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e505 photographs. Material is divided into the following sub-categories: Individuals (172 photographs), Groups (133 photographs), Children (97 photographs), Weddings (64 photographs), Confirmation and Communion (41 photographs). Of particular interest are a photograph of Joan Baxter and her Hot Dog Cooker (no. 137); three 1860's portraits of members of the Hawley family of Detroit (no. 141), one of which is inscribed with enlargement instructions ca.1901 on its verso; and a portrait of politician and founder of the Republican Party Zachariah Chandler, taken by Benjamin Powelson ca. 1880 (no. 142).\u003c/p\u003e","\u003cp\u003eOf the many notable images within the Groups category are an outstanding image of sixteen Packard Motor Car Company employees piled onto a 1911 Packard in front of the then new Packard factory on West Grand Blvd. (no. 144.9); a group of African American women engaged in a ceremonial burning of the mortgage of the Phyllis Wheatley Home for Aged Colored Ladies (no. 162); and a portrait of members of the Direct Credits Society, a Great Depression-era wealth redistribution movement founded by Alfred Lawson (no. 166).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eParades:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e54 photographs. Many scenes of massive parades in Detroit. Of note is a series of photographs of women marching in a racially-integrated United Spanish War Veterans Parade, ca.1940 (no. 179); and a view of five young women in a florally decorated early automobile (no. 180.11).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eBusiness \u0026amp; Commerce:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e319 photographs. Where possible, material has been divided into the following sub-categories: Business Exteriors (52 photographs), Business Interiors (125 photographs), Construction (22 photographs), Ford Motor Company (19 photographs). Of note is an image of a group of brewers tapping a keg at the Marx Brewing Co. (no. 186.1); Candler Dock \u0026amp; Dredge Co. workers and surveyors building a dock, taken by the Manning Bros. ca 1920s (no. 192); women rolling cigars at the R.G. Dunn factory, 1909 (no. 204); workers fabricating automobile bodies at the Briggs Manufacturing Co. ca. 1910s (no. 206);interior view of the Burroughs Adding Machine factory (no 209.11); the Penobscot Building construction in three stages ca 1928 (no. 217); and two fold-out panoramic photos of the Ford complex at River Rouge taken by Otto Rotch in 1925 (no. 218).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eViews:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e86 photographs. Material is divided into Street Views (28 photographs), Residential Views (51 photographs), and Aerial Views (7 photographs).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eArchitecture:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e69 photographs. Of particular note is a charming view of a small inn at Springwells, Mich., the International Exposition House ca. 1889 (no. 235); an 1870's print of the large Russell House Hotel in Detroit (no. 238); and a panoramic view of downtown Detroit at its peak, taken by the Murray Studio in the 1920s (no. 240.18).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eLabor \u0026amp; Unemployment:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e8 photographs primarily focused on unemployment during the Great Depression. Of note is a group photo of the striking Journeyman Bakers International Union in 1902 (no. 248).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eAthletes \u0026amp; Athletics:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e58 photographs. Of particular note are a copy-print of a 1910 Detroit Tigers team photo featuring Hall of Famer Ty Cobb (no. 261); a series of 3 group photographs of an early soccer team, Michigan Alkali F.C. in 1923 (no. 265); Wyandotte baseball teams (no. 266);. The Slocum’s Island baseball champions of 1882 (no. 272.4); and a 1943 curling team (no. 273).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eClassrooms \u0026amp; Schools:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e38 photographs. Of particular interest are a student group in front of a one-room schoolhouse at Cherry Hill in 1934 (no. 280.11); a kindergarten band at Clippert School taken by the Manning Bros. (no. 280.20); and a ca.1936 Lincoln Park High School album with personal snapshots and autographs of classmates (no. 279).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003ePlaces of Worship \u0026amp; Religious Activities:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e43 photographs. One of several images related to African American church congregations shows members of an A.M.E. church dressed in \"traditional\" African garb ca.1920-1930 (no. 284).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eParks:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e112 photographs. Of particular focus is Belle Isle (approx. 50 photographs) and Waterworks Park. A series of Belle Isle views taken in 1889 by Holcombe \u0026amp; Metzen is particularly picturesque (no. 297.1-9).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eFunerals \u0026amp; Postmortem Photography:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e14 photographs. These photographs date from the 1910s-1930s and are mostly photographs of open caskets surrounded by the deceased's family.\u003c/p\u003e"],"scopecontent_tesim":["Included in the Wayne County file of the David V. Tinder Collection of Michigan Photography are images of urban Detroit, people in their places of work, at home, at leisure, and participating in social activities and in fraternal and religious organizations. Numerous images show industrial manufacturing, urban transportation, and civic infrastructure. Activities related to entertainment, sports, parades, and the arts are well represented. The many portraits photographs include formal posed images, casual snapshots, workplace groups and fraternal organizations.","A vast majority of the photographs are the work of commercial photographers, with some amateurs. A significant number of photos were taken by Detroit News and Detroit Free Press photographers. Almost all the images present would be considered vernacular photos rather than fine art; however, many are carefully composed with strong aesthetic characteristics.","Although the photos have been largely sorted by subject, related materials may be present outside of the subject categories, i.e., images of transportation can also be found in the categories Architecture, Business and Commerce, Group Portraits, and in other sections outside of Transportation.","The bulk of the photos in this collection were taken in Detroit during the era of rapid population growth and industrial development around the turn of the century. The diversity of industry that appears in the late 19th century images can be seen giving way to automobile centered growth in the mid-20th century. Evidence of the rich residential lifestyles and multi-ethnic cultures of the Detroit area appear in many images.","At the fringe of the collection’s scope are images of the demolition of factories, the disappearance of public transportation, and racial unrest during the decline of Detroit in the mid to late 20th century.","It should be noted that while most of the collection are mounted and unmounted photographic prints, there are a few bound items as well as printed ephemera.","The collection has been organized into various categories by subject. The first group of photos is comprised of those that did not fit neatly under other categories. These include views of military encampments, disasters and firefighting, civic unrest, commercial product promotions, and other miscellaneous topics. Of particular note is a charming outdoor children’s party scene by amateur photographer Robert R. Oesterreich (no. 9); a double portrait montage by Tony Spina of John F. Kennedy and Robert F. Kennedy, both speaking at Campus Martius (no. 14); the high quality photomechanical prints of Detroit scenes and architecture in the  Detroit Illustrated.  (no. 16); and a collection of 28 miscellaneous nightclub souvenir photographs dating from the 1940s-1980s (no. 20). The rest of the material falls under the following categories:","Transportation: 243 photographs. Material is divided between the following sub-categories: Automobiles and Trucks (56 photographs), Aircraft (18 photographs), Railroads and Trains (58 photographs), Streetcars and Trolleys (20 photographs), Roads and Infrastructure (33 photographs), Wagons (20 photographs), Maritime (38 photographs).","Of note are a photograph of an African American couple posed with a new V-8 Ford (no. 71.3); construction photos of the Detroit River railroad tunnel (no. 95); Goebel’s Brewing Co. delivery wagons (no. 98); and a view of the steamboat  Tashmoo  at speed on the Detroit River (no. 110).","Performers: 107 photographs, most of which (113 photographs) are contained in the sub-category Music and Musicians. Of particular note are numerous photos of community brass bands, a photo of John Philip Sousa and his band at Grand Circus Park (no. 122); an image of the inventor Charles Crawford and his patented \"Pickaphone\" mechanism for playing stringed instruments, ca. 1888 (no. 123); and copy prints of two important early jazz bands, Finney’s Orchestra (no. 131) and McKinney’s Cotton Pickers (no. 132).","Portraits: 505 photographs. Material is divided into the following sub-categories: Individuals (172 photographs), Groups (133 photographs), Children (97 photographs), Weddings (64 photographs), Confirmation and Communion (41 photographs). Of particular interest are a photograph of Joan Baxter and her Hot Dog Cooker (no. 137); three 1860's portraits of members of the Hawley family of Detroit (no. 141), one of which is inscribed with enlargement instructions ca.1901 on its verso; and a portrait of politician and founder of the Republican Party Zachariah Chandler, taken by Benjamin Powelson ca. 1880 (no. 142).","Of the many notable images within the Groups category are an outstanding image of sixteen Packard Motor Car Company employees piled onto a 1911 Packard in front of the then new Packard factory on West Grand Blvd. (no. 144.9); a group of African American women engaged in a ceremonial burning of the mortgage of the Phyllis Wheatley Home for Aged Colored Ladies (no. 162); and a portrait of members of the Direct Credits Society, a Great Depression-era wealth redistribution movement founded by Alfred Lawson (no. 166).","Parades: 54 photographs. Many scenes of massive parades in Detroit. Of note is a series of photographs of women marching in a racially-integrated United Spanish War Veterans Parade, ca.1940 (no. 179); and a view of five young women in a florally decorated early automobile (no. 180.11).","Business \u0026 Commerce: 319 photographs. Where possible, material has been divided into the following sub-categories: Business Exteriors (52 photographs), Business Interiors (125 photographs), Construction (22 photographs), Ford Motor Company (19 photographs). Of note is an image of a group of brewers tapping a keg at the Marx Brewing Co. (no. 186.1); Candler Dock \u0026 Dredge Co. workers and surveyors building a dock, taken by the Manning Bros. ca 1920s (no. 192); women rolling cigars at the R.G. Dunn factory, 1909 (no. 204); workers fabricating automobile bodies at the Briggs Manufacturing Co. ca. 1910s (no. 206);interior view of the Burroughs Adding Machine factory (no 209.11); the Penobscot Building construction in three stages ca 1928 (no. 217); and two fold-out panoramic photos of the Ford complex at River Rouge taken by Otto Rotch in 1925 (no. 218).","Views: 86 photographs. Material is divided into Street Views (28 photographs), Residential Views (51 photographs), and Aerial Views (7 photographs).","Architecture: 69 photographs. Of particular note is a charming view of a small inn at Springwells, Mich., the International Exposition House ca. 1889 (no. 235); an 1870's print of the large Russell House Hotel in Detroit (no. 238); and a panoramic view of downtown Detroit at its peak, taken by the Murray Studio in the 1920s (no. 240.18).","Labor \u0026 Unemployment: 8 photographs primarily focused on unemployment during the Great Depression. Of note is a group photo of the striking Journeyman Bakers International Union in 1902 (no. 248).","Athletes \u0026 Athletics: 58 photographs. Of particular note are a copy-print of a 1910 Detroit Tigers team photo featuring Hall of Famer Ty Cobb (no. 261); a series of 3 group photographs of an early soccer team, Michigan Alkali F.C. in 1923 (no. 265); Wyandotte baseball teams (no. 266);. The Slocum’s Island baseball champions of 1882 (no. 272.4); and a 1943 curling team (no. 273).","Classrooms \u0026 Schools: 38 photographs. Of particular interest are a student group in front of a one-room schoolhouse at Cherry Hill in 1934 (no. 280.11); a kindergarten band at Clippert School taken by the Manning Bros. (no. 280.20); and a ca.1936 Lincoln Park High School album with personal snapshots and autographs of classmates (no. 279).","Places of Worship \u0026 Religious Activities: 43 photographs. One of several images related to African American church congregations shows members of an A.M.E. church dressed in \"traditional\" African garb ca.1920-1930 (no. 284).","Parks: 112 photographs. Of particular focus is Belle Isle (approx. 50 photographs) and Waterworks Park. A series of Belle Isle views taken in 1889 by Holcombe \u0026 Metzen is particularly picturesque (no. 297.1-9).","Funerals \u0026 Postmortem Photography: 14 photographs. These photographs date from the 1910s-1930s and are mostly photographs of open caskets surrounded by the deceased's family."],"abstract_html_tesm":["\u003cabstract\u003eThe collection contains photographs of Wayne County, Michigan. Included are numerous urban scenes and images of everyday life, primarily in the Metropolitan Detroit area between 1860 and the mid-20th century. The bulk of the photographs were taken between 1890 and 1930. A very wide range of topics is represented, among them commercial and residential architecture, urban infrastructure, public and private spaces, civic and domestic activities, individual and group portraits, and events from across the social spectrum.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains photographs of Wayne County, Michigan. Included are numerous urban scenes and images of everyday life, primarily in the Metropolitan Detroit area between 1860 and the mid-20th century. The bulk of the photographs were taken between 1890 and 1930. A very wide range of topics is represented, among them commercial and residential architecture, urban infrastructure, public and private spaces, civic and domestic activities, individual and group portraits, and events from across the social spectrum."],"names_ssim":["William L. Clements Library , University of Michigan","American Red Cross.","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America.","BASF Wyandotte Corporation.","Cartercar Co.","Catholic Church--Clergy--Michigan.","Detroit College of Medicine.","Detroit Institute of Arts.","Detroit Museum of Art.","Detroit Opera House.","Detroit Red Wings (Hockey team)","Detroit Symphony Orchestra.","Detroit, Toledo and Ironton Railroad.","Dodge Brothers.","Ford Motor Company.","Ford Motor Company--Employees.","Ford Motor Company. Rouge River Plant.","Ford Rotunda (Dearborn, Mich.)","General Motors Corporation.","Henry Ford Museum and Greenfield Village.","Hudson's (Department store)","International Union, United Automobile Workers of America (CIO)","Journeymen Bakers National Union of the United States.","Knights of Pythias.","Knights Templar (Masonic order)","Michigan Central Railroad Company.","Michigan. National Guard.","Michigan Stove Company.","Tiger Stadium (Detroit, Mich.)","United States. Army--Recruiting, enlistment, etc.--Michigan.","United States. Army. Reserve Officers' Training Corps.","YMCA of the USA.","Young Women's Christian Association.","Agdan Photographic.","Alliance Commercial Photo Co.","Alvord \u0026 Co.","American Commercial Photo Co.","Arthur Studio.","Babas Studio.","Baker Art Studio.","Baker Studio.","Ballaun Studio.","Bonish Studio.","Brown \u0026 Co.","Charles Hopp \u0026 Co.","Club Photos Inc.","Commercial Photo Service Co.","Cousins Art Studio.","Davison Photo Studio.","Deluxe Theatrical Studio.","Detroit Edison Co.","Detroit News Staff.","Fotografia Italiana (G. Lanni \u0026 Co.)","General Motors Photographic Section.","Harbican Studio.","Hoffman Studio.","Holcombe \u0026 Metzen.","Holgate Studio.","Huntington \u0026 Clark.","Litynski-Jakubowski Co.","MacGregor and Company.","Manning Bros.","Metropolitan Art Studio.","Modernistic Photo Studio.","New Chene Studio.","P. Pieronek Studio.","Rembrandt Studios.","Rentschler's Studio.","Smart Set Studio.","Smith Brothers Commerical Photographers.","Spencer \u0026 Wyckoff.","Spooner \u0026 Wells, Inc.","Tiffany Photographic Studio.","Ziawinski Bros.","Tinder, David V.","Grant, Ulysses S. (Ulysses Simpson), 1822-1885--Homes and haunts.","Kennedy, John F. (John Fitzgerald), 1917-1963.","Kennedy, Robert F., 1925-1968.","Robeson, Paul, 1898-1976.","Sousa, John Philip, 1854-1932.","Arthur, Edward J.","Baker, Chas. R.","Ball, Lyman L.","Baron, Herman.","Blanchard, Issac H.","Bleibel, Gustav.","Bowles, Esther A., Mrs.","Burose, Herman.","Cheff, Edmund Archael.","Craine, Benjamin H.","Hayes, Clarence Messenger.","Hediger, James D.","Hillmer, Davis B.","Hoffman, Clarence L.","Howie, George William.","Hughes, John Wesley.","Jackson, Harvey C.","James, Langford P.","Jones, J. F.","Lazarnick, Nathan.","Litynski, Walter E.","Mazur, Anthony","McMichael, A.G.","Merz, Charles J.","Mirecki, Albert J.","Phelps, C.A. (New Castle, IN)","Pipp, Frank H.","Poli, Faustino G.","Pollard, C.H.","Rentschler, Andrew.","Rochowiak, Stanley A.","Rotch, Otto.","Salter, Al.","Sowinski, Joseph.","Spellman, Delmar Driscoe.","Stone, Frank H.","Tomlinson, Frank N.","Wiederhold, John A.","Wright, Fred G.","Ziawinski, Felix.","Ziawinski, Joseph."],"corpname_ssim":["William L. Clements Library , University of Michigan","American Red Cross.","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America.","BASF Wyandotte Corporation.","Cartercar Co.","Catholic Church--Clergy--Michigan.","Detroit College of Medicine.","Detroit Institute of Arts.","Detroit Museum of Art.","Detroit Opera House.","Detroit Red Wings (Hockey team)","Detroit Symphony Orchestra.","Detroit, Toledo and Ironton Railroad.","Dodge Brothers.","Ford Motor Company.","Ford Motor Company--Employees.","Ford Motor Company. Rouge River Plant.","Ford Rotunda (Dearborn, Mich.)","General Motors Corporation.","Henry Ford Museum and Greenfield Village.","Hudson's (Department store)","International Union, United Automobile Workers of America (CIO)","Journeymen Bakers National Union of the United States.","Knights of Pythias.","Knights Templar (Masonic order)","Michigan Central Railroad Company.","Michigan. National Guard.","Michigan Stove Company.","Tiger Stadium (Detroit, Mich.)","United States. Army--Recruiting, enlistment, etc.--Michigan.","United States. Army. Reserve Officers' Training Corps.","YMCA of the USA.","Young Women's Christian Association.","Agdan Photographic.","Alliance Commercial Photo Co.","Alvord \u0026 Co.","American Commercial Photo Co.","Arthur Studio.","Babas Studio.","Baker Art Studio.","Baker Studio.","Ballaun Studio.","Bonish Studio.","Brown \u0026 Co.","Charles Hopp \u0026 Co.","Club Photos Inc.","Commercial Photo Service Co.","Cousins Art Studio.","Davison Photo Studio.","Deluxe Theatrical Studio.","Detroit Edison Co.","Detroit News Staff.","Fotografia Italiana (G. Lanni \u0026 Co.)","General Motors Photographic Section.","Harbican Studio.","Hoffman Studio.","Holcombe \u0026 Metzen.","Holgate Studio.","Huntington \u0026 Clark.","Litynski-Jakubowski Co.","MacGregor and Company.","Manning Bros.","Metropolitan Art Studio.","Modernistic Photo Studio.","New Chene Studio.","P. Pieronek Studio.","Rembrandt Studios.","Rentschler's Studio.","Smart Set Studio.","Smith Brothers Commerical Photographers.","Spencer \u0026 Wyckoff.","Spooner \u0026 Wells, Inc.","Tiffany Photographic Studio.","Ziawinski Bros."],"persname_ssim":["Tinder, David V.","Grant, Ulysses S. (Ulysses Simpson), 1822-1885--Homes and haunts.","Kennedy, John F. (John Fitzgerald), 1917-1963.","Kennedy, Robert F., 1925-1968.","Robeson, Paul, 1898-1976.","Sousa, John Philip, 1854-1932.","Arthur, Edward J.","Baker, Chas. R.","Ball, Lyman L.","Baron, Herman.","Blanchard, Issac H.","Bleibel, Gustav.","Bowles, Esther A., Mrs.","Burose, Herman.","Cheff, Edmund Archael.","Craine, Benjamin H.","Hayes, Clarence Messenger.","Hediger, James D.","Hillmer, Davis B.","Hoffman, Clarence L.","Howie, George William.","Hughes, John Wesley.","Jackson, Harvey C.","James, Langford P.","Jones, J. F.","Lazarnick, Nathan.","Litynski, Walter E.","Mazur, Anthony","McMichael, A.G.","Merz, Charles J.","Mirecki, Albert J.","Phelps, C.A. (New Castle, IN)","Pipp, Frank H.","Poli, Faustino G.","Pollard, C.H.","Rentschler, Andrew.","Rochowiak, Stanley A.","Rotch, Otto.","Salter, Al.","Sowinski, Joseph.","Spellman, Delmar Driscoe.","Stone, Frank H.","Tomlinson, Frank N.","Wiederhold, John A.","Wright, Fred G.","Ziawinski, Felix.","Ziawinski, Joseph."],"language_ssim":["The material is in  English ."],"descrules_ssm":["Finding aid prepared using Describing Archives: A Content Standard (DACS)"],"total_component_count_is":365,"online_item_count_is":15,"component_level_isim":[0],"sort_isi":0,"_root_":"umich-wcl-G-tind-0083","timestamp":"2025-02-18T23:25:22.393Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/umich-wcl-G-tind-0083_al_0a940d669e06b3c8e122410369b89d2241975847"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"David V. 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2016","hits":344},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog.json?f%5Bcollection%5D%5B%5D=Dossiers+of+Award+Nominees%0A1984-1985%2C+1998%2C+2016\u0026view=compact"}},{"attributes":{"label":"John Steinbeck collection, 1902-1979","value":"John Steinbeck collection, 1902-1979","hits":342},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog.json?f%5Bcollection%5D%5B%5D=John+Steinbeck+collection%2C+1902-1979\u0026view=compact"}},{"attributes":{"label":"Don Wilson Collection\n \n1885-2015, and undated","value":"Don Wilson Collection\n \n1885-2015, and undated","hits":311},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog.json?f%5Bcollection%5D%5B%5D=Don+Wilson+Collection%0A+%0A1885-2015%2C+and+undated\u0026view=compact"}},{"attributes":{"label":"Ernest Hemingway Collection\n1901, 2014, and undated","value":"Ernest Hemingway Collection\n1901, 2014, and undated","hits":304},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog.json?f%5Bcollection%5D%5B%5D=Ernest+Hemingway+Collection%0A1901%2C+2014%2C+and+undated\u0026view=compact"}},{"attributes":{"label":"Peter Sparling papers, 1961-2013, bulk 1970-2000","value":"Peter Sparling papers, 1961-2013, bulk 1970-2000","hits":281},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog.json?f%5Bcollection%5D%5B%5D=Peter+Sparling+papers%2C+1961-2013%2C+bulk+1970-2000\u0026view=compact"}},{"attributes":{"label":"TEACH Michigan and TEACH Michigan Education Fund records, 1989-1996","value":"TEACH Michigan and TEACH Michigan Education Fund records, 1989-1996","hits":280},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog.json?f%5Bcollection%5D%5B%5D=TEACH+Michigan+and+TEACH+Michigan+Education+Fund+records%2C+1989-1996\u0026view=compact"}},{"attributes":{"label":"KZSU Project South interviews, 1965-1976","value":"KZSU Project South interviews, 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