{"links":{"self":"https://arclight-demo.projectblacklight.org/catalog.json?facet.page=8\u0026page=413\u0026view=list","prev":"https://arclight-demo.projectblacklight.org/catalog.json?facet.page=8\u0026page=412\u0026view=list","next":"https://arclight-demo.projectblacklight.org/catalog.json?facet.page=8\u0026page=414\u0026view=list","last":"https://arclight-demo.projectblacklight.org/catalog.json?facet.page=8\u0026page=539\u0026view=list"},"meta":{"pages":{"current_page":413,"next_page":414,"prev_page":412,"total_pages":539,"limit_value":10,"offset_value":4120,"total_count":5389,"first_page?":false,"last_page?":false}},"data":[{"id":"umich-bhl-0047_aspace_336d22eb22bf889fec665a72c9552068","type":"Series","attributes":{"title":"Papers, Correspondence, and Events","abstract_or_scope":{"id":"https://arclight-demo.projectblacklight.org/catalog/umich-bhl-0047_aspace_336d22eb22bf889fec665a72c9552068#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Papers, Correspondence, and Events series holds biographical information; email, letters, and cards; newspaper clippings; and publicity materials. 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A cassette recording and partial transcript of \"Living on Earth,\" a National Public Radio broadcast with Ruth Ellis, is included, as well as materials related to the film \"Living with Pride: Ruth Ellis @100.\""],"component_level_isim":[1],"parent_ssim":["umich-bhl-0047"],"parent_ssi":"umich-bhl-0047","parent_ids_ssim":["umich-bhl-0047"],"parent_unittitles_ssm":["Ruth Ellis papers, 1910-2000, bulk 1997-2000"],"parent_unittitles_tesim":["Ruth Ellis papers, 1910-2000, bulk 1997-2000"],"parent_levels_ssm":["collection"],"repository_ssim":["University of Michigan. Bentley Historical Library"],"collection_ssim":["Ruth Ellis papers, 1910-2000, bulk 1997-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":9,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["Copyright is held by the Regents of the University of Michigan but the collection may contain third-party materials for which copyright is not held. Patrons are responsible for determining the appropriate use or reuse of materials."],"scopecontent_html_tesm":["\u003cp\u003eThe Papers, Correspondence, and Events series holds biographical information; email, letters, and cards; newspaper clippings; and publicity materials. A cassette recording and partial transcript of \"Living on Earth,\" a National Public Radio broadcast with Ruth Ellis, is included, as well as materials related to the film \"Living with Pride: Ruth Ellis @100.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Papers, Correspondence, and Events series holds biographical information; email, letters, and cards; newspaper clippings; and publicity materials. A cassette recording and partial transcript of \"Living on Earth,\" a National Public Radio broadcast with Ruth Ellis, is included, as well as materials related to the film \"Living with Pride: Ruth Ellis @100.\""],"_nest_path_":"/components#0","_nest_parent_":"umich-bhl-0047","_root_":"umich-bhl-0047","timestamp":"2025-02-18T23:13:06.070Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"umich-bhl-0047","title_ssm":["Ruth Ellis papers"],"title_tesim":["Ruth Ellis papers"],"ead_ssi":"umich-bhl-0047","unitdate_ssm":["1910-2000","1997-2000"],"unitdate_bulk_ssim":["1997-2000"],"unitdate_inclusive_ssm":["1910-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["0047 Aa 2 Ac"],"text":["0047 Aa 2 Ac","Ruth Ellis papers, 1910-2000, bulk 1997-2000","Lesbians -- Michigan -- Detroit.","African American lesbians -- Michigan -- Detroit.","African Americans -- Michigan -- Detroit.","African Americans -- Michigan -- Detroit.","African American lesbians -- Michigan -- Detroit.","Lesbians -- Michigan -- Detroit.","Printers.","Printing press.","Photographs.","The collection is open to research.","No further additions to the papers are expected.","Digitization:  The Library has undertaken the digitization of a number of sound recordings within this collection. The resulting audio files are available for playback only in the Bentley Library Reading Room. Links to item images and additional information are available within this finding aid. Original sound recordings are only available for staff use.","Ruth Ellis was born on July 23, 1899 in Springfield Illinois, the youngest of four children born to Charles and Carrie Ellis. After the death of her mother, Ellis and her brothers were raised by her father. At age 37, she moved to Detroit and was soon joined by her partner, Cicilene \"Babe\" Franklin also of Springfield. The couple stayed together for more than thirty years, during which time they bought a home on Oakland Avenue and opened a small print shop, the Ellis and Franklin Printing Company."," During the late 1930s and 1940s the Ellis/Franklin house served as a meeting place and temporary shelter for Gay men and Lesbians. Ms. Ellis ran the print shop until her retirement at age 65. She actively participated in the events of the Lesbian community nation-wide until her death in 2000 at the age of 101.","The Ruth Ellis collection contains correspondence, photographs, and publications related to Ms. Ellis's life and her activities in the Gay and Lesbian community. The papers are arranged in the following series: Papers, Correspondence, and Events; Photographs; and Miscellaneous Materials.","Copyright is held by the Regents of the University of Michigan but the collection may contain third-party materials for which copyright is not held. Patrons are responsible for determining the appropriate use or reuse of materials.","Ruth Ellis of Detroit, Michigan was well known in the Gay community as the oldest known African American Lesbian. She was a business woman, owned a printing company, and held social gatherings at her home at a time when there were few opportunities for Gay African Americans to gather. During the last twenty years of her life she was active in the Lesbian, Gay, Bisexual, and Transgender community and in the Senior Citizens movement. The collection contains correspondence, photographs, and publications.","Bentley Historical Library","Ellis family.","Ellis, Ruth, 1899-2000","English","The material is in  English"],"unitid_tesim":["0047 Aa 2 Ac"],"normalized_date_ssm":["1910-2000, bulk 1997-2000"],"normalized_title_ssm":["Ruth Ellis papers, 1910-2000, bulk 1997-2000"],"collection_title_tesim":["Ruth Ellis papers, 1910-2000, bulk 1997-2000"],"collection_ssim":["Ruth Ellis papers, 1910-2000, bulk 1997-2000"],"repository_ssm":["University of Michigan. Bentley Historical Library"],"repository_ssim":["University of Michigan. 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Patrons are responsible for determining the appropriate use or reuse of materials."],"acqinfo_ssim":["Collection received from Ruth Ellis (donor no.  8774 ) in 2000."],"access_subjects_ssim":["Lesbians -- Michigan -- Detroit.","African American lesbians -- Michigan -- Detroit.","African Americans -- Michigan -- Detroit.","African Americans -- Michigan -- Detroit.","African American lesbians -- Michigan -- Detroit.","Lesbians -- Michigan -- Detroit.","Printers.","Printing press.","Photographs."],"access_subjects_ssm":["Lesbians -- Michigan -- Detroit.","African American lesbians -- Michigan -- Detroit.","African Americans -- Michigan -- Detroit.","African Americans -- Michigan -- Detroit.","African American lesbians -- Michigan -- Detroit.","Lesbians -- Michigan -- Detroit.","Printers.","Printing press.","Photographs."],"has_online_content_ssim":["true"],"extent_ssm":["2.5 linear feet","3.6 GB"],"extent_tesim":["2.5 linear feet","3.6 GB"],"physfacet_tesim":["online"],"genreform_ssim":["Photographs."],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"accruals_html_tesm":["\u003cp\u003eNo further additions to the papers are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["No further additions to the papers are expected."],"altformavail_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eDigitization:\u003c/emph\u003e The Library has undertaken the digitization of a number of sound recordings within this collection. The resulting audio files are available for playback only in the Bentley Library Reading Room. Links to item images and additional information are available within this finding aid. Original sound recordings are only available for staff use.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Digitization:  The Library has undertaken the digitization of a number of sound recordings within this collection. The resulting audio files are available for playback only in the Bentley Library Reading Room. Links to item images and additional information are available within this finding aid. Original sound recordings are only available for staff use."],"bioghist_html_tesm":["\u003cp\u003eRuth Ellis was born on July 23, 1899 in Springfield Illinois, the youngest of four children born to Charles and Carrie Ellis. After the death of her mother, Ellis and her brothers were raised by her father. At age 37, she moved to Detroit and was soon joined by her partner, Cicilene \"Babe\" Franklin also of Springfield. The couple stayed together for more than thirty years, during which time they bought a home on Oakland Avenue and opened a small print shop, the Ellis and Franklin Printing Company.\u003c/p\u003e\n","\u003cp\u003e During the late 1930s and 1940s the Ellis/Franklin house served as a meeting place and temporary shelter for Gay men and Lesbians. Ms. Ellis ran the print shop until her retirement at age 65. She actively participated in the events of the Lesbian community nation-wide until her death in 2000 at the age of 101.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ruth Ellis was born on July 23, 1899 in Springfield Illinois, the youngest of four children born to Charles and Carrie Ellis. After the death of her mother, Ellis and her brothers were raised by her father. At age 37, she moved to Detroit and was soon joined by her partner, Cicilene \"Babe\" Franklin also of Springfield. The couple stayed together for more than thirty years, during which time they bought a home on Oakland Avenue and opened a small print shop, the Ellis and Franklin Printing Company."," During the late 1930s and 1940s the Ellis/Franklin house served as a meeting place and temporary shelter for Gay men and Lesbians. Ms. Ellis ran the print shop until her retirement at age 65. She actively participated in the events of the Lesbian community nation-wide until her death in 2000 at the age of 101."],"prefercite_html_tesm":["\u003cp\u003e[item], folder, box, Ruth Ellis papers, Bentley Historical Library, University of Michigan\u003c/p\u003e"],"prefercite_tesim":["[item], folder, box, Ruth Ellis papers, Bentley Historical Library, University of Michigan"],"scopecontent_html_tesm":["\u003cp\u003eThe Ruth Ellis collection contains correspondence, photographs, and publications related to Ms. Ellis's life and her activities in the Gay and Lesbian community. The papers are arranged in the following series: Papers, Correspondence, and Events; Photographs; and Miscellaneous Materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ruth Ellis collection contains correspondence, photographs, and publications related to Ms. Ellis's life and her activities in the Gay and Lesbian community. The papers are arranged in the following series: Papers, Correspondence, and Events; Photographs; and Miscellaneous Materials."],"userestrict_html_tesm":["\u003cp\u003eCopyright is held by the Regents of the University of Michigan but the collection may contain third-party materials for which copyright is not held. Patrons are responsible for determining the appropriate use or reuse of materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright is held by the Regents of the University of Michigan but the collection may contain third-party materials for which copyright is not held. Patrons are responsible for determining the appropriate use or reuse of materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_14322b7e892c746399263b939c268594\"\u003eRuth Ellis of Detroit, Michigan was well known in the Gay community as the oldest known African American Lesbian. She was a business woman, owned a printing company, and held social gatherings at her home at a time when there were few opportunities for Gay African Americans to gather. During the last twenty years of her life she was active in the Lesbian, Gay, Bisexual, and Transgender community and in the Senior Citizens movement. The collection contains correspondence, photographs, and publications.\u003c/abstract\u003e"],"abstract_tesim":["Ruth Ellis of Detroit, Michigan was well known in the Gay community as the oldest known African American Lesbian. She was a business woman, owned a printing company, and held social gatherings at her home at a time when there were few opportunities for Gay African Americans to gather. During the last twenty years of her life she was active in the Lesbian, Gay, Bisexual, and Transgender community and in the Senior Citizens movement. The collection contains correspondence, photographs, and publications."],"names_ssim":["Bentley Historical Library","Ellis family.","Ellis, Ruth, 1899-2000"],"corpname_ssim":["Bentley Historical Library"],"names_coll_ssim":["Ellis family.","Ellis, Ruth, 1899-2000","Ellis, Ruth, 1899-2000"],"famname_ssim":["Ellis family."],"persname_ssim":["Ellis, Ruth, 1899-2000"],"language_ssim":["English","The material is in  English"],"descrules_ssm":["Finding aid prepared using Describing Archives: A Content Standard (DACS)"],"total_component_count_is":35,"online_item_count_is":2,"component_level_isim":[0],"sort_isi":0,"_root_":"umich-bhl-0047","timestamp":"2025-02-18T23:13:06.070Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/umich-bhl-0047_aspace_336d22eb22bf889fec665a72c9552068"}},{"id":"reimagining_aspace_e860cee611b6ef220a78807a3750bfc5","type":"File","attributes":{"title":"Papers from dissolution process, 2003","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/reimagining_aspace_e860cee611b6ef220a78807a3750bfc5#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"aspace_e860cee611b6ef220a78807a3750bfc5","ref_ssm":["aspace_e860cee611b6ef220a78807a3750bfc5","aspace_e860cee611b6ef220a78807a3750bfc5"],"id":"reimagining_aspace_e860cee611b6ef220a78807a3750bfc5","title_filing_ssi":"Papers from dissolution process","title_ssm":["Papers from dissolution process"],"title_tesim":["Papers from dissolution process"],"unitdate_other_ssim":["2003"],"normalized_date_ssm":["2003"],"normalized_title_ssm":["Papers from dissolution process, 2003"],"text":["Papers from dissolution process, 2003","Re-Imagining Collection, 1993-2016","Papers, 1993-2014","box 1"],"component_level_isim":[2],"parent_ssim":["reimagining","aspace_2e1a89a1e97f4b6332f9ff64d7597460"],"parent_ssi":"aspace_2e1a89a1e97f4b6332f9ff64d7597460","parent_ids_ssim":["reimagining","reimagining_aspace_2e1a89a1e97f4b6332f9ff64d7597460"],"parent_unittitles_ssm":["Re-Imagining Collection, 1993-2016","Papers, 1993-2014"],"parent_unittitles_tesim":["Re-Imagining Collection, 1993-2016","Papers, 1993-2014"],"parent_levels_ssm":["collection","Series"],"repository_ssim":["David M. Rubenstein Rare Book and Manuscript Library"],"collection_ssim":["Re-Imagining Collection, 1993-2016"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":343,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["The copyright interests in this collection have not been transferred to Duke University.\n        For more information, consult the copyright section of the Regulations and Procedures of the\n        David M. Rubenstein Rare Book \u0026 Manuscript Library."],"date_range_isim":[2003],"containers_ssim":["box 1"],"_nest_path_":"/components#2/components#10","_nest_parent_":"reimagining_aspace_2e1a89a1e97f4b6332f9ff64d7597460","_root_":"reimagining","timestamp":"2025-02-18T22:58:40.698Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"reimagining","title_ssm":["Re-Imagining Collection"],"title_tesim":["Re-Imagining Collection"],"ead_ssi":"reimagining","unitdate_ssm":["1993-2016"],"unitdate_inclusive_ssm":["1993-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RL.11352"],"text":["RL.11352","Re-Imagining Collection, 1993-2016","Feminist theology","Re-Imagining Conference (1993 :\n        Minneapolis, Minn.)","Ecumenical Decade of the Churches in\n        Solidarity with Women (Program)","Collection is open for research.","Oral histories arranged alphabetically, conference materials arranged chronologically.","Re-Imagining: A Global Theological Conference By Women: For Men and Women, was organized by\n        Mary Ann Lundy (Director of the Presbyterian Church USA's Women's Unit), Sally Hill, and\n        other mainline protestant leaders in the United States, to be part of the World Council of\n        Churches' Ecumenical Decade: Churches in Solidarity with Women 1988–1998. The 2,200\n        attendees, met at the Minneapolis Convention Center on November 4 to 7, 1993, participating\n        in presentations and rituals re-imagining male-centric images and language of traditional\n        Christianity.","Dr. Sherry Jordon was awarded her Ph.D in Theology from Yale in 1995 and is currently\n        Associate Professor of Theology at the University of St. Thomas. She specializes in\n        historical theology, particularly the Reformation period, and Women's Studies. Jordon served\n        on the Coordinating Council of the Re-Imagining Community from 1998-2003, spoke at the 2003\n        Re-Imagining Gathering, and wrote an essay on feminist theology for Bless Sophia: Worship,\n        Liturgy, and Ritual of the Re-Imagining Community. As part of her current research on the\n        history and theology of Re-Imagining, she completed sixty-five oral interviews with members\n        of the Re-Imagining Community, leading feminist and womanist theologians who presented at\n        the conferences, people who were on the national staff of the women's units in the\n        Presbyterian (USA) and United Methodist churches, and authors who have written books related\n        to Christian feminism and/or Re-Imagining.","Processed by Craig Breaden, April, 2017","Accessions described in this collection guide: 2016-0317","Re-Imagining is an ecumenical, radical, Christian movement focused on creating ways of\n        understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening\n        spaces for dialogue with the church, diverse religious communities, and the world.\n        Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 72\n        participants in the Re-Imagining conferences, including the first gathering in 1993,\n        Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127\n        mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from\n        gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as papers documenting Jordon's\n        work with Re-Imagining. Interviewees and speakers include Martha O. Adams, Jann\n        Aldredge-Clanton, Gail Allan, Elizabeth Andrew, Diana Butler Bass, Mary Farrell Bednarowski,\n        Elizabeth Bettenhausen, Nadean Bishop, Kathy Black, Donna Blackstock, Steven Blons, Robert\n        Brinkley, Rita Nakashima Brock, John M. Buchanan, Nancy Chinn, Faye Christensen, Hyun Kyung\n        Chung, Susan Cole, J. Ann Craig, Susan Halcomb Craig, Kathy Deacon-Weber, Sister Holy Spirit\n        DeSouza, Heather Murray Elkins, Sara M. Evans, Marylee Fithian, Mary Gates, Marchelle\n        Hallman, Susan Hames, Robin Henry, Maren Hinderlie, José Hobday, Mary E. Hunt, Pamela Carter\n        Joern, Sally Howell Johnson, Katie Johnson, Barbara Anne Keely, Betty Kersting, Judith Allen\n        Kim, Annie Wu King, Rebecca Lynn Kiser, Mary Kuhns, Pui-lan Kwok, Barbara Lund, Barbara K.\n        Lundblad, Mary Ann Weese Lundy, Katherine Austin Mahle, Eily Marlow, Joan M. Martin, Mary\n        Kaye Medinger, Joyce Ann Mercer, Virginia R. Mollenkott, Melanie S. Morrison, Susan\n        Morrison, Mary Clark Moschella, Vivian Jenkins Nelsen, Randy Nelson, Christie Neuger, John\n        Niles, Manley Olson, Ofelia Ortega, Doris Pagelkopf, Rebecca Todd Peters, Virginia Pharr,\n        Joy Mincey Powell, Mary Preus, Anne Primavesi, Bernice Johnson Reagon, Jo Ringgenberg, Mary\n        Kay Sauter, Jeanyne B. Slettom, Jerie Smith, Joyce D. Sohl, Hilda Spann, Allison Stokes,\n        John Strausz-Clement, Judith Strausz-Clement, Sue Swanson, Hal Taussig, Margaret Thomas,\n        Rebecca Tollefson, Carmen Valenzuela, Johanna W.H. Van Wijk-Bos, Emily Wigger, Delores S.\n        Williams, Eugenia Williams, Lois Wilson, and Miriam Therese Winter.","The copyright interests in this collection have not been transferred to Duke University.\n        For more information, consult the copyright section of the Regulations and Procedures of the\n        David M. Rubenstein Rare Book \u0026 Manuscript Library.","Re-Imagining is an ecumenical, radical,\n        Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista,\n        and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse\n        religious communities, and the world. Eighty-two audio files comprise an oral history\n        project by Sherry E. Jordon with 73 participants in the Re-Imagining conferences, including\n        the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men\n        and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining\n        conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000,\n        as well as three linear feet of papers documenting Jordon's work with\n        Re-Imagining.","David M. Rubenstein Rare Book \u0026 Manuscript Library","Andrew, Elizabeth, 1969-","Bass, Diana Butler, 1959-","Bednarowski, Mary Farrell","Bettenhausen, Elizabeth","Bishop, Nadean","Black, Kathy, 1956-","Blackstock, Donna, 1942-","Blons, Steven","Brinkley, Robert","Brock, Rita Nakashima","Buchanan, John M., 1938-","Chinn, Nancy, 1940-","Christensen, Faye, 1944-","Chung, Hyun Kyung","Cole, Susan, 1945-","Craig, J. Ann","Craig, Susan Halcomb, 1941-","Deacon-Weber, Kathy, 1954-","DeSouza, Sister Holy Spirit","Elkins, Heather Murray","Evans, Sara M. (Sara Margaret), 1943-","Fithian, Marylee, 1936-","Gates, Mary, 1934-","Hallman, Marchelle","Hames, Susan, 1944-","Henry, Robin, 1952-","Hinderlie, Maren","Hobday, José","Hunt, Mary E., 1951-","Joern, Pamela Carter, 1948-","Johnson, Katie","Johnson, Sally Howell","Jordon, Sherry E. (Sherry Elaine)","Keely, Barbara Anne, 1952-","Kersting, Betty, 1936-","Kim, Judith Allen, 1946-","King, Annie Wu, 1933-","Kiser, Rebecca Lynn, 1954-","Kuhns, Mary, 1945-","Kwok, Pui-lan","Lund, Barbara, 1964-","Lundblad, Barbara K., 1944-","Lundy, Mary Ann Weese, 1933-","Mahle, Katherine Austin, 1945-","Marlow, Eily, 1975-","Martin, Joan M. (Joan Marie)","Medinger, Mary Kaye, 1946-","Mercer, Joyce Ann, 1957-","Mollenkott, Virginia R.","Morrison, Susan, 1943-","Moschella, Mary Clark","Nelsen, Vivian Jenkins","Nelson, Randy, 1941-","Niles, John, 1945-","Olson, Manley, 1936-","Pagelkopf, Doris, 1938-","Peters, Rebecca Todd","Pharr, Virginia","Powell, Joy Mincey","Preus, Mary","Primavesi, Anne, 1934-","Reagon, Bernice Johnson, 1942-","Ringgenberg, Jo","Sauter, Mary Kay","Slettom, Jeanyne B.","Smith, Jerie","Sohl, Joyce D.","Stokes, Allison, 1942-","Strausz-Clement, John","Strausz-Clement, Judith","Swanson, Sue","Taussig, Hal","Thomas, Margaret","Tollefson, Rebecca","Valenzuela, Carmen","Van Wijk-Bos, Johanna W. H., 1940-","Wigger, Emily","Williams, Delores S.","Williams, Eugenia","Winter, Miriam Therese","Spann, Hilda","Ortega, Ofelia","Morrison, Melanie, 1949-","Adams, Martha O.","Aldredge-Clanton, Jann, 1946-","Allan, Gail, 1954-","Neuger, Christine Cozad, 1952-","Wilson, Lois","English","English","Materials in English"],"unitid_tesim":["RL.11352"],"normalized_date_ssm":["1993-2016"],"normalized_title_ssm":["Re-Imagining Collection, 1993-2016"],"collection_title_tesim":["Re-Imagining Collection, 1993-2016"],"collection_ssim":["Re-Imagining Collection, 1993-2016"],"repository_ssm":["David M. Rubenstein Rare Book and Manuscript Library"],"repository_ssim":["David M. Rubenstein Rare Book and Manuscript Library"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to Duke University.\n        For more information, consult the copyright section of the Regulations and Procedures of the\n        David M. Rubenstein Rare Book \u0026 Manuscript Library."],"acqinfo_ssim":["The Re-Imagining Collection was received by the David M. Rubenstein Rare Book \u0026\n        Manuscript Library as a gift in 2016."],"access_subjects_ssim":["Feminist theology","Re-Imagining Conference (1993 :\n        Minneapolis, Minn.)","Ecumenical Decade of the Churches in\n        Solidarity with Women (Program)"],"access_subjects_ssm":["Feminist theology","Re-Imagining Conference (1993 :\n        Minneapolis, Minn.)","Ecumenical Decade of the Churches in\n        Solidarity with Women (Program)"],"has_online_content_ssim":["true"],"extent_ssm":["3 Linear Feet Two boxes of audio cassettes, one box of papers.","5.7 Gigabytes MP3 audio files, electronic text files"],"extent_tesim":["3 Linear Feet Two boxes of audio cassettes, one box of papers.","5.7 Gigabytes MP3 audio files, electronic text files"],"date_range_isim":[1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eOral histories arranged alphabetically, conference materials arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Oral histories arranged alphabetically, conference materials arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eRe-Imagining: A Global Theological Conference By Women: For Men and Women, was organized by\n        Mary Ann Lundy (Director of the Presbyterian Church USA's Women's Unit), Sally Hill, and\n        other mainline protestant leaders in the United States, to be part of the World Council of\n        Churches' Ecumenical Decade: Churches in Solidarity with Women 1988–1998. The 2,200\n        attendees, met at the Minneapolis Convention Center on November 4 to 7, 1993, participating\n        in presentations and rituals re-imagining male-centric images and language of traditional\n        Christianity.\u003c/p\u003e","\u003cp\u003eDr. Sherry Jordon was awarded her Ph.D in Theology from Yale in 1995 and is currently\n        Associate Professor of Theology at the University of St. Thomas. She specializes in\n        historical theology, particularly the Reformation period, and Women's Studies. Jordon served\n        on the Coordinating Council of the Re-Imagining Community from 1998-2003, spoke at the 2003\n        Re-Imagining Gathering, and wrote an essay on feminist theology for Bless Sophia: Worship,\n        Liturgy, and Ritual of the Re-Imagining Community. As part of her current research on the\n        history and theology of Re-Imagining, she completed sixty-five oral interviews with members\n        of the Re-Imagining Community, leading feminist and womanist theologians who presented at\n        the conferences, people who were on the national staff of the women's units in the\n        Presbyterian (USA) and United Methodist churches, and authors who have written books related\n        to Christian feminism and/or Re-Imagining.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical note","Biographical Note"],"bioghist_tesim":["Re-Imagining: A Global Theological Conference By Women: For Men and Women, was organized by\n        Mary Ann Lundy (Director of the Presbyterian Church USA's Women's Unit), Sally Hill, and\n        other mainline protestant leaders in the United States, to be part of the World Council of\n        Churches' Ecumenical Decade: Churches in Solidarity with Women 1988–1998. The 2,200\n        attendees, met at the Minneapolis Convention Center on November 4 to 7, 1993, participating\n        in presentations and rituals re-imagining male-centric images and language of traditional\n        Christianity.","Dr. Sherry Jordon was awarded her Ph.D in Theology from Yale in 1995 and is currently\n        Associate Professor of Theology at the University of St. Thomas. She specializes in\n        historical theology, particularly the Reformation period, and Women's Studies. Jordon served\n        on the Coordinating Council of the Re-Imagining Community from 1998-2003, spoke at the 2003\n        Re-Imagining Gathering, and wrote an essay on feminist theology for Bless Sophia: Worship,\n        Liturgy, and Ritual of the Re-Imagining Community. As part of her current research on the\n        history and theology of Re-Imagining, she completed sixty-five oral interviews with members\n        of the Re-Imagining Community, leading feminist and womanist theologians who presented at\n        the conferences, people who were on the national staff of the women's units in the\n        Presbyterian (USA) and United Methodist churches, and authors who have written books related\n        to Christian feminism and/or Re-Imagining."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Re-Imagining Collection, David M. Rubenstein Rare Book \u0026amp;\n        Manuscript Library, Duke University.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Re-Imagining Collection, David M. Rubenstein Rare Book \u0026\n        Manuscript Library, Duke University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Craig Breaden, April, 2017\u003c/p\u003e","\u003cp\u003eAccessions described in this collection guide: 2016-0317\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Craig Breaden, April, 2017","Accessions described in this collection guide: 2016-0317"],"scopecontent_html_tesm":["\u003cp\u003eRe-Imagining is an ecumenical, radical, Christian movement focused on creating ways of\n        understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening\n        spaces for dialogue with the church, diverse religious communities, and the world.\n        Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 72\n        participants in the Re-Imagining conferences, including the first gathering in 1993,\n        Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127\n        mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from\n        gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as papers documenting Jordon's\n        work with Re-Imagining. Interviewees and speakers include Martha O. Adams, Jann\n        Aldredge-Clanton, Gail Allan, Elizabeth Andrew, Diana Butler Bass, Mary Farrell Bednarowski,\n        Elizabeth Bettenhausen, Nadean Bishop, Kathy Black, Donna Blackstock, Steven Blons, Robert\n        Brinkley, Rita Nakashima Brock, John M. Buchanan, Nancy Chinn, Faye Christensen, Hyun Kyung\n        Chung, Susan Cole, J. Ann Craig, Susan Halcomb Craig, Kathy Deacon-Weber, Sister Holy Spirit\n        DeSouza, Heather Murray Elkins, Sara M. Evans, Marylee Fithian, Mary Gates, Marchelle\n        Hallman, Susan Hames, Robin Henry, Maren Hinderlie, José Hobday, Mary E. Hunt, Pamela Carter\n        Joern, Sally Howell Johnson, Katie Johnson, Barbara Anne Keely, Betty Kersting, Judith Allen\n        Kim, Annie Wu King, Rebecca Lynn Kiser, Mary Kuhns, Pui-lan Kwok, Barbara Lund, Barbara K.\n        Lundblad, Mary Ann Weese Lundy, Katherine Austin Mahle, Eily Marlow, Joan M. Martin, Mary\n        Kaye Medinger, Joyce Ann Mercer, Virginia R. Mollenkott, Melanie S. Morrison, Susan\n        Morrison, Mary Clark Moschella, Vivian Jenkins Nelsen, Randy Nelson, Christie Neuger, John\n        Niles, Manley Olson, Ofelia Ortega, Doris Pagelkopf, Rebecca Todd Peters, Virginia Pharr,\n        Joy Mincey Powell, Mary Preus, Anne Primavesi, Bernice Johnson Reagon, Jo Ringgenberg, Mary\n        Kay Sauter, Jeanyne B. Slettom, Jerie Smith, Joyce D. Sohl, Hilda Spann, Allison Stokes,\n        John Strausz-Clement, Judith Strausz-Clement, Sue Swanson, Hal Taussig, Margaret Thomas,\n        Rebecca Tollefson, Carmen Valenzuela, Johanna W.H. Van Wijk-Bos, Emily Wigger, Delores S.\n        Williams, Eugenia Williams, Lois Wilson, and Miriam Therese Winter.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Overview"],"scopecontent_tesim":["Re-Imagining is an ecumenical, radical, Christian movement focused on creating ways of\n        understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening\n        spaces for dialogue with the church, diverse religious communities, and the world.\n        Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 72\n        participants in the Re-Imagining conferences, including the first gathering in 1993,\n        Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127\n        mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from\n        gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as papers documenting Jordon's\n        work with Re-Imagining. Interviewees and speakers include Martha O. Adams, Jann\n        Aldredge-Clanton, Gail Allan, Elizabeth Andrew, Diana Butler Bass, Mary Farrell Bednarowski,\n        Elizabeth Bettenhausen, Nadean Bishop, Kathy Black, Donna Blackstock, Steven Blons, Robert\n        Brinkley, Rita Nakashima Brock, John M. Buchanan, Nancy Chinn, Faye Christensen, Hyun Kyung\n        Chung, Susan Cole, J. Ann Craig, Susan Halcomb Craig, Kathy Deacon-Weber, Sister Holy Spirit\n        DeSouza, Heather Murray Elkins, Sara M. Evans, Marylee Fithian, Mary Gates, Marchelle\n        Hallman, Susan Hames, Robin Henry, Maren Hinderlie, José Hobday, Mary E. Hunt, Pamela Carter\n        Joern, Sally Howell Johnson, Katie Johnson, Barbara Anne Keely, Betty Kersting, Judith Allen\n        Kim, Annie Wu King, Rebecca Lynn Kiser, Mary Kuhns, Pui-lan Kwok, Barbara Lund, Barbara K.\n        Lundblad, Mary Ann Weese Lundy, Katherine Austin Mahle, Eily Marlow, Joan M. Martin, Mary\n        Kaye Medinger, Joyce Ann Mercer, Virginia R. Mollenkott, Melanie S. Morrison, Susan\n        Morrison, Mary Clark Moschella, Vivian Jenkins Nelsen, Randy Nelson, Christie Neuger, John\n        Niles, Manley Olson, Ofelia Ortega, Doris Pagelkopf, Rebecca Todd Peters, Virginia Pharr,\n        Joy Mincey Powell, Mary Preus, Anne Primavesi, Bernice Johnson Reagon, Jo Ringgenberg, Mary\n        Kay Sauter, Jeanyne B. Slettom, Jerie Smith, Joyce D. Sohl, Hilda Spann, Allison Stokes,\n        John Strausz-Clement, Judith Strausz-Clement, Sue Swanson, Hal Taussig, Margaret Thomas,\n        Rebecca Tollefson, Carmen Valenzuela, Johanna W.H. Van Wijk-Bos, Emily Wigger, Delores S.\n        Williams, Eugenia Williams, Lois Wilson, and Miriam Therese Winter."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to Duke University.\n        For more information, consult the copyright section of the Regulations and Procedures of the\n        David M. Rubenstein Rare Book \u0026amp; Manuscript Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to Duke University.\n        For more information, consult the copyright section of the Regulations and Procedures of the\n        David M. Rubenstein Rare Book \u0026 Manuscript Library."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f7f6d2f5ebd091a28e15eeda3b5ef959\"\u003eRe-Imagining is an ecumenical, radical,\n        Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista,\n        and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse\n        religious communities, and the world. Eighty-two audio files comprise an oral history\n        project by Sherry E. Jordon with 73 participants in the Re-Imagining conferences, including\n        the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men\n        and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining\n        conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000,\n        as well as three linear feet of papers documenting Jordon's work with\n        Re-Imagining.\u003c/abstract\u003e"],"abstract_tesim":["Re-Imagining is an ecumenical, radical,\n        Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista,\n        and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse\n        religious communities, and the world. Eighty-two audio files comprise an oral history\n        project by Sherry E. Jordon with 73 participants in the Re-Imagining conferences, including\n        the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men\n        and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining\n        conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000,\n        as well as three linear feet of papers documenting Jordon's work with\n        Re-Imagining."],"names_ssim":["David M. Rubenstein Rare Book \u0026 Manuscript Library","Andrew, Elizabeth, 1969-","Bass, Diana Butler, 1959-","Bednarowski, Mary Farrell","Bettenhausen, Elizabeth","Bishop, Nadean","Black, Kathy, 1956-","Blackstock, Donna, 1942-","Blons, Steven","Brinkley, Robert","Brock, Rita Nakashima","Buchanan, John M., 1938-","Chinn, Nancy, 1940-","Christensen, Faye, 1944-","Chung, Hyun Kyung","Cole, Susan, 1945-","Craig, J. Ann","Craig, Susan Halcomb, 1941-","Deacon-Weber, Kathy, 1954-","DeSouza, Sister Holy Spirit","Elkins, Heather Murray","Evans, Sara M. (Sara Margaret), 1943-","Fithian, Marylee, 1936-","Gates, Mary, 1934-","Hallman, Marchelle","Hames, Susan, 1944-","Henry, Robin, 1952-","Hinderlie, Maren","Hobday, José","Hunt, Mary E., 1951-","Joern, Pamela Carter, 1948-","Johnson, Katie","Johnson, Sally Howell","Jordon, Sherry E. (Sherry Elaine)","Keely, Barbara Anne, 1952-","Kersting, Betty, 1936-","Kim, Judith Allen, 1946-","King, Annie Wu, 1933-","Kiser, Rebecca Lynn, 1954-","Kuhns, Mary, 1945-","Kwok, Pui-lan","Lund, Barbara, 1964-","Lundblad, Barbara K., 1944-","Lundy, Mary Ann Weese, 1933-","Mahle, Katherine Austin, 1945-","Marlow, Eily, 1975-","Martin, Joan M. (Joan Marie)","Medinger, Mary Kaye, 1946-","Mercer, Joyce Ann, 1957-","Mollenkott, Virginia R.","Morrison, Susan, 1943-","Moschella, Mary Clark","Nelsen, Vivian Jenkins","Nelson, Randy, 1941-","Niles, John, 1945-","Olson, Manley, 1936-","Pagelkopf, Doris, 1938-","Peters, Rebecca Todd","Pharr, Virginia","Powell, Joy Mincey","Preus, Mary","Primavesi, Anne, 1934-","Reagon, Bernice Johnson, 1942-","Ringgenberg, Jo","Sauter, Mary Kay","Slettom, Jeanyne B.","Smith, Jerie","Sohl, Joyce D.","Stokes, Allison, 1942-","Strausz-Clement, John","Strausz-Clement, Judith","Swanson, Sue","Taussig, Hal","Thomas, Margaret","Tollefson, Rebecca","Valenzuela, Carmen","Van Wijk-Bos, Johanna W. H., 1940-","Wigger, Emily","Williams, Delores S.","Williams, Eugenia","Winter, Miriam Therese","Spann, Hilda","Ortega, Ofelia","Morrison, Melanie, 1949-","Adams, Martha O.","Aldredge-Clanton, Jann, 1946-","Allan, Gail, 1954-","Neuger, Christine Cozad, 1952-","Wilson, Lois"],"corpname_ssim":["David M. Rubenstein Rare Book \u0026 Manuscript Library"],"names_coll_ssim":["Andrew, Elizabeth, 1969-","Bass, Diana Butler, 1959-","Bednarowski, Mary Farrell","Bettenhausen, Elizabeth","Bishop, Nadean","Black, Kathy, 1956-","Blackstock, Donna, 1942-","Blons, Steven","Brinkley, Robert","Brock, Rita Nakashima","Buchanan, John M., 1938-","Chinn, Nancy, 1940-","Christensen, Faye, 1944-","Chung, Hyun Kyung","Cole, Susan, 1945-","Craig, J. Ann","Craig, Susan Halcomb, 1941-","Deacon-Weber, Kathy, 1954-","DeSouza, Sister Holy Spirit","Elkins, Heather Murray","Evans, Sara M. (Sara Margaret), 1943-","Fithian, Marylee, 1936-","Gates, Mary, 1934-","Hallman, Marchelle","Hames, Susan, 1944-","Henry, Robin, 1952-","Hinderlie, Maren","Hobday, José","Hunt, Mary E., 1951-","Joern, Pamela Carter, 1948-","Johnson, Katie","Johnson, Sally Howell","Jordon, Sherry E. (Sherry Elaine)","Keely, Barbara Anne, 1952-","Kersting, Betty, 1936-","Kim, Judith Allen, 1946-","King, Annie Wu, 1933-","Kiser, Rebecca Lynn, 1954-","Kuhns, Mary, 1945-","Kwok, Pui-lan","Lund, Barbara, 1964-","Lundblad, Barbara K., 1944-","Lundy, Mary Ann Weese, 1933-","Mahle, Katherine Austin, 1945-","Marlow, Eily, 1975-","Martin, Joan M. (Joan Marie)","Medinger, Mary Kaye, 1946-","Mercer, Joyce Ann, 1957-","Mollenkott, Virginia R.","Morrison, Susan, 1943-","Moschella, Mary Clark","Nelsen, Vivian Jenkins","Nelson, Randy, 1941-","Niles, John, 1945-","Olson, Manley, 1936-","Pagelkopf, Doris, 1938-","Peters, Rebecca Todd","Pharr, Virginia","Powell, Joy Mincey","Preus, Mary","Primavesi, Anne, 1934-","Reagon, Bernice Johnson, 1942-","Ringgenberg, Jo","Sauter, Mary Kay","Slettom, Jeanyne B.","Smith, Jerie","Sohl, Joyce D.","Stokes, Allison, 1942-","Strausz-Clement, John","Strausz-Clement, Judith","Swanson, Sue","Taussig, Hal","Thomas, Margaret","Tollefson, Rebecca","Valenzuela, Carmen","Van Wijk-Bos, Johanna W. H., 1940-","Wigger, Emily","Williams, Delores S.","Williams, Eugenia","Winter, Miriam Therese","Spann, Hilda","Ortega, Ofelia","Morrison, Melanie, 1949-","Adams, Martha O.","Aldredge-Clanton, Jann, 1946-","Allan, Gail, 1954-","Neuger, Christine Cozad, 1952-","Wilson, Lois"],"persname_ssim":["Andrew, Elizabeth, 1969-","Bass, Diana Butler, 1959-","Bednarowski, Mary Farrell","Bettenhausen, Elizabeth","Bishop, Nadean","Black, Kathy, 1956-","Blackstock, Donna, 1942-","Blons, Steven","Brinkley, Robert","Brock, Rita Nakashima","Buchanan, John M., 1938-","Chinn, Nancy, 1940-","Christensen, Faye, 1944-","Chung, Hyun Kyung","Cole, Susan, 1945-","Craig, J. Ann","Craig, Susan Halcomb, 1941-","Deacon-Weber, Kathy, 1954-","DeSouza, Sister Holy Spirit","Elkins, Heather Murray","Evans, Sara M. (Sara Margaret), 1943-","Fithian, Marylee, 1936-","Gates, Mary, 1934-","Hallman, Marchelle","Hames, Susan, 1944-","Henry, Robin, 1952-","Hinderlie, Maren","Hobday, José","Hunt, Mary E., 1951-","Joern, Pamela Carter, 1948-","Johnson, Katie","Johnson, Sally Howell","Jordon, Sherry E. (Sherry Elaine)","Keely, Barbara Anne, 1952-","Kersting, Betty, 1936-","Kim, Judith Allen, 1946-","King, Annie Wu, 1933-","Kiser, Rebecca Lynn, 1954-","Kuhns, Mary, 1945-","Kwok, Pui-lan","Lund, Barbara, 1964-","Lundblad, Barbara K., 1944-","Lundy, Mary Ann Weese, 1933-","Mahle, Katherine Austin, 1945-","Marlow, Eily, 1975-","Martin, Joan M. (Joan Marie)","Medinger, Mary Kaye, 1946-","Mercer, Joyce Ann, 1957-","Mollenkott, Virginia R.","Morrison, Susan, 1943-","Moschella, Mary Clark","Nelsen, Vivian Jenkins","Nelson, Randy, 1941-","Niles, John, 1945-","Olson, Manley, 1936-","Pagelkopf, Doris, 1938-","Peters, Rebecca Todd","Pharr, Virginia","Powell, Joy Mincey","Preus, Mary","Primavesi, Anne, 1934-","Reagon, Bernice Johnson, 1942-","Ringgenberg, Jo","Sauter, Mary Kay","Slettom, Jeanyne B.","Smith, Jerie","Sohl, Joyce D.","Stokes, Allison, 1942-","Strausz-Clement, John","Strausz-Clement, Judith","Swanson, Sue","Taussig, Hal","Thomas, Margaret","Tollefson, Rebecca","Valenzuela, Carmen","Van Wijk-Bos, Johanna W. H., 1940-","Wigger, Emily","Williams, Delores S.","Williams, Eugenia","Winter, Miriam Therese","Spann, Hilda","Ortega, Ofelia","Morrison, Melanie, 1949-","Adams, Martha O.","Aldredge-Clanton, Jann, 1946-","Allan, Gail, 1954-","Neuger, Christine Cozad, 1952-","Wilson, Lois"],"language_ssim":["English","English","Materials in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":345,"online_item_count_is":65,"component_level_isim":[0],"sort_isi":0,"_root_":"reimagining","timestamp":"2025-02-18T22:58:40.698Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/reimagining_aspace_e860cee611b6ef220a78807a3750bfc5"}},{"id":"umich-wcl-M-2370mac_al_0486ec705f14b82141300eea80836fd2432c2899","type":"Series","attributes":{"title":"Papers pertaining to the 42nd (Rainbow) Division","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/umich-wcl-M-2370mac_al_0486ec705f14b82141300eea80836fd2432c2899#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"al_0486ec705f14b82141300eea80836fd2432c2899","ref_ssm":["al_0486ec705f14b82141300eea80836fd2432c2899","al_0486ec705f14b82141300eea80836fd2432c2899"],"id":"umich-wcl-M-2370mac_al_0486ec705f14b82141300eea80836fd2432c2899","title_filing_ssi":"Papers pertaining to the 42nd (Rainbow) Division","title_ssm":["Papers pertaining to the 42nd (Rainbow) Division"],"title_tesim":["Papers pertaining to the 42nd (Rainbow) Division"],"normalized_title_ssm":["Papers pertaining to the 42nd (Rainbow) Division"],"text":["Papers pertaining to the 42nd (Rainbow) Division","Douglas MacArthur collection  1885-1983 1917-1919"],"component_level_isim":[1],"parent_ssim":["umich-wcl-M-2370mac"],"parent_ssi":"umich-wcl-M-2370mac","parent_ids_ssim":["umich-wcl-M-2370mac"],"parent_unittitles_ssm":["Douglas MacArthur collection  1885-1983 1917-1919"],"parent_unittitles_tesim":["Douglas MacArthur collection  1885-1983 1917-1919"],"parent_levels_ssm":["collection"],"repository_ssim":["University of Michigan. William L. Clements Library"],"collection_ssim":["Douglas MacArthur collection  1885-1983 1917-1919"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":83,"_nest_path_":"/components#1","_nest_parent_":"umich-wcl-M-2370mac","_root_":"umich-wcl-M-2370mac","timestamp":"2025-02-18T23:25:17.168Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"umich-wcl-M-2370mac","title_ssm":["Douglas MacArthur collection  1885-1983 1917-1919","MacArthur, Douglas collection"],"title_tesim":["Douglas MacArthur collection  1885-1983 1917-1919","MacArthur, Douglas collection"],"ead_ssi":"umich-wcl-M-2370mac","level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["wclmss001314"],"text":["wclmss001314","Douglas MacArthur collection  1885-1983 1917-1919","Aisne, Battle of the, France, 1918.","Argonne, Battle of the, 1918.","Chateau-Thierry, Battle of, 1918.","Chemical Warfare.","Chemical Warfare--Safety Measures.","Chemical Weapons.","Communications, Military.","Gases, Asphyxiating and Poisonous--War Use.","Marne, 2nd Battle of the, France, 1918.","Military Assistance, French.","Military Intelligence.","Military Reconnaissance.","Saint-Mihiel (France), Battle of, 1918.","Signals and Signaling.","United States. Army.","United States--History--1913-1921.","World War, 1914-1918.","World War, 1914-1918--Aerial Operations.","World War, 1914-1918--Campaigns-France.","Books.","Diaries.","Diaries.","Letters (correspondence)","Newspapers.","Orders (military records)","Photographs.","The Douglas MacArthur collection has been organized into four series.  Within these series, the papers are separated into distinct sub-series groups. Series I: Correspondence and diaries Sub-series I: Letters and diary to Florence Adams (Box 1) Sub-series II: Letters from Douglas MacArthur to Louise Cromwell (Brooks) MacArthur (Box 1) Sub-series III: Letters from Douglas MacArthur to Hamilton Fish, Jr. (Box 1) Sub-series IV: Miscellaneous letters and documents pertaining to Douglas MacArthur (Box 1) Series II: Papers related to the 42nd (Rainbow) Division Sub-series I: Military documents to the 42nd Division from external military units (Boxes 1-2) Sub-series II: Military documents from the 42nd Division to various military units (Boxes 2-4) Sub-series III: Internal military documents from and to various military units in the 42nd Division. (Box 5) Sub-series IV: Kenneth A. Sutherland Notebook. (Box 6) Series III: Photographs and miscellaneous papers pertaining to Douglas MacArthur Sub-series I: Aerial photographs and negatives, 91st Reconnaissance Squadron. (Box 7) Sub-series II: Miscellaneous photographs and papers. (Box 8) Series IV:  Published works.","Douglas MacArthur","Douglas MacArthur was born on January 26, 1880, the youngest child of (Capt.) Arthur MacArthur (1845-1912) and Mary Pinkney Hardy (1852-1935). His siblings were Arthur (1876-1923), and Malcolm (1878-1883), who died before his seventh birthday. ","Douglas MacArthur graduated from West Texas Military Academy in 1897 as valedictorian and two years later entered West Point.  In 1903 he graduated as First Captain, West Point's highest honor.  In September 1903, he joined the 3rd Battalion Engineers in San Francisco, and almost immediately was sent to Manila, Philippines. The next year he was promoted to First Lieutenant, and in 1906 returned to the United States.  After being made Captain of Engineers at Leavenworth in 1911, MacArthur was assigned to Vera Cruz to report information to the War Department.  While serving as military aide to the Secretary of War in 1916, he conceived the idea of expanding the existing National Guard through volunteer enlistment and turned into combat divisions - an idea that would be used for the formation of the 42nd Division. ","In 1917, MacArthur was appointed Colonel and Chief of Staff of the 42nd (Rainbow) Division.  As Commander of the 84th Infantry Brigade, he led his troops during the vitally important Argonne Campaign in the last months of the war.  In 1919, the 42nd Division returned to the United States, and MacArthur accepted an appointment as Superintendent of West Point.  While there, he became permanent Brigadier General.  MacArthur married Louise Cromwell Brooks in 1922, the year he was posted to command the Philippine Division, but they divorced seven years later. In November 1929, MacArthur was promoted to General and chosen as the man to replace General Summerall as the Chief of Staff, U.S. Army.  In 1937, MacArthur married a second time - to Jean Marie Faircloth, and they had a son, Arthur, a year later. ","In December 1941, the Japanese Army attacked and defeated MacArthur's Philippine Army on the Bataan Peninsula.  The following March, MacArthur was ordered from the Philippines to command the Allied troops with Thomas Blamey.  For six months, MacArthur concentrated on the defense of New Guinea, which led to an ambitious counter-attack in January and February 1943.  On the day the Japanese surrendered, MacArthur was appointed Supreme Commander of Allied Powers. ","MacArthur remained in occupied Japan until 1950, orchestrating the reformation of the post-war country.  On the 29th of June, 1950, MacArthur went to South Korea with American forces to assess the situation after North Korea's invasion of South Korea.  This assessment led to Truman's commitment of U.S. troops to a ground war in Korea.  The North Koreans abandoned Seoul on September 28, 1950, after MacArthur's successful military plan to attack through Inchon.  As a result of the success of this campaign, China decided to enter the Korean War.  MacArthur was ordered by the Joint Chiefs of Staff and the Secretary of Defense, in conjunction with a U.N. resolution, to proceed north of the 38th parallel.  Chinese troops attacked, leading to the withdrawal of MacArthur's troops back south of the 38th.  By this time, MacArthur had disobeyed the military order to employ only Korean forces in the frontier provinces.  On the 24th of March, MacArthur issued a lengthy communiqué complaining about the restrictions on his forces and taunted the enemy for their lack of industrial power and inability to maintain even moderate air and naval power. This pronouncement and his previous insubordination caused President Truman to relieve MacArthur of his command. ","In April 1951, General Douglas MacArthur returned to San Francisco to thousands of cheering citizens.  On April 19 he presented his case regarding his relief of command to a joint session of congress.  During his remaining years, MacArthur traveled throughout the United States to make speeches, in which he often denounced communists and socialists, and spoke of corrupt administration and heavy taxation. At the age of 84, on April 5, 1964, Douglas MacArthur died in a hospital in Washington.","The 42nd (Rainbow) Division","The Rainbow Division was created in 1917 as a composite division of members of the Regular Army and the National Guard solely for use in the war in Europe.  The 42nd arrived in Europe in 1917 as the war was entering a new phase: Russia had dropped out of the war, America was joining the war, and Germany was racing to provide tremendous reinforcement before the American forces arrived. ","In February 1918 the 42nd Division, part of the First U.S. Army Corps, was ordered to the Luneville area for a month of training with French units from the 7th French Army Corps.  While there, the Rainbow Division distinguished itself as \"a first class combat Division.\" ","The first assignment for the 42nd was to relieve the 128th French Infantry Division from the Baccarat Sector.  In the war, this was the first time an American Division held a Sector on its own.  The Division successfully held the Baccarat Sector until relief orders were sent on June 16, 1918.  Two weeks later, the 42nd Division went to the front at the Battle of Champagne alongside the 21st French Army Corps.  After an attack by the Germans on the fifteenth of July, the 42nd assisted in the Champagne defense until the end of the battle (July 18).  The Sixth French Army Corps was given the Rainbow Division to pursue the supposedly retreating enemy at the Battle of the Ourcq from July 25-July 27, 1918. From July 28-August 1st, the Allies captured strongpoints of the German position.  August 2-August 3rd, the 42nd Division assisted in pursuing the enemy until relieved by the 4th Regular Division. ","After the Battle of the Ourcq, Douglas MacArthur was given command of the 84th Infantry Brigade (William Hughes, Jr., replaced him as Chief of Staff, 42nd Division).  In September, the Rainbow Division, then under the 4th American Army Corps, was ordered to attack the center of the south side of the San Mihiel Salient and was assigned to the defense of the Essey-Pannes Sector until September 30, when it was relieved by the 89th Division. ","On October 11-12, 1918, the Rainbow Division relieved the 1st Division on the Verdun front.  In order to break the 2nd German line of defense, the hill called The Cote de Chatillon had to be taken.  From October 13-16, Brigadier General Douglas MacArthur commanded the 84th Infantry Division to the successful capture of Hill 288 (a strongly fortified point on the Kreimhilde Stellung), the Tuilerie Ferme, and the Cote de Chatillon (beyond the enemy's strong line of resistance). ","The next attack took place November 1, 1918.  The 42nd Division provided machine gun fire for the advancement of the 2nd and 89th Divisions.  After this victory, and as a result of divisional rivalry (and a difference in opinion as to the exact nature of a memorandum), the 42nd and the 1st Divisions (of the First American Army Corps and the 5th American Army Corps respectively) 'raced' for the glory of partaking in the (potential) final engagement of the war, in Sedan.  On November 6-7, the Rainbow, the 4th French Army, and the 1st and 77th American Divisions, fought south of the Meuse (south of Sedan).  The fighting ended when the enemy requested an armistice on November 9, 1918.  The 42nd Division backed off and was able to claim that the Americans who got closest to Sedan were members of the 166th Infantry of the 83rd Infantry Brigade.  The armistice was signed two days later. ","The 42nd Division remained in France and occupied Germany until May 1, 1919, when the last unit arrived home. Less than two weeks later, the last Brigade was demobilized. ","The MacArthur collection contains 885 letters, documents, photographs, and published works dating from March 23, 1885, to July 5, 1983. The bulk of the material (710 items) consists of military documents and manuscript notes from September 8, 1917 to January 27, 1919.  ","The military materials include general orders, field orders, field messages, memoranda, intelligence, and communications, related to the U.S. 42nd Division (The Rainbow Division), A.E.F., founded in 1917.  The majority of the collection falls during the period of time from late 1917 to early August 1918, when Douglas MacArthur was Chief of Staff for the 42nd Division.  Documents from military units that fought alongside the 42nd Division (both French and American), the U.S. Chemical Warfare, and the Intelligence Divisions -- as well as various German, French, and American communications -- are included.  Organizational documents, such as training schedules, and march tables, are also present.  A considerable number, if not all, of these materials must have been approved or viewed by MacArthur, and many of the items in this collection bear his initials or the initials of his information assistant, William Hughes, Jr.  From early August 1918 until the armistice was signed on November 11, 1918, MacArthur acted as the commanding officer for the 84th Infantry Brigade, and several military orders bear his name. ","Seventy-six letters in the collection (located in Box 1) are either from Douglas MacArthur or pertain in some way to him.  Six of these items, dated 1904, pertain to MacArthur and Florence Adams, whom he met in the Philippines, including a 46-page diary MacArthur wrote to Adams while he was on board a ship from Manila to the United States.  Five letters, dated 1921 and 1925, are written by MacArthur to Louise Brooks who became Mrs. Douglas MacArthur in 1922.  These letters contain both romantic content as well as personal reflections on the events in MacArthur's life at the time.  Also included are nine letters from MacArthur to Hamilton Fish, Jr., dated 1921-1934.  The remainder of the correspondence is a miscellaneous collection of letters written by Douglas MacArthur, Jean MacArthur, Dwight D. Eisenhower, Harry S. Truman, and others.","The Douglas MacArthur collection also contains a notebook kept by Kenneth A. Sutherland, veteran of the 42nd Division, which contains a selection of items related to the Division's post-war activities and reunions; 40 aerial photographs and negatives taken by the 91st Reconnaissance Squadron, October 10, 1918; several photographs of Douglas MacArthur; thirteen published works by or about the General; and other miscellaneous materials.","The Douglas MacArthur collection is made up of military documents related to General Douglas MacArthur and the 42nd (Rainbow) Division during the first World War, and miscellaneous letters, documents, photographs, published works, and one diary illuminating various aspects of the General's public career and personal life.","William L. Clements Library , University of Michigan","United States. Army--Artillery.","United States. Army--Artillery--Drill and Tactics.","United States. Army--Communication Systems.","United States. Army--Drill and Tactics.","United States. Army--Equipment.","United States. Army--Field Service.","United States. Army--History.","United States. Army--Information Services.","United States. Army--Medals, Badges, Decorations, etc.","United States. Army--Organization.","United States. Army--Records and Correspondence.","United States. Army--Safety Measures.","United States. Army--Sanitary Affairs.","United States. Army. Infantry Division, 42nd.","Diedrich, D. N. (Duane Norman)","Brooks, Louise Cromwell.","Fish, Hamilton, 1849-1936.","Adams, Florence.","Eisenhower, Dwight D. (Dwight David), 1890-1969.","Granara, J. Ralph.","Hughes, William.","Hunt, Haroldson L.","Kean, Robert Winthrop.","Luhrs, H. Ernst.","MacArthur, Arthur, 1845-1912.","MacArthur, Douglas, 1880-1964.","MacArthur, Jean Faircloth.","Mark, Clark.","Menoher, Charles Thomas, 1862-1930 ","Rhodes, Weldon E.","Sutherland, Kenneth A.","Truman, Harry S., 1884-1972.","The material is in  English"],"unitid_tesim":["wclmss001314"],"normalized_title_ssm":["Douglas MacArthur collection  1885-1983 1917-1919"],"collection_title_tesim":["Douglas MacArthur collection  1885-1983 1917-1919"],"collection_ssim":["Douglas MacArthur collection  1885-1983 1917-1919"],"repository_ssm":["University of Michigan. William L. Clements Library"],"repository_ssim":["University of Michigan. William L. Clements Library"],"creator_ssm":["Diedrich, D. N. (Duane Norman)"],"creator_ssim":["Diedrich, D. N. (Duane Norman)"],"creator_persname_ssim":["Diedrich, D. N. (Duane Norman)"],"creators_ssim":["Diedrich, D. N. (Duane Norman)"],"acqinfo_ssim":[" Donated by D. N. Diedrich, 1987-2013.   M-2370 et al ."],"access_subjects_ssim":["Aisne, Battle of the, France, 1918.","Argonne, Battle of the, 1918.","Chateau-Thierry, Battle of, 1918.","Chemical Warfare.","Chemical Warfare--Safety Measures.","Chemical Weapons.","Communications, Military.","Gases, Asphyxiating and Poisonous--War Use.","Marne, 2nd Battle of the, France, 1918.","Military Assistance, French.","Military Intelligence.","Military Reconnaissance.","Saint-Mihiel (France), Battle of, 1918.","Signals and Signaling.","United States. Army.","United States--History--1913-1921.","World War, 1914-1918.","World War, 1914-1918--Aerial Operations.","World War, 1914-1918--Campaigns-France.","Books.","Diaries.","Diaries.","Letters (correspondence)","Newspapers.","Orders (military records)","Photographs."],"access_subjects_ssm":["Aisne, Battle of the, France, 1918.","Argonne, Battle of the, 1918.","Chateau-Thierry, Battle of, 1918.","Chemical Warfare.","Chemical Warfare--Safety Measures.","Chemical Weapons.","Communications, Military.","Gases, Asphyxiating and Poisonous--War Use.","Marne, 2nd Battle of the, France, 1918.","Military Assistance, French.","Military Intelligence.","Military Reconnaissance.","Saint-Mihiel (France), Battle of, 1918.","Signals and Signaling.","United States. Army.","United States--History--1913-1921.","World War, 1914-1918.","World War, 1914-1918--Aerial Operations.","World War, 1914-1918--Campaigns-France.","Books.","Diaries.","Diaries.","Letters (correspondence)","Newspapers.","Orders (military records)","Photographs."],"has_online_content_ssim":["false"],"extent_ssm":["885 items"],"extent_tesim":["885 items"],"arrangement_html_tesm":["\u003clist\u003e\n            \u003chead\u003eThe Douglas MacArthur collection has been organized into four series.  Within these series, the papers are separated into distinct sub-series groups.\u003c/head\u003e\n            \u003citem\u003eSeries I: Correspondence and diaries\u003clist\u003e\n                  \u003citem\u003eSub-series I: Letters and diary to Florence Adams (Box 1)\u003c/item\u003e\n                  \u003citem\u003eSub-series II: Letters from Douglas MacArthur to Louise Cromwell (Brooks) MacArthur (Box 1)\u003c/item\u003e\n                  \u003citem\u003eSub-series III: Letters from Douglas MacArthur to Hamilton Fish, Jr. (Box 1)\u003c/item\u003e\n                  \u003citem\u003eSub-series IV: Miscellaneous letters and documents pertaining to Douglas MacArthur (Box 1)\u003c/item\u003e\n               \u003c/list\u003e\n            \u003c/item\u003e\n            \u003citem\u003eSeries II: Papers related to the 42nd (Rainbow) Division\u003clist\u003e\n                  \u003citem\u003eSub-series I: Military documents to the 42nd Division from external military units (Boxes 1-2)\u003c/item\u003e\n                  \u003citem\u003eSub-series II: Military documents from the 42nd Division to various military units (Boxes 2-4)\u003c/item\u003e\n                  \u003citem\u003eSub-series III: Internal military documents from and to various military units in the 42nd Division. (Box 5)\u003c/item\u003e\n                  \u003citem\u003eSub-series IV: Kenneth A. Sutherland Notebook. (Box 6)\u003c/item\u003e\n               \u003c/list\u003e\n            \u003c/item\u003e\n            \u003citem\u003eSeries III: Photographs and miscellaneous papers pertaining to Douglas MacArthur\u003clist\u003e\n                  \u003citem\u003eSub-series I: Aerial photographs and negatives, 91st Reconnaissance Squadron. (Box 7)\u003c/item\u003e\n                  \u003citem\u003eSub-series II: Miscellaneous photographs and papers. (Box 8)\u003c/item\u003e\n               \u003c/list\u003e\n            \u003c/item\u003e\n            \u003citem\u003eSeries IV:  Published works.\u003c/item\u003e\n         \u003c/list\u003e"],"arrangement_tesim":["The Douglas MacArthur collection has been organized into four series.  Within these series, the papers are separated into distinct sub-series groups. Series I: Correspondence and diaries Sub-series I: Letters and diary to Florence Adams (Box 1) Sub-series II: Letters from Douglas MacArthur to Louise Cromwell (Brooks) MacArthur (Box 1) Sub-series III: Letters from Douglas MacArthur to Hamilton Fish, Jr. (Box 1) Sub-series IV: Miscellaneous letters and documents pertaining to Douglas MacArthur (Box 1) Series II: Papers related to the 42nd (Rainbow) Division Sub-series I: Military documents to the 42nd Division from external military units (Boxes 1-2) Sub-series II: Military documents from the 42nd Division to various military units (Boxes 2-4) Sub-series III: Internal military documents from and to various military units in the 42nd Division. (Box 5) Sub-series IV: Kenneth A. Sutherland Notebook. (Box 6) Series III: Photographs and miscellaneous papers pertaining to Douglas MacArthur Sub-series I: Aerial photographs and negatives, 91st Reconnaissance Squadron. (Box 7) Sub-series II: Miscellaneous photographs and papers. (Box 8) Series IV:  Published works."],"bioghist_html_tesm":["\u003cp\u003e\n            \u003cemph render=\"underline\"\u003e\n               \u003cemph render=\"underline\"\u003eDouglas MacArthur\u003c/emph\u003e\n            \u003c/emph\u003e\n         \u003c/p\u003e","\u003cp\u003eDouglas MacArthur was born on January 26, 1880, the youngest child of (Capt.) Arthur MacArthur (1845-1912) and Mary Pinkney Hardy (1852-1935). His siblings were Arthur (1876-1923), and Malcolm (1878-1883), who died before his seventh birthday. \u003c/p\u003e","\u003cp\u003eDouglas MacArthur graduated from West Texas Military Academy in 1897 as valedictorian and two years later entered West Point.  In 1903 he graduated as First Captain, West Point's highest honor.  In September 1903, he joined the 3rd Battalion Engineers in San Francisco, and almost immediately was sent to Manila, Philippines. The next year he was promoted to First Lieutenant, and in 1906 returned to the United States.  After being made Captain of Engineers at Leavenworth in 1911, MacArthur was assigned to Vera Cruz to report information to the War Department.  While serving as military aide to the Secretary of War in 1916, he conceived the idea of expanding the existing National Guard through volunteer enlistment and turned into combat divisions - an idea that would be used for the formation of the 42nd Division. \u003c/p\u003e","\u003cp\u003eIn 1917, MacArthur was appointed Colonel and Chief of Staff of the 42nd (Rainbow) Division.  As Commander of the 84th Infantry Brigade, he led his troops during the vitally important Argonne Campaign in the last months of the war.  In 1919, the 42nd Division returned to the United States, and MacArthur accepted an appointment as Superintendent of West Point.  While there, he became permanent Brigadier General.  MacArthur married Louise Cromwell Brooks in 1922, the year he was posted to command the Philippine Division, but they divorced seven years later. In November 1929, MacArthur was promoted to General and chosen as the man to replace General Summerall as the Chief of Staff, U.S. Army.  In 1937, MacArthur married a second time - to Jean Marie Faircloth, and they had a son, Arthur, a year later. \u003c/p\u003e","\u003cp\u003eIn December 1941, the Japanese Army attacked and defeated MacArthur's Philippine Army on the Bataan Peninsula.  The following March, MacArthur was ordered from the Philippines to command the Allied troops with Thomas Blamey.  For six months, MacArthur concentrated on the defense of New Guinea, which led to an ambitious counter-attack in January and February 1943.  On the day the Japanese surrendered, MacArthur was appointed Supreme Commander of Allied Powers. \u003c/p\u003e","\u003cp\u003eMacArthur remained in occupied Japan until 1950, orchestrating the reformation of the post-war country.  On the 29th of June, 1950, MacArthur went to South Korea with American forces to assess the situation after North Korea's invasion of South Korea.  This assessment led to Truman's commitment of U.S. troops to a ground war in Korea.  The North Koreans abandoned Seoul on September 28, 1950, after MacArthur's successful military plan to attack through Inchon.  As a result of the success of this campaign, China decided to enter the Korean War.  MacArthur was ordered by the Joint Chiefs of Staff and the Secretary of Defense, in conjunction with a U.N. resolution, to proceed north of the 38th parallel.  Chinese troops attacked, leading to the withdrawal of MacArthur's troops back south of the 38th.  By this time, MacArthur had disobeyed the military order to employ only Korean forces in the frontier provinces.  On the 24th of March, MacArthur issued a lengthy communiqué complaining about the restrictions on his forces and taunted the enemy for their lack of industrial power and inability to maintain even moderate air and naval power. This pronouncement and his previous insubordination caused President Truman to relieve MacArthur of his command. \u003c/p\u003e","\u003cp\u003eIn April 1951, General Douglas MacArthur returned to San Francisco to thousands of cheering citizens.  On April 19 he presented his case regarding his relief of command to a joint session of congress.  During his remaining years, MacArthur traveled throughout the United States to make speeches, in which he often denounced communists and socialists, and spoke of corrupt administration and heavy taxation. At the age of 84, on April 5, 1964, Douglas MacArthur died in a hospital in Washington.\u003c/p\u003e","\u003cp\u003e\n            \u003cemph render=\"underline\"\u003e\n               \u003cemph render=\"underline\"\u003eThe 42nd (Rainbow) Division\u003c/emph\u003e\n            \u003c/emph\u003e\n         \u003c/p\u003e","\u003cp\u003eThe Rainbow Division was created in 1917 as a composite division of members of the Regular Army and the National Guard solely for use in the war in Europe.  The 42nd arrived in Europe in 1917 as the war was entering a new phase: Russia had dropped out of the war, America was joining the war, and Germany was racing to provide tremendous reinforcement before the American forces arrived. \u003c/p\u003e","\u003cp\u003eIn February 1918 the 42nd Division, part of the First U.S. Army Corps, was ordered to the Luneville area for a month of training with French units from the 7th French Army Corps.  While there, the Rainbow Division distinguished itself as \"a first class combat Division.\" \u003c/p\u003e","\u003cp\u003eThe first assignment for the 42nd was to relieve the 128th French Infantry Division from the Baccarat Sector.  In the war, this was the first time an American Division held a Sector on its own.  The Division successfully held the Baccarat Sector until relief orders were sent on June 16, 1918.  Two weeks later, the 42nd Division went to the front at the Battle of Champagne alongside the 21st French Army Corps.  After an attack by the Germans on the fifteenth of July, the 42nd assisted in the Champagne defense until the end of the battle (July 18).  The Sixth French Army Corps was given the Rainbow Division to pursue the supposedly retreating enemy at the Battle of the Ourcq from July 25-July 27, 1918. From July 28-August 1st, the Allies captured strongpoints of the German position.  August 2-August 3rd, the 42nd Division assisted in pursuing the enemy until relieved by the 4th Regular Division. \u003c/p\u003e","\u003cp\u003eAfter the Battle of the Ourcq, Douglas MacArthur was given command of the 84th Infantry Brigade (William Hughes, Jr., replaced him as Chief of Staff, 42nd Division).  In September, the Rainbow Division, then under the 4th American Army Corps, was ordered to attack the center of the south side of the San Mihiel Salient and was assigned to the defense of the Essey-Pannes Sector until September 30, when it was relieved by the 89th Division. \u003c/p\u003e","\u003cp\u003eOn October 11-12, 1918, the Rainbow Division relieved the 1st Division on the Verdun front.  In order to break the 2nd German line of defense, the hill called The Cote de Chatillon had to be taken.  From October 13-16, Brigadier General Douglas MacArthur commanded the 84th Infantry Division to the successful capture of Hill 288 (a strongly fortified point on the Kreimhilde Stellung), the Tuilerie Ferme, and the Cote de Chatillon (beyond the enemy's strong line of resistance). \u003c/p\u003e","\u003cp\u003eThe next attack took place November 1, 1918.  The 42nd Division provided machine gun fire for the advancement of the 2nd and 89th Divisions.  After this victory, and as a result of divisional rivalry (and a difference in opinion as to the exact nature of a memorandum), the 42nd and the 1st Divisions (of the First American Army Corps and the 5th American Army Corps respectively) 'raced' for the glory of partaking in the (potential) final engagement of the war, in Sedan.  On November 6-7, the Rainbow, the 4th French Army, and the 1st and 77th American Divisions, fought south of the Meuse (south of Sedan).  The fighting ended when the enemy requested an armistice on November 9, 1918.  The 42nd Division backed off and was able to claim that the Americans who got closest to Sedan were members of the 166th Infantry of the 83rd Infantry Brigade.  The armistice was signed two days later. \u003c/p\u003e","\u003cp\u003eThe 42nd Division remained in France and occupied Germany until May 1, 1919, when the last unit arrived home. Less than two weeks later, the last Brigade was demobilized. \u003c/p\u003e"],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["Douglas MacArthur","Douglas MacArthur was born on January 26, 1880, the youngest child of (Capt.) Arthur MacArthur (1845-1912) and Mary Pinkney Hardy (1852-1935). His siblings were Arthur (1876-1923), and Malcolm (1878-1883), who died before his seventh birthday. ","Douglas MacArthur graduated from West Texas Military Academy in 1897 as valedictorian and two years later entered West Point.  In 1903 he graduated as First Captain, West Point's highest honor.  In September 1903, he joined the 3rd Battalion Engineers in San Francisco, and almost immediately was sent to Manila, Philippines. The next year he was promoted to First Lieutenant, and in 1906 returned to the United States.  After being made Captain of Engineers at Leavenworth in 1911, MacArthur was assigned to Vera Cruz to report information to the War Department.  While serving as military aide to the Secretary of War in 1916, he conceived the idea of expanding the existing National Guard through volunteer enlistment and turned into combat divisions - an idea that would be used for the formation of the 42nd Division. ","In 1917, MacArthur was appointed Colonel and Chief of Staff of the 42nd (Rainbow) Division.  As Commander of the 84th Infantry Brigade, he led his troops during the vitally important Argonne Campaign in the last months of the war.  In 1919, the 42nd Division returned to the United States, and MacArthur accepted an appointment as Superintendent of West Point.  While there, he became permanent Brigadier General.  MacArthur married Louise Cromwell Brooks in 1922, the year he was posted to command the Philippine Division, but they divorced seven years later. In November 1929, MacArthur was promoted to General and chosen as the man to replace General Summerall as the Chief of Staff, U.S. Army.  In 1937, MacArthur married a second time - to Jean Marie Faircloth, and they had a son, Arthur, a year later. ","In December 1941, the Japanese Army attacked and defeated MacArthur's Philippine Army on the Bataan Peninsula.  The following March, MacArthur was ordered from the Philippines to command the Allied troops with Thomas Blamey.  For six months, MacArthur concentrated on the defense of New Guinea, which led to an ambitious counter-attack in January and February 1943.  On the day the Japanese surrendered, MacArthur was appointed Supreme Commander of Allied Powers. ","MacArthur remained in occupied Japan until 1950, orchestrating the reformation of the post-war country.  On the 29th of June, 1950, MacArthur went to South Korea with American forces to assess the situation after North Korea's invasion of South Korea.  This assessment led to Truman's commitment of U.S. troops to a ground war in Korea.  The North Koreans abandoned Seoul on September 28, 1950, after MacArthur's successful military plan to attack through Inchon.  As a result of the success of this campaign, China decided to enter the Korean War.  MacArthur was ordered by the Joint Chiefs of Staff and the Secretary of Defense, in conjunction with a U.N. resolution, to proceed north of the 38th parallel.  Chinese troops attacked, leading to the withdrawal of MacArthur's troops back south of the 38th.  By this time, MacArthur had disobeyed the military order to employ only Korean forces in the frontier provinces.  On the 24th of March, MacArthur issued a lengthy communiqué complaining about the restrictions on his forces and taunted the enemy for their lack of industrial power and inability to maintain even moderate air and naval power. This pronouncement and his previous insubordination caused President Truman to relieve MacArthur of his command. ","In April 1951, General Douglas MacArthur returned to San Francisco to thousands of cheering citizens.  On April 19 he presented his case regarding his relief of command to a joint session of congress.  During his remaining years, MacArthur traveled throughout the United States to make speeches, in which he often denounced communists and socialists, and spoke of corrupt administration and heavy taxation. At the age of 84, on April 5, 1964, Douglas MacArthur died in a hospital in Washington.","The 42nd (Rainbow) Division","The Rainbow Division was created in 1917 as a composite division of members of the Regular Army and the National Guard solely for use in the war in Europe.  The 42nd arrived in Europe in 1917 as the war was entering a new phase: Russia had dropped out of the war, America was joining the war, and Germany was racing to provide tremendous reinforcement before the American forces arrived. ","In February 1918 the 42nd Division, part of the First U.S. Army Corps, was ordered to the Luneville area for a month of training with French units from the 7th French Army Corps.  While there, the Rainbow Division distinguished itself as \"a first class combat Division.\" ","The first assignment for the 42nd was to relieve the 128th French Infantry Division from the Baccarat Sector.  In the war, this was the first time an American Division held a Sector on its own.  The Division successfully held the Baccarat Sector until relief orders were sent on June 16, 1918.  Two weeks later, the 42nd Division went to the front at the Battle of Champagne alongside the 21st French Army Corps.  After an attack by the Germans on the fifteenth of July, the 42nd assisted in the Champagne defense until the end of the battle (July 18).  The Sixth French Army Corps was given the Rainbow Division to pursue the supposedly retreating enemy at the Battle of the Ourcq from July 25-July 27, 1918. From July 28-August 1st, the Allies captured strongpoints of the German position.  August 2-August 3rd, the 42nd Division assisted in pursuing the enemy until relieved by the 4th Regular Division. ","After the Battle of the Ourcq, Douglas MacArthur was given command of the 84th Infantry Brigade (William Hughes, Jr., replaced him as Chief of Staff, 42nd Division).  In September, the Rainbow Division, then under the 4th American Army Corps, was ordered to attack the center of the south side of the San Mihiel Salient and was assigned to the defense of the Essey-Pannes Sector until September 30, when it was relieved by the 89th Division. ","On October 11-12, 1918, the Rainbow Division relieved the 1st Division on the Verdun front.  In order to break the 2nd German line of defense, the hill called The Cote de Chatillon had to be taken.  From October 13-16, Brigadier General Douglas MacArthur commanded the 84th Infantry Division to the successful capture of Hill 288 (a strongly fortified point on the Kreimhilde Stellung), the Tuilerie Ferme, and the Cote de Chatillon (beyond the enemy's strong line of resistance). ","The next attack took place November 1, 1918.  The 42nd Division provided machine gun fire for the advancement of the 2nd and 89th Divisions.  After this victory, and as a result of divisional rivalry (and a difference in opinion as to the exact nature of a memorandum), the 42nd and the 1st Divisions (of the First American Army Corps and the 5th American Army Corps respectively) 'raced' for the glory of partaking in the (potential) final engagement of the war, in Sedan.  On November 6-7, the Rainbow, the 4th French Army, and the 1st and 77th American Divisions, fought south of the Meuse (south of Sedan).  The fighting ended when the enemy requested an armistice on November 9, 1918.  The 42nd Division backed off and was able to claim that the Americans who got closest to Sedan were members of the 166th Infantry of the 83rd Infantry Brigade.  The armistice was signed two days later. ","The 42nd Division remained in France and occupied Germany until May 1, 1919, when the last unit arrived home. Less than two weeks later, the last Brigade was demobilized. "],"scopecontent_html_tesm":["\u003cp\u003eThe MacArthur collection contains 885 letters, documents, photographs, and published works dating from March 23, 1885, to July 5, 1983. The bulk of the material (710 items) consists of military documents and manuscript notes from September 8, 1917 to January 27, 1919.  \u003c/p\u003e","\u003cp\u003eThe military materials include general orders, field orders, field messages, memoranda, intelligence, and communications, related to the U.S. 42nd Division (The Rainbow Division), A.E.F., founded in 1917.  The majority of the collection falls during the period of time from late 1917 to early August 1918, when Douglas MacArthur was Chief of Staff for the 42nd Division.  Documents from military units that fought alongside the 42nd Division (both French and American), the U.S. Chemical Warfare, and the Intelligence Divisions -- as well as various German, French, and American communications -- are included.  Organizational documents, such as training schedules, and march tables, are also present.  A considerable number, if not all, of these materials must have been approved or viewed by MacArthur, and many of the items in this collection bear his initials or the initials of his information assistant, William Hughes, Jr.  From early August 1918 until the armistice was signed on November 11, 1918, MacArthur acted as the commanding officer for the 84th Infantry Brigade, and several military orders bear his name. \u003c/p\u003e","\u003cp\u003eSeventy-six letters in the collection (located in Box 1) are either from Douglas MacArthur or pertain in some way to him.  Six of these items, dated 1904, pertain to MacArthur and Florence Adams, whom he met in the Philippines, including a 46-page diary MacArthur wrote to Adams while he was on board a ship from Manila to the United States.  Five letters, dated 1921 and 1925, are written by MacArthur to Louise Brooks who became Mrs. Douglas MacArthur in 1922.  These letters contain both romantic content as well as personal reflections on the events in MacArthur's life at the time.  Also included are nine letters from MacArthur to Hamilton Fish, Jr., dated 1921-1934.  The remainder of the correspondence is a miscellaneous collection of letters written by Douglas MacArthur, Jean MacArthur, Dwight D. Eisenhower, Harry S. Truman, and others.\u003c/p\u003e","\u003cp\u003eThe Douglas MacArthur collection also contains a notebook kept by Kenneth A. Sutherland, veteran of the 42nd Division, which contains a selection of items related to the Division's post-war activities and reunions; 40 aerial photographs and negatives taken by the 91st Reconnaissance Squadron, October 10, 1918; several photographs of Douglas MacArthur; thirteen published works by or about the General; and other miscellaneous materials.\u003c/p\u003e"],"scopecontent_tesim":["The MacArthur collection contains 885 letters, documents, photographs, and published works dating from March 23, 1885, to July 5, 1983. The bulk of the material (710 items) consists of military documents and manuscript notes from September 8, 1917 to January 27, 1919.  ","The military materials include general orders, field orders, field messages, memoranda, intelligence, and communications, related to the U.S. 42nd Division (The Rainbow Division), A.E.F., founded in 1917.  The majority of the collection falls during the period of time from late 1917 to early August 1918, when Douglas MacArthur was Chief of Staff for the 42nd Division.  Documents from military units that fought alongside the 42nd Division (both French and American), the U.S. Chemical Warfare, and the Intelligence Divisions -- as well as various German, French, and American communications -- are included.  Organizational documents, such as training schedules, and march tables, are also present.  A considerable number, if not all, of these materials must have been approved or viewed by MacArthur, and many of the items in this collection bear his initials or the initials of his information assistant, William Hughes, Jr.  From early August 1918 until the armistice was signed on November 11, 1918, MacArthur acted as the commanding officer for the 84th Infantry Brigade, and several military orders bear his name. ","Seventy-six letters in the collection (located in Box 1) are either from Douglas MacArthur or pertain in some way to him.  Six of these items, dated 1904, pertain to MacArthur and Florence Adams, whom he met in the Philippines, including a 46-page diary MacArthur wrote to Adams while he was on board a ship from Manila to the United States.  Five letters, dated 1921 and 1925, are written by MacArthur to Louise Brooks who became Mrs. Douglas MacArthur in 1922.  These letters contain both romantic content as well as personal reflections on the events in MacArthur's life at the time.  Also included are nine letters from MacArthur to Hamilton Fish, Jr., dated 1921-1934.  The remainder of the correspondence is a miscellaneous collection of letters written by Douglas MacArthur, Jean MacArthur, Dwight D. Eisenhower, Harry S. Truman, and others.","The Douglas MacArthur collection also contains a notebook kept by Kenneth A. Sutherland, veteran of the 42nd Division, which contains a selection of items related to the Division's post-war activities and reunions; 40 aerial photographs and negatives taken by the 91st Reconnaissance Squadron, October 10, 1918; several photographs of Douglas MacArthur; thirteen published works by or about the General; and other miscellaneous materials."],"abstract_html_tesm":["\u003cabstract\u003eThe Douglas MacArthur collection is made up of military documents related to General Douglas MacArthur and the 42nd (Rainbow) Division during the first World War, and miscellaneous letters, documents, photographs, published works, and one diary illuminating various aspects of the General's public career and personal life.\u003c/abstract\u003e"],"abstract_tesim":["The Douglas MacArthur collection is made up of military documents related to General Douglas MacArthur and the 42nd (Rainbow) Division during the first World War, and miscellaneous letters, documents, photographs, published works, and one diary illuminating various aspects of the General's public career and personal life."],"names_ssim":["William L. Clements Library , University of Michigan","United States. Army--Artillery.","United States. Army--Artillery--Drill and Tactics.","United States. Army--Communication Systems.","United States. Army--Drill and Tactics.","United States. Army--Equipment.","United States. Army--Field Service.","United States. Army--History.","United States. Army--Information Services.","United States. Army--Medals, Badges, Decorations, etc.","United States. Army--Organization.","United States. Army--Records and Correspondence.","United States. Army--Safety Measures.","United States. Army--Sanitary Affairs.","United States. Army. Infantry Division, 42nd.","Diedrich, D. N. (Duane Norman)","Brooks, Louise Cromwell.","Fish, Hamilton, 1849-1936.","Adams, Florence.","Eisenhower, Dwight D. (Dwight David), 1890-1969.","Granara, J. Ralph.","Hughes, William.","Hunt, Haroldson L.","Kean, Robert Winthrop.","Luhrs, H. Ernst.","MacArthur, Arthur, 1845-1912.","MacArthur, Douglas, 1880-1964.","MacArthur, Jean Faircloth.","Mark, Clark.","Menoher, Charles Thomas, 1862-1930 ","Rhodes, Weldon E.","Sutherland, Kenneth A.","Truman, Harry S., 1884-1972."],"corpname_ssim":["William L. Clements Library , University of Michigan","United States. Army--Artillery.","United States. Army--Artillery--Drill and Tactics.","United States. Army--Communication Systems.","United States. Army--Drill and Tactics.","United States. Army--Equipment.","United States. Army--Field Service.","United States. Army--History.","United States. Army--Information Services.","United States. Army--Medals, Badges, Decorations, etc.","United States. Army--Organization.","United States. Army--Records and Correspondence.","United States. Army--Safety Measures.","United States. Army--Sanitary Affairs.","United States. Army. Infantry Division, 42nd."],"persname_ssim":["Diedrich, D. N. (Duane Norman)","Brooks, Louise Cromwell.","Fish, Hamilton, 1849-1936.","Adams, Florence.","Eisenhower, Dwight D. (Dwight David), 1890-1969.","Granara, J. Ralph.","Hughes, William.","Hunt, Haroldson L.","Kean, Robert Winthrop.","Luhrs, H. Ernst.","MacArthur, Arthur, 1845-1912.","MacArthur, Douglas, 1880-1964.","MacArthur, Jean Faircloth.","Mark, Clark.","Menoher, Charles Thomas, 1862-1930 ","Rhodes, Weldon E.","Sutherland, Kenneth A.","Truman, Harry S., 1884-1972."],"language_ssim":["The material is in  English"],"descrules_ssm":["Finding aid prepared using Describing Archives: A Content Standard (DACS)"],"total_component_count_is":154,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"umich-wcl-M-2370mac","timestamp":"2025-02-18T23:25:17.168Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/umich-wcl-M-2370mac_al_0486ec705f14b82141300eea80836fd2432c2899"}},{"id":"umich-wcl-G-tind-0083_al_b630d994fc6ce1160cf5e209920620a76d72159c","type":"File","attributes":{"title":"Parades","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/umich-wcl-G-tind-0083_al_b630d994fc6ce1160cf5e209920620a76d72159c#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"al_b630d994fc6ce1160cf5e209920620a76d72159c","ref_ssm":["al_b630d994fc6ce1160cf5e209920620a76d72159c","al_b630d994fc6ce1160cf5e209920620a76d72159c"],"id":"umich-wcl-G-tind-0083_al_b630d994fc6ce1160cf5e209920620a76d72159c","title_filing_ssi":"Parades","title_ssm":["Parades"],"title_tesim":["Parades"],"normalized_title_ssm":["Parades"],"text":["Parades","David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","David V. Tinder collection of Michigan photography, County File, Wayne County, Box 13"],"component_level_isim":[2],"parent_ssim":["umich-wcl-G-tind-0083","al_0cbaa5195aa116d8dea0e77ed533584da6ce20db"],"parent_ssi":"al_0cbaa5195aa116d8dea0e77ed533584da6ce20db","parent_ids_ssim":["umich-wcl-G-tind-0083","umich-wcl-G-tind-0083_al_0cbaa5195aa116d8dea0e77ed533584da6ce20db"],"parent_unittitles_ssm":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","David V. Tinder collection of Michigan photography, County File, Wayne County, Box 13"],"parent_unittitles_tesim":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","David V. Tinder collection of Michigan photography, County File, Wayne County, Box 13"],"parent_levels_ssm":["collection","Series"],"repository_ssim":["University of Michigan. William L. Clements Library"],"collection_ssim":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":215,"_nest_path_":"/components#12/components#2","_nest_parent_":"umich-wcl-G-tind-0083_al_0cbaa5195aa116d8dea0e77ed533584da6ce20db","_root_":"umich-wcl-G-tind-0083","timestamp":"2025-02-18T23:25:22.393Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"umich-wcl-G-tind-0083","title_ssm":["  David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","Tinder, David V., Collection of Michigan Photography, County File, Wayne County"],"title_tesim":["  David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","Tinder, David V., Collection of Michigan Photography, County File, Wayne County"],"ead_ssi":"umich-wcl-G-tind-0083","level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["wclgrfx000200"],"text":["wclgrfx000200","David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","David V. Tinder Collection of Michigan Photography.","Photographs shelf.","Actors--Michigan--1900-1910.","Actresses--Michigan--1890-1910.","African American businesspeople--Michigan.","African American children--Portraits--Michigan.","African American choirs--Michigan.","African American churches--Michigan.","African American freemasons--Michigan.","African American judges--Michigan.","African American musicians--Michigan.","African Americans--Societies, etc.--Michigan.","African American students--Michigan.","African American Sunday schools--Michigan.","Agricultural laborers--Michigan.","Airports--Michigan.","Aircraft--Michigan--1930-1940.","Aircraft industry--Michigan.","Air shows--Michigan.","Amateur theater--Michigan.","Amusement parks--Michigan.","Animals on television--Michigan.","Asbestos--Michigan.","Automobile factories--Michigan.","Automobile industry workers--Michigan.","Automobile rallies--Michigan.","Automobiles--Michigan.","Automobiles--Design and construction--Michigan.","Balls (Parties)--Michigan--1910-1920.","Bands (Music)--Michigan.","Banquets--Michigan--1920-1930.","Barbers--Michigan.","Barbershops--Michigan--1910-1920.","Bar mitzvah--Michigan.","Bars (Drinking establishments)--Michigan.","Baseball players--Michigan.","Basketball courts--Michigan.","Basketball players--Michigan.","Beauty shops--Michigan.","Beekeepers--Michigan.","Bicycles \u0026 tricycles--Michigan--1890-1930.","Bicycle stores--Michigan.","Blacksmiths--Michigan.","Blizzards--Michigan.","Boats and boating--Michigan.","Boycotts--Michigan.","Breweries--Michigan.","Breweries--Employees--Michigan.","Brick trade--Michigan.","Bridges--Michigan--Detroit.","Broom and brush industry--Michigan.","Building construction--Michigan--1910-1930.","Buses--Michigan--1930-1940.","Business organizations--Michigan.","Business Schools--Michigan.","Button industry--Michigan.","Cafeterias--Michigan.","Camping--Michigan.","Canoes and canoeing--Michigan.","Carts \u0026 wagons--Michigan--1890-1910","Casinos--Michigan.","Catholic schools--Michigan.","Cemeteries--Michigan.","Chauffeurs--Michigan.","Chemical industry--Michigan.","Children's costumes--Michigan.","Children's parties--Michigan--1890-1900.","Children--Michigan--Portraits.","Children's choirs--Michigan.","Church buildings--Michigan.","Cigar industry--Michigan.","Circus animals--Michigan.","Circus performers--Michigan.","City councils--Michigan--Hamtramck (Mich.)","City halls--Michigan.","Commercial photography--Michigan.","Concert programs--Michigan.","Confirmation--Catholic Church--Michigan.","Construction workers--Michigan.","Coopers and Cooperage--Michigan.","Couples--Michigan--Portraits.","Creameries--Michigan.","Cross-country runners--Michigan.","Curling--Michigan.","Dairying--Michigan.","Delivery of goods--Michigan.","Diving--Michigan--1890-1900.","Docks--Michigan.","Dredges--Michigan.","Drugstores--Michigan.","Dwellings--Michigan.","Engines--Michigan.","Entertainers--Michigan--1900-1910.","Ethnic costume--Romania.","Ethnic groups--Michigan.","Exhibitions--Michigan--1880-1890.","Explosions--Michigan.","Factories--Employees--Michigan.","Factories--Michigan.","Families--Michigan--Portraits.","Fire fighters--Michigan.","Florists--Michigan.","Flour mills--Michigan.","Flower arrangements--Michigan--1920-1940.","Football players--Michigan--1900-1910.","Fraternal organizations--Michigan","Funeral rites \u0026 ceremonies--Michigan--1910-1930","Gardens--Michigan--1900-1910.","Gas power plants--Michigan.","Graduation (School)","Grocery trade--Michigan.","Hardware stores--Michigan.","Hat trade--Michigan.","High school students--Michigan.","Horse-drawn rail cars--Michigan.","Horse racing--Michigan--1920-1930","Hospitals--Michigan--Detroit.","Hotels--Michigan--1870-1890.","Ice industry--Michigan.","Insurance companies--Michigan.","Inventors--Michigan","Jazz musicians--Michigan","Kitchen utensils--Michigan.","Laboratories--Michigan.","Lakes--Michigan.","Libraries--Michigan--Detroit.","Lighthouses--Michigan.","Locomotives--Michigan.","Luggage industry--Michigan.","Mausoleums--Michigan.","Mechanical musical instruments--Michigan.","Men--Michigan--Portraits.","Men--Societies  and clubs--Michigan.","Metalworking industries--Michigan.","Military bands--Michigan.","Motion pictures--Michigan--1930-1940.","Motorboat racing--Michigan.","Music stores--Michigan.","Musicians--Michigan.","Nightclubs--Michigan.","Nursing schools--Michigan.","Occupational training--Michigan.","Offices--Michigan--1910-1930.","Old age homes--Michigan.","Opticians--Michigan.","Paddle steamers--Michigan.","Parade floats--Michigan.","Parades--Michigan.","Parks--Michigan--Detroit.","Photography--Societies, etc--Michigan.","Picnics--Michigan.","Playgrounds--Michigan.","Police--Michigan--Detroit.","Police stations--Michigan.","Political parades \u0026 rallies--Michigan--1900-1920.","Portraits, group--Michigan.","Postmortem photography--Michigan.","Power-plants--Design and construction--Michigan.","Priests--Michigan.","Prisons--Michigan.","Public architecture--Michigan.","Radio broadcasting--Michigan.","Railroad stations--Michigan.","Railroad tunnels--Design and construction--Michigan.","Railroad tunnels--Michigan.","Railroads--Employees--Michigan.","Railroads--Michigan.","Residential architecture--Michigan.","Restaurants--Michigan--1920-1930.","Sailors--Michigan.","School children--Michigan.","School buildings--Michigan.","School plays--Michigan.","School yearbooks--Michigan.","Ships--Launching--Michigan.","Ships--Michigan.","Shoes--Repairing--Michigan.","Skyscrapers--Michigan--Detroit.","Soccer players--Michigan--1920-1930","Soldiers--Michigan.","Souvenirs (Keepsakes)--Michigan.","Spanish-American War, 1898--Veterans--Michigan.","Stables--Michigan.","Steamboats--Michigan.","Steel foundries--Michigan.","Stove industry and trade--Michigan.","Street lighting--Michigan.","Street-railroads--Michigan.","Streets--Michigan.","Strikes and lockouts--Automobile industry--Michigan.","String bands--Michigan.","Storefronts--Michigan.","Teeth--Radiography--Michigan.","Television programs--Michigan.","Theaters--Michigan--1910-1920.","Threshing machines--Michigan--1900-1910.","Tour buses--Michigan.","Traffic signs \u0026 signals---Michigan--1930-1950","Train ferries--Michigan.","Trucks--Michigan--1920-1940.","Variety stores--Michigan.","Vocational education--Michigan.","Water mills--Michigan.","Water towers--Michigan.","Waterworks--Michigan.","Weddings--Michigan.","Women automobile industry workers--Michigan.","Women field hockey players--Michigan.","Women figure skaters--Michigan.","Women--Employment--Michigan--1910-1940.","Women--Michigan--Portraits.","Women--Societies and clubs--Michigan.","World War 1914-1918--Michigan.","Clippings.","Cyanotypes.","Documents.","Ephemera.","Pamphlets.","Photocopies.","Photographic prints.","Photomechanical prints.","Postage stamps.","The city of Detroit and its vast metropolitan area has dominated the Wayne County area for centuries. Detroit was founded in 1701 as a French settlement with access to the Great Lakes and Canada and quickly became a strategic military post and trade center. It transferred to British control in 1760 during the Seven Years War and to United States governance in 1796. It became a chartered city in 1802, the capitol of the Michigan Territory in 1805, and Michigan’s first State Capital from 1837 to 1847. The city grew with an economy based largely on agriculture and trade in the early 19th century, becoming one of the nation’s prime manufacturing and cultural centers after the Civil War. Large industries based in the region included railroad equipment manufacturing, ship building, iron and steel production, stoves, pharmaceuticals, brewing, wagon making, and many others.","The industrial strength of Detroit created a large middle-class society as well as vast wealth. In turn, this affluence supported cultural advancement, education, and the arts. Commercial photography studios thrived in this environment. Many prize-winning portrait photographers were based in Detroit, as were those specializing in architecture, and the documentation of industry and commerce.","The diversity of industry of late 19th century Detroit gave way to automobile centered growth in the mid-20th century. The boom in wartime production during World War Two attracted workers from around the country and shifted the racial demographics of the city.","The collapse of manufacturing industries, the disappearance of public transportation, and massive population shifts to the suburbs were factors in the decline of Detroit in the mid to late 20th century.","Included in the Wayne County file of the David V. Tinder Collection of Michigan Photography are images of urban Detroit, people in their places of work, at home, at leisure, and participating in social activities and in fraternal and religious organizations. Numerous images show industrial manufacturing, urban transportation, and civic infrastructure. Activities related to entertainment, sports, parades, and the arts are well represented. The many portraits photographs include formal posed images, casual snapshots, workplace groups and fraternal organizations.","A vast majority of the photographs are the work of commercial photographers, with some amateurs. A significant number of photos were taken by Detroit News and Detroit Free Press photographers. Almost all the images present would be considered vernacular photos rather than fine art; however, many are carefully composed with strong aesthetic characteristics.","Although the photos have been largely sorted by subject, related materials may be present outside of the subject categories, i.e., images of transportation can also be found in the categories Architecture, Business and Commerce, Group Portraits, and in other sections outside of Transportation.","The bulk of the photos in this collection were taken in Detroit during the era of rapid population growth and industrial development around the turn of the century. The diversity of industry that appears in the late 19th century images can be seen giving way to automobile centered growth in the mid-20th century. Evidence of the rich residential lifestyles and multi-ethnic cultures of the Detroit area appear in many images.","At the fringe of the collection’s scope are images of the demolition of factories, the disappearance of public transportation, and racial unrest during the decline of Detroit in the mid to late 20th century.","It should be noted that while most of the collection are mounted and unmounted photographic prints, there are a few bound items as well as printed ephemera.","The collection has been organized into various categories by subject. The first group of photos is comprised of those that did not fit neatly under other categories. These include views of military encampments, disasters and firefighting, civic unrest, commercial product promotions, and other miscellaneous topics. Of particular note is a charming outdoor children’s party scene by amateur photographer Robert R. Oesterreich (no. 9); a double portrait montage by Tony Spina of John F. Kennedy and Robert F. Kennedy, both speaking at Campus Martius (no. 14); the high quality photomechanical prints of Detroit scenes and architecture in the  Detroit Illustrated.  (no. 16); and a collection of 28 miscellaneous nightclub souvenir photographs dating from the 1940s-1980s (no. 20). The rest of the material falls under the following categories:","Transportation: 243 photographs. Material is divided between the following sub-categories: Automobiles and Trucks (56 photographs), Aircraft (18 photographs), Railroads and Trains (58 photographs), Streetcars and Trolleys (20 photographs), Roads and Infrastructure (33 photographs), Wagons (20 photographs), Maritime (38 photographs).","Of note are a photograph of an African American couple posed with a new V-8 Ford (no. 71.3); construction photos of the Detroit River railroad tunnel (no. 95); Goebel’s Brewing Co. delivery wagons (no. 98); and a view of the steamboat  Tashmoo  at speed on the Detroit River (no. 110).","Performers: 107 photographs, most of which (113 photographs) are contained in the sub-category Music and Musicians. Of particular note are numerous photos of community brass bands, a photo of John Philip Sousa and his band at Grand Circus Park (no. 122); an image of the inventor Charles Crawford and his patented \"Pickaphone\" mechanism for playing stringed instruments, ca. 1888 (no. 123); and copy prints of two important early jazz bands, Finney’s Orchestra (no. 131) and McKinney’s Cotton Pickers (no. 132).","Portraits: 505 photographs. Material is divided into the following sub-categories: Individuals (172 photographs), Groups (133 photographs), Children (97 photographs), Weddings (64 photographs), Confirmation and Communion (41 photographs). Of particular interest are a photograph of Joan Baxter and her Hot Dog Cooker (no. 137); three 1860's portraits of members of the Hawley family of Detroit (no. 141), one of which is inscribed with enlargement instructions ca.1901 on its verso; and a portrait of politician and founder of the Republican Party Zachariah Chandler, taken by Benjamin Powelson ca. 1880 (no. 142).","Of the many notable images within the Groups category are an outstanding image of sixteen Packard Motor Car Company employees piled onto a 1911 Packard in front of the then new Packard factory on West Grand Blvd. (no. 144.9); a group of African American women engaged in a ceremonial burning of the mortgage of the Phyllis Wheatley Home for Aged Colored Ladies (no. 162); and a portrait of members of the Direct Credits Society, a Great Depression-era wealth redistribution movement founded by Alfred Lawson (no. 166).","Parades: 54 photographs. Many scenes of massive parades in Detroit. Of note is a series of photographs of women marching in a racially-integrated United Spanish War Veterans Parade, ca.1940 (no. 179); and a view of five young women in a florally decorated early automobile (no. 180.11).","Business \u0026 Commerce: 319 photographs. Where possible, material has been divided into the following sub-categories: Business Exteriors (52 photographs), Business Interiors (125 photographs), Construction (22 photographs), Ford Motor Company (19 photographs). Of note is an image of a group of brewers tapping a keg at the Marx Brewing Co. (no. 186.1); Candler Dock \u0026 Dredge Co. workers and surveyors building a dock, taken by the Manning Bros. ca 1920s (no. 192); women rolling cigars at the R.G. Dunn factory, 1909 (no. 204); workers fabricating automobile bodies at the Briggs Manufacturing Co. ca. 1910s (no. 206);interior view of the Burroughs Adding Machine factory (no 209.11); the Penobscot Building construction in three stages ca 1928 (no. 217); and two fold-out panoramic photos of the Ford complex at River Rouge taken by Otto Rotch in 1925 (no. 218).","Views: 86 photographs. Material is divided into Street Views (28 photographs), Residential Views (51 photographs), and Aerial Views (7 photographs).","Architecture: 69 photographs. Of particular note is a charming view of a small inn at Springwells, Mich., the International Exposition House ca. 1889 (no. 235); an 1870's print of the large Russell House Hotel in Detroit (no. 238); and a panoramic view of downtown Detroit at its peak, taken by the Murray Studio in the 1920s (no. 240.18).","Labor \u0026 Unemployment: 8 photographs primarily focused on unemployment during the Great Depression. Of note is a group photo of the striking Journeyman Bakers International Union in 1902 (no. 248).","Athletes \u0026 Athletics: 58 photographs. Of particular note are a copy-print of a 1910 Detroit Tigers team photo featuring Hall of Famer Ty Cobb (no. 261); a series of 3 group photographs of an early soccer team, Michigan Alkali F.C. in 1923 (no. 265); Wyandotte baseball teams (no. 266);. The Slocum’s Island baseball champions of 1882 (no. 272.4); and a 1943 curling team (no. 273).","Classrooms \u0026 Schools: 38 photographs. Of particular interest are a student group in front of a one-room schoolhouse at Cherry Hill in 1934 (no. 280.11); a kindergarten band at Clippert School taken by the Manning Bros. (no. 280.20); and a ca.1936 Lincoln Park High School album with personal snapshots and autographs of classmates (no. 279).","Places of Worship \u0026 Religious Activities: 43 photographs. One of several images related to African American church congregations shows members of an A.M.E. church dressed in \"traditional\" African garb ca.1920-1930 (no. 284).","Parks: 112 photographs. Of particular focus is Belle Isle (approx. 50 photographs) and Waterworks Park. A series of Belle Isle views taken in 1889 by Holcombe \u0026 Metzen is particularly picturesque (no. 297.1-9).","Funerals \u0026 Postmortem Photography: 14 photographs. These photographs date from the 1910s-1930s and are mostly photographs of open caskets surrounded by the deceased's family.","The collection contains photographs of Wayne County, Michigan. Included are numerous urban scenes and images of everyday life, primarily in the Metropolitan Detroit area between 1860 and the mid-20th century. The bulk of the photographs were taken between 1890 and 1930. A very wide range of topics is represented, among them commercial and residential architecture, urban infrastructure, public and private spaces, civic and domestic activities, individual and group portraits, and events from across the social spectrum.","William L. Clements Library , University of Michigan","American Red Cross.","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America.","BASF Wyandotte Corporation.","Cartercar Co.","Catholic Church--Clergy--Michigan.","Detroit College of Medicine.","Detroit Institute of Arts.","Detroit Museum of Art.","Detroit Opera House.","Detroit Red Wings (Hockey team)","Detroit Symphony Orchestra.","Detroit, Toledo and Ironton Railroad.","Dodge Brothers.","Ford Motor Company.","Ford Motor Company--Employees.","Ford Motor Company. Rouge River Plant.","Ford Rotunda (Dearborn, Mich.)","General Motors Corporation.","Henry Ford Museum and Greenfield Village.","Hudson's (Department store)","International Union, United Automobile Workers of America (CIO)","Journeymen Bakers National Union of the United States.","Knights of Pythias.","Knights Templar (Masonic order)","Michigan Central Railroad Company.","Michigan. National Guard.","Michigan Stove Company.","Tiger Stadium (Detroit, Mich.)","United States. Army--Recruiting, enlistment, etc.--Michigan.","United States. Army. Reserve Officers' Training Corps.","YMCA of the USA.","Young Women's Christian Association.","Agdan Photographic.","Alliance Commercial Photo Co.","Alvord \u0026 Co.","American Commercial Photo Co.","Arthur Studio.","Babas Studio.","Baker Art Studio.","Baker Studio.","Ballaun Studio.","Bonish Studio.","Brown \u0026 Co.","Charles Hopp \u0026 Co.","Club Photos Inc.","Commercial Photo Service Co.","Cousins Art Studio.","Davison Photo Studio.","Deluxe Theatrical Studio.","Detroit Edison Co.","Detroit News Staff.","Fotografia Italiana (G. Lanni \u0026 Co.)","General Motors Photographic Section.","Harbican Studio.","Hoffman Studio.","Holcombe \u0026 Metzen.","Holgate Studio.","Huntington \u0026 Clark.","Litynski-Jakubowski Co.","MacGregor and Company.","Manning Bros.","Metropolitan Art Studio.","Modernistic Photo Studio.","New Chene Studio.","P. Pieronek Studio.","Rembrandt Studios.","Rentschler's Studio.","Smart Set Studio.","Smith Brothers Commerical Photographers.","Spencer \u0026 Wyckoff.","Spooner \u0026 Wells, Inc.","Tiffany Photographic Studio.","Ziawinski Bros.","Tinder, David V.","Grant, Ulysses S. (Ulysses Simpson), 1822-1885--Homes and haunts.","Kennedy, John F. (John Fitzgerald), 1917-1963.","Kennedy, Robert F., 1925-1968.","Robeson, Paul, 1898-1976.","Sousa, John Philip, 1854-1932.","Arthur, Edward J.","Baker, Chas. R.","Ball, Lyman L.","Baron, Herman.","Blanchard, Issac H.","Bleibel, Gustav.","Bowles, Esther A., Mrs.","Burose, Herman.","Cheff, Edmund Archael.","Craine, Benjamin H.","Hayes, Clarence Messenger.","Hediger, James D.","Hillmer, Davis B.","Hoffman, Clarence L.","Howie, George William.","Hughes, John Wesley.","Jackson, Harvey C.","James, Langford P.","Jones, J. F.","Lazarnick, Nathan.","Litynski, Walter E.","Mazur, Anthony","McMichael, A.G.","Merz, Charles J.","Mirecki, Albert J.","Phelps, C.A. (New Castle, IN)","Pipp, Frank H.","Poli, Faustino G.","Pollard, C.H.","Rentschler, Andrew.","Rochowiak, Stanley A.","Rotch, Otto.","Salter, Al.","Sowinski, Joseph.","Spellman, Delmar Driscoe.","Stone, Frank H.","Tomlinson, Frank N.","Wiederhold, John A.","Wright, Fred G.","Ziawinski, Felix.","Ziawinski, Joseph.","The material is in  English ."],"unitid_tesim":["wclgrfx000200"],"normalized_title_ssm":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985"],"collection_title_tesim":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985"],"collection_ssim":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985"],"repository_ssm":["University of Michigan. William L. Clements Library"],"repository_ssim":["University of Michigan. William L. Clements Library"],"creator_ssm":["Tinder, David V."],"creator_ssim":["Tinder, David V."],"creator_persname_ssim":["Tinder, David V."],"creators_ssim":["Tinder, David V."],"acqinfo_ssim":["F-832, F-860, F-861, F-891, F-892, F-893, F-898, F-909, F-911, F-914, F-922, F-938, F-940, F-945, F-961, F-980, F-987, F-1004, F-1005, F-1014,  F-1017, F-1027, F-1028, F-1033, F-1054, F-1066, F-1067, F-1074, F-1076, F-1077, F-1113, F-1114 ."],"access_subjects_ssim":["David V. Tinder Collection of Michigan Photography.","Photographs shelf.","Actors--Michigan--1900-1910.","Actresses--Michigan--1890-1910.","African American businesspeople--Michigan.","African American children--Portraits--Michigan.","African American choirs--Michigan.","African American churches--Michigan.","African American freemasons--Michigan.","African American judges--Michigan.","African American musicians--Michigan.","African Americans--Societies, etc.--Michigan.","African American students--Michigan.","African American Sunday schools--Michigan.","Agricultural laborers--Michigan.","Airports--Michigan.","Aircraft--Michigan--1930-1940.","Aircraft industry--Michigan.","Air shows--Michigan.","Amateur theater--Michigan.","Amusement parks--Michigan.","Animals on television--Michigan.","Asbestos--Michigan.","Automobile factories--Michigan.","Automobile industry workers--Michigan.","Automobile rallies--Michigan.","Automobiles--Michigan.","Automobiles--Design and construction--Michigan.","Balls (Parties)--Michigan--1910-1920.","Bands (Music)--Michigan.","Banquets--Michigan--1920-1930.","Barbers--Michigan.","Barbershops--Michigan--1910-1920.","Bar mitzvah--Michigan.","Bars (Drinking establishments)--Michigan.","Baseball players--Michigan.","Basketball courts--Michigan.","Basketball players--Michigan.","Beauty shops--Michigan.","Beekeepers--Michigan.","Bicycles \u0026 tricycles--Michigan--1890-1930.","Bicycle stores--Michigan.","Blacksmiths--Michigan.","Blizzards--Michigan.","Boats and boating--Michigan.","Boycotts--Michigan.","Breweries--Michigan.","Breweries--Employees--Michigan.","Brick trade--Michigan.","Bridges--Michigan--Detroit.","Broom and brush industry--Michigan.","Building construction--Michigan--1910-1930.","Buses--Michigan--1930-1940.","Business organizations--Michigan.","Business Schools--Michigan.","Button industry--Michigan.","Cafeterias--Michigan.","Camping--Michigan.","Canoes and canoeing--Michigan.","Carts \u0026 wagons--Michigan--1890-1910","Casinos--Michigan.","Catholic schools--Michigan.","Cemeteries--Michigan.","Chauffeurs--Michigan.","Chemical industry--Michigan.","Children's costumes--Michigan.","Children's parties--Michigan--1890-1900.","Children--Michigan--Portraits.","Children's choirs--Michigan.","Church buildings--Michigan.","Cigar industry--Michigan.","Circus animals--Michigan.","Circus performers--Michigan.","City councils--Michigan--Hamtramck (Mich.)","City halls--Michigan.","Commercial photography--Michigan.","Concert programs--Michigan.","Confirmation--Catholic Church--Michigan.","Construction workers--Michigan.","Coopers and Cooperage--Michigan.","Couples--Michigan--Portraits.","Creameries--Michigan.","Cross-country runners--Michigan.","Curling--Michigan.","Dairying--Michigan.","Delivery of goods--Michigan.","Diving--Michigan--1890-1900.","Docks--Michigan.","Dredges--Michigan.","Drugstores--Michigan.","Dwellings--Michigan.","Engines--Michigan.","Entertainers--Michigan--1900-1910.","Ethnic costume--Romania.","Ethnic groups--Michigan.","Exhibitions--Michigan--1880-1890.","Explosions--Michigan.","Factories--Employees--Michigan.","Factories--Michigan.","Families--Michigan--Portraits.","Fire fighters--Michigan.","Florists--Michigan.","Flour mills--Michigan.","Flower arrangements--Michigan--1920-1940.","Football players--Michigan--1900-1910.","Fraternal organizations--Michigan","Funeral rites \u0026 ceremonies--Michigan--1910-1930","Gardens--Michigan--1900-1910.","Gas power plants--Michigan.","Graduation (School)","Grocery trade--Michigan.","Hardware stores--Michigan.","Hat trade--Michigan.","High school students--Michigan.","Horse-drawn rail cars--Michigan.","Horse racing--Michigan--1920-1930","Hospitals--Michigan--Detroit.","Hotels--Michigan--1870-1890.","Ice industry--Michigan.","Insurance companies--Michigan.","Inventors--Michigan","Jazz musicians--Michigan","Kitchen utensils--Michigan.","Laboratories--Michigan.","Lakes--Michigan.","Libraries--Michigan--Detroit.","Lighthouses--Michigan.","Locomotives--Michigan.","Luggage industry--Michigan.","Mausoleums--Michigan.","Mechanical musical instruments--Michigan.","Men--Michigan--Portraits.","Men--Societies  and clubs--Michigan.","Metalworking industries--Michigan.","Military bands--Michigan.","Motion pictures--Michigan--1930-1940.","Motorboat racing--Michigan.","Music stores--Michigan.","Musicians--Michigan.","Nightclubs--Michigan.","Nursing schools--Michigan.","Occupational training--Michigan.","Offices--Michigan--1910-1930.","Old age homes--Michigan.","Opticians--Michigan.","Paddle steamers--Michigan.","Parade floats--Michigan.","Parades--Michigan.","Parks--Michigan--Detroit.","Photography--Societies, etc--Michigan.","Picnics--Michigan.","Playgrounds--Michigan.","Police--Michigan--Detroit.","Police stations--Michigan.","Political parades \u0026 rallies--Michigan--1900-1920.","Portraits, group--Michigan.","Postmortem photography--Michigan.","Power-plants--Design and construction--Michigan.","Priests--Michigan.","Prisons--Michigan.","Public architecture--Michigan.","Radio broadcasting--Michigan.","Railroad stations--Michigan.","Railroad tunnels--Design and construction--Michigan.","Railroad tunnels--Michigan.","Railroads--Employees--Michigan.","Railroads--Michigan.","Residential architecture--Michigan.","Restaurants--Michigan--1920-1930.","Sailors--Michigan.","School children--Michigan.","School buildings--Michigan.","School plays--Michigan.","School yearbooks--Michigan.","Ships--Launching--Michigan.","Ships--Michigan.","Shoes--Repairing--Michigan.","Skyscrapers--Michigan--Detroit.","Soccer players--Michigan--1920-1930","Soldiers--Michigan.","Souvenirs (Keepsakes)--Michigan.","Spanish-American War, 1898--Veterans--Michigan.","Stables--Michigan.","Steamboats--Michigan.","Steel foundries--Michigan.","Stove industry and trade--Michigan.","Street lighting--Michigan.","Street-railroads--Michigan.","Streets--Michigan.","Strikes and lockouts--Automobile industry--Michigan.","String bands--Michigan.","Storefronts--Michigan.","Teeth--Radiography--Michigan.","Television programs--Michigan.","Theaters--Michigan--1910-1920.","Threshing machines--Michigan--1900-1910.","Tour buses--Michigan.","Traffic signs \u0026 signals---Michigan--1930-1950","Train ferries--Michigan.","Trucks--Michigan--1920-1940.","Variety stores--Michigan.","Vocational education--Michigan.","Water mills--Michigan.","Water towers--Michigan.","Waterworks--Michigan.","Weddings--Michigan.","Women automobile industry workers--Michigan.","Women field hockey players--Michigan.","Women figure skaters--Michigan.","Women--Employment--Michigan--1910-1940.","Women--Michigan--Portraits.","Women--Societies and clubs--Michigan.","World War 1914-1918--Michigan.","Clippings.","Cyanotypes.","Documents.","Ephemera.","Pamphlets.","Photocopies.","Photographic prints.","Photomechanical prints.","Postage stamps."],"access_subjects_ssm":["David V. Tinder Collection of Michigan Photography.","Photographs shelf.","Actors--Michigan--1900-1910.","Actresses--Michigan--1890-1910.","African American businesspeople--Michigan.","African American children--Portraits--Michigan.","African American choirs--Michigan.","African American churches--Michigan.","African American freemasons--Michigan.","African American judges--Michigan.","African American musicians--Michigan.","African Americans--Societies, etc.--Michigan.","African American students--Michigan.","African American Sunday schools--Michigan.","Agricultural laborers--Michigan.","Airports--Michigan.","Aircraft--Michigan--1930-1940.","Aircraft industry--Michigan.","Air shows--Michigan.","Amateur theater--Michigan.","Amusement parks--Michigan.","Animals on television--Michigan.","Asbestos--Michigan.","Automobile factories--Michigan.","Automobile industry workers--Michigan.","Automobile rallies--Michigan.","Automobiles--Michigan.","Automobiles--Design and construction--Michigan.","Balls (Parties)--Michigan--1910-1920.","Bands (Music)--Michigan.","Banquets--Michigan--1920-1930.","Barbers--Michigan.","Barbershops--Michigan--1910-1920.","Bar mitzvah--Michigan.","Bars (Drinking establishments)--Michigan.","Baseball players--Michigan.","Basketball courts--Michigan.","Basketball players--Michigan.","Beauty shops--Michigan.","Beekeepers--Michigan.","Bicycles \u0026 tricycles--Michigan--1890-1930.","Bicycle stores--Michigan.","Blacksmiths--Michigan.","Blizzards--Michigan.","Boats and boating--Michigan.","Boycotts--Michigan.","Breweries--Michigan.","Breweries--Employees--Michigan.","Brick trade--Michigan.","Bridges--Michigan--Detroit.","Broom and brush industry--Michigan.","Building construction--Michigan--1910-1930.","Buses--Michigan--1930-1940.","Business organizations--Michigan.","Business Schools--Michigan.","Button industry--Michigan.","Cafeterias--Michigan.","Camping--Michigan.","Canoes and canoeing--Michigan.","Carts \u0026 wagons--Michigan--1890-1910","Casinos--Michigan.","Catholic schools--Michigan.","Cemeteries--Michigan.","Chauffeurs--Michigan.","Chemical industry--Michigan.","Children's costumes--Michigan.","Children's parties--Michigan--1890-1900.","Children--Michigan--Portraits.","Children's choirs--Michigan.","Church buildings--Michigan.","Cigar industry--Michigan.","Circus animals--Michigan.","Circus performers--Michigan.","City councils--Michigan--Hamtramck (Mich.)","City halls--Michigan.","Commercial photography--Michigan.","Concert programs--Michigan.","Confirmation--Catholic Church--Michigan.","Construction workers--Michigan.","Coopers and Cooperage--Michigan.","Couples--Michigan--Portraits.","Creameries--Michigan.","Cross-country runners--Michigan.","Curling--Michigan.","Dairying--Michigan.","Delivery of goods--Michigan.","Diving--Michigan--1890-1900.","Docks--Michigan.","Dredges--Michigan.","Drugstores--Michigan.","Dwellings--Michigan.","Engines--Michigan.","Entertainers--Michigan--1900-1910.","Ethnic costume--Romania.","Ethnic groups--Michigan.","Exhibitions--Michigan--1880-1890.","Explosions--Michigan.","Factories--Employees--Michigan.","Factories--Michigan.","Families--Michigan--Portraits.","Fire fighters--Michigan.","Florists--Michigan.","Flour mills--Michigan.","Flower arrangements--Michigan--1920-1940.","Football players--Michigan--1900-1910.","Fraternal organizations--Michigan","Funeral rites \u0026 ceremonies--Michigan--1910-1930","Gardens--Michigan--1900-1910.","Gas power plants--Michigan.","Graduation (School)","Grocery trade--Michigan.","Hardware stores--Michigan.","Hat trade--Michigan.","High school students--Michigan.","Horse-drawn rail cars--Michigan.","Horse racing--Michigan--1920-1930","Hospitals--Michigan--Detroit.","Hotels--Michigan--1870-1890.","Ice industry--Michigan.","Insurance companies--Michigan.","Inventors--Michigan","Jazz musicians--Michigan","Kitchen utensils--Michigan.","Laboratories--Michigan.","Lakes--Michigan.","Libraries--Michigan--Detroit.","Lighthouses--Michigan.","Locomotives--Michigan.","Luggage industry--Michigan.","Mausoleums--Michigan.","Mechanical musical instruments--Michigan.","Men--Michigan--Portraits.","Men--Societies  and clubs--Michigan.","Metalworking industries--Michigan.","Military bands--Michigan.","Motion pictures--Michigan--1930-1940.","Motorboat racing--Michigan.","Music stores--Michigan.","Musicians--Michigan.","Nightclubs--Michigan.","Nursing schools--Michigan.","Occupational training--Michigan.","Offices--Michigan--1910-1930.","Old age homes--Michigan.","Opticians--Michigan.","Paddle steamers--Michigan.","Parade floats--Michigan.","Parades--Michigan.","Parks--Michigan--Detroit.","Photography--Societies, etc--Michigan.","Picnics--Michigan.","Playgrounds--Michigan.","Police--Michigan--Detroit.","Police stations--Michigan.","Political parades \u0026 rallies--Michigan--1900-1920.","Portraits, group--Michigan.","Postmortem photography--Michigan.","Power-plants--Design and construction--Michigan.","Priests--Michigan.","Prisons--Michigan.","Public architecture--Michigan.","Radio broadcasting--Michigan.","Railroad stations--Michigan.","Railroad tunnels--Design and construction--Michigan.","Railroad tunnels--Michigan.","Railroads--Employees--Michigan.","Railroads--Michigan.","Residential architecture--Michigan.","Restaurants--Michigan--1920-1930.","Sailors--Michigan.","School children--Michigan.","School buildings--Michigan.","School plays--Michigan.","School yearbooks--Michigan.","Ships--Launching--Michigan.","Ships--Michigan.","Shoes--Repairing--Michigan.","Skyscrapers--Michigan--Detroit.","Soccer players--Michigan--1920-1930","Soldiers--Michigan.","Souvenirs (Keepsakes)--Michigan.","Spanish-American War, 1898--Veterans--Michigan.","Stables--Michigan.","Steamboats--Michigan.","Steel foundries--Michigan.","Stove industry and trade--Michigan.","Street lighting--Michigan.","Street-railroads--Michigan.","Streets--Michigan.","Strikes and lockouts--Automobile industry--Michigan.","String bands--Michigan.","Storefronts--Michigan.","Teeth--Radiography--Michigan.","Television programs--Michigan.","Theaters--Michigan--1910-1920.","Threshing machines--Michigan--1900-1910.","Tour buses--Michigan.","Traffic signs \u0026 signals---Michigan--1930-1950","Train ferries--Michigan.","Trucks--Michigan--1920-1940.","Variety stores--Michigan.","Vocational education--Michigan.","Water mills--Michigan.","Water towers--Michigan.","Waterworks--Michigan.","Weddings--Michigan.","Women automobile industry workers--Michigan.","Women field hockey players--Michigan.","Women figure skaters--Michigan.","Women--Employment--Michigan--1910-1940.","Women--Michigan--Portraits.","Women--Societies and clubs--Michigan.","World War 1914-1918--Michigan.","Clippings.","Cyanotypes.","Documents.","Ephemera.","Pamphlets.","Photocopies.","Photographic prints.","Photomechanical prints.","Postage stamps."],"has_online_content_ssim":["true"],"extent_ssm":["1,937 photographs, 16 real photo stamps, 6 booklets, 101 pages, clippings and ephemera"],"extent_tesim":["1,937 photographs, 16 real photo stamps, 6 booklets, 101 pages, clippings and ephemera"],"bioghist_html_tesm":["\u003cp\u003eThe city of Detroit and its vast metropolitan area has dominated the Wayne County area for centuries. Detroit was founded in 1701 as a French settlement with access to the Great Lakes and Canada and quickly became a strategic military post and trade center. It transferred to British control in 1760 during the Seven Years War and to United States governance in 1796. It became a chartered city in 1802, the capitol of the Michigan Territory in 1805, and Michigan’s first State Capital from 1837 to 1847. The city grew with an economy based largely on agriculture and trade in the early 19th century, becoming one of the nation’s prime manufacturing and cultural centers after the Civil War. Large industries based in the region included railroad equipment manufacturing, ship building, iron and steel production, stoves, pharmaceuticals, brewing, wagon making, and many others.\u003c/p\u003e","\u003cp\u003eThe industrial strength of Detroit created a large middle-class society as well as vast wealth. In turn, this affluence supported cultural advancement, education, and the arts. Commercial photography studios thrived in this environment. Many prize-winning portrait photographers were based in Detroit, as were those specializing in architecture, and the documentation of industry and commerce.\u003c/p\u003e","\u003cp\u003eThe diversity of industry of late 19th century Detroit gave way to automobile centered growth in the mid-20th century. The boom in wartime production during World War Two attracted workers from around the country and shifted the racial demographics of the city.\u003c/p\u003e","\u003cp\u003eThe collapse of manufacturing industries, the disappearance of public transportation, and massive population shifts to the suburbs were factors in the decline of Detroit in the mid to late 20th century.\u003c/p\u003e"],"bioghist_heading_ssm":["History"],"bioghist_tesim":["The city of Detroit and its vast metropolitan area has dominated the Wayne County area for centuries. Detroit was founded in 1701 as a French settlement with access to the Great Lakes and Canada and quickly became a strategic military post and trade center. It transferred to British control in 1760 during the Seven Years War and to United States governance in 1796. It became a chartered city in 1802, the capitol of the Michigan Territory in 1805, and Michigan’s first State Capital from 1837 to 1847. The city grew with an economy based largely on agriculture and trade in the early 19th century, becoming one of the nation’s prime manufacturing and cultural centers after the Civil War. Large industries based in the region included railroad equipment manufacturing, ship building, iron and steel production, stoves, pharmaceuticals, brewing, wagon making, and many others.","The industrial strength of Detroit created a large middle-class society as well as vast wealth. In turn, this affluence supported cultural advancement, education, and the arts. Commercial photography studios thrived in this environment. Many prize-winning portrait photographers were based in Detroit, as were those specializing in architecture, and the documentation of industry and commerce.","The diversity of industry of late 19th century Detroit gave way to automobile centered growth in the mid-20th century. The boom in wartime production during World War Two attracted workers from around the country and shifted the racial demographics of the city.","The collapse of manufacturing industries, the disappearance of public transportation, and massive population shifts to the suburbs were factors in the decline of Detroit in the mid to late 20th century."],"scopecontent_html_tesm":["\u003cp\u003eIncluded in the Wayne County file of the David V. Tinder Collection of Michigan Photography are images of urban Detroit, people in their places of work, at home, at leisure, and participating in social activities and in fraternal and religious organizations. Numerous images show industrial manufacturing, urban transportation, and civic infrastructure. Activities related to entertainment, sports, parades, and the arts are well represented. The many portraits photographs include formal posed images, casual snapshots, workplace groups and fraternal organizations.\u003c/p\u003e","\u003cp\u003eA vast majority of the photographs are the work of commercial photographers, with some amateurs. A significant number of photos were taken by Detroit News and Detroit Free Press photographers. Almost all the images present would be considered vernacular photos rather than fine art; however, many are carefully composed with strong aesthetic characteristics.\u003c/p\u003e","\u003cp\u003eAlthough the photos have been largely sorted by subject, related materials may be present outside of the subject categories, i.e., images of transportation can also be found in the categories Architecture, Business and Commerce, Group Portraits, and in other sections outside of Transportation.\u003c/p\u003e","\u003cp\u003eThe bulk of the photos in this collection were taken in Detroit during the era of rapid population growth and industrial development around the turn of the century. The diversity of industry that appears in the late 19th century images can be seen giving way to automobile centered growth in the mid-20th century. Evidence of the rich residential lifestyles and multi-ethnic cultures of the Detroit area appear in many images.\u003c/p\u003e","\u003cp\u003eAt the fringe of the collection’s scope are images of the demolition of factories, the disappearance of public transportation, and racial unrest during the decline of Detroit in the mid to late 20th century.\u003c/p\u003e","\u003cp\u003eIt should be noted that while most of the collection are mounted and unmounted photographic prints, there are a few bound items as well as printed ephemera.\u003c/p\u003e","\u003cp\u003eThe collection has been organized into various categories by subject. The first group of photos is comprised of those that did not fit neatly under other categories. These include views of military encampments, disasters and firefighting, civic unrest, commercial product promotions, and other miscellaneous topics. Of particular note is a charming outdoor children’s party scene by amateur photographer Robert R. Oesterreich (no. 9); a double portrait montage by Tony Spina of John F. Kennedy and Robert F. Kennedy, both speaking at Campus Martius (no. 14); the high quality photomechanical prints of Detroit scenes and architecture in the \u003cemph render=\"italic\"\u003eDetroit Illustrated.\u003c/emph\u003e (no. 16); and a collection of 28 miscellaneous nightclub souvenir photographs dating from the 1940s-1980s (no. 20). The rest of the material falls under the following categories:\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eTransportation:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e243 photographs. Material is divided between the following sub-categories: Automobiles and Trucks (56 photographs), Aircraft (18 photographs), Railroads and Trains (58 photographs), Streetcars and Trolleys (20 photographs), Roads and Infrastructure (33 photographs), Wagons (20 photographs), Maritime (38 photographs).\u003c/p\u003e","\u003cp\u003eOf note are a photograph of an African American couple posed with a new V-8 Ford (no. 71.3); construction photos of the Detroit River railroad tunnel (no. 95); Goebel’s Brewing Co. delivery wagons (no. 98); and a view of the steamboat \u003cemph render=\"italic\"\u003eTashmoo\u003c/emph\u003e at speed on the Detroit River (no. 110).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003ePerformers:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e107 photographs, most of which (113 photographs) are contained in the sub-category Music and Musicians. Of particular note are numerous photos of community brass bands, a photo of John Philip Sousa and his band at Grand Circus Park (no. 122); an image of the inventor Charles Crawford and his patented \"Pickaphone\" mechanism for playing stringed instruments, ca. 1888 (no. 123); and copy prints of two important early jazz bands, Finney’s Orchestra (no. 131) and McKinney’s Cotton Pickers (no. 132).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003ePortraits:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e505 photographs. Material is divided into the following sub-categories: Individuals (172 photographs), Groups (133 photographs), Children (97 photographs), Weddings (64 photographs), Confirmation and Communion (41 photographs). Of particular interest are a photograph of Joan Baxter and her Hot Dog Cooker (no. 137); three 1860's portraits of members of the Hawley family of Detroit (no. 141), one of which is inscribed with enlargement instructions ca.1901 on its verso; and a portrait of politician and founder of the Republican Party Zachariah Chandler, taken by Benjamin Powelson ca. 1880 (no. 142).\u003c/p\u003e","\u003cp\u003eOf the many notable images within the Groups category are an outstanding image of sixteen Packard Motor Car Company employees piled onto a 1911 Packard in front of the then new Packard factory on West Grand Blvd. (no. 144.9); a group of African American women engaged in a ceremonial burning of the mortgage of the Phyllis Wheatley Home for Aged Colored Ladies (no. 162); and a portrait of members of the Direct Credits Society, a Great Depression-era wealth redistribution movement founded by Alfred Lawson (no. 166).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eParades:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e54 photographs. Many scenes of massive parades in Detroit. Of note is a series of photographs of women marching in a racially-integrated United Spanish War Veterans Parade, ca.1940 (no. 179); and a view of five young women in a florally decorated early automobile (no. 180.11).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eBusiness \u0026amp; Commerce:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e319 photographs. Where possible, material has been divided into the following sub-categories: Business Exteriors (52 photographs), Business Interiors (125 photographs), Construction (22 photographs), Ford Motor Company (19 photographs). Of note is an image of a group of brewers tapping a keg at the Marx Brewing Co. (no. 186.1); Candler Dock \u0026amp; Dredge Co. workers and surveyors building a dock, taken by the Manning Bros. ca 1920s (no. 192); women rolling cigars at the R.G. Dunn factory, 1909 (no. 204); workers fabricating automobile bodies at the Briggs Manufacturing Co. ca. 1910s (no. 206);interior view of the Burroughs Adding Machine factory (no 209.11); the Penobscot Building construction in three stages ca 1928 (no. 217); and two fold-out panoramic photos of the Ford complex at River Rouge taken by Otto Rotch in 1925 (no. 218).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eViews:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e86 photographs. Material is divided into Street Views (28 photographs), Residential Views (51 photographs), and Aerial Views (7 photographs).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eArchitecture:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e69 photographs. Of particular note is a charming view of a small inn at Springwells, Mich., the International Exposition House ca. 1889 (no. 235); an 1870's print of the large Russell House Hotel in Detroit (no. 238); and a panoramic view of downtown Detroit at its peak, taken by the Murray Studio in the 1920s (no. 240.18).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eLabor \u0026amp; Unemployment:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e8 photographs primarily focused on unemployment during the Great Depression. Of note is a group photo of the striking Journeyman Bakers International Union in 1902 (no. 248).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eAthletes \u0026amp; Athletics:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e58 photographs. Of particular note are a copy-print of a 1910 Detroit Tigers team photo featuring Hall of Famer Ty Cobb (no. 261); a series of 3 group photographs of an early soccer team, Michigan Alkali F.C. in 1923 (no. 265); Wyandotte baseball teams (no. 266);. The Slocum’s Island baseball champions of 1882 (no. 272.4); and a 1943 curling team (no. 273).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eClassrooms \u0026amp; Schools:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e38 photographs. Of particular interest are a student group in front of a one-room schoolhouse at Cherry Hill in 1934 (no. 280.11); a kindergarten band at Clippert School taken by the Manning Bros. (no. 280.20); and a ca.1936 Lincoln Park High School album with personal snapshots and autographs of classmates (no. 279).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003ePlaces of Worship \u0026amp; Religious Activities:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e43 photographs. One of several images related to African American church congregations shows members of an A.M.E. church dressed in \"traditional\" African garb ca.1920-1930 (no. 284).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eParks:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e112 photographs. Of particular focus is Belle Isle (approx. 50 photographs) and Waterworks Park. A series of Belle Isle views taken in 1889 by Holcombe \u0026amp; Metzen is particularly picturesque (no. 297.1-9).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eFunerals \u0026amp; Postmortem Photography:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e14 photographs. These photographs date from the 1910s-1930s and are mostly photographs of open caskets surrounded by the deceased's family.\u003c/p\u003e"],"scopecontent_tesim":["Included in the Wayne County file of the David V. Tinder Collection of Michigan Photography are images of urban Detroit, people in their places of work, at home, at leisure, and participating in social activities and in fraternal and religious organizations. Numerous images show industrial manufacturing, urban transportation, and civic infrastructure. Activities related to entertainment, sports, parades, and the arts are well represented. The many portraits photographs include formal posed images, casual snapshots, workplace groups and fraternal organizations.","A vast majority of the photographs are the work of commercial photographers, with some amateurs. A significant number of photos were taken by Detroit News and Detroit Free Press photographers. Almost all the images present would be considered vernacular photos rather than fine art; however, many are carefully composed with strong aesthetic characteristics.","Although the photos have been largely sorted by subject, related materials may be present outside of the subject categories, i.e., images of transportation can also be found in the categories Architecture, Business and Commerce, Group Portraits, and in other sections outside of Transportation.","The bulk of the photos in this collection were taken in Detroit during the era of rapid population growth and industrial development around the turn of the century. The diversity of industry that appears in the late 19th century images can be seen giving way to automobile centered growth in the mid-20th century. Evidence of the rich residential lifestyles and multi-ethnic cultures of the Detroit area appear in many images.","At the fringe of the collection’s scope are images of the demolition of factories, the disappearance of public transportation, and racial unrest during the decline of Detroit in the mid to late 20th century.","It should be noted that while most of the collection are mounted and unmounted photographic prints, there are a few bound items as well as printed ephemera.","The collection has been organized into various categories by subject. The first group of photos is comprised of those that did not fit neatly under other categories. These include views of military encampments, disasters and firefighting, civic unrest, commercial product promotions, and other miscellaneous topics. Of particular note is a charming outdoor children’s party scene by amateur photographer Robert R. Oesterreich (no. 9); a double portrait montage by Tony Spina of John F. Kennedy and Robert F. Kennedy, both speaking at Campus Martius (no. 14); the high quality photomechanical prints of Detroit scenes and architecture in the  Detroit Illustrated.  (no. 16); and a collection of 28 miscellaneous nightclub souvenir photographs dating from the 1940s-1980s (no. 20). The rest of the material falls under the following categories:","Transportation: 243 photographs. Material is divided between the following sub-categories: Automobiles and Trucks (56 photographs), Aircraft (18 photographs), Railroads and Trains (58 photographs), Streetcars and Trolleys (20 photographs), Roads and Infrastructure (33 photographs), Wagons (20 photographs), Maritime (38 photographs).","Of note are a photograph of an African American couple posed with a new V-8 Ford (no. 71.3); construction photos of the Detroit River railroad tunnel (no. 95); Goebel’s Brewing Co. delivery wagons (no. 98); and a view of the steamboat  Tashmoo  at speed on the Detroit River (no. 110).","Performers: 107 photographs, most of which (113 photographs) are contained in the sub-category Music and Musicians. Of particular note are numerous photos of community brass bands, a photo of John Philip Sousa and his band at Grand Circus Park (no. 122); an image of the inventor Charles Crawford and his patented \"Pickaphone\" mechanism for playing stringed instruments, ca. 1888 (no. 123); and copy prints of two important early jazz bands, Finney’s Orchestra (no. 131) and McKinney’s Cotton Pickers (no. 132).","Portraits: 505 photographs. Material is divided into the following sub-categories: Individuals (172 photographs), Groups (133 photographs), Children (97 photographs), Weddings (64 photographs), Confirmation and Communion (41 photographs). Of particular interest are a photograph of Joan Baxter and her Hot Dog Cooker (no. 137); three 1860's portraits of members of the Hawley family of Detroit (no. 141), one of which is inscribed with enlargement instructions ca.1901 on its verso; and a portrait of politician and founder of the Republican Party Zachariah Chandler, taken by Benjamin Powelson ca. 1880 (no. 142).","Of the many notable images within the Groups category are an outstanding image of sixteen Packard Motor Car Company employees piled onto a 1911 Packard in front of the then new Packard factory on West Grand Blvd. (no. 144.9); a group of African American women engaged in a ceremonial burning of the mortgage of the Phyllis Wheatley Home for Aged Colored Ladies (no. 162); and a portrait of members of the Direct Credits Society, a Great Depression-era wealth redistribution movement founded by Alfred Lawson (no. 166).","Parades: 54 photographs. Many scenes of massive parades in Detroit. Of note is a series of photographs of women marching in a racially-integrated United Spanish War Veterans Parade, ca.1940 (no. 179); and a view of five young women in a florally decorated early automobile (no. 180.11).","Business \u0026 Commerce: 319 photographs. Where possible, material has been divided into the following sub-categories: Business Exteriors (52 photographs), Business Interiors (125 photographs), Construction (22 photographs), Ford Motor Company (19 photographs). Of note is an image of a group of brewers tapping a keg at the Marx Brewing Co. (no. 186.1); Candler Dock \u0026 Dredge Co. workers and surveyors building a dock, taken by the Manning Bros. ca 1920s (no. 192); women rolling cigars at the R.G. Dunn factory, 1909 (no. 204); workers fabricating automobile bodies at the Briggs Manufacturing Co. ca. 1910s (no. 206);interior view of the Burroughs Adding Machine factory (no 209.11); the Penobscot Building construction in three stages ca 1928 (no. 217); and two fold-out panoramic photos of the Ford complex at River Rouge taken by Otto Rotch in 1925 (no. 218).","Views: 86 photographs. Material is divided into Street Views (28 photographs), Residential Views (51 photographs), and Aerial Views (7 photographs).","Architecture: 69 photographs. Of particular note is a charming view of a small inn at Springwells, Mich., the International Exposition House ca. 1889 (no. 235); an 1870's print of the large Russell House Hotel in Detroit (no. 238); and a panoramic view of downtown Detroit at its peak, taken by the Murray Studio in the 1920s (no. 240.18).","Labor \u0026 Unemployment: 8 photographs primarily focused on unemployment during the Great Depression. Of note is a group photo of the striking Journeyman Bakers International Union in 1902 (no. 248).","Athletes \u0026 Athletics: 58 photographs. Of particular note are a copy-print of a 1910 Detroit Tigers team photo featuring Hall of Famer Ty Cobb (no. 261); a series of 3 group photographs of an early soccer team, Michigan Alkali F.C. in 1923 (no. 265); Wyandotte baseball teams (no. 266);. The Slocum’s Island baseball champions of 1882 (no. 272.4); and a 1943 curling team (no. 273).","Classrooms \u0026 Schools: 38 photographs. Of particular interest are a student group in front of a one-room schoolhouse at Cherry Hill in 1934 (no. 280.11); a kindergarten band at Clippert School taken by the Manning Bros. (no. 280.20); and a ca.1936 Lincoln Park High School album with personal snapshots and autographs of classmates (no. 279).","Places of Worship \u0026 Religious Activities: 43 photographs. One of several images related to African American church congregations shows members of an A.M.E. church dressed in \"traditional\" African garb ca.1920-1930 (no. 284).","Parks: 112 photographs. Of particular focus is Belle Isle (approx. 50 photographs) and Waterworks Park. A series of Belle Isle views taken in 1889 by Holcombe \u0026 Metzen is particularly picturesque (no. 297.1-9).","Funerals \u0026 Postmortem Photography: 14 photographs. These photographs date from the 1910s-1930s and are mostly photographs of open caskets surrounded by the deceased's family."],"abstract_html_tesm":["\u003cabstract\u003eThe collection contains photographs of Wayne County, Michigan. Included are numerous urban scenes and images of everyday life, primarily in the Metropolitan Detroit area between 1860 and the mid-20th century. The bulk of the photographs were taken between 1890 and 1930. A very wide range of topics is represented, among them commercial and residential architecture, urban infrastructure, public and private spaces, civic and domestic activities, individual and group portraits, and events from across the social spectrum.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains photographs of Wayne County, Michigan. Included are numerous urban scenes and images of everyday life, primarily in the Metropolitan Detroit area between 1860 and the mid-20th century. The bulk of the photographs were taken between 1890 and 1930. A very wide range of topics is represented, among them commercial and residential architecture, urban infrastructure, public and private spaces, civic and domestic activities, individual and group portraits, and events from across the social spectrum."],"names_ssim":["William L. Clements Library , University of Michigan","American Red Cross.","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America.","BASF Wyandotte Corporation.","Cartercar Co.","Catholic Church--Clergy--Michigan.","Detroit College of Medicine.","Detroit Institute of Arts.","Detroit Museum of Art.","Detroit Opera House.","Detroit Red Wings (Hockey team)","Detroit Symphony Orchestra.","Detroit, Toledo and Ironton Railroad.","Dodge Brothers.","Ford Motor Company.","Ford Motor Company--Employees.","Ford Motor Company. Rouge River Plant.","Ford Rotunda (Dearborn, Mich.)","General Motors Corporation.","Henry Ford Museum and Greenfield Village.","Hudson's (Department store)","International Union, United Automobile Workers of America (CIO)","Journeymen Bakers National Union of the United States.","Knights of Pythias.","Knights Templar (Masonic order)","Michigan Central Railroad Company.","Michigan. National Guard.","Michigan Stove Company.","Tiger Stadium (Detroit, Mich.)","United States. Army--Recruiting, enlistment, etc.--Michigan.","United States. Army. Reserve Officers' Training Corps.","YMCA of the USA.","Young Women's Christian Association.","Agdan Photographic.","Alliance Commercial Photo Co.","Alvord \u0026 Co.","American Commercial Photo Co.","Arthur Studio.","Babas Studio.","Baker Art Studio.","Baker Studio.","Ballaun Studio.","Bonish Studio.","Brown \u0026 Co.","Charles Hopp \u0026 Co.","Club Photos Inc.","Commercial Photo Service Co.","Cousins Art Studio.","Davison Photo Studio.","Deluxe Theatrical Studio.","Detroit Edison Co.","Detroit News Staff.","Fotografia Italiana (G. Lanni \u0026 Co.)","General Motors Photographic Section.","Harbican Studio.","Hoffman Studio.","Holcombe \u0026 Metzen.","Holgate Studio.","Huntington \u0026 Clark.","Litynski-Jakubowski Co.","MacGregor and Company.","Manning Bros.","Metropolitan Art Studio.","Modernistic Photo Studio.","New Chene Studio.","P. Pieronek Studio.","Rembrandt Studios.","Rentschler's Studio.","Smart Set Studio.","Smith Brothers Commerical Photographers.","Spencer \u0026 Wyckoff.","Spooner \u0026 Wells, Inc.","Tiffany Photographic Studio.","Ziawinski Bros.","Tinder, David V.","Grant, Ulysses S. (Ulysses Simpson), 1822-1885--Homes and haunts.","Kennedy, John F. (John Fitzgerald), 1917-1963.","Kennedy, Robert F., 1925-1968.","Robeson, Paul, 1898-1976.","Sousa, John Philip, 1854-1932.","Arthur, Edward J.","Baker, Chas. R.","Ball, Lyman L.","Baron, Herman.","Blanchard, Issac H.","Bleibel, Gustav.","Bowles, Esther A., Mrs.","Burose, Herman.","Cheff, Edmund Archael.","Craine, Benjamin H.","Hayes, Clarence Messenger.","Hediger, James D.","Hillmer, Davis B.","Hoffman, Clarence L.","Howie, George William.","Hughes, John Wesley.","Jackson, Harvey C.","James, Langford P.","Jones, J. F.","Lazarnick, Nathan.","Litynski, Walter E.","Mazur, Anthony","McMichael, A.G.","Merz, Charles J.","Mirecki, Albert J.","Phelps, C.A. (New Castle, IN)","Pipp, Frank H.","Poli, Faustino G.","Pollard, C.H.","Rentschler, Andrew.","Rochowiak, Stanley A.","Rotch, Otto.","Salter, Al.","Sowinski, Joseph.","Spellman, Delmar Driscoe.","Stone, Frank H.","Tomlinson, Frank N.","Wiederhold, John A.","Wright, Fred G.","Ziawinski, Felix.","Ziawinski, Joseph."],"corpname_ssim":["William L. Clements Library , University of Michigan","American Red Cross.","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America.","BASF Wyandotte Corporation.","Cartercar Co.","Catholic Church--Clergy--Michigan.","Detroit College of Medicine.","Detroit Institute of Arts.","Detroit Museum of Art.","Detroit Opera House.","Detroit Red Wings (Hockey team)","Detroit Symphony Orchestra.","Detroit, Toledo and Ironton Railroad.","Dodge Brothers.","Ford Motor Company.","Ford Motor Company--Employees.","Ford Motor Company. Rouge River Plant.","Ford Rotunda (Dearborn, Mich.)","General Motors Corporation.","Henry Ford Museum and Greenfield Village.","Hudson's (Department store)","International Union, United Automobile Workers of America (CIO)","Journeymen Bakers National Union of the United States.","Knights of Pythias.","Knights Templar (Masonic order)","Michigan Central Railroad Company.","Michigan. National Guard.","Michigan Stove Company.","Tiger Stadium (Detroit, Mich.)","United States. Army--Recruiting, enlistment, etc.--Michigan.","United States. Army. Reserve Officers' Training Corps.","YMCA of the USA.","Young Women's Christian Association.","Agdan Photographic.","Alliance Commercial Photo Co.","Alvord \u0026 Co.","American Commercial Photo Co.","Arthur Studio.","Babas Studio.","Baker Art Studio.","Baker Studio.","Ballaun Studio.","Bonish Studio.","Brown \u0026 Co.","Charles Hopp \u0026 Co.","Club Photos Inc.","Commercial Photo Service Co.","Cousins Art Studio.","Davison Photo Studio.","Deluxe Theatrical Studio.","Detroit Edison Co.","Detroit News Staff.","Fotografia Italiana (G. Lanni \u0026 Co.)","General Motors Photographic Section.","Harbican Studio.","Hoffman Studio.","Holcombe \u0026 Metzen.","Holgate Studio.","Huntington \u0026 Clark.","Litynski-Jakubowski Co.","MacGregor and Company.","Manning Bros.","Metropolitan Art Studio.","Modernistic Photo Studio.","New Chene Studio.","P. Pieronek Studio.","Rembrandt Studios.","Rentschler's Studio.","Smart Set Studio.","Smith Brothers Commerical Photographers.","Spencer \u0026 Wyckoff.","Spooner \u0026 Wells, Inc.","Tiffany Photographic Studio.","Ziawinski Bros."],"persname_ssim":["Tinder, David V.","Grant, Ulysses S. (Ulysses Simpson), 1822-1885--Homes and haunts.","Kennedy, John F. (John Fitzgerald), 1917-1963.","Kennedy, Robert F., 1925-1968.","Robeson, Paul, 1898-1976.","Sousa, John Philip, 1854-1932.","Arthur, Edward J.","Baker, Chas. R.","Ball, Lyman L.","Baron, Herman.","Blanchard, Issac H.","Bleibel, Gustav.","Bowles, Esther A., Mrs.","Burose, Herman.","Cheff, Edmund Archael.","Craine, Benjamin H.","Hayes, Clarence Messenger.","Hediger, James D.","Hillmer, Davis B.","Hoffman, Clarence L.","Howie, George William.","Hughes, John Wesley.","Jackson, Harvey C.","James, Langford P.","Jones, J. F.","Lazarnick, Nathan.","Litynski, Walter E.","Mazur, Anthony","McMichael, A.G.","Merz, Charles J.","Mirecki, Albert J.","Phelps, C.A. (New Castle, IN)","Pipp, Frank H.","Poli, Faustino G.","Pollard, C.H.","Rentschler, Andrew.","Rochowiak, Stanley A.","Rotch, Otto.","Salter, Al.","Sowinski, Joseph.","Spellman, Delmar Driscoe.","Stone, Frank H.","Tomlinson, Frank N.","Wiederhold, John A.","Wright, Fred G.","Ziawinski, Felix.","Ziawinski, Joseph."],"language_ssim":["The material is in  English ."],"descrules_ssm":["Finding aid prepared using Describing Archives: A Content Standard (DACS)"],"total_component_count_is":365,"online_item_count_is":15,"component_level_isim":[0],"sort_isi":0,"_root_":"umich-wcl-G-tind-0083","timestamp":"2025-02-18T23:25:22.393Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/umich-wcl-G-tind-0083_al_b630d994fc6ce1160cf5e209920620a76d72159c"}},{"id":"2016C32-xml_ref48","type":"File","attributes":{"title":"پرچم (Parcham, Banner) , حوت 1346 (Hut) 23 - حوت 1347 (Hut) 26, (1968 March 13 - 1969 March 17)","abstract_or_scope":{"id":"https://arclight-demo.projectblacklight.org/catalog/2016C32-xml_ref48#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eNo. 1 through no. 52 (complete first year). 52 issues (circa 4 pages each, with duplication of no. 49), comprising what appears to be a complete run of the first year of Babrak Karmal's Parcham communist party (PDPA) newspaper, edited by Sulaiman Laiq and alternately issued in Dari and Pushto, covering cultural and political life in Afghanistan, largely text, illustrated with a few photographs. Significant mold and mildew damage, which, according to a source, occurred due to the volume's burial in a cellar during Taliban times when ownership of Parchamite political materials was illegal. Published in Kabul, Afghanistan from 1968-1969 (1346-1347).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/2016C32-xml_ref48#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"ref48","ref_ssm":["ref48","ref48"],"id":"2016C32-xml_ref48","title_filing_ssi":"پرچم (Parcham, Banner) , حوت 1346 (Hut) 23 - حوت 1347 (Hut) 26","title_ssm":["پرچم (Parcham, Banner) , حوت 1346 (Hut) 23 - حوت 1347 (Hut) 26"],"title_tesim":["پرچم (Parcham, Banner) , حوت 1346 (Hut) 23 - حوت 1347 (Hut) 26"],"unitdate_other_ssim":["(1968 March 13 - 1969 March 17)"],"normalized_date_ssm":["(1968 March 13 - 1969 March 17)"],"normalized_title_ssm":["پرچم (Parcham, Banner) , حوت 1346 (Hut) 23 - حوت 1347 (Hut) 26, (1968 March 13 - 1969 March 17)"],"text":["پرچم (Parcham, Banner) , حوت 1346 (Hut) 23 - حوت 1347 (Hut) 26, (1968 March 13 - 1969 March 17)","Afghan partisan serials collection, 1968-2011","The People's Democratic Party of Afghanistan (PDPA) Publications, 1968-1991","No. 1 through no. 52 (complete first year). 52 issues (circa 4 pages each, with duplication of no. 49), comprising what appears to be a complete run of the first year of Babrak Karmal's Parcham communist party (PDPA) newspaper, edited by Sulaiman Laiq and alternately issued in Dari and Pushto, covering cultural and political life in Afghanistan, largely text, illustrated with a few photographs. Significant mold and mildew damage, which, according to a source, occurred due to the volume's burial in a cellar during Taliban times when ownership of Parchamite political materials was illegal. Published in Kabul, Afghanistan from 1968-1969 (1346-1347).","Founded by Babrak Karmal, the Parcham party and its newspaper promoted a more democratic version of socialist ideology than other factions of the PDPA, focusing on women's rights, social justice, youth participation, and broad economic interests. This serial was published during the transitional years between Mohammad Zahir Shah’s rule and the establishment of Sardar Mohammed Daoud Khan’s revolutionary government; the party and its serial promoted wider unity between Afghanistan's ethnicities. The newspaper continued for four additional months, through July 1969; those issues are not present in this collection."],"component_level_isim":[2],"parent_ssim":["2016C32-xml","ref59"],"parent_ssi":"ref59","parent_ids_ssim":["2016C32-xml","2016C32-xml_ref59"],"parent_unittitles_ssm":["Afghan partisan serials collection, 1968-2011","The People's Democratic Party of Afghanistan (PDPA) Publications, 1968-1991"],"parent_unittitles_tesim":["Afghan partisan serials collection, 1968-2011","The People's Democratic Party of Afghanistan (PDPA) Publications, 1968-1991"],"parent_levels_ssm":["collection","Series"],"repository_ssim":["Hoover Institution Archives"],"collection_ssim":["Afghan partisan serials collection, 1968-2011"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2,"parent_access_restrict_tesm":["Originals closed; digital use copies available.","The digital collection is accessible in the Archives' reading room or for Stanford affiliated users at \n                 http://aps.eastview.com/browse/udb/2331."],"parent_access_terms_tesm":["For copyright status, please contact the Hoover Institution Archives."],"scopecontent_html_tesm":["\u003cp\u003eNo. 1 through no. 52 (complete first year). 52 issues (circa 4 pages each, with duplication of no. 49), comprising what appears to be a complete run of the first year of Babrak Karmal's Parcham communist party (PDPA) newspaper, edited by Sulaiman Laiq and alternately issued in Dari and Pushto, covering cultural and political life in Afghanistan, largely text, illustrated with a few photographs. Significant mold and mildew damage, which, according to a source, occurred due to the volume's burial in a cellar during Taliban times when ownership of Parchamite political materials was illegal. Published in Kabul, Afghanistan from 1968-1969 (1346-1347).\u003c/p\u003e","\u003cp\u003eFounded by Babrak Karmal, the Parcham party and its newspaper promoted a more democratic version of socialist ideology than other factions of the PDPA, focusing on women's rights, social justice, youth participation, and broad economic interests. This serial was published during the transitional years between Mohammad Zahir Shah’s rule and the establishment of Sardar Mohammed Daoud Khan’s revolutionary government; the party and its serial promoted wider unity between Afghanistan's ethnicities. The newspaper continued for four additional months, through July 1969; those issues are not present in this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["No. 1 through no. 52 (complete first year). 52 issues (circa 4 pages each, with duplication of no. 49), comprising what appears to be a complete run of the first year of Babrak Karmal's Parcham communist party (PDPA) newspaper, edited by Sulaiman Laiq and alternately issued in Dari and Pushto, covering cultural and political life in Afghanistan, largely text, illustrated with a few photographs. Significant mold and mildew damage, which, according to a source, occurred due to the volume's burial in a cellar during Taliban times when ownership of Parchamite political materials was illegal. Published in Kabul, Afghanistan from 1968-1969 (1346-1347).","Founded by Babrak Karmal, the Parcham party and its newspaper promoted a more democratic version of socialist ideology than other factions of the PDPA, focusing on women's rights, social justice, youth participation, and broad economic interests. This serial was published during the transitional years between Mohammad Zahir Shah’s rule and the establishment of Sardar Mohammed Daoud Khan’s revolutionary government; the party and its serial promoted wider unity between Afghanistan's ethnicities. The newspaper continued for four additional months, through July 1969; those issues are not present in this collection."],"_nest_path_":"/components#0/components#0","_nest_parent_":"2016C32-xml_ref59","_root_":"2016C32-xml","timestamp":"2025-02-18T23:00:38.327Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2016C32-xml","title_filing_ssi":"Afghan partisan serials collection","title_ssm":["Afghan partisan serials collection"],"title_tesim":["Afghan partisan serials collection"],"ead_ssi":"2016C32.xml","unitdate_ssm":["1968-2011"],"unitdate_inclusive_ssm":["1968-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016C32"],"text":["2016C32","Afghan partisan serials collection, 1968-2011","Afghanistan--History.","Originals closed; digital use copies available.","The digital collection is accessible in the Archives' reading room or for Stanford affiliated users at \n                  http://aps.eastview.com/browse/udb/2331 .","Materials may have been added to the collection since this finding aid was prepared. To determine if this has occurred, find the collection in Stanford University's online catalog at \n                 http://searchworks.stanford.edu/ . Materials have been added to the collection if the number of boxes listed in the catalog is larger than the number of boxes listed in this finding aid.","The collection of newspapers, journals, and magazines in Dari, Pushto, Arabic, and English represent the viewpoints of diverse groups, including the leftist revolutionary People's Democratic Party of Afghanistan, Zahir Shah-loyalists, various factions of Afghan Mujaheddin and foreign-backed jihadists, the Taliban-led government of the Islamic Emirate of Afghanistan, as well as the Karzai regime, during a tumultuous period in the nation's history in which successive waves of foreign influence and invasion destabilized the region, resulting in more than three decades of armed struggle.","Print material in the collection covers events including the aftermath of the 1978 Saur revolution, the lives of political exiles and refugees in Pakistan, the complex interactions of anti-Soviet insurgency groups and their foreign backers in the U.S. and the Muslim world, the fall of Najibullah and civil war thereafter, the radicalization of foreign fighters in Kunar and Tora Bora, the rise and fall of the Taliban, the events of September 11, 2001, \"Operation Enduring Freedom,\" the establishment of Hamid Karzai as president, and the continuing International Security Assistance Force (ISAF) coalition occupation. Ranging from radical Islamists in favor of global jihad to cautious social democrats in support of civil society, the collection demonstrates the extraordinary range of ideologies and voices competing for mindshare in modern Afghanistan.","Many of the serials are vividly illustrated with reproductions of photographic portraits, battlefield scenes, cityscapes, and martyrs fallen to various causes, while others, in accordance with strict interpretation of Sharia law, eschew visual imagery altogether.","","The Afghan partisan serials collection consists of serials issued by various Afghan organizations (political and other) relating to political conditions and warfare in Afghanistan. The digital collection contains more than 4,000 individual issues of 29 newspapers, journals, and magazines published in Dari, Pushto, Arabic, and English and is accessible in the Archives' reading room or for Stanford affiliated users at \n                 http://aps.eastview.com/browse/udb/2331/ .","In the digital collection, each publication contains an English-language translation, as well as vernacular text and transliterations of all titles, subtitles and mastheads, and publishers. A holistic transliteration methodology was adopted which was informed through recourse to WorldCat references and other digital holdings, linguistic preference for Dari and Pushto words of Arabic origin (i.e. Hizb rather than Hezb, or Mujaheddin rather than Mojahedin), and finally, popular convention and deference to spellings preferred by the publication itself (Hewad rather than Haywad, for instance). Lastly, true to the intent of the media as a fluid medium that places a premium on communication and absorption of information, diacritical markings that are a mainstay in scholarly publications are largely absent.","Discovery for newspapers is at the issue-page level; discovery for journals is at the article level (with a rich search discovery possible for key words and names in journal article titles and article authors). Presentation is in the form of scanned images in PDF format.","For copyright status, please contact the Hoover Institution Archives.","Consists of more than four thousand individual issues of twenty-nine newspapers, journals, and magazines published in Dari, Pushto, Arabic, and English by various Afghan organizations (political and other) relating to political conditions and warfare in Afghanistan. Afghanistan’s social and intellectual landscape is represented by the Taliban and anti-Soviet Mujaheddin groups; the communist People’s Democratic Party; exiled loyalists to the deposed Afghan monarchy; independent humanitarians and intellectuals; and minority political parties that emerged following the post-2001 transition toward democracy. The digital collection is accessible in the Archives' reading room or for Stanford affiliated users at   http://aps.eastview.com/browse/udb/2331/ .","Hoover Institution Archives","Hoover Institution Archives","In Dari, Pushto (Pashto), Arabic, and English."],"unitid_tesim":["2016C32"],"normalized_date_ssm":["1968-2011"],"normalized_title_ssm":["Afghan partisan serials collection, 1968-2011"],"collection_title_tesim":["Afghan partisan serials collection, 1968-2011"],"collection_ssim":["Afghan partisan serials collection, 1968-2011"],"repository_ssm":["Hoover Institution Archives"],"repository_ssim":["Hoover Institution Archives"],"geogname_ssm":["Afghanistan--History."],"geogname_ssim":["Afghanistan--History."],"places_ssim":["Afghanistan--History."],"access_terms_ssm":["For copyright status, please contact the Hoover Institution Archives."],"acqinfo_ssim":["Materials were acquired by the Hoover Institution Archives in 2016."],"has_online_content_ssim":["false"],"extent_ssm":["14 manuscript boxes, 24 oversize boxes (53.8 linear feet)"],"extent_tesim":["14 manuscript boxes, 24 oversize boxes (53.8 linear feet)"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eOriginals closed; digital use copies available.\u003c/p\u003e","\u003cp\u003eThe digital collection is accessible in the Archives' reading room or for Stanford affiliated users at \n                \u003cextref actuate=\"onRequest\" show=\"new\" href=\"http://aps.eastview.com/browse/udb/2331\"\u003e http://aps.eastview.com/browse/udb/2331\u003c/extref\u003e.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Originals closed; digital use copies available.","The digital collection is accessible in the Archives' reading room or for Stanford affiliated users at \n                  http://aps.eastview.com/browse/udb/2331 ."],"accruals_html_tesm":["\u003cp\u003eMaterials may have been added to the collection since this finding aid was prepared. To determine if this has occurred, find the collection in Stanford University's online catalog at \n                \u003cextref actuate=\"onRequest\" show=\"new\" href=\"http://searchworks.stanford.edu/\"\u003ehttp://searchworks.stanford.edu/\u003c/extref\u003e. Materials have been added to the collection if the number of boxes listed in the catalog is larger than the number of boxes listed in this finding aid.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Materials may have been added to the collection since this finding aid was prepared. To determine if this has occurred, find the collection in Stanford University's online catalog at \n                 http://searchworks.stanford.edu/ . Materials have been added to the collection if the number of boxes listed in the catalog is larger than the number of boxes listed in this finding aid."],"bioghist_html_tesm":["\u003cp\u003eThe collection of newspapers, journals, and magazines in Dari, Pushto, Arabic, and English represent the viewpoints of diverse groups, including the leftist revolutionary People's Democratic Party of Afghanistan, Zahir Shah-loyalists, various factions of Afghan Mujaheddin and foreign-backed jihadists, the Taliban-led government of the Islamic Emirate of Afghanistan, as well as the Karzai regime, during a tumultuous period in the nation's history in which successive waves of foreign influence and invasion destabilized the region, resulting in more than three decades of armed struggle.\u003c/p\u003e","\u003cp\u003ePrint material in the collection covers events including the aftermath of the 1978 Saur revolution, the lives of political exiles and refugees in Pakistan, the complex interactions of anti-Soviet insurgency groups and their foreign backers in the U.S. and the Muslim world, the fall of Najibullah and civil war thereafter, the radicalization of foreign fighters in Kunar and Tora Bora, the rise and fall of the Taliban, the events of September 11, 2001, \"Operation Enduring Freedom,\" the establishment of Hamid Karzai as president, and the continuing International Security Assistance Force (ISAF) coalition occupation. Ranging from radical Islamists in favor of global jihad to cautious social democrats in support of civil society, the collection demonstrates the extraordinary range of ideologies and voices competing for mindshare in modern Afghanistan.\u003c/p\u003e","\u003cp\u003eMany of the serials are vividly illustrated with reproductions of photographic portraits, battlefield scenes, cityscapes, and martyrs fallen to various causes, while others, in accordance with strict interpretation of Sharia law, eschew visual imagery altogether.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The collection of newspapers, journals, and magazines in Dari, Pushto, Arabic, and English represent the viewpoints of diverse groups, including the leftist revolutionary People's Democratic Party of Afghanistan, Zahir Shah-loyalists, various factions of Afghan Mujaheddin and foreign-backed jihadists, the Taliban-led government of the Islamic Emirate of Afghanistan, as well as the Karzai regime, during a tumultuous period in the nation's history in which successive waves of foreign influence and invasion destabilized the region, resulting in more than three decades of armed struggle.","Print material in the collection covers events including the aftermath of the 1978 Saur revolution, the lives of political exiles and refugees in Pakistan, the complex interactions of anti-Soviet insurgency groups and their foreign backers in the U.S. and the Muslim world, the fall of Najibullah and civil war thereafter, the radicalization of foreign fighters in Kunar and Tora Bora, the rise and fall of the Taliban, the events of September 11, 2001, \"Operation Enduring Freedom,\" the establishment of Hamid Karzai as president, and the continuing International Security Assistance Force (ISAF) coalition occupation. Ranging from radical Islamists in favor of global jihad to cautious social democrats in support of civil society, the collection demonstrates the extraordinary range of ideologies and voices competing for mindshare in modern Afghanistan.","Many of the serials are vividly illustrated with reproductions of photographic portraits, battlefield scenes, cityscapes, and martyrs fallen to various causes, while others, in accordance with strict interpretation of Sharia law, eschew visual imagery altogether.",""],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Afghan partisan serials collection, [Persistent URL], Hoover Institution Archives\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Afghan partisan serials collection, [Persistent URL], Hoover Institution Archives"],"scopecontent_html_tesm":["\u003cp\u003eThe Afghan partisan serials collection consists of serials issued by various Afghan organizations (political and other) relating to political conditions and warfare in Afghanistan. The digital collection contains more than 4,000 individual issues of 29 newspapers, journals, and magazines published in Dari, Pushto, Arabic, and English and is accessible in the Archives' reading room or for Stanford affiliated users at \n                \u003cextref actuate=\"onRequest\" show=\"new\" href=\"http://aps.eastview.com/browse/udb/2331\"\u003ehttp://aps.eastview.com/browse/udb/2331/\u003c/extref\u003e.\u003c/p\u003e","\u003cp\u003eIn the digital collection, each publication contains an English-language translation, as well as vernacular text and transliterations of all titles, subtitles and mastheads, and publishers. A holistic transliteration methodology was adopted which was informed through recourse to WorldCat references and other digital holdings, linguistic preference for Dari and Pushto words of Arabic origin (i.e. Hizb rather than Hezb, or Mujaheddin rather than Mojahedin), and finally, popular convention and deference to spellings preferred by the publication itself (Hewad rather than Haywad, for instance). Lastly, true to the intent of the media as a fluid medium that places a premium on communication and absorption of information, diacritical markings that are a mainstay in scholarly publications are largely absent.\u003c/p\u003e","\u003cp\u003eDiscovery for newspapers is at the issue-page level; discovery for journals is at the article level (with a rich search discovery possible for key words and names in journal article titles and article authors). Presentation is in the form of scanned images in PDF format.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents of Collection"],"scopecontent_tesim":["The Afghan partisan serials collection consists of serials issued by various Afghan organizations (political and other) relating to political conditions and warfare in Afghanistan. The digital collection contains more than 4,000 individual issues of 29 newspapers, journals, and magazines published in Dari, Pushto, Arabic, and English and is accessible in the Archives' reading room or for Stanford affiliated users at \n                 http://aps.eastview.com/browse/udb/2331/ .","In the digital collection, each publication contains an English-language translation, as well as vernacular text and transliterations of all titles, subtitles and mastheads, and publishers. A holistic transliteration methodology was adopted which was informed through recourse to WorldCat references and other digital holdings, linguistic preference for Dari and Pushto words of Arabic origin (i.e. Hizb rather than Hezb, or Mujaheddin rather than Mojahedin), and finally, popular convention and deference to spellings preferred by the publication itself (Hewad rather than Haywad, for instance). Lastly, true to the intent of the media as a fluid medium that places a premium on communication and absorption of information, diacritical markings that are a mainstay in scholarly publications are largely absent.","Discovery for newspapers is at the issue-page level; discovery for journals is at the article level (with a rich search discovery possible for key words and names in journal article titles and article authors). Presentation is in the form of scanned images in PDF format."],"userestrict_html_tesm":["\u003cp\u003eFor copyright status, please contact the Hoover Institution Archives.\u003c/p\u003e"],"userestrict_heading_ssm":["Publication Rights"],"userestrict_tesim":["For copyright status, please contact the Hoover Institution Archives."],"abstract_html_tesm":["\u003cabstract id=\"ref13\" label=\"Abstract\"\u003eConsists of more than four thousand individual issues of twenty-nine newspapers, journals, and magazines published in Dari, Pushto, Arabic, and English by various Afghan organizations (political and other) relating to political conditions and warfare in Afghanistan. Afghanistan’s social and intellectual landscape is represented by the Taliban and anti-Soviet Mujaheddin groups; the communist People’s Democratic Party; exiled loyalists to the deposed Afghan monarchy; independent humanitarians and intellectuals; and minority political parties that emerged following the post-2001 transition toward democracy. The digital collection is accessible in the Archives' reading room or for Stanford affiliated users at \u003cextref actuate=\"onRequest\" href=\"http://aps.eastview.com/browse/udb/2331\" show=\"new\"\u003e http://aps.eastview.com/browse/udb/2331/\u003c/extref\u003e.\u003c/abstract\u003e"],"abstract_tesim":["Consists of more than four thousand individual issues of twenty-nine newspapers, journals, and magazines published in Dari, Pushto, Arabic, and English by various Afghan organizations (political and other) relating to political conditions and warfare in Afghanistan. Afghanistan’s social and intellectual landscape is represented by the Taliban and anti-Soviet Mujaheddin groups; the communist People’s Democratic Party; exiled loyalists to the deposed Afghan monarchy; independent humanitarians and intellectuals; and minority political parties that emerged following the post-2001 transition toward democracy. The digital collection is accessible in the Archives' reading room or for Stanford affiliated users at   http://aps.eastview.com/browse/udb/2331/ ."],"physloc_html_tesm":["\u003cphysloc id=\"ref14\" label=\"Physical Location\"\u003eHoover Institution Archives\u003c/physloc\u003e"],"physloc_tesim":["Hoover Institution Archives"],"names_ssim":["Hoover Institution Archives"],"corpname_ssim":["Hoover Institution Archives"],"language_ssim":["In Dari, Pushto (Pashto), Arabic, and English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":37,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2016C32-xml","timestamp":"2025-02-18T23:00:38.327Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/2016C32-xml_ref48"}},{"id":"umich-bhl-0312_aspace_2c5fd970e081dd964a64876d58026f04","type":"File","attributes":{"title":"Paris Accelerations  (Screendance), 2010","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/umich-bhl-0312_aspace_2c5fd970e081dd964a64876d58026f04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"aspace_2c5fd970e081dd964a64876d58026f04","ref_ssm":["aspace_2c5fd970e081dd964a64876d58026f04","aspace_2c5fd970e081dd964a64876d58026f04"],"id":"umich-bhl-0312_aspace_2c5fd970e081dd964a64876d58026f04","title_filing_ssi":"Paris Accelerations  (Screendance)","title_ssm":["Paris Accelerations  (Screendance)"],"title_tesim":["Paris Accelerations  (Screendance)"],"unitdate_inclusive_ssm":["2010"],"normalized_date_ssm":["2010"],"normalized_title_ssm":["Paris Accelerations  (Screendance), 2010"],"text":["Paris Accelerations  (Screendance), 2010","Peter Sparling papers, 1961-2013, bulk 1970-2000","Performance, Audition, and Rehearsal Videos"],"component_level_isim":[2],"parent_ssim":["umich-bhl-0312","aspace_ea04e152d4703cedcf32d8d9c2b86eab"],"parent_ssi":"aspace_ea04e152d4703cedcf32d8d9c2b86eab","parent_ids_ssim":["umich-bhl-0312","umich-bhl-0312_aspace_ea04e152d4703cedcf32d8d9c2b86eab"],"parent_unittitles_ssm":["Peter Sparling papers, 1961-2013, bulk 1970-2000","Performance, Audition, and Rehearsal Videos"],"parent_unittitles_tesim":["Peter Sparling papers, 1961-2013, bulk 1970-2000","Performance, Audition, and Rehearsal Videos"],"parent_levels_ssm":["collection","Series"],"repository_ssim":["University of Michigan. Bentley Historical Library"],"collection_ssim":["Peter Sparling papers, 1961-2013, bulk 1970-2000"],"physfacet_tesim":[".MOV and .MP4 files"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":243,"parent_access_restrict_tesm":["Restricted Access: All performances in DVC-Pro format are preservation copies dubbed from original VHS and 3/4-inch tape. Arrangements for duplication need to be made with the Reference Archivist. Equipment needed to view digital video cassettes is not available at the Bentley Library. Access to some of the online digital files is restricted to the viewing in the Bentley Library reading room and the School of Music."],"parent_access_terms_tesm":["Copyright is retained by Peter Sparling. Patrons are responsible for determining the appropriate use or reuse of materials."],"digital_objects_ssm":["{\"label\":\"Paris Accelerations (Screendance), 2010\",\"href\":\"http://hdl.handle.net/2027.42/102502\"}"],"date_range_isim":[2010],"_nest_path_":"/components#7/components#41","_nest_parent_":"umich-bhl-0312_aspace_ea04e152d4703cedcf32d8d9c2b86eab","_root_":"umich-bhl-0312","timestamp":"2025-02-18T23:13:20.872Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"umich-bhl-0312","title_ssm":["Peter Sparling papers"],"title_tesim":["Peter Sparling papers"],"ead_ssi":"umich-bhl-0312","unitdate_ssm":["1961-2013","1970-2000"],"unitdate_bulk_ssim":["1970-2000"],"unitdate_inclusive_ssm":["1961-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["0312 Aa2"],"text":["0312 Aa2","Peter Sparling papers, 1961-2013, bulk 1970-2000","Choreographers -- United States.","Dancers -- United States.","Ballet -- United States.","Ballet -- Study and teaching.","Choreography.","Ballet -- United States.","Dancers.","Posters.","Videotapes.","Motion pictures.","Photographs.","The collection is open to research."," Access to some of the online digital files in the Performance, Audition, and Rehearsal Videos series is restricted to viewing the Bentley Library Reading Room and at the University of Michigan School of Music, Theatre and Dance. Equipment needed to view the DVC-Pro digital cassettes in this series is not currently available at the Bentley Library. Contact the reference archivist to arrange for duplication of tapes.","Periodic additions to the records expected.","Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon."," Sparling got his first dance training while on a scholarship for violin performance at Interlochen Arts Academy. He added dance to his major and graduated in 1969, and then attended The Juilliard School, receiving his B.F.A. in 1973. While still at Juilliard, Sparling began touring with the Jose Limon Dance Company, traveling to Europe, Russia and Asia. He co-founded Dance Mobile with Janet Eilber, Ange Wolf and Diana Hart, all of whom he met at Interlochen. In 1974, he married another dancer he had met while at Interlochen, Shelley Washington. They divorced after three years."," In 1973, after the death of Jose Limon, Sparling was invited to join the Martha Graham Dance Company. Graham dramatically influenced Sparling's performance and his choreography, and he created and performed his own works during the six years he was with the Graham Company. When he left the company in 1979, he formed Peter Sparling Presents Solo Flight, and then the Peter Sparling Dance Company, as vehicles for his choreography. He continued to dance occasionally with the Graham Company until 1987."," In 1984, after several teaching residencies in such institutions as Barnard College in New York, Florida State University, Cloud Gate Dance Theatre in Taiwan and the Laban Centre for Movement Studies in London, Sparling was hired as Assistant Professor at the University of Michigan Dance Department. He was chair of the Department from 1988 through 1995. In 1984, he co-founded Ann Arbor Dance Works, the University of Michigan's resident dance company. In 1993, Peter founded the Peter Sparling Dance Co. a non-profit organization that continues today. Further information about Sparling's dance company or current work see http://www.dancegalleryfoundation.org.","","The Peter Sparling Papers include materials relating to Sparling's dance training, performance, and teaching. The papers are divided into eight series: Background Materials, Choreography, Correspondence, Dance Companies, Programs, Reviews, Photographs, Performance, Audition, and Rehearsal Videos, and Posters.","Copyright is retained by Peter Sparling. Patrons are responsible for determining the appropriate use or reuse of materials.","Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. Papers consist of materials relating to Sparling's dance training, performance, and teaching including background materials; choreography notes and sketches; correspondence; clippings and publicity from dance companies with whom he was associated; programs and reviews; photographs, video and film of performances; and posters.","Bentley Historical Library","University of Michigan. -- Faculty.","University of Michigan. School of Music.","Sparling, Peter.","Sparling, Peter, 1951-","Sparling, Peter, Performances, 1951-","English","The material is in  English"],"unitid_tesim":["0312 Aa2"],"normalized_date_ssm":["1961-2013, bulk 1970-2000"],"normalized_title_ssm":["Peter Sparling papers, 1961-2013, bulk 1970-2000"],"collection_title_tesim":["Peter Sparling papers, 1961-2013, bulk 1970-2000"],"collection_ssim":["Peter Sparling papers, 1961-2013, bulk 1970-2000"],"repository_ssm":["University of Michigan. Bentley Historical Library"],"repository_ssim":["University of Michigan. 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Patrons are responsible for determining the appropriate use or reuse of materials."],"acqinfo_ssim":["Materials were donated by Peter Sparling (donor no. 8992) beginning in 2001."],"access_subjects_ssim":["Choreographers -- United States.","Dancers -- United States.","Ballet -- United States.","Ballet -- Study and teaching.","Choreography.","Ballet -- United States.","Dancers.","Posters.","Videotapes.","Motion pictures.","Photographs."],"access_subjects_ssm":["Choreographers -- United States.","Dancers -- United States.","Ballet -- United States.","Ballet -- Study and teaching.","Choreography.","Ballet -- United States.","Dancers.","Posters.","Videotapes.","Motion pictures.","Photographs."],"has_online_content_ssim":["true"],"extent_ssm":["6 linear feet","89.5 GB"],"extent_tesim":["6 linear feet","89.5 GB"],"physfacet_tesim":["online"],"genreform_ssim":["Posters.","Videotapes.","Motion pictures.","Photographs."],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e\n","\u003cp\u003e Access to some of the online digital files in the Performance, Audition, and Rehearsal Videos series is restricted to viewing the Bentley Library Reading Room and at the University of Michigan School of Music, Theatre and Dance. Equipment needed to view the DVC-Pro digital cassettes in this series is not currently available at the Bentley Library. Contact the reference archivist to arrange for duplication of tapes.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."," Access to some of the online digital files in the Performance, Audition, and Rehearsal Videos series is restricted to viewing the Bentley Library Reading Room and at the University of Michigan School of Music, Theatre and Dance. Equipment needed to view the DVC-Pro digital cassettes in this series is not currently available at the Bentley Library. Contact the reference archivist to arrange for duplication of tapes."],"accruals_html_tesm":["\u003cp\u003ePeriodic additions to the records expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Periodic additions to the records expected."],"bioghist_html_tesm":["\u003cp\u003ePeter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon.\u003c/p\u003e\n","\u003cp\u003e Sparling got his first dance training while on a scholarship for violin performance at Interlochen Arts Academy. He added dance to his major and graduated in 1969, and then attended The Juilliard School, receiving his B.F.A. in 1973. While still at Juilliard, Sparling began touring with the Jose Limon Dance Company, traveling to Europe, Russia and Asia. He co-founded Dance Mobile with Janet Eilber, Ange Wolf and Diana Hart, all of whom he met at Interlochen. In 1974, he married another dancer he had met while at Interlochen, Shelley Washington. They divorced after three years.\u003c/p\u003e\n","\u003cp\u003e In 1973, after the death of Jose Limon, Sparling was invited to join the Martha Graham Dance Company. Graham dramatically influenced Sparling's performance and his choreography, and he created and performed his own works during the six years he was with the Graham Company. When he left the company in 1979, he formed Peter Sparling Presents Solo Flight, and then the Peter Sparling Dance Company, as vehicles for his choreography. He continued to dance occasionally with the Graham Company until 1987.\u003c/p\u003e\n","\u003cp\u003e In 1984, after several teaching residencies in such institutions as Barnard College in New York, Florida State University, Cloud Gate Dance Theatre in Taiwan and the Laban Centre for Movement Studies in London, Sparling was hired as Assistant Professor at the University of Michigan Dance Department. He was chair of the Department from 1988 through 1995. In 1984, he co-founded Ann Arbor Dance Works, the University of Michigan's resident dance company. In 1993, Peter founded the Peter Sparling Dance Co. a non-profit organization that continues today. Further information about Sparling's dance company or current work see http://www.dancegalleryfoundation.org.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon."," Sparling got his first dance training while on a scholarship for violin performance at Interlochen Arts Academy. He added dance to his major and graduated in 1969, and then attended The Juilliard School, receiving his B.F.A. in 1973. While still at Juilliard, Sparling began touring with the Jose Limon Dance Company, traveling to Europe, Russia and Asia. He co-founded Dance Mobile with Janet Eilber, Ange Wolf and Diana Hart, all of whom he met at Interlochen. In 1974, he married another dancer he had met while at Interlochen, Shelley Washington. They divorced after three years."," In 1973, after the death of Jose Limon, Sparling was invited to join the Martha Graham Dance Company. Graham dramatically influenced Sparling's performance and his choreography, and he created and performed his own works during the six years he was with the Graham Company. When he left the company in 1979, he formed Peter Sparling Presents Solo Flight, and then the Peter Sparling Dance Company, as vehicles for his choreography. He continued to dance occasionally with the Graham Company until 1987."," In 1984, after several teaching residencies in such institutions as Barnard College in New York, Florida State University, Cloud Gate Dance Theatre in Taiwan and the Laban Centre for Movement Studies in London, Sparling was hired as Assistant Professor at the University of Michigan Dance Department. He was chair of the Department from 1988 through 1995. In 1984, he co-founded Ann Arbor Dance Works, the University of Michigan's resident dance company. In 1993, Peter founded the Peter Sparling Dance Co. a non-profit organization that continues today. Further information about Sparling's dance company or current work see http://www.dancegalleryfoundation.org."],"prefercite_html_tesm":["\u003cp\u003e[item], folder, box, Peter Sparling papers, Bentley Historical Library, University of Michigan\u003c/p\u003e"],"prefercite_tesim":["[item], folder, box, Peter Sparling papers, Bentley Historical Library, University of Michigan"],"processinfo_html_tesm":["\u003cp\u003e\u003cextptr actuate=\"onload\" href=\"digitalproc\" show=\"embed\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":[""],"scopecontent_html_tesm":["\u003cp\u003eThe Peter Sparling Papers include materials relating to Sparling's dance training, performance, and teaching. 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Patrons are responsible for determining the appropriate use or reuse of materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e7ba80ca0d30560d8aa900af8025f1a9\"\u003ePeter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. Papers consist of materials relating to Sparling's dance training, performance, and teaching including background materials; choreography notes and sketches; correspondence; clippings and publicity from dance companies with whom he was associated; programs and reviews; photographs, video and film of performances; and posters.\u003c/abstract\u003e"],"abstract_tesim":["Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. 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Equipment needed to view the DVC-Pro digital cassettes in this series is not currently available at the Bentley Library. Contact the reference archivist to arrange for duplication of tapes.","Periodic additions to the records expected.","Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon."," Sparling got his first dance training while on a scholarship for violin performance at Interlochen Arts Academy. He added dance to his major and graduated in 1969, and then attended The Juilliard School, receiving his B.F.A. in 1973. While still at Juilliard, Sparling began touring with the Jose Limon Dance Company, traveling to Europe, Russia and Asia. He co-founded Dance Mobile with Janet Eilber, Ange Wolf and Diana Hart, all of whom he met at Interlochen. In 1974, he married another dancer he had met while at Interlochen, Shelley Washington. They divorced after three years."," In 1973, after the death of Jose Limon, Sparling was invited to join the Martha Graham Dance Company. Graham dramatically influenced Sparling's performance and his choreography, and he created and performed his own works during the six years he was with the Graham Company. When he left the company in 1979, he formed Peter Sparling Presents Solo Flight, and then the Peter Sparling Dance Company, as vehicles for his choreography. He continued to dance occasionally with the Graham Company until 1987."," In 1984, after several teaching residencies in such institutions as Barnard College in New York, Florida State University, Cloud Gate Dance Theatre in Taiwan and the Laban Centre for Movement Studies in London, Sparling was hired as Assistant Professor at the University of Michigan Dance Department. He was chair of the Department from 1988 through 1995. In 1984, he co-founded Ann Arbor Dance Works, the University of Michigan's resident dance company. In 1993, Peter founded the Peter Sparling Dance Co. a non-profit organization that continues today. Further information about Sparling's dance company or current work see http://www.dancegalleryfoundation.org.","","The Peter Sparling Papers include materials relating to Sparling's dance training, performance, and teaching. The papers are divided into eight series: Background Materials, Choreography, Correspondence, Dance Companies, Programs, Reviews, Photographs, Performance, Audition, and Rehearsal Videos, and Posters.","Copyright is retained by Peter Sparling. Patrons are responsible for determining the appropriate use or reuse of materials.","Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. 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In 1974, he married another dancer he had met while at Interlochen, Shelley Washington. They divorced after three years.\u003c/p\u003e\n","\u003cp\u003e In 1973, after the death of Jose Limon, Sparling was invited to join the Martha Graham Dance Company. Graham dramatically influenced Sparling's performance and his choreography, and he created and performed his own works during the six years he was with the Graham Company. When he left the company in 1979, he formed Peter Sparling Presents Solo Flight, and then the Peter Sparling Dance Company, as vehicles for his choreography. He continued to dance occasionally with the Graham Company until 1987.\u003c/p\u003e\n","\u003cp\u003e In 1984, after several teaching residencies in such institutions as Barnard College in New York, Florida State University, Cloud Gate Dance Theatre in Taiwan and the Laban Centre for Movement Studies in London, Sparling was hired as Assistant Professor at the University of Michigan Dance Department. He was chair of the Department from 1988 through 1995. In 1984, he co-founded Ann Arbor Dance Works, the University of Michigan's resident dance company. In 1993, Peter founded the Peter Sparling Dance Co. a non-profit organization that continues today. Further information about Sparling's dance company or current work see http://www.dancegalleryfoundation.org.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon."," Sparling got his first dance training while on a scholarship for violin performance at Interlochen Arts Academy. He added dance to his major and graduated in 1969, and then attended The Juilliard School, receiving his B.F.A. in 1973. While still at Juilliard, Sparling began touring with the Jose Limon Dance Company, traveling to Europe, Russia and Asia. He co-founded Dance Mobile with Janet Eilber, Ange Wolf and Diana Hart, all of whom he met at Interlochen. In 1974, he married another dancer he had met while at Interlochen, Shelley Washington. They divorced after three years."," In 1973, after the death of Jose Limon, Sparling was invited to join the Martha Graham Dance Company. Graham dramatically influenced Sparling's performance and his choreography, and he created and performed his own works during the six years he was with the Graham Company. When he left the company in 1979, he formed Peter Sparling Presents Solo Flight, and then the Peter Sparling Dance Company, as vehicles for his choreography. He continued to dance occasionally with the Graham Company until 1987."," In 1984, after several teaching residencies in such institutions as Barnard College in New York, Florida State University, Cloud Gate Dance Theatre in Taiwan and the Laban Centre for Movement Studies in London, Sparling was hired as Assistant Professor at the University of Michigan Dance Department. He was chair of the Department from 1988 through 1995. In 1984, he co-founded Ann Arbor Dance Works, the University of Michigan's resident dance company. In 1993, Peter founded the Peter Sparling Dance Co. a non-profit organization that continues today. 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Patrons are responsible for determining the appropriate use or reuse of materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e7ba80ca0d30560d8aa900af8025f1a9\"\u003ePeter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. Papers consist of materials relating to Sparling's dance training, performance, and teaching including background materials; choreography notes and sketches; correspondence; clippings and publicity from dance companies with whom he was associated; programs and reviews; photographs, video and film of performances; and posters.\u003c/abstract\u003e"],"abstract_tesim":["Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. 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Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989","INT 36A--INT\n                                36C","cass 1299, 1301\n                                (dup?)","Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n                                        File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n                                        File (BWF) Compact disc(s): CDREF 136--CDREF 138","Cass 1301 is a duplicate of most, if not all, of the content on cass\n                                1299.","Interview with Deanie Parker, public relations for Stax Records;\n                                recorded in Memphis, Tennessee.","Supplementary materials consist of news clippings and photocopies of\n                                news clippings related to Stax."],"component_level_isim":[3],"parent_ssim":["VAB9025","VAB9025-00001","VAB9025-00002"],"parent_ssi":"VAB9025-00002","parent_ids_ssim":["VAB9025","VAB9025_VAB9025-00001","VAB9025_VAB9025-00002"],"parent_unittitles_ssm":["Portia K. Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989"],"parent_unittitles_tesim":["Portia K. Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["INT 36A--INT\n                                36C","cass 1299, 1301\n                                (dup?)"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"collection_ssim":["Portia K. Maultsby\n                Collection, 1981-1986"],"extent_ssm":["1 audiocassette (138 minutes)"],"extent_tesim":["1 audiocassette (138 minutes)"],"physfacet_tesim":[" + 1\n                                    transcript (57 typed leaves) and supplementary\n                                    materials"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Event"],"level_ssim":["Event"],"sort_isi":57,"parent_access_restrict_tesm":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n                Series G, \"Music Industry Interviews,\" are available for in-house use at the\n                Archives of African American Music and Culture, Indiana University. Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details."],"altformavail_html_tesm":["\u003cp\u003e\n                        \u003clist\u003e\n                           \u003citem\u003ePreservation master file(s): 24 bit/96 kHz Broadcast Wave\n                                        File (BWF)\u003c/item\u003e\n                           \u003citem\u003eProduction master file(s): 16 bit/44.1 kHz Broadcast Wave\n                                        File (BWF)\u003c/item\u003e\n                           \u003citem\u003eCompact disc(s): CDREF 136--CDREF 138\u003c/item\u003e\n                        \u003c/list\u003e\n                     \u003c/p\u003e"],"altformavail_heading_ssm":["Reference Copies"],"altformavail_tesim":["Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n                                        File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n                                        File (BWF) Compact disc(s): CDREF 136--CDREF 138"],"note_html_tesm":["\u003cp\u003eCass 1301 is a duplicate of most, if not all, of the content on cass\n                                1299.\u003c/p\u003e"],"note_tesim":["Cass 1301 is a duplicate of most, if not all, of the content on cass\n                                1299."],"scopecontent_html_tesm":["\u003cp\u003eInterview with Deanie Parker, public relations for Stax Records;\n                                recorded in Memphis, Tennessee.\u003c/p\u003e","\u003cp\u003eSupplementary materials consist of news clippings and photocopies of\n                                news clippings related to Stax.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content"],"scopecontent_tesim":["Interview with Deanie Parker, public relations for Stax Records;\n                                recorded in Memphis, Tennessee.","Supplementary materials consist of news clippings and photocopies of\n                                news clippings related to Stax."],"_nest_path_":"/components#0/components#0/components#54","_nest_parent_":"VAB9025_VAB9025-00002","_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"VAB9025","title_ssm":["Portia K. Maultsby\n                Collection"],"title_tesim":["Portia K. Maultsby\n                Collection"],"ead_ssi":"VAB9025","unitdate_ssm":["1981-1986"],"unitdate_inclusive_ssm":["1981-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC\n                18G"],"text":["SC\n                18G","Portia K. Maultsby\n                Collection, 1981-1986","African American musicians","Rhythm and blues musicians","African American sound recording executives and\n                                producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories","Reference copies and transcripts for most, but not all, of the audiocassettes in\n                Series G, \"Music Industry Interviews,\" are available for in-house use at the\n                Archives of African American Music and Culture, Indiana University. Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details.","Currently organized into one series and the following subseries:  Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews.","Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of  African American Music : An Introduction , (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music.","The collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated.","Series G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use."," Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n                                Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n                            1941-2000","Foster, William P. (William\n                            Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara","Materials are in  English."],"unitid_tesim":["SC\n                18G"],"normalized_date_ssm":["1981-1986"],"normalized_title_ssm":["Portia K. Maultsby\n                Collection, 1981-1986"],"collection_title_tesim":["Portia K. Maultsby\n                Collection, 1981-1986"],"collection_ssim":["Portia K. Maultsby\n                Collection, 1981-1986"],"repository_ssm":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"creator_ssm":["Maultsby, Portia K."],"creator_ssim":["Maultsby, Portia K."],"creator_persname_ssim":["Maultsby, Portia K."],"creators_ssim":["Maultsby, Portia K."],"acqinfo_ssim":["Donated by Portia K. Maultsby in 2008."],"access_subjects_ssim":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n                                producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"access_subjects_ssm":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n                                producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["169 audiocassettes"],"extent_tesim":["169 audiocassettes"],"physfacet_tesim":[" : analog, stereo + 5 document\n                    cases"],"date_range_isim":[1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eReference copies and transcripts for most, but not all, of the audiocassettes in\n                Series G, \"Music Industry Interviews,\" are available for in-house use at the\n                Archives of African American Music and Culture, Indiana University. Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n                Series G, \"Music Industry Interviews,\" are available for in-house use at the\n                Archives of African American Music and Culture, Indiana University. Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details."],"arrangement_html_tesm":["\u003cp\u003eCurrently organized into one series and the following subseries: \u003clist\u003e\n               \u003citem\u003eSubseries 1. Interviews by Maultsby, 1979-1989\u003c/item\u003e\n               \u003citem\u003eSubseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/p\u003e","\u003cp\u003eEach subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Currently organized into one series and the following subseries:  Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews."],"bioghist_html_tesm":["\u003cp\u003ePortia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of  African American Music : An Introduction , (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use."],"names_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n                                Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n                            1941-2000","Foster, William P. (William\n                            Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"corpname_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n                                Records"],"persname_ssim":["Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n                            1941-2000","Foster, William P. (William\n                            Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"language_ssim":["Materials are in  English."],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00054"}},{"id":"umich-wcl-G-tind-0083_al_052f723a379a5b2c28c3d0e1ec6dd8be0720f4a3","type":"File","attributes":{"title":"Parks","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/umich-wcl-G-tind-0083_al_052f723a379a5b2c28c3d0e1ec6dd8be0720f4a3#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"al_052f723a379a5b2c28c3d0e1ec6dd8be0720f4a3","ref_ssm":["al_052f723a379a5b2c28c3d0e1ec6dd8be0720f4a3","al_052f723a379a5b2c28c3d0e1ec6dd8be0720f4a3"],"id":"umich-wcl-G-tind-0083_al_052f723a379a5b2c28c3d0e1ec6dd8be0720f4a3","title_filing_ssi":"Parks","title_ssm":["Parks"],"title_tesim":["Parks"],"normalized_title_ssm":["Parks"],"text":["Parks","David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","David V. Tinder collection of Michigan photography, County File, Wayne County, Box 19"],"component_level_isim":[2],"parent_ssim":["umich-wcl-G-tind-0083","al_77f3f614e7ff9428c1440db158a7537dc25855f0"],"parent_ssi":"al_77f3f614e7ff9428c1440db158a7537dc25855f0","parent_ids_ssim":["umich-wcl-G-tind-0083","umich-wcl-G-tind-0083_al_77f3f614e7ff9428c1440db158a7537dc25855f0"],"parent_unittitles_ssm":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","David V. Tinder collection of Michigan photography, County File, Wayne County, Box 19"],"parent_unittitles_tesim":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","David V. Tinder collection of Michigan photography, County File, Wayne County, Box 19"],"parent_levels_ssm":["collection","Series"],"repository_ssim":["University of Michigan. William L. Clements Library"],"collection_ssim":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":353,"_nest_path_":"/components#18/components#0","_nest_parent_":"umich-wcl-G-tind-0083_al_77f3f614e7ff9428c1440db158a7537dc25855f0","_root_":"umich-wcl-G-tind-0083","timestamp":"2025-02-18T23:25:22.393Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"umich-wcl-G-tind-0083","title_ssm":["  David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","Tinder, David V., Collection of Michigan Photography, County File, Wayne County"],"title_tesim":["  David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","Tinder, David V., Collection of Michigan Photography, County File, Wayne County"],"ead_ssi":"umich-wcl-G-tind-0083","level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["wclgrfx000200"],"text":["wclgrfx000200","David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","David V. Tinder Collection of Michigan Photography.","Photographs shelf.","Actors--Michigan--1900-1910.","Actresses--Michigan--1890-1910.","African American businesspeople--Michigan.","African American children--Portraits--Michigan.","African American choirs--Michigan.","African American churches--Michigan.","African American freemasons--Michigan.","African American judges--Michigan.","African American musicians--Michigan.","African Americans--Societies, etc.--Michigan.","African American students--Michigan.","African American Sunday schools--Michigan.","Agricultural laborers--Michigan.","Airports--Michigan.","Aircraft--Michigan--1930-1940.","Aircraft industry--Michigan.","Air shows--Michigan.","Amateur theater--Michigan.","Amusement parks--Michigan.","Animals on television--Michigan.","Asbestos--Michigan.","Automobile factories--Michigan.","Automobile industry workers--Michigan.","Automobile rallies--Michigan.","Automobiles--Michigan.","Automobiles--Design and construction--Michigan.","Balls (Parties)--Michigan--1910-1920.","Bands (Music)--Michigan.","Banquets--Michigan--1920-1930.","Barbers--Michigan.","Barbershops--Michigan--1910-1920.","Bar mitzvah--Michigan.","Bars (Drinking establishments)--Michigan.","Baseball players--Michigan.","Basketball courts--Michigan.","Basketball players--Michigan.","Beauty shops--Michigan.","Beekeepers--Michigan.","Bicycles \u0026 tricycles--Michigan--1890-1930.","Bicycle stores--Michigan.","Blacksmiths--Michigan.","Blizzards--Michigan.","Boats and boating--Michigan.","Boycotts--Michigan.","Breweries--Michigan.","Breweries--Employees--Michigan.","Brick trade--Michigan.","Bridges--Michigan--Detroit.","Broom and brush industry--Michigan.","Building construction--Michigan--1910-1930.","Buses--Michigan--1930-1940.","Business organizations--Michigan.","Business Schools--Michigan.","Button industry--Michigan.","Cafeterias--Michigan.","Camping--Michigan.","Canoes and canoeing--Michigan.","Carts \u0026 wagons--Michigan--1890-1910","Casinos--Michigan.","Catholic schools--Michigan.","Cemeteries--Michigan.","Chauffeurs--Michigan.","Chemical industry--Michigan.","Children's costumes--Michigan.","Children's parties--Michigan--1890-1900.","Children--Michigan--Portraits.","Children's choirs--Michigan.","Church buildings--Michigan.","Cigar industry--Michigan.","Circus animals--Michigan.","Circus performers--Michigan.","City councils--Michigan--Hamtramck (Mich.)","City halls--Michigan.","Commercial photography--Michigan.","Concert programs--Michigan.","Confirmation--Catholic Church--Michigan.","Construction workers--Michigan.","Coopers and Cooperage--Michigan.","Couples--Michigan--Portraits.","Creameries--Michigan.","Cross-country runners--Michigan.","Curling--Michigan.","Dairying--Michigan.","Delivery of goods--Michigan.","Diving--Michigan--1890-1900.","Docks--Michigan.","Dredges--Michigan.","Drugstores--Michigan.","Dwellings--Michigan.","Engines--Michigan.","Entertainers--Michigan--1900-1910.","Ethnic costume--Romania.","Ethnic groups--Michigan.","Exhibitions--Michigan--1880-1890.","Explosions--Michigan.","Factories--Employees--Michigan.","Factories--Michigan.","Families--Michigan--Portraits.","Fire fighters--Michigan.","Florists--Michigan.","Flour mills--Michigan.","Flower arrangements--Michigan--1920-1940.","Football players--Michigan--1900-1910.","Fraternal organizations--Michigan","Funeral rites \u0026 ceremonies--Michigan--1910-1930","Gardens--Michigan--1900-1910.","Gas power plants--Michigan.","Graduation (School)","Grocery trade--Michigan.","Hardware stores--Michigan.","Hat trade--Michigan.","High school students--Michigan.","Horse-drawn rail cars--Michigan.","Horse racing--Michigan--1920-1930","Hospitals--Michigan--Detroit.","Hotels--Michigan--1870-1890.","Ice industry--Michigan.","Insurance companies--Michigan.","Inventors--Michigan","Jazz musicians--Michigan","Kitchen utensils--Michigan.","Laboratories--Michigan.","Lakes--Michigan.","Libraries--Michigan--Detroit.","Lighthouses--Michigan.","Locomotives--Michigan.","Luggage industry--Michigan.","Mausoleums--Michigan.","Mechanical musical instruments--Michigan.","Men--Michigan--Portraits.","Men--Societies  and clubs--Michigan.","Metalworking industries--Michigan.","Military bands--Michigan.","Motion pictures--Michigan--1930-1940.","Motorboat racing--Michigan.","Music stores--Michigan.","Musicians--Michigan.","Nightclubs--Michigan.","Nursing schools--Michigan.","Occupational training--Michigan.","Offices--Michigan--1910-1930.","Old age homes--Michigan.","Opticians--Michigan.","Paddle steamers--Michigan.","Parade floats--Michigan.","Parades--Michigan.","Parks--Michigan--Detroit.","Photography--Societies, etc--Michigan.","Picnics--Michigan.","Playgrounds--Michigan.","Police--Michigan--Detroit.","Police stations--Michigan.","Political parades \u0026 rallies--Michigan--1900-1920.","Portraits, group--Michigan.","Postmortem photography--Michigan.","Power-plants--Design and construction--Michigan.","Priests--Michigan.","Prisons--Michigan.","Public architecture--Michigan.","Radio broadcasting--Michigan.","Railroad stations--Michigan.","Railroad tunnels--Design and construction--Michigan.","Railroad tunnels--Michigan.","Railroads--Employees--Michigan.","Railroads--Michigan.","Residential architecture--Michigan.","Restaurants--Michigan--1920-1930.","Sailors--Michigan.","School children--Michigan.","School buildings--Michigan.","School plays--Michigan.","School yearbooks--Michigan.","Ships--Launching--Michigan.","Ships--Michigan.","Shoes--Repairing--Michigan.","Skyscrapers--Michigan--Detroit.","Soccer players--Michigan--1920-1930","Soldiers--Michigan.","Souvenirs (Keepsakes)--Michigan.","Spanish-American War, 1898--Veterans--Michigan.","Stables--Michigan.","Steamboats--Michigan.","Steel foundries--Michigan.","Stove industry and trade--Michigan.","Street lighting--Michigan.","Street-railroads--Michigan.","Streets--Michigan.","Strikes and lockouts--Automobile industry--Michigan.","String bands--Michigan.","Storefronts--Michigan.","Teeth--Radiography--Michigan.","Television programs--Michigan.","Theaters--Michigan--1910-1920.","Threshing machines--Michigan--1900-1910.","Tour buses--Michigan.","Traffic signs \u0026 signals---Michigan--1930-1950","Train ferries--Michigan.","Trucks--Michigan--1920-1940.","Variety stores--Michigan.","Vocational education--Michigan.","Water mills--Michigan.","Water towers--Michigan.","Waterworks--Michigan.","Weddings--Michigan.","Women automobile industry workers--Michigan.","Women field hockey players--Michigan.","Women figure skaters--Michigan.","Women--Employment--Michigan--1910-1940.","Women--Michigan--Portraits.","Women--Societies and clubs--Michigan.","World War 1914-1918--Michigan.","Clippings.","Cyanotypes.","Documents.","Ephemera.","Pamphlets.","Photocopies.","Photographic prints.","Photomechanical prints.","Postage stamps.","The city of Detroit and its vast metropolitan area has dominated the Wayne County area for centuries. Detroit was founded in 1701 as a French settlement with access to the Great Lakes and Canada and quickly became a strategic military post and trade center. It transferred to British control in 1760 during the Seven Years War and to United States governance in 1796. It became a chartered city in 1802, the capitol of the Michigan Territory in 1805, and Michigan’s first State Capital from 1837 to 1847. The city grew with an economy based largely on agriculture and trade in the early 19th century, becoming one of the nation’s prime manufacturing and cultural centers after the Civil War. Large industries based in the region included railroad equipment manufacturing, ship building, iron and steel production, stoves, pharmaceuticals, brewing, wagon making, and many others.","The industrial strength of Detroit created a large middle-class society as well as vast wealth. In turn, this affluence supported cultural advancement, education, and the arts. Commercial photography studios thrived in this environment. Many prize-winning portrait photographers were based in Detroit, as were those specializing in architecture, and the documentation of industry and commerce.","The diversity of industry of late 19th century Detroit gave way to automobile centered growth in the mid-20th century. The boom in wartime production during World War Two attracted workers from around the country and shifted the racial demographics of the city.","The collapse of manufacturing industries, the disappearance of public transportation, and massive population shifts to the suburbs were factors in the decline of Detroit in the mid to late 20th century.","Included in the Wayne County file of the David V. Tinder Collection of Michigan Photography are images of urban Detroit, people in their places of work, at home, at leisure, and participating in social activities and in fraternal and religious organizations. Numerous images show industrial manufacturing, urban transportation, and civic infrastructure. Activities related to entertainment, sports, parades, and the arts are well represented. The many portraits photographs include formal posed images, casual snapshots, workplace groups and fraternal organizations.","A vast majority of the photographs are the work of commercial photographers, with some amateurs. A significant number of photos were taken by Detroit News and Detroit Free Press photographers. Almost all the images present would be considered vernacular photos rather than fine art; however, many are carefully composed with strong aesthetic characteristics.","Although the photos have been largely sorted by subject, related materials may be present outside of the subject categories, i.e., images of transportation can also be found in the categories Architecture, Business and Commerce, Group Portraits, and in other sections outside of Transportation.","The bulk of the photos in this collection were taken in Detroit during the era of rapid population growth and industrial development around the turn of the century. The diversity of industry that appears in the late 19th century images can be seen giving way to automobile centered growth in the mid-20th century. Evidence of the rich residential lifestyles and multi-ethnic cultures of the Detroit area appear in many images.","At the fringe of the collection’s scope are images of the demolition of factories, the disappearance of public transportation, and racial unrest during the decline of Detroit in the mid to late 20th century.","It should be noted that while most of the collection are mounted and unmounted photographic prints, there are a few bound items as well as printed ephemera.","The collection has been organized into various categories by subject. The first group of photos is comprised of those that did not fit neatly under other categories. These include views of military encampments, disasters and firefighting, civic unrest, commercial product promotions, and other miscellaneous topics. Of particular note is a charming outdoor children’s party scene by amateur photographer Robert R. Oesterreich (no. 9); a double portrait montage by Tony Spina of John F. Kennedy and Robert F. Kennedy, both speaking at Campus Martius (no. 14); the high quality photomechanical prints of Detroit scenes and architecture in the  Detroit Illustrated.  (no. 16); and a collection of 28 miscellaneous nightclub souvenir photographs dating from the 1940s-1980s (no. 20). The rest of the material falls under the following categories:","Transportation: 243 photographs. Material is divided between the following sub-categories: Automobiles and Trucks (56 photographs), Aircraft (18 photographs), Railroads and Trains (58 photographs), Streetcars and Trolleys (20 photographs), Roads and Infrastructure (33 photographs), Wagons (20 photographs), Maritime (38 photographs).","Of note are a photograph of an African American couple posed with a new V-8 Ford (no. 71.3); construction photos of the Detroit River railroad tunnel (no. 95); Goebel’s Brewing Co. delivery wagons (no. 98); and a view of the steamboat  Tashmoo  at speed on the Detroit River (no. 110).","Performers: 107 photographs, most of which (113 photographs) are contained in the sub-category Music and Musicians. Of particular note are numerous photos of community brass bands, a photo of John Philip Sousa and his band at Grand Circus Park (no. 122); an image of the inventor Charles Crawford and his patented \"Pickaphone\" mechanism for playing stringed instruments, ca. 1888 (no. 123); and copy prints of two important early jazz bands, Finney’s Orchestra (no. 131) and McKinney’s Cotton Pickers (no. 132).","Portraits: 505 photographs. Material is divided into the following sub-categories: Individuals (172 photographs), Groups (133 photographs), Children (97 photographs), Weddings (64 photographs), Confirmation and Communion (41 photographs). Of particular interest are a photograph of Joan Baxter and her Hot Dog Cooker (no. 137); three 1860's portraits of members of the Hawley family of Detroit (no. 141), one of which is inscribed with enlargement instructions ca.1901 on its verso; and a portrait of politician and founder of the Republican Party Zachariah Chandler, taken by Benjamin Powelson ca. 1880 (no. 142).","Of the many notable images within the Groups category are an outstanding image of sixteen Packard Motor Car Company employees piled onto a 1911 Packard in front of the then new Packard factory on West Grand Blvd. (no. 144.9); a group of African American women engaged in a ceremonial burning of the mortgage of the Phyllis Wheatley Home for Aged Colored Ladies (no. 162); and a portrait of members of the Direct Credits Society, a Great Depression-era wealth redistribution movement founded by Alfred Lawson (no. 166).","Parades: 54 photographs. Many scenes of massive parades in Detroit. Of note is a series of photographs of women marching in a racially-integrated United Spanish War Veterans Parade, ca.1940 (no. 179); and a view of five young women in a florally decorated early automobile (no. 180.11).","Business \u0026 Commerce: 319 photographs. Where possible, material has been divided into the following sub-categories: Business Exteriors (52 photographs), Business Interiors (125 photographs), Construction (22 photographs), Ford Motor Company (19 photographs). Of note is an image of a group of brewers tapping a keg at the Marx Brewing Co. (no. 186.1); Candler Dock \u0026 Dredge Co. workers and surveyors building a dock, taken by the Manning Bros. ca 1920s (no. 192); women rolling cigars at the R.G. Dunn factory, 1909 (no. 204); workers fabricating automobile bodies at the Briggs Manufacturing Co. ca. 1910s (no. 206);interior view of the Burroughs Adding Machine factory (no 209.11); the Penobscot Building construction in three stages ca 1928 (no. 217); and two fold-out panoramic photos of the Ford complex at River Rouge taken by Otto Rotch in 1925 (no. 218).","Views: 86 photographs. Material is divided into Street Views (28 photographs), Residential Views (51 photographs), and Aerial Views (7 photographs).","Architecture: 69 photographs. Of particular note is a charming view of a small inn at Springwells, Mich., the International Exposition House ca. 1889 (no. 235); an 1870's print of the large Russell House Hotel in Detroit (no. 238); and a panoramic view of downtown Detroit at its peak, taken by the Murray Studio in the 1920s (no. 240.18).","Labor \u0026 Unemployment: 8 photographs primarily focused on unemployment during the Great Depression. Of note is a group photo of the striking Journeyman Bakers International Union in 1902 (no. 248).","Athletes \u0026 Athletics: 58 photographs. Of particular note are a copy-print of a 1910 Detroit Tigers team photo featuring Hall of Famer Ty Cobb (no. 261); a series of 3 group photographs of an early soccer team, Michigan Alkali F.C. in 1923 (no. 265); Wyandotte baseball teams (no. 266);. The Slocum’s Island baseball champions of 1882 (no. 272.4); and a 1943 curling team (no. 273).","Classrooms \u0026 Schools: 38 photographs. Of particular interest are a student group in front of a one-room schoolhouse at Cherry Hill in 1934 (no. 280.11); a kindergarten band at Clippert School taken by the Manning Bros. (no. 280.20); and a ca.1936 Lincoln Park High School album with personal snapshots and autographs of classmates (no. 279).","Places of Worship \u0026 Religious Activities: 43 photographs. One of several images related to African American church congregations shows members of an A.M.E. church dressed in \"traditional\" African garb ca.1920-1930 (no. 284).","Parks: 112 photographs. Of particular focus is Belle Isle (approx. 50 photographs) and Waterworks Park. A series of Belle Isle views taken in 1889 by Holcombe \u0026 Metzen is particularly picturesque (no. 297.1-9).","Funerals \u0026 Postmortem Photography: 14 photographs. These photographs date from the 1910s-1930s and are mostly photographs of open caskets surrounded by the deceased's family.","The collection contains photographs of Wayne County, Michigan. Included are numerous urban scenes and images of everyday life, primarily in the Metropolitan Detroit area between 1860 and the mid-20th century. The bulk of the photographs were taken between 1890 and 1930. A very wide range of topics is represented, among them commercial and residential architecture, urban infrastructure, public and private spaces, civic and domestic activities, individual and group portraits, and events from across the social spectrum.","William L. Clements Library , University of Michigan","American Red Cross.","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America.","BASF Wyandotte Corporation.","Cartercar Co.","Catholic Church--Clergy--Michigan.","Detroit College of Medicine.","Detroit Institute of Arts.","Detroit Museum of Art.","Detroit Opera House.","Detroit Red Wings (Hockey team)","Detroit Symphony Orchestra.","Detroit, Toledo and Ironton Railroad.","Dodge Brothers.","Ford Motor Company.","Ford Motor Company--Employees.","Ford Motor Company. Rouge River Plant.","Ford Rotunda (Dearborn, Mich.)","General Motors Corporation.","Henry Ford Museum and Greenfield Village.","Hudson's (Department store)","International Union, United Automobile Workers of America (CIO)","Journeymen Bakers National Union of the United States.","Knights of Pythias.","Knights Templar (Masonic order)","Michigan Central Railroad Company.","Michigan. National Guard.","Michigan Stove Company.","Tiger Stadium (Detroit, Mich.)","United States. Army--Recruiting, enlistment, etc.--Michigan.","United States. Army. Reserve Officers' Training Corps.","YMCA of the USA.","Young Women's Christian Association.","Agdan Photographic.","Alliance Commercial Photo Co.","Alvord \u0026 Co.","American Commercial Photo Co.","Arthur Studio.","Babas Studio.","Baker Art Studio.","Baker Studio.","Ballaun Studio.","Bonish Studio.","Brown \u0026 Co.","Charles Hopp \u0026 Co.","Club Photos Inc.","Commercial Photo Service Co.","Cousins Art Studio.","Davison Photo Studio.","Deluxe Theatrical Studio.","Detroit Edison Co.","Detroit News Staff.","Fotografia Italiana (G. Lanni \u0026 Co.)","General Motors Photographic Section.","Harbican Studio.","Hoffman Studio.","Holcombe \u0026 Metzen.","Holgate Studio.","Huntington \u0026 Clark.","Litynski-Jakubowski Co.","MacGregor and Company.","Manning Bros.","Metropolitan Art Studio.","Modernistic Photo Studio.","New Chene Studio.","P. Pieronek Studio.","Rembrandt Studios.","Rentschler's Studio.","Smart Set Studio.","Smith Brothers Commerical Photographers.","Spencer \u0026 Wyckoff.","Spooner \u0026 Wells, Inc.","Tiffany Photographic Studio.","Ziawinski Bros.","Tinder, David V.","Grant, Ulysses S. (Ulysses Simpson), 1822-1885--Homes and haunts.","Kennedy, John F. (John Fitzgerald), 1917-1963.","Kennedy, Robert F., 1925-1968.","Robeson, Paul, 1898-1976.","Sousa, John Philip, 1854-1932.","Arthur, Edward J.","Baker, Chas. R.","Ball, Lyman L.","Baron, Herman.","Blanchard, Issac H.","Bleibel, Gustav.","Bowles, Esther A., Mrs.","Burose, Herman.","Cheff, Edmund Archael.","Craine, Benjamin H.","Hayes, Clarence Messenger.","Hediger, James D.","Hillmer, Davis B.","Hoffman, Clarence L.","Howie, George William.","Hughes, John Wesley.","Jackson, Harvey C.","James, Langford P.","Jones, J. F.","Lazarnick, Nathan.","Litynski, Walter E.","Mazur, Anthony","McMichael, A.G.","Merz, Charles J.","Mirecki, Albert J.","Phelps, C.A. (New Castle, IN)","Pipp, Frank H.","Poli, Faustino G.","Pollard, C.H.","Rentschler, Andrew.","Rochowiak, Stanley A.","Rotch, Otto.","Salter, Al.","Sowinski, Joseph.","Spellman, Delmar Driscoe.","Stone, Frank H.","Tomlinson, Frank N.","Wiederhold, John A.","Wright, Fred G.","Ziawinski, Felix.","Ziawinski, Joseph.","The material is in  English ."],"unitid_tesim":["wclgrfx000200"],"normalized_title_ssm":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985"],"collection_title_tesim":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985"],"collection_ssim":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985"],"repository_ssm":["University of Michigan. William L. Clements Library"],"repository_ssim":["University of Michigan. William L. Clements Library"],"creator_ssm":["Tinder, David V."],"creator_ssim":["Tinder, David V."],"creator_persname_ssim":["Tinder, David V."],"creators_ssim":["Tinder, David V."],"acqinfo_ssim":["F-832, F-860, F-861, F-891, F-892, F-893, F-898, F-909, F-911, F-914, F-922, F-938, F-940, F-945, F-961, F-980, F-987, F-1004, F-1005, F-1014,  F-1017, F-1027, F-1028, F-1033, F-1054, F-1066, F-1067, F-1074, F-1076, F-1077, F-1113, F-1114 ."],"access_subjects_ssim":["David V. Tinder Collection of Michigan Photography.","Photographs shelf.","Actors--Michigan--1900-1910.","Actresses--Michigan--1890-1910.","African American businesspeople--Michigan.","African American children--Portraits--Michigan.","African American choirs--Michigan.","African American churches--Michigan.","African American freemasons--Michigan.","African American judges--Michigan.","African American musicians--Michigan.","African Americans--Societies, etc.--Michigan.","African American students--Michigan.","African American Sunday schools--Michigan.","Agricultural laborers--Michigan.","Airports--Michigan.","Aircraft--Michigan--1930-1940.","Aircraft industry--Michigan.","Air shows--Michigan.","Amateur theater--Michigan.","Amusement parks--Michigan.","Animals on television--Michigan.","Asbestos--Michigan.","Automobile factories--Michigan.","Automobile industry workers--Michigan.","Automobile rallies--Michigan.","Automobiles--Michigan.","Automobiles--Design and construction--Michigan.","Balls (Parties)--Michigan--1910-1920.","Bands (Music)--Michigan.","Banquets--Michigan--1920-1930.","Barbers--Michigan.","Barbershops--Michigan--1910-1920.","Bar mitzvah--Michigan.","Bars (Drinking establishments)--Michigan.","Baseball players--Michigan.","Basketball courts--Michigan.","Basketball players--Michigan.","Beauty shops--Michigan.","Beekeepers--Michigan.","Bicycles \u0026 tricycles--Michigan--1890-1930.","Bicycle stores--Michigan.","Blacksmiths--Michigan.","Blizzards--Michigan.","Boats and boating--Michigan.","Boycotts--Michigan.","Breweries--Michigan.","Breweries--Employees--Michigan.","Brick trade--Michigan.","Bridges--Michigan--Detroit.","Broom and brush industry--Michigan.","Building construction--Michigan--1910-1930.","Buses--Michigan--1930-1940.","Business organizations--Michigan.","Business Schools--Michigan.","Button industry--Michigan.","Cafeterias--Michigan.","Camping--Michigan.","Canoes and canoeing--Michigan.","Carts \u0026 wagons--Michigan--1890-1910","Casinos--Michigan.","Catholic schools--Michigan.","Cemeteries--Michigan.","Chauffeurs--Michigan.","Chemical industry--Michigan.","Children's costumes--Michigan.","Children's parties--Michigan--1890-1900.","Children--Michigan--Portraits.","Children's choirs--Michigan.","Church buildings--Michigan.","Cigar industry--Michigan.","Circus animals--Michigan.","Circus performers--Michigan.","City councils--Michigan--Hamtramck (Mich.)","City halls--Michigan.","Commercial photography--Michigan.","Concert programs--Michigan.","Confirmation--Catholic Church--Michigan.","Construction workers--Michigan.","Coopers and Cooperage--Michigan.","Couples--Michigan--Portraits.","Creameries--Michigan.","Cross-country runners--Michigan.","Curling--Michigan.","Dairying--Michigan.","Delivery of goods--Michigan.","Diving--Michigan--1890-1900.","Docks--Michigan.","Dredges--Michigan.","Drugstores--Michigan.","Dwellings--Michigan.","Engines--Michigan.","Entertainers--Michigan--1900-1910.","Ethnic costume--Romania.","Ethnic groups--Michigan.","Exhibitions--Michigan--1880-1890.","Explosions--Michigan.","Factories--Employees--Michigan.","Factories--Michigan.","Families--Michigan--Portraits.","Fire fighters--Michigan.","Florists--Michigan.","Flour mills--Michigan.","Flower arrangements--Michigan--1920-1940.","Football players--Michigan--1900-1910.","Fraternal organizations--Michigan","Funeral rites \u0026 ceremonies--Michigan--1910-1930","Gardens--Michigan--1900-1910.","Gas power plants--Michigan.","Graduation (School)","Grocery trade--Michigan.","Hardware stores--Michigan.","Hat trade--Michigan.","High school students--Michigan.","Horse-drawn rail cars--Michigan.","Horse racing--Michigan--1920-1930","Hospitals--Michigan--Detroit.","Hotels--Michigan--1870-1890.","Ice industry--Michigan.","Insurance companies--Michigan.","Inventors--Michigan","Jazz musicians--Michigan","Kitchen utensils--Michigan.","Laboratories--Michigan.","Lakes--Michigan.","Libraries--Michigan--Detroit.","Lighthouses--Michigan.","Locomotives--Michigan.","Luggage industry--Michigan.","Mausoleums--Michigan.","Mechanical musical instruments--Michigan.","Men--Michigan--Portraits.","Men--Societies  and clubs--Michigan.","Metalworking industries--Michigan.","Military bands--Michigan.","Motion pictures--Michigan--1930-1940.","Motorboat racing--Michigan.","Music stores--Michigan.","Musicians--Michigan.","Nightclubs--Michigan.","Nursing schools--Michigan.","Occupational training--Michigan.","Offices--Michigan--1910-1930.","Old age homes--Michigan.","Opticians--Michigan.","Paddle steamers--Michigan.","Parade floats--Michigan.","Parades--Michigan.","Parks--Michigan--Detroit.","Photography--Societies, etc--Michigan.","Picnics--Michigan.","Playgrounds--Michigan.","Police--Michigan--Detroit.","Police stations--Michigan.","Political parades \u0026 rallies--Michigan--1900-1920.","Portraits, group--Michigan.","Postmortem photography--Michigan.","Power-plants--Design and construction--Michigan.","Priests--Michigan.","Prisons--Michigan.","Public architecture--Michigan.","Radio broadcasting--Michigan.","Railroad stations--Michigan.","Railroad tunnels--Design and construction--Michigan.","Railroad tunnels--Michigan.","Railroads--Employees--Michigan.","Railroads--Michigan.","Residential architecture--Michigan.","Restaurants--Michigan--1920-1930.","Sailors--Michigan.","School children--Michigan.","School buildings--Michigan.","School plays--Michigan.","School yearbooks--Michigan.","Ships--Launching--Michigan.","Ships--Michigan.","Shoes--Repairing--Michigan.","Skyscrapers--Michigan--Detroit.","Soccer players--Michigan--1920-1930","Soldiers--Michigan.","Souvenirs (Keepsakes)--Michigan.","Spanish-American War, 1898--Veterans--Michigan.","Stables--Michigan.","Steamboats--Michigan.","Steel foundries--Michigan.","Stove industry and trade--Michigan.","Street lighting--Michigan.","Street-railroads--Michigan.","Streets--Michigan.","Strikes and lockouts--Automobile industry--Michigan.","String bands--Michigan.","Storefronts--Michigan.","Teeth--Radiography--Michigan.","Television programs--Michigan.","Theaters--Michigan--1910-1920.","Threshing machines--Michigan--1900-1910.","Tour buses--Michigan.","Traffic signs \u0026 signals---Michigan--1930-1950","Train ferries--Michigan.","Trucks--Michigan--1920-1940.","Variety stores--Michigan.","Vocational education--Michigan.","Water mills--Michigan.","Water towers--Michigan.","Waterworks--Michigan.","Weddings--Michigan.","Women automobile industry workers--Michigan.","Women field hockey players--Michigan.","Women figure skaters--Michigan.","Women--Employment--Michigan--1910-1940.","Women--Michigan--Portraits.","Women--Societies and clubs--Michigan.","World War 1914-1918--Michigan.","Clippings.","Cyanotypes.","Documents.","Ephemera.","Pamphlets.","Photocopies.","Photographic prints.","Photomechanical prints.","Postage stamps."],"access_subjects_ssm":["David V. Tinder Collection of Michigan Photography.","Photographs shelf.","Actors--Michigan--1900-1910.","Actresses--Michigan--1890-1910.","African American businesspeople--Michigan.","African American children--Portraits--Michigan.","African American choirs--Michigan.","African American churches--Michigan.","African American freemasons--Michigan.","African American judges--Michigan.","African American musicians--Michigan.","African Americans--Societies, etc.--Michigan.","African American students--Michigan.","African American Sunday schools--Michigan.","Agricultural laborers--Michigan.","Airports--Michigan.","Aircraft--Michigan--1930-1940.","Aircraft industry--Michigan.","Air shows--Michigan.","Amateur theater--Michigan.","Amusement parks--Michigan.","Animals on television--Michigan.","Asbestos--Michigan.","Automobile factories--Michigan.","Automobile industry workers--Michigan.","Automobile rallies--Michigan.","Automobiles--Michigan.","Automobiles--Design and construction--Michigan.","Balls (Parties)--Michigan--1910-1920.","Bands (Music)--Michigan.","Banquets--Michigan--1920-1930.","Barbers--Michigan.","Barbershops--Michigan--1910-1920.","Bar mitzvah--Michigan.","Bars (Drinking establishments)--Michigan.","Baseball players--Michigan.","Basketball courts--Michigan.","Basketball players--Michigan.","Beauty shops--Michigan.","Beekeepers--Michigan.","Bicycles \u0026 tricycles--Michigan--1890-1930.","Bicycle stores--Michigan.","Blacksmiths--Michigan.","Blizzards--Michigan.","Boats and boating--Michigan.","Boycotts--Michigan.","Breweries--Michigan.","Breweries--Employees--Michigan.","Brick trade--Michigan.","Bridges--Michigan--Detroit.","Broom and brush industry--Michigan.","Building construction--Michigan--1910-1930.","Buses--Michigan--1930-1940.","Business organizations--Michigan.","Business Schools--Michigan.","Button industry--Michigan.","Cafeterias--Michigan.","Camping--Michigan.","Canoes and canoeing--Michigan.","Carts \u0026 wagons--Michigan--1890-1910","Casinos--Michigan.","Catholic schools--Michigan.","Cemeteries--Michigan.","Chauffeurs--Michigan.","Chemical industry--Michigan.","Children's costumes--Michigan.","Children's parties--Michigan--1890-1900.","Children--Michigan--Portraits.","Children's choirs--Michigan.","Church buildings--Michigan.","Cigar industry--Michigan.","Circus animals--Michigan.","Circus performers--Michigan.","City councils--Michigan--Hamtramck (Mich.)","City halls--Michigan.","Commercial photography--Michigan.","Concert programs--Michigan.","Confirmation--Catholic Church--Michigan.","Construction workers--Michigan.","Coopers and Cooperage--Michigan.","Couples--Michigan--Portraits.","Creameries--Michigan.","Cross-country runners--Michigan.","Curling--Michigan.","Dairying--Michigan.","Delivery of goods--Michigan.","Diving--Michigan--1890-1900.","Docks--Michigan.","Dredges--Michigan.","Drugstores--Michigan.","Dwellings--Michigan.","Engines--Michigan.","Entertainers--Michigan--1900-1910.","Ethnic costume--Romania.","Ethnic groups--Michigan.","Exhibitions--Michigan--1880-1890.","Explosions--Michigan.","Factories--Employees--Michigan.","Factories--Michigan.","Families--Michigan--Portraits.","Fire fighters--Michigan.","Florists--Michigan.","Flour mills--Michigan.","Flower arrangements--Michigan--1920-1940.","Football players--Michigan--1900-1910.","Fraternal organizations--Michigan","Funeral rites \u0026 ceremonies--Michigan--1910-1930","Gardens--Michigan--1900-1910.","Gas power plants--Michigan.","Graduation (School)","Grocery trade--Michigan.","Hardware stores--Michigan.","Hat trade--Michigan.","High school students--Michigan.","Horse-drawn rail cars--Michigan.","Horse racing--Michigan--1920-1930","Hospitals--Michigan--Detroit.","Hotels--Michigan--1870-1890.","Ice industry--Michigan.","Insurance companies--Michigan.","Inventors--Michigan","Jazz musicians--Michigan","Kitchen utensils--Michigan.","Laboratories--Michigan.","Lakes--Michigan.","Libraries--Michigan--Detroit.","Lighthouses--Michigan.","Locomotives--Michigan.","Luggage industry--Michigan.","Mausoleums--Michigan.","Mechanical musical instruments--Michigan.","Men--Michigan--Portraits.","Men--Societies  and clubs--Michigan.","Metalworking industries--Michigan.","Military bands--Michigan.","Motion pictures--Michigan--1930-1940.","Motorboat racing--Michigan.","Music stores--Michigan.","Musicians--Michigan.","Nightclubs--Michigan.","Nursing schools--Michigan.","Occupational training--Michigan.","Offices--Michigan--1910-1930.","Old age homes--Michigan.","Opticians--Michigan.","Paddle steamers--Michigan.","Parade floats--Michigan.","Parades--Michigan.","Parks--Michigan--Detroit.","Photography--Societies, etc--Michigan.","Picnics--Michigan.","Playgrounds--Michigan.","Police--Michigan--Detroit.","Police stations--Michigan.","Political parades \u0026 rallies--Michigan--1900-1920.","Portraits, group--Michigan.","Postmortem photography--Michigan.","Power-plants--Design and construction--Michigan.","Priests--Michigan.","Prisons--Michigan.","Public architecture--Michigan.","Radio broadcasting--Michigan.","Railroad stations--Michigan.","Railroad tunnels--Design and construction--Michigan.","Railroad tunnels--Michigan.","Railroads--Employees--Michigan.","Railroads--Michigan.","Residential architecture--Michigan.","Restaurants--Michigan--1920-1930.","Sailors--Michigan.","School children--Michigan.","School buildings--Michigan.","School plays--Michigan.","School yearbooks--Michigan.","Ships--Launching--Michigan.","Ships--Michigan.","Shoes--Repairing--Michigan.","Skyscrapers--Michigan--Detroit.","Soccer players--Michigan--1920-1930","Soldiers--Michigan.","Souvenirs (Keepsakes)--Michigan.","Spanish-American War, 1898--Veterans--Michigan.","Stables--Michigan.","Steamboats--Michigan.","Steel foundries--Michigan.","Stove industry and trade--Michigan.","Street lighting--Michigan.","Street-railroads--Michigan.","Streets--Michigan.","Strikes and lockouts--Automobile industry--Michigan.","String bands--Michigan.","Storefronts--Michigan.","Teeth--Radiography--Michigan.","Television programs--Michigan.","Theaters--Michigan--1910-1920.","Threshing machines--Michigan--1900-1910.","Tour buses--Michigan.","Traffic signs \u0026 signals---Michigan--1930-1950","Train ferries--Michigan.","Trucks--Michigan--1920-1940.","Variety stores--Michigan.","Vocational education--Michigan.","Water mills--Michigan.","Water towers--Michigan.","Waterworks--Michigan.","Weddings--Michigan.","Women automobile industry workers--Michigan.","Women field hockey players--Michigan.","Women figure skaters--Michigan.","Women--Employment--Michigan--1910-1940.","Women--Michigan--Portraits.","Women--Societies and clubs--Michigan.","World War 1914-1918--Michigan.","Clippings.","Cyanotypes.","Documents.","Ephemera.","Pamphlets.","Photocopies.","Photographic prints.","Photomechanical prints.","Postage stamps."],"has_online_content_ssim":["true"],"extent_ssm":["1,937 photographs, 16 real photo stamps, 6 booklets, 101 pages, clippings and ephemera"],"extent_tesim":["1,937 photographs, 16 real photo stamps, 6 booklets, 101 pages, clippings and ephemera"],"bioghist_html_tesm":["\u003cp\u003eThe city of Detroit and its vast metropolitan area has dominated the Wayne County area for centuries. Detroit was founded in 1701 as a French settlement with access to the Great Lakes and Canada and quickly became a strategic military post and trade center. It transferred to British control in 1760 during the Seven Years War and to United States governance in 1796. It became a chartered city in 1802, the capitol of the Michigan Territory in 1805, and Michigan’s first State Capital from 1837 to 1847. The city grew with an economy based largely on agriculture and trade in the early 19th century, becoming one of the nation’s prime manufacturing and cultural centers after the Civil War. Large industries based in the region included railroad equipment manufacturing, ship building, iron and steel production, stoves, pharmaceuticals, brewing, wagon making, and many others.\u003c/p\u003e","\u003cp\u003eThe industrial strength of Detroit created a large middle-class society as well as vast wealth. In turn, this affluence supported cultural advancement, education, and the arts. Commercial photography studios thrived in this environment. Many prize-winning portrait photographers were based in Detroit, as were those specializing in architecture, and the documentation of industry and commerce.\u003c/p\u003e","\u003cp\u003eThe diversity of industry of late 19th century Detroit gave way to automobile centered growth in the mid-20th century. The boom in wartime production during World War Two attracted workers from around the country and shifted the racial demographics of the city.\u003c/p\u003e","\u003cp\u003eThe collapse of manufacturing industries, the disappearance of public transportation, and massive population shifts to the suburbs were factors in the decline of Detroit in the mid to late 20th century.\u003c/p\u003e"],"bioghist_heading_ssm":["History"],"bioghist_tesim":["The city of Detroit and its vast metropolitan area has dominated the Wayne County area for centuries. Detroit was founded in 1701 as a French settlement with access to the Great Lakes and Canada and quickly became a strategic military post and trade center. It transferred to British control in 1760 during the Seven Years War and to United States governance in 1796. It became a chartered city in 1802, the capitol of the Michigan Territory in 1805, and Michigan’s first State Capital from 1837 to 1847. The city grew with an economy based largely on agriculture and trade in the early 19th century, becoming one of the nation’s prime manufacturing and cultural centers after the Civil War. Large industries based in the region included railroad equipment manufacturing, ship building, iron and steel production, stoves, pharmaceuticals, brewing, wagon making, and many others.","The industrial strength of Detroit created a large middle-class society as well as vast wealth. In turn, this affluence supported cultural advancement, education, and the arts. Commercial photography studios thrived in this environment. Many prize-winning portrait photographers were based in Detroit, as were those specializing in architecture, and the documentation of industry and commerce.","The diversity of industry of late 19th century Detroit gave way to automobile centered growth in the mid-20th century. The boom in wartime production during World War Two attracted workers from around the country and shifted the racial demographics of the city.","The collapse of manufacturing industries, the disappearance of public transportation, and massive population shifts to the suburbs were factors in the decline of Detroit in the mid to late 20th century."],"scopecontent_html_tesm":["\u003cp\u003eIncluded in the Wayne County file of the David V. Tinder Collection of Michigan Photography are images of urban Detroit, people in their places of work, at home, at leisure, and participating in social activities and in fraternal and religious organizations. Numerous images show industrial manufacturing, urban transportation, and civic infrastructure. Activities related to entertainment, sports, parades, and the arts are well represented. The many portraits photographs include formal posed images, casual snapshots, workplace groups and fraternal organizations.\u003c/p\u003e","\u003cp\u003eA vast majority of the photographs are the work of commercial photographers, with some amateurs. A significant number of photos were taken by Detroit News and Detroit Free Press photographers. Almost all the images present would be considered vernacular photos rather than fine art; however, many are carefully composed with strong aesthetic characteristics.\u003c/p\u003e","\u003cp\u003eAlthough the photos have been largely sorted by subject, related materials may be present outside of the subject categories, i.e., images of transportation can also be found in the categories Architecture, Business and Commerce, Group Portraits, and in other sections outside of Transportation.\u003c/p\u003e","\u003cp\u003eThe bulk of the photos in this collection were taken in Detroit during the era of rapid population growth and industrial development around the turn of the century. The diversity of industry that appears in the late 19th century images can be seen giving way to automobile centered growth in the mid-20th century. Evidence of the rich residential lifestyles and multi-ethnic cultures of the Detroit area appear in many images.\u003c/p\u003e","\u003cp\u003eAt the fringe of the collection’s scope are images of the demolition of factories, the disappearance of public transportation, and racial unrest during the decline of Detroit in the mid to late 20th century.\u003c/p\u003e","\u003cp\u003eIt should be noted that while most of the collection are mounted and unmounted photographic prints, there are a few bound items as well as printed ephemera.\u003c/p\u003e","\u003cp\u003eThe collection has been organized into various categories by subject. The first group of photos is comprised of those that did not fit neatly under other categories. These include views of military encampments, disasters and firefighting, civic unrest, commercial product promotions, and other miscellaneous topics. Of particular note is a charming outdoor children’s party scene by amateur photographer Robert R. Oesterreich (no. 9); a double portrait montage by Tony Spina of John F. Kennedy and Robert F. Kennedy, both speaking at Campus Martius (no. 14); the high quality photomechanical prints of Detroit scenes and architecture in the \u003cemph render=\"italic\"\u003eDetroit Illustrated.\u003c/emph\u003e (no. 16); and a collection of 28 miscellaneous nightclub souvenir photographs dating from the 1940s-1980s (no. 20). The rest of the material falls under the following categories:\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eTransportation:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e243 photographs. Material is divided between the following sub-categories: Automobiles and Trucks (56 photographs), Aircraft (18 photographs), Railroads and Trains (58 photographs), Streetcars and Trolleys (20 photographs), Roads and Infrastructure (33 photographs), Wagons (20 photographs), Maritime (38 photographs).\u003c/p\u003e","\u003cp\u003eOf note are a photograph of an African American couple posed with a new V-8 Ford (no. 71.3); construction photos of the Detroit River railroad tunnel (no. 95); Goebel’s Brewing Co. delivery wagons (no. 98); and a view of the steamboat \u003cemph render=\"italic\"\u003eTashmoo\u003c/emph\u003e at speed on the Detroit River (no. 110).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003ePerformers:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e107 photographs, most of which (113 photographs) are contained in the sub-category Music and Musicians. Of particular note are numerous photos of community brass bands, a photo of John Philip Sousa and his band at Grand Circus Park (no. 122); an image of the inventor Charles Crawford and his patented \"Pickaphone\" mechanism for playing stringed instruments, ca. 1888 (no. 123); and copy prints of two important early jazz bands, Finney’s Orchestra (no. 131) and McKinney’s Cotton Pickers (no. 132).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003ePortraits:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e505 photographs. Material is divided into the following sub-categories: Individuals (172 photographs), Groups (133 photographs), Children (97 photographs), Weddings (64 photographs), Confirmation and Communion (41 photographs). Of particular interest are a photograph of Joan Baxter and her Hot Dog Cooker (no. 137); three 1860's portraits of members of the Hawley family of Detroit (no. 141), one of which is inscribed with enlargement instructions ca.1901 on its verso; and a portrait of politician and founder of the Republican Party Zachariah Chandler, taken by Benjamin Powelson ca. 1880 (no. 142).\u003c/p\u003e","\u003cp\u003eOf the many notable images within the Groups category are an outstanding image of sixteen Packard Motor Car Company employees piled onto a 1911 Packard in front of the then new Packard factory on West Grand Blvd. (no. 144.9); a group of African American women engaged in a ceremonial burning of the mortgage of the Phyllis Wheatley Home for Aged Colored Ladies (no. 162); and a portrait of members of the Direct Credits Society, a Great Depression-era wealth redistribution movement founded by Alfred Lawson (no. 166).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eParades:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e54 photographs. Many scenes of massive parades in Detroit. Of note is a series of photographs of women marching in a racially-integrated United Spanish War Veterans Parade, ca.1940 (no. 179); and a view of five young women in a florally decorated early automobile (no. 180.11).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eBusiness \u0026amp; Commerce:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e319 photographs. Where possible, material has been divided into the following sub-categories: Business Exteriors (52 photographs), Business Interiors (125 photographs), Construction (22 photographs), Ford Motor Company (19 photographs). Of note is an image of a group of brewers tapping a keg at the Marx Brewing Co. (no. 186.1); Candler Dock \u0026amp; Dredge Co. workers and surveyors building a dock, taken by the Manning Bros. ca 1920s (no. 192); women rolling cigars at the R.G. Dunn factory, 1909 (no. 204); workers fabricating automobile bodies at the Briggs Manufacturing Co. ca. 1910s (no. 206);interior view of the Burroughs Adding Machine factory (no 209.11); the Penobscot Building construction in three stages ca 1928 (no. 217); and two fold-out panoramic photos of the Ford complex at River Rouge taken by Otto Rotch in 1925 (no. 218).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eViews:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e86 photographs. Material is divided into Street Views (28 photographs), Residential Views (51 photographs), and Aerial Views (7 photographs).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eArchitecture:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e69 photographs. Of particular note is a charming view of a small inn at Springwells, Mich., the International Exposition House ca. 1889 (no. 235); an 1870's print of the large Russell House Hotel in Detroit (no. 238); and a panoramic view of downtown Detroit at its peak, taken by the Murray Studio in the 1920s (no. 240.18).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eLabor \u0026amp; Unemployment:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e8 photographs primarily focused on unemployment during the Great Depression. Of note is a group photo of the striking Journeyman Bakers International Union in 1902 (no. 248).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eAthletes \u0026amp; Athletics:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e58 photographs. Of particular note are a copy-print of a 1910 Detroit Tigers team photo featuring Hall of Famer Ty Cobb (no. 261); a series of 3 group photographs of an early soccer team, Michigan Alkali F.C. in 1923 (no. 265); Wyandotte baseball teams (no. 266);. The Slocum’s Island baseball champions of 1882 (no. 272.4); and a 1943 curling team (no. 273).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eClassrooms \u0026amp; Schools:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e38 photographs. Of particular interest are a student group in front of a one-room schoolhouse at Cherry Hill in 1934 (no. 280.11); a kindergarten band at Clippert School taken by the Manning Bros. (no. 280.20); and a ca.1936 Lincoln Park High School album with personal snapshots and autographs of classmates (no. 279).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003ePlaces of Worship \u0026amp; Religious Activities:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e43 photographs. One of several images related to African American church congregations shows members of an A.M.E. church dressed in \"traditional\" African garb ca.1920-1930 (no. 284).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eParks:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e112 photographs. Of particular focus is Belle Isle (approx. 50 photographs) and Waterworks Park. A series of Belle Isle views taken in 1889 by Holcombe \u0026amp; Metzen is particularly picturesque (no. 297.1-9).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eFunerals \u0026amp; Postmortem Photography:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e14 photographs. These photographs date from the 1910s-1930s and are mostly photographs of open caskets surrounded by the deceased's family.\u003c/p\u003e"],"scopecontent_tesim":["Included in the Wayne County file of the David V. Tinder Collection of Michigan Photography are images of urban Detroit, people in their places of work, at home, at leisure, and participating in social activities and in fraternal and religious organizations. Numerous images show industrial manufacturing, urban transportation, and civic infrastructure. Activities related to entertainment, sports, parades, and the arts are well represented. The many portraits photographs include formal posed images, casual snapshots, workplace groups and fraternal organizations.","A vast majority of the photographs are the work of commercial photographers, with some amateurs. A significant number of photos were taken by Detroit News and Detroit Free Press photographers. Almost all the images present would be considered vernacular photos rather than fine art; however, many are carefully composed with strong aesthetic characteristics.","Although the photos have been largely sorted by subject, related materials may be present outside of the subject categories, i.e., images of transportation can also be found in the categories Architecture, Business and Commerce, Group Portraits, and in other sections outside of Transportation.","The bulk of the photos in this collection were taken in Detroit during the era of rapid population growth and industrial development around the turn of the century. The diversity of industry that appears in the late 19th century images can be seen giving way to automobile centered growth in the mid-20th century. Evidence of the rich residential lifestyles and multi-ethnic cultures of the Detroit area appear in many images.","At the fringe of the collection’s scope are images of the demolition of factories, the disappearance of public transportation, and racial unrest during the decline of Detroit in the mid to late 20th century.","It should be noted that while most of the collection are mounted and unmounted photographic prints, there are a few bound items as well as printed ephemera.","The collection has been organized into various categories by subject. The first group of photos is comprised of those that did not fit neatly under other categories. These include views of military encampments, disasters and firefighting, civic unrest, commercial product promotions, and other miscellaneous topics. Of particular note is a charming outdoor children’s party scene by amateur photographer Robert R. Oesterreich (no. 9); a double portrait montage by Tony Spina of John F. Kennedy and Robert F. Kennedy, both speaking at Campus Martius (no. 14); the high quality photomechanical prints of Detroit scenes and architecture in the  Detroit Illustrated.  (no. 16); and a collection of 28 miscellaneous nightclub souvenir photographs dating from the 1940s-1980s (no. 20). The rest of the material falls under the following categories:","Transportation: 243 photographs. Material is divided between the following sub-categories: Automobiles and Trucks (56 photographs), Aircraft (18 photographs), Railroads and Trains (58 photographs), Streetcars and Trolleys (20 photographs), Roads and Infrastructure (33 photographs), Wagons (20 photographs), Maritime (38 photographs).","Of note are a photograph of an African American couple posed with a new V-8 Ford (no. 71.3); construction photos of the Detroit River railroad tunnel (no. 95); Goebel’s Brewing Co. delivery wagons (no. 98); and a view of the steamboat  Tashmoo  at speed on the Detroit River (no. 110).","Performers: 107 photographs, most of which (113 photographs) are contained in the sub-category Music and Musicians. Of particular note are numerous photos of community brass bands, a photo of John Philip Sousa and his band at Grand Circus Park (no. 122); an image of the inventor Charles Crawford and his patented \"Pickaphone\" mechanism for playing stringed instruments, ca. 1888 (no. 123); and copy prints of two important early jazz bands, Finney’s Orchestra (no. 131) and McKinney’s Cotton Pickers (no. 132).","Portraits: 505 photographs. Material is divided into the following sub-categories: Individuals (172 photographs), Groups (133 photographs), Children (97 photographs), Weddings (64 photographs), Confirmation and Communion (41 photographs). Of particular interest are a photograph of Joan Baxter and her Hot Dog Cooker (no. 137); three 1860's portraits of members of the Hawley family of Detroit (no. 141), one of which is inscribed with enlargement instructions ca.1901 on its verso; and a portrait of politician and founder of the Republican Party Zachariah Chandler, taken by Benjamin Powelson ca. 1880 (no. 142).","Of the many notable images within the Groups category are an outstanding image of sixteen Packard Motor Car Company employees piled onto a 1911 Packard in front of the then new Packard factory on West Grand Blvd. (no. 144.9); a group of African American women engaged in a ceremonial burning of the mortgage of the Phyllis Wheatley Home for Aged Colored Ladies (no. 162); and a portrait of members of the Direct Credits Society, a Great Depression-era wealth redistribution movement founded by Alfred Lawson (no. 166).","Parades: 54 photographs. Many scenes of massive parades in Detroit. Of note is a series of photographs of women marching in a racially-integrated United Spanish War Veterans Parade, ca.1940 (no. 179); and a view of five young women in a florally decorated early automobile (no. 180.11).","Business \u0026 Commerce: 319 photographs. Where possible, material has been divided into the following sub-categories: Business Exteriors (52 photographs), Business Interiors (125 photographs), Construction (22 photographs), Ford Motor Company (19 photographs). Of note is an image of a group of brewers tapping a keg at the Marx Brewing Co. (no. 186.1); Candler Dock \u0026 Dredge Co. workers and surveyors building a dock, taken by the Manning Bros. ca 1920s (no. 192); women rolling cigars at the R.G. Dunn factory, 1909 (no. 204); workers fabricating automobile bodies at the Briggs Manufacturing Co. ca. 1910s (no. 206);interior view of the Burroughs Adding Machine factory (no 209.11); the Penobscot Building construction in three stages ca 1928 (no. 217); and two fold-out panoramic photos of the Ford complex at River Rouge taken by Otto Rotch in 1925 (no. 218).","Views: 86 photographs. Material is divided into Street Views (28 photographs), Residential Views (51 photographs), and Aerial Views (7 photographs).","Architecture: 69 photographs. Of particular note is a charming view of a small inn at Springwells, Mich., the International Exposition House ca. 1889 (no. 235); an 1870's print of the large Russell House Hotel in Detroit (no. 238); and a panoramic view of downtown Detroit at its peak, taken by the Murray Studio in the 1920s (no. 240.18).","Labor \u0026 Unemployment: 8 photographs primarily focused on unemployment during the Great Depression. Of note is a group photo of the striking Journeyman Bakers International Union in 1902 (no. 248).","Athletes \u0026 Athletics: 58 photographs. Of particular note are a copy-print of a 1910 Detroit Tigers team photo featuring Hall of Famer Ty Cobb (no. 261); a series of 3 group photographs of an early soccer team, Michigan Alkali F.C. in 1923 (no. 265); Wyandotte baseball teams (no. 266);. The Slocum’s Island baseball champions of 1882 (no. 272.4); and a 1943 curling team (no. 273).","Classrooms \u0026 Schools: 38 photographs. Of particular interest are a student group in front of a one-room schoolhouse at Cherry Hill in 1934 (no. 280.11); a kindergarten band at Clippert School taken by the Manning Bros. (no. 280.20); and a ca.1936 Lincoln Park High School album with personal snapshots and autographs of classmates (no. 279).","Places of Worship \u0026 Religious Activities: 43 photographs. One of several images related to African American church congregations shows members of an A.M.E. church dressed in \"traditional\" African garb ca.1920-1930 (no. 284).","Parks: 112 photographs. Of particular focus is Belle Isle (approx. 50 photographs) and Waterworks Park. A series of Belle Isle views taken in 1889 by Holcombe \u0026 Metzen is particularly picturesque (no. 297.1-9).","Funerals \u0026 Postmortem Photography: 14 photographs. These photographs date from the 1910s-1930s and are mostly photographs of open caskets surrounded by the deceased's family."],"abstract_html_tesm":["\u003cabstract\u003eThe collection contains photographs of Wayne County, Michigan. Included are numerous urban scenes and images of everyday life, primarily in the Metropolitan Detroit area between 1860 and the mid-20th century. The bulk of the photographs were taken between 1890 and 1930. A very wide range of topics is represented, among them commercial and residential architecture, urban infrastructure, public and private spaces, civic and domestic activities, individual and group portraits, and events from across the social spectrum.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains photographs of Wayne County, Michigan. Included are numerous urban scenes and images of everyday life, primarily in the Metropolitan Detroit area between 1860 and the mid-20th century. The bulk of the photographs were taken between 1890 and 1930. A very wide range of topics is represented, among them commercial and residential architecture, urban infrastructure, public and private spaces, civic and domestic activities, individual and group portraits, and events from across the social spectrum."],"names_ssim":["William L. Clements Library , University of Michigan","American Red Cross.","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America.","BASF Wyandotte Corporation.","Cartercar Co.","Catholic Church--Clergy--Michigan.","Detroit College of Medicine.","Detroit Institute of Arts.","Detroit Museum of Art.","Detroit Opera House.","Detroit Red Wings (Hockey team)","Detroit Symphony Orchestra.","Detroit, Toledo and Ironton Railroad.","Dodge Brothers.","Ford Motor Company.","Ford Motor Company--Employees.","Ford Motor Company. Rouge River Plant.","Ford Rotunda (Dearborn, Mich.)","General Motors Corporation.","Henry Ford Museum and Greenfield Village.","Hudson's (Department store)","International Union, United Automobile Workers of America (CIO)","Journeymen Bakers National Union of the United States.","Knights of Pythias.","Knights Templar (Masonic order)","Michigan Central Railroad Company.","Michigan. National Guard.","Michigan Stove Company.","Tiger Stadium (Detroit, Mich.)","United States. Army--Recruiting, enlistment, etc.--Michigan.","United States. Army. Reserve Officers' Training Corps.","YMCA of the USA.","Young Women's Christian Association.","Agdan Photographic.","Alliance Commercial Photo Co.","Alvord \u0026 Co.","American Commercial Photo Co.","Arthur Studio.","Babas Studio.","Baker Art Studio.","Baker Studio.","Ballaun Studio.","Bonish Studio.","Brown \u0026 Co.","Charles Hopp \u0026 Co.","Club Photos Inc.","Commercial Photo Service Co.","Cousins Art Studio.","Davison Photo Studio.","Deluxe Theatrical Studio.","Detroit Edison Co.","Detroit News Staff.","Fotografia Italiana (G. Lanni \u0026 Co.)","General Motors Photographic Section.","Harbican Studio.","Hoffman Studio.","Holcombe \u0026 Metzen.","Holgate Studio.","Huntington \u0026 Clark.","Litynski-Jakubowski Co.","MacGregor and Company.","Manning Bros.","Metropolitan Art Studio.","Modernistic Photo Studio.","New Chene Studio.","P. Pieronek Studio.","Rembrandt Studios.","Rentschler's Studio.","Smart Set Studio.","Smith Brothers Commerical Photographers.","Spencer \u0026 Wyckoff.","Spooner \u0026 Wells, Inc.","Tiffany Photographic Studio.","Ziawinski Bros.","Tinder, David V.","Grant, Ulysses S. (Ulysses Simpson), 1822-1885--Homes and haunts.","Kennedy, John F. (John Fitzgerald), 1917-1963.","Kennedy, Robert F., 1925-1968.","Robeson, Paul, 1898-1976.","Sousa, John Philip, 1854-1932.","Arthur, Edward J.","Baker, Chas. R.","Ball, Lyman L.","Baron, Herman.","Blanchard, Issac H.","Bleibel, Gustav.","Bowles, Esther A., Mrs.","Burose, Herman.","Cheff, Edmund Archael.","Craine, Benjamin H.","Hayes, Clarence Messenger.","Hediger, James D.","Hillmer, Davis B.","Hoffman, Clarence L.","Howie, George William.","Hughes, John Wesley.","Jackson, Harvey C.","James, Langford P.","Jones, J. F.","Lazarnick, Nathan.","Litynski, Walter E.","Mazur, Anthony","McMichael, A.G.","Merz, Charles J.","Mirecki, Albert J.","Phelps, C.A. (New Castle, IN)","Pipp, Frank H.","Poli, Faustino G.","Pollard, C.H.","Rentschler, Andrew.","Rochowiak, Stanley A.","Rotch, Otto.","Salter, Al.","Sowinski, Joseph.","Spellman, Delmar Driscoe.","Stone, Frank H.","Tomlinson, Frank N.","Wiederhold, John A.","Wright, Fred G.","Ziawinski, Felix.","Ziawinski, Joseph."],"corpname_ssim":["William L. Clements Library , University of Michigan","American Red Cross.","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America.","BASF Wyandotte Corporation.","Cartercar Co.","Catholic Church--Clergy--Michigan.","Detroit College of Medicine.","Detroit Institute of Arts.","Detroit Museum of Art.","Detroit Opera House.","Detroit Red Wings (Hockey team)","Detroit Symphony Orchestra.","Detroit, Toledo and Ironton Railroad.","Dodge Brothers.","Ford Motor Company.","Ford Motor Company--Employees.","Ford Motor Company. Rouge River Plant.","Ford Rotunda (Dearborn, Mich.)","General Motors Corporation.","Henry Ford Museum and Greenfield Village.","Hudson's (Department store)","International Union, United Automobile Workers of America (CIO)","Journeymen Bakers National Union of the United States.","Knights of Pythias.","Knights Templar (Masonic order)","Michigan Central Railroad Company.","Michigan. National Guard.","Michigan Stove Company.","Tiger Stadium (Detroit, Mich.)","United States. Army--Recruiting, enlistment, etc.--Michigan.","United States. Army. Reserve Officers' Training Corps.","YMCA of the USA.","Young Women's Christian Association.","Agdan Photographic.","Alliance Commercial Photo Co.","Alvord \u0026 Co.","American Commercial Photo Co.","Arthur Studio.","Babas Studio.","Baker Art Studio.","Baker Studio.","Ballaun Studio.","Bonish Studio.","Brown \u0026 Co.","Charles Hopp \u0026 Co.","Club Photos Inc.","Commercial Photo Service Co.","Cousins Art Studio.","Davison Photo Studio.","Deluxe Theatrical Studio.","Detroit Edison Co.","Detroit News Staff.","Fotografia Italiana (G. Lanni \u0026 Co.)","General Motors Photographic Section.","Harbican Studio.","Hoffman Studio.","Holcombe \u0026 Metzen.","Holgate Studio.","Huntington \u0026 Clark.","Litynski-Jakubowski Co.","MacGregor and Company.","Manning Bros.","Metropolitan Art Studio.","Modernistic Photo Studio.","New Chene Studio.","P. Pieronek Studio.","Rembrandt Studios.","Rentschler's Studio.","Smart Set Studio.","Smith Brothers Commerical Photographers.","Spencer \u0026 Wyckoff.","Spooner \u0026 Wells, Inc.","Tiffany Photographic Studio.","Ziawinski Bros."],"persname_ssim":["Tinder, David V.","Grant, Ulysses S. (Ulysses Simpson), 1822-1885--Homes and haunts.","Kennedy, John F. (John Fitzgerald), 1917-1963.","Kennedy, Robert F., 1925-1968.","Robeson, Paul, 1898-1976.","Sousa, John Philip, 1854-1932.","Arthur, Edward J.","Baker, Chas. R.","Ball, Lyman L.","Baron, Herman.","Blanchard, Issac H.","Bleibel, Gustav.","Bowles, Esther A., Mrs.","Burose, Herman.","Cheff, Edmund Archael.","Craine, Benjamin H.","Hayes, Clarence Messenger.","Hediger, James D.","Hillmer, Davis B.","Hoffman, Clarence L.","Howie, George William.","Hughes, John Wesley.","Jackson, Harvey C.","James, Langford P.","Jones, J. F.","Lazarnick, Nathan.","Litynski, Walter E.","Mazur, Anthony","McMichael, A.G.","Merz, Charles J.","Mirecki, Albert J.","Phelps, C.A. (New Castle, IN)","Pipp, Frank H.","Poli, Faustino G.","Pollard, C.H.","Rentschler, Andrew.","Rochowiak, Stanley A.","Rotch, Otto.","Salter, Al.","Sowinski, Joseph.","Spellman, Delmar Driscoe.","Stone, Frank H.","Tomlinson, Frank N.","Wiederhold, John A.","Wright, Fred G.","Ziawinski, Felix.","Ziawinski, Joseph."],"language_ssim":["The material is in  English ."],"descrules_ssm":["Finding aid prepared using Describing Archives: A Content Standard (DACS)"],"total_component_count_is":365,"online_item_count_is":15,"component_level_isim":[0],"sort_isi":0,"_root_":"umich-wcl-G-tind-0083","timestamp":"2025-02-18T23:25:22.393Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/umich-wcl-G-tind-0083_al_052f723a379a5b2c28c3d0e1ec6dd8be0720f4a3"}},{"id":"umich-wcl-G-tind-0083_al_c737baa39881355e10a4d65a1515614dca1c7132","type":"File","attributes":{"title":"Parks -- Belle Isle","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/umich-wcl-G-tind-0083_al_c737baa39881355e10a4d65a1515614dca1c7132#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"al_c737baa39881355e10a4d65a1515614dca1c7132","ref_ssm":["al_c737baa39881355e10a4d65a1515614dca1c7132","al_c737baa39881355e10a4d65a1515614dca1c7132"],"id":"umich-wcl-G-tind-0083_al_c737baa39881355e10a4d65a1515614dca1c7132","title_filing_ssi":"Parks -- Belle Isle","title_ssm":["Parks -- Belle Isle"],"title_tesim":["Parks -- Belle Isle"],"normalized_title_ssm":["Parks -- Belle Isle"],"text":["Parks -- Belle Isle","David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","David V. Tinder collection of Michigan photography, County File, Wayne County, Box 19"],"component_level_isim":[2],"parent_ssim":["umich-wcl-G-tind-0083","al_77f3f614e7ff9428c1440db158a7537dc25855f0"],"parent_ssi":"al_77f3f614e7ff9428c1440db158a7537dc25855f0","parent_ids_ssim":["umich-wcl-G-tind-0083","umich-wcl-G-tind-0083_al_77f3f614e7ff9428c1440db158a7537dc25855f0"],"parent_unittitles_ssm":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","David V. Tinder collection of Michigan photography, County File, Wayne County, Box 19"],"parent_unittitles_tesim":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","David V. Tinder collection of Michigan photography, County File, Wayne County, Box 19"],"parent_levels_ssm":["collection","Series"],"repository_ssim":["University of Michigan. William L. Clements Library"],"collection_ssim":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":359,"_nest_path_":"/components#18/components#6","_nest_parent_":"umich-wcl-G-tind-0083_al_77f3f614e7ff9428c1440db158a7537dc25855f0","_root_":"umich-wcl-G-tind-0083","timestamp":"2025-02-18T23:25:22.393Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"umich-wcl-G-tind-0083","title_ssm":["  David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","Tinder, David V., Collection of Michigan Photography, County File, Wayne County"],"title_tesim":["  David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","Tinder, David V., Collection of Michigan Photography, County File, Wayne County"],"ead_ssi":"umich-wcl-G-tind-0083","level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["wclgrfx000200"],"text":["wclgrfx000200","David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985","David V. Tinder Collection of Michigan Photography.","Photographs shelf.","Actors--Michigan--1900-1910.","Actresses--Michigan--1890-1910.","African American businesspeople--Michigan.","African American children--Portraits--Michigan.","African American choirs--Michigan.","African American churches--Michigan.","African American freemasons--Michigan.","African American judges--Michigan.","African American musicians--Michigan.","African Americans--Societies, etc.--Michigan.","African American students--Michigan.","African American Sunday schools--Michigan.","Agricultural laborers--Michigan.","Airports--Michigan.","Aircraft--Michigan--1930-1940.","Aircraft industry--Michigan.","Air shows--Michigan.","Amateur theater--Michigan.","Amusement parks--Michigan.","Animals on television--Michigan.","Asbestos--Michigan.","Automobile factories--Michigan.","Automobile industry workers--Michigan.","Automobile rallies--Michigan.","Automobiles--Michigan.","Automobiles--Design and construction--Michigan.","Balls (Parties)--Michigan--1910-1920.","Bands (Music)--Michigan.","Banquets--Michigan--1920-1930.","Barbers--Michigan.","Barbershops--Michigan--1910-1920.","Bar mitzvah--Michigan.","Bars (Drinking establishments)--Michigan.","Baseball players--Michigan.","Basketball courts--Michigan.","Basketball players--Michigan.","Beauty shops--Michigan.","Beekeepers--Michigan.","Bicycles \u0026 tricycles--Michigan--1890-1930.","Bicycle stores--Michigan.","Blacksmiths--Michigan.","Blizzards--Michigan.","Boats and boating--Michigan.","Boycotts--Michigan.","Breweries--Michigan.","Breweries--Employees--Michigan.","Brick trade--Michigan.","Bridges--Michigan--Detroit.","Broom and brush industry--Michigan.","Building construction--Michigan--1910-1930.","Buses--Michigan--1930-1940.","Business organizations--Michigan.","Business Schools--Michigan.","Button industry--Michigan.","Cafeterias--Michigan.","Camping--Michigan.","Canoes and canoeing--Michigan.","Carts \u0026 wagons--Michigan--1890-1910","Casinos--Michigan.","Catholic schools--Michigan.","Cemeteries--Michigan.","Chauffeurs--Michigan.","Chemical industry--Michigan.","Children's costumes--Michigan.","Children's parties--Michigan--1890-1900.","Children--Michigan--Portraits.","Children's choirs--Michigan.","Church buildings--Michigan.","Cigar industry--Michigan.","Circus animals--Michigan.","Circus performers--Michigan.","City councils--Michigan--Hamtramck (Mich.)","City halls--Michigan.","Commercial photography--Michigan.","Concert programs--Michigan.","Confirmation--Catholic Church--Michigan.","Construction workers--Michigan.","Coopers and Cooperage--Michigan.","Couples--Michigan--Portraits.","Creameries--Michigan.","Cross-country runners--Michigan.","Curling--Michigan.","Dairying--Michigan.","Delivery of goods--Michigan.","Diving--Michigan--1890-1900.","Docks--Michigan.","Dredges--Michigan.","Drugstores--Michigan.","Dwellings--Michigan.","Engines--Michigan.","Entertainers--Michigan--1900-1910.","Ethnic costume--Romania.","Ethnic groups--Michigan.","Exhibitions--Michigan--1880-1890.","Explosions--Michigan.","Factories--Employees--Michigan.","Factories--Michigan.","Families--Michigan--Portraits.","Fire fighters--Michigan.","Florists--Michigan.","Flour mills--Michigan.","Flower arrangements--Michigan--1920-1940.","Football players--Michigan--1900-1910.","Fraternal organizations--Michigan","Funeral rites \u0026 ceremonies--Michigan--1910-1930","Gardens--Michigan--1900-1910.","Gas power plants--Michigan.","Graduation (School)","Grocery trade--Michigan.","Hardware stores--Michigan.","Hat trade--Michigan.","High school students--Michigan.","Horse-drawn rail cars--Michigan.","Horse racing--Michigan--1920-1930","Hospitals--Michigan--Detroit.","Hotels--Michigan--1870-1890.","Ice industry--Michigan.","Insurance companies--Michigan.","Inventors--Michigan","Jazz musicians--Michigan","Kitchen utensils--Michigan.","Laboratories--Michigan.","Lakes--Michigan.","Libraries--Michigan--Detroit.","Lighthouses--Michigan.","Locomotives--Michigan.","Luggage industry--Michigan.","Mausoleums--Michigan.","Mechanical musical instruments--Michigan.","Men--Michigan--Portraits.","Men--Societies  and clubs--Michigan.","Metalworking industries--Michigan.","Military bands--Michigan.","Motion pictures--Michigan--1930-1940.","Motorboat racing--Michigan.","Music stores--Michigan.","Musicians--Michigan.","Nightclubs--Michigan.","Nursing schools--Michigan.","Occupational training--Michigan.","Offices--Michigan--1910-1930.","Old age homes--Michigan.","Opticians--Michigan.","Paddle steamers--Michigan.","Parade floats--Michigan.","Parades--Michigan.","Parks--Michigan--Detroit.","Photography--Societies, etc--Michigan.","Picnics--Michigan.","Playgrounds--Michigan.","Police--Michigan--Detroit.","Police stations--Michigan.","Political parades \u0026 rallies--Michigan--1900-1920.","Portraits, group--Michigan.","Postmortem photography--Michigan.","Power-plants--Design and construction--Michigan.","Priests--Michigan.","Prisons--Michigan.","Public architecture--Michigan.","Radio broadcasting--Michigan.","Railroad stations--Michigan.","Railroad tunnels--Design and construction--Michigan.","Railroad tunnels--Michigan.","Railroads--Employees--Michigan.","Railroads--Michigan.","Residential architecture--Michigan.","Restaurants--Michigan--1920-1930.","Sailors--Michigan.","School children--Michigan.","School buildings--Michigan.","School plays--Michigan.","School yearbooks--Michigan.","Ships--Launching--Michigan.","Ships--Michigan.","Shoes--Repairing--Michigan.","Skyscrapers--Michigan--Detroit.","Soccer players--Michigan--1920-1930","Soldiers--Michigan.","Souvenirs (Keepsakes)--Michigan.","Spanish-American War, 1898--Veterans--Michigan.","Stables--Michigan.","Steamboats--Michigan.","Steel foundries--Michigan.","Stove industry and trade--Michigan.","Street lighting--Michigan.","Street-railroads--Michigan.","Streets--Michigan.","Strikes and lockouts--Automobile industry--Michigan.","String bands--Michigan.","Storefronts--Michigan.","Teeth--Radiography--Michigan.","Television programs--Michigan.","Theaters--Michigan--1910-1920.","Threshing machines--Michigan--1900-1910.","Tour buses--Michigan.","Traffic signs \u0026 signals---Michigan--1930-1950","Train ferries--Michigan.","Trucks--Michigan--1920-1940.","Variety stores--Michigan.","Vocational education--Michigan.","Water mills--Michigan.","Water towers--Michigan.","Waterworks--Michigan.","Weddings--Michigan.","Women automobile industry workers--Michigan.","Women field hockey players--Michigan.","Women figure skaters--Michigan.","Women--Employment--Michigan--1910-1940.","Women--Michigan--Portraits.","Women--Societies and clubs--Michigan.","World War 1914-1918--Michigan.","Clippings.","Cyanotypes.","Documents.","Ephemera.","Pamphlets.","Photocopies.","Photographic prints.","Photomechanical prints.","Postage stamps.","The city of Detroit and its vast metropolitan area has dominated the Wayne County area for centuries. Detroit was founded in 1701 as a French settlement with access to the Great Lakes and Canada and quickly became a strategic military post and trade center. It transferred to British control in 1760 during the Seven Years War and to United States governance in 1796. It became a chartered city in 1802, the capitol of the Michigan Territory in 1805, and Michigan’s first State Capital from 1837 to 1847. The city grew with an economy based largely on agriculture and trade in the early 19th century, becoming one of the nation’s prime manufacturing and cultural centers after the Civil War. Large industries based in the region included railroad equipment manufacturing, ship building, iron and steel production, stoves, pharmaceuticals, brewing, wagon making, and many others.","The industrial strength of Detroit created a large middle-class society as well as vast wealth. In turn, this affluence supported cultural advancement, education, and the arts. Commercial photography studios thrived in this environment. Many prize-winning portrait photographers were based in Detroit, as were those specializing in architecture, and the documentation of industry and commerce.","The diversity of industry of late 19th century Detroit gave way to automobile centered growth in the mid-20th century. The boom in wartime production during World War Two attracted workers from around the country and shifted the racial demographics of the city.","The collapse of manufacturing industries, the disappearance of public transportation, and massive population shifts to the suburbs were factors in the decline of Detroit in the mid to late 20th century.","Included in the Wayne County file of the David V. Tinder Collection of Michigan Photography are images of urban Detroit, people in their places of work, at home, at leisure, and participating in social activities and in fraternal and religious organizations. Numerous images show industrial manufacturing, urban transportation, and civic infrastructure. Activities related to entertainment, sports, parades, and the arts are well represented. The many portraits photographs include formal posed images, casual snapshots, workplace groups and fraternal organizations.","A vast majority of the photographs are the work of commercial photographers, with some amateurs. A significant number of photos were taken by Detroit News and Detroit Free Press photographers. Almost all the images present would be considered vernacular photos rather than fine art; however, many are carefully composed with strong aesthetic characteristics.","Although the photos have been largely sorted by subject, related materials may be present outside of the subject categories, i.e., images of transportation can also be found in the categories Architecture, Business and Commerce, Group Portraits, and in other sections outside of Transportation.","The bulk of the photos in this collection were taken in Detroit during the era of rapid population growth and industrial development around the turn of the century. The diversity of industry that appears in the late 19th century images can be seen giving way to automobile centered growth in the mid-20th century. Evidence of the rich residential lifestyles and multi-ethnic cultures of the Detroit area appear in many images.","At the fringe of the collection’s scope are images of the demolition of factories, the disappearance of public transportation, and racial unrest during the decline of Detroit in the mid to late 20th century.","It should be noted that while most of the collection are mounted and unmounted photographic prints, there are a few bound items as well as printed ephemera.","The collection has been organized into various categories by subject. The first group of photos is comprised of those that did not fit neatly under other categories. These include views of military encampments, disasters and firefighting, civic unrest, commercial product promotions, and other miscellaneous topics. Of particular note is a charming outdoor children’s party scene by amateur photographer Robert R. Oesterreich (no. 9); a double portrait montage by Tony Spina of John F. Kennedy and Robert F. Kennedy, both speaking at Campus Martius (no. 14); the high quality photomechanical prints of Detroit scenes and architecture in the  Detroit Illustrated.  (no. 16); and a collection of 28 miscellaneous nightclub souvenir photographs dating from the 1940s-1980s (no. 20). The rest of the material falls under the following categories:","Transportation: 243 photographs. Material is divided between the following sub-categories: Automobiles and Trucks (56 photographs), Aircraft (18 photographs), Railroads and Trains (58 photographs), Streetcars and Trolleys (20 photographs), Roads and Infrastructure (33 photographs), Wagons (20 photographs), Maritime (38 photographs).","Of note are a photograph of an African American couple posed with a new V-8 Ford (no. 71.3); construction photos of the Detroit River railroad tunnel (no. 95); Goebel’s Brewing Co. delivery wagons (no. 98); and a view of the steamboat  Tashmoo  at speed on the Detroit River (no. 110).","Performers: 107 photographs, most of which (113 photographs) are contained in the sub-category Music and Musicians. Of particular note are numerous photos of community brass bands, a photo of John Philip Sousa and his band at Grand Circus Park (no. 122); an image of the inventor Charles Crawford and his patented \"Pickaphone\" mechanism for playing stringed instruments, ca. 1888 (no. 123); and copy prints of two important early jazz bands, Finney’s Orchestra (no. 131) and McKinney’s Cotton Pickers (no. 132).","Portraits: 505 photographs. Material is divided into the following sub-categories: Individuals (172 photographs), Groups (133 photographs), Children (97 photographs), Weddings (64 photographs), Confirmation and Communion (41 photographs). Of particular interest are a photograph of Joan Baxter and her Hot Dog Cooker (no. 137); three 1860's portraits of members of the Hawley family of Detroit (no. 141), one of which is inscribed with enlargement instructions ca.1901 on its verso; and a portrait of politician and founder of the Republican Party Zachariah Chandler, taken by Benjamin Powelson ca. 1880 (no. 142).","Of the many notable images within the Groups category are an outstanding image of sixteen Packard Motor Car Company employees piled onto a 1911 Packard in front of the then new Packard factory on West Grand Blvd. (no. 144.9); a group of African American women engaged in a ceremonial burning of the mortgage of the Phyllis Wheatley Home for Aged Colored Ladies (no. 162); and a portrait of members of the Direct Credits Society, a Great Depression-era wealth redistribution movement founded by Alfred Lawson (no. 166).","Parades: 54 photographs. Many scenes of massive parades in Detroit. Of note is a series of photographs of women marching in a racially-integrated United Spanish War Veterans Parade, ca.1940 (no. 179); and a view of five young women in a florally decorated early automobile (no. 180.11).","Business \u0026 Commerce: 319 photographs. Where possible, material has been divided into the following sub-categories: Business Exteriors (52 photographs), Business Interiors (125 photographs), Construction (22 photographs), Ford Motor Company (19 photographs). Of note is an image of a group of brewers tapping a keg at the Marx Brewing Co. (no. 186.1); Candler Dock \u0026 Dredge Co. workers and surveyors building a dock, taken by the Manning Bros. ca 1920s (no. 192); women rolling cigars at the R.G. Dunn factory, 1909 (no. 204); workers fabricating automobile bodies at the Briggs Manufacturing Co. ca. 1910s (no. 206);interior view of the Burroughs Adding Machine factory (no 209.11); the Penobscot Building construction in three stages ca 1928 (no. 217); and two fold-out panoramic photos of the Ford complex at River Rouge taken by Otto Rotch in 1925 (no. 218).","Views: 86 photographs. Material is divided into Street Views (28 photographs), Residential Views (51 photographs), and Aerial Views (7 photographs).","Architecture: 69 photographs. Of particular note is a charming view of a small inn at Springwells, Mich., the International Exposition House ca. 1889 (no. 235); an 1870's print of the large Russell House Hotel in Detroit (no. 238); and a panoramic view of downtown Detroit at its peak, taken by the Murray Studio in the 1920s (no. 240.18).","Labor \u0026 Unemployment: 8 photographs primarily focused on unemployment during the Great Depression. Of note is a group photo of the striking Journeyman Bakers International Union in 1902 (no. 248).","Athletes \u0026 Athletics: 58 photographs. Of particular note are a copy-print of a 1910 Detroit Tigers team photo featuring Hall of Famer Ty Cobb (no. 261); a series of 3 group photographs of an early soccer team, Michigan Alkali F.C. in 1923 (no. 265); Wyandotte baseball teams (no. 266);. The Slocum’s Island baseball champions of 1882 (no. 272.4); and a 1943 curling team (no. 273).","Classrooms \u0026 Schools: 38 photographs. Of particular interest are a student group in front of a one-room schoolhouse at Cherry Hill in 1934 (no. 280.11); a kindergarten band at Clippert School taken by the Manning Bros. (no. 280.20); and a ca.1936 Lincoln Park High School album with personal snapshots and autographs of classmates (no. 279).","Places of Worship \u0026 Religious Activities: 43 photographs. One of several images related to African American church congregations shows members of an A.M.E. church dressed in \"traditional\" African garb ca.1920-1930 (no. 284).","Parks: 112 photographs. Of particular focus is Belle Isle (approx. 50 photographs) and Waterworks Park. A series of Belle Isle views taken in 1889 by Holcombe \u0026 Metzen is particularly picturesque (no. 297.1-9).","Funerals \u0026 Postmortem Photography: 14 photographs. These photographs date from the 1910s-1930s and are mostly photographs of open caskets surrounded by the deceased's family.","The collection contains photographs of Wayne County, Michigan. Included are numerous urban scenes and images of everyday life, primarily in the Metropolitan Detroit area between 1860 and the mid-20th century. The bulk of the photographs were taken between 1890 and 1930. A very wide range of topics is represented, among them commercial and residential architecture, urban infrastructure, public and private spaces, civic and domestic activities, individual and group portraits, and events from across the social spectrum.","William L. Clements Library , University of Michigan","American Red Cross.","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America.","BASF Wyandotte Corporation.","Cartercar Co.","Catholic Church--Clergy--Michigan.","Detroit College of Medicine.","Detroit Institute of Arts.","Detroit Museum of Art.","Detroit Opera House.","Detroit Red Wings (Hockey team)","Detroit Symphony Orchestra.","Detroit, Toledo and Ironton Railroad.","Dodge Brothers.","Ford Motor Company.","Ford Motor Company--Employees.","Ford Motor Company. Rouge River Plant.","Ford Rotunda (Dearborn, Mich.)","General Motors Corporation.","Henry Ford Museum and Greenfield Village.","Hudson's (Department store)","International Union, United Automobile Workers of America (CIO)","Journeymen Bakers National Union of the United States.","Knights of Pythias.","Knights Templar (Masonic order)","Michigan Central Railroad Company.","Michigan. National Guard.","Michigan Stove Company.","Tiger Stadium (Detroit, Mich.)","United States. Army--Recruiting, enlistment, etc.--Michigan.","United States. Army. Reserve Officers' Training Corps.","YMCA of the USA.","Young Women's Christian Association.","Agdan Photographic.","Alliance Commercial Photo Co.","Alvord \u0026 Co.","American Commercial Photo Co.","Arthur Studio.","Babas Studio.","Baker Art Studio.","Baker Studio.","Ballaun Studio.","Bonish Studio.","Brown \u0026 Co.","Charles Hopp \u0026 Co.","Club Photos Inc.","Commercial Photo Service Co.","Cousins Art Studio.","Davison Photo Studio.","Deluxe Theatrical Studio.","Detroit Edison Co.","Detroit News Staff.","Fotografia Italiana (G. Lanni \u0026 Co.)","General Motors Photographic Section.","Harbican Studio.","Hoffman Studio.","Holcombe \u0026 Metzen.","Holgate Studio.","Huntington \u0026 Clark.","Litynski-Jakubowski Co.","MacGregor and Company.","Manning Bros.","Metropolitan Art Studio.","Modernistic Photo Studio.","New Chene Studio.","P. Pieronek Studio.","Rembrandt Studios.","Rentschler's Studio.","Smart Set Studio.","Smith Brothers Commerical Photographers.","Spencer \u0026 Wyckoff.","Spooner \u0026 Wells, Inc.","Tiffany Photographic Studio.","Ziawinski Bros.","Tinder, David V.","Grant, Ulysses S. (Ulysses Simpson), 1822-1885--Homes and haunts.","Kennedy, John F. (John Fitzgerald), 1917-1963.","Kennedy, Robert F., 1925-1968.","Robeson, Paul, 1898-1976.","Sousa, John Philip, 1854-1932.","Arthur, Edward J.","Baker, Chas. R.","Ball, Lyman L.","Baron, Herman.","Blanchard, Issac H.","Bleibel, Gustav.","Bowles, Esther A., Mrs.","Burose, Herman.","Cheff, Edmund Archael.","Craine, Benjamin H.","Hayes, Clarence Messenger.","Hediger, James D.","Hillmer, Davis B.","Hoffman, Clarence L.","Howie, George William.","Hughes, John Wesley.","Jackson, Harvey C.","James, Langford P.","Jones, J. F.","Lazarnick, Nathan.","Litynski, Walter E.","Mazur, Anthony","McMichael, A.G.","Merz, Charles J.","Mirecki, Albert J.","Phelps, C.A. (New Castle, IN)","Pipp, Frank H.","Poli, Faustino G.","Pollard, C.H.","Rentschler, Andrew.","Rochowiak, Stanley A.","Rotch, Otto.","Salter, Al.","Sowinski, Joseph.","Spellman, Delmar Driscoe.","Stone, Frank H.","Tomlinson, Frank N.","Wiederhold, John A.","Wright, Fred G.","Ziawinski, Felix.","Ziawinski, Joseph.","The material is in  English ."],"unitid_tesim":["wclgrfx000200"],"normalized_title_ssm":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985"],"collection_title_tesim":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985"],"collection_ssim":["David V. Tinder Collection of Michigan Photography, County File, Wayne County 1865-1985"],"repository_ssm":["University of Michigan. William L. Clements Library"],"repository_ssim":["University of Michigan. William L. Clements Library"],"creator_ssm":["Tinder, David V."],"creator_ssim":["Tinder, David V."],"creator_persname_ssim":["Tinder, David V."],"creators_ssim":["Tinder, David V."],"acqinfo_ssim":["F-832, F-860, F-861, F-891, F-892, F-893, F-898, F-909, F-911, F-914, F-922, F-938, F-940, F-945, F-961, F-980, F-987, F-1004, F-1005, F-1014,  F-1017, F-1027, F-1028, F-1033, F-1054, F-1066, F-1067, F-1074, F-1076, F-1077, F-1113, F-1114 ."],"access_subjects_ssim":["David V. Tinder Collection of Michigan Photography.","Photographs shelf.","Actors--Michigan--1900-1910.","Actresses--Michigan--1890-1910.","African American businesspeople--Michigan.","African American children--Portraits--Michigan.","African American choirs--Michigan.","African American churches--Michigan.","African American freemasons--Michigan.","African American judges--Michigan.","African American musicians--Michigan.","African Americans--Societies, etc.--Michigan.","African American students--Michigan.","African American Sunday schools--Michigan.","Agricultural laborers--Michigan.","Airports--Michigan.","Aircraft--Michigan--1930-1940.","Aircraft industry--Michigan.","Air shows--Michigan.","Amateur theater--Michigan.","Amusement parks--Michigan.","Animals on television--Michigan.","Asbestos--Michigan.","Automobile factories--Michigan.","Automobile industry workers--Michigan.","Automobile rallies--Michigan.","Automobiles--Michigan.","Automobiles--Design and construction--Michigan.","Balls (Parties)--Michigan--1910-1920.","Bands (Music)--Michigan.","Banquets--Michigan--1920-1930.","Barbers--Michigan.","Barbershops--Michigan--1910-1920.","Bar mitzvah--Michigan.","Bars (Drinking establishments)--Michigan.","Baseball players--Michigan.","Basketball courts--Michigan.","Basketball players--Michigan.","Beauty shops--Michigan.","Beekeepers--Michigan.","Bicycles \u0026 tricycles--Michigan--1890-1930.","Bicycle stores--Michigan.","Blacksmiths--Michigan.","Blizzards--Michigan.","Boats and boating--Michigan.","Boycotts--Michigan.","Breweries--Michigan.","Breweries--Employees--Michigan.","Brick trade--Michigan.","Bridges--Michigan--Detroit.","Broom and brush industry--Michigan.","Building construction--Michigan--1910-1930.","Buses--Michigan--1930-1940.","Business organizations--Michigan.","Business Schools--Michigan.","Button industry--Michigan.","Cafeterias--Michigan.","Camping--Michigan.","Canoes and canoeing--Michigan.","Carts \u0026 wagons--Michigan--1890-1910","Casinos--Michigan.","Catholic schools--Michigan.","Cemeteries--Michigan.","Chauffeurs--Michigan.","Chemical industry--Michigan.","Children's costumes--Michigan.","Children's parties--Michigan--1890-1900.","Children--Michigan--Portraits.","Children's choirs--Michigan.","Church buildings--Michigan.","Cigar industry--Michigan.","Circus animals--Michigan.","Circus performers--Michigan.","City councils--Michigan--Hamtramck (Mich.)","City halls--Michigan.","Commercial photography--Michigan.","Concert programs--Michigan.","Confirmation--Catholic Church--Michigan.","Construction workers--Michigan.","Coopers and Cooperage--Michigan.","Couples--Michigan--Portraits.","Creameries--Michigan.","Cross-country runners--Michigan.","Curling--Michigan.","Dairying--Michigan.","Delivery of goods--Michigan.","Diving--Michigan--1890-1900.","Docks--Michigan.","Dredges--Michigan.","Drugstores--Michigan.","Dwellings--Michigan.","Engines--Michigan.","Entertainers--Michigan--1900-1910.","Ethnic costume--Romania.","Ethnic groups--Michigan.","Exhibitions--Michigan--1880-1890.","Explosions--Michigan.","Factories--Employees--Michigan.","Factories--Michigan.","Families--Michigan--Portraits.","Fire fighters--Michigan.","Florists--Michigan.","Flour mills--Michigan.","Flower arrangements--Michigan--1920-1940.","Football players--Michigan--1900-1910.","Fraternal organizations--Michigan","Funeral rites \u0026 ceremonies--Michigan--1910-1930","Gardens--Michigan--1900-1910.","Gas power plants--Michigan.","Graduation (School)","Grocery trade--Michigan.","Hardware stores--Michigan.","Hat trade--Michigan.","High school students--Michigan.","Horse-drawn rail cars--Michigan.","Horse racing--Michigan--1920-1930","Hospitals--Michigan--Detroit.","Hotels--Michigan--1870-1890.","Ice industry--Michigan.","Insurance companies--Michigan.","Inventors--Michigan","Jazz musicians--Michigan","Kitchen utensils--Michigan.","Laboratories--Michigan.","Lakes--Michigan.","Libraries--Michigan--Detroit.","Lighthouses--Michigan.","Locomotives--Michigan.","Luggage industry--Michigan.","Mausoleums--Michigan.","Mechanical musical instruments--Michigan.","Men--Michigan--Portraits.","Men--Societies  and clubs--Michigan.","Metalworking industries--Michigan.","Military bands--Michigan.","Motion pictures--Michigan--1930-1940.","Motorboat racing--Michigan.","Music stores--Michigan.","Musicians--Michigan.","Nightclubs--Michigan.","Nursing schools--Michigan.","Occupational training--Michigan.","Offices--Michigan--1910-1930.","Old age homes--Michigan.","Opticians--Michigan.","Paddle steamers--Michigan.","Parade floats--Michigan.","Parades--Michigan.","Parks--Michigan--Detroit.","Photography--Societies, etc--Michigan.","Picnics--Michigan.","Playgrounds--Michigan.","Police--Michigan--Detroit.","Police stations--Michigan.","Political parades \u0026 rallies--Michigan--1900-1920.","Portraits, group--Michigan.","Postmortem photography--Michigan.","Power-plants--Design and construction--Michigan.","Priests--Michigan.","Prisons--Michigan.","Public architecture--Michigan.","Radio broadcasting--Michigan.","Railroad stations--Michigan.","Railroad tunnels--Design and construction--Michigan.","Railroad tunnels--Michigan.","Railroads--Employees--Michigan.","Railroads--Michigan.","Residential architecture--Michigan.","Restaurants--Michigan--1920-1930.","Sailors--Michigan.","School children--Michigan.","School buildings--Michigan.","School plays--Michigan.","School yearbooks--Michigan.","Ships--Launching--Michigan.","Ships--Michigan.","Shoes--Repairing--Michigan.","Skyscrapers--Michigan--Detroit.","Soccer players--Michigan--1920-1930","Soldiers--Michigan.","Souvenirs (Keepsakes)--Michigan.","Spanish-American War, 1898--Veterans--Michigan.","Stables--Michigan.","Steamboats--Michigan.","Steel foundries--Michigan.","Stove industry and trade--Michigan.","Street lighting--Michigan.","Street-railroads--Michigan.","Streets--Michigan.","Strikes and lockouts--Automobile industry--Michigan.","String bands--Michigan.","Storefronts--Michigan.","Teeth--Radiography--Michigan.","Television programs--Michigan.","Theaters--Michigan--1910-1920.","Threshing machines--Michigan--1900-1910.","Tour buses--Michigan.","Traffic signs \u0026 signals---Michigan--1930-1950","Train ferries--Michigan.","Trucks--Michigan--1920-1940.","Variety stores--Michigan.","Vocational education--Michigan.","Water mills--Michigan.","Water towers--Michigan.","Waterworks--Michigan.","Weddings--Michigan.","Women automobile industry workers--Michigan.","Women field hockey players--Michigan.","Women figure skaters--Michigan.","Women--Employment--Michigan--1910-1940.","Women--Michigan--Portraits.","Women--Societies and clubs--Michigan.","World War 1914-1918--Michigan.","Clippings.","Cyanotypes.","Documents.","Ephemera.","Pamphlets.","Photocopies.","Photographic prints.","Photomechanical prints.","Postage stamps."],"access_subjects_ssm":["David V. Tinder Collection of Michigan Photography.","Photographs shelf.","Actors--Michigan--1900-1910.","Actresses--Michigan--1890-1910.","African American businesspeople--Michigan.","African American children--Portraits--Michigan.","African American choirs--Michigan.","African American churches--Michigan.","African American freemasons--Michigan.","African American judges--Michigan.","African American musicians--Michigan.","African Americans--Societies, etc.--Michigan.","African American students--Michigan.","African American Sunday schools--Michigan.","Agricultural laborers--Michigan.","Airports--Michigan.","Aircraft--Michigan--1930-1940.","Aircraft industry--Michigan.","Air shows--Michigan.","Amateur theater--Michigan.","Amusement parks--Michigan.","Animals on television--Michigan.","Asbestos--Michigan.","Automobile factories--Michigan.","Automobile industry workers--Michigan.","Automobile rallies--Michigan.","Automobiles--Michigan.","Automobiles--Design and construction--Michigan.","Balls (Parties)--Michigan--1910-1920.","Bands (Music)--Michigan.","Banquets--Michigan--1920-1930.","Barbers--Michigan.","Barbershops--Michigan--1910-1920.","Bar mitzvah--Michigan.","Bars (Drinking establishments)--Michigan.","Baseball players--Michigan.","Basketball courts--Michigan.","Basketball players--Michigan.","Beauty shops--Michigan.","Beekeepers--Michigan.","Bicycles \u0026 tricycles--Michigan--1890-1930.","Bicycle stores--Michigan.","Blacksmiths--Michigan.","Blizzards--Michigan.","Boats and boating--Michigan.","Boycotts--Michigan.","Breweries--Michigan.","Breweries--Employees--Michigan.","Brick trade--Michigan.","Bridges--Michigan--Detroit.","Broom and brush industry--Michigan.","Building construction--Michigan--1910-1930.","Buses--Michigan--1930-1940.","Business organizations--Michigan.","Business Schools--Michigan.","Button industry--Michigan.","Cafeterias--Michigan.","Camping--Michigan.","Canoes and canoeing--Michigan.","Carts \u0026 wagons--Michigan--1890-1910","Casinos--Michigan.","Catholic schools--Michigan.","Cemeteries--Michigan.","Chauffeurs--Michigan.","Chemical industry--Michigan.","Children's costumes--Michigan.","Children's parties--Michigan--1890-1900.","Children--Michigan--Portraits.","Children's choirs--Michigan.","Church buildings--Michigan.","Cigar industry--Michigan.","Circus animals--Michigan.","Circus performers--Michigan.","City councils--Michigan--Hamtramck (Mich.)","City halls--Michigan.","Commercial photography--Michigan.","Concert programs--Michigan.","Confirmation--Catholic Church--Michigan.","Construction workers--Michigan.","Coopers and Cooperage--Michigan.","Couples--Michigan--Portraits.","Creameries--Michigan.","Cross-country runners--Michigan.","Curling--Michigan.","Dairying--Michigan.","Delivery of goods--Michigan.","Diving--Michigan--1890-1900.","Docks--Michigan.","Dredges--Michigan.","Drugstores--Michigan.","Dwellings--Michigan.","Engines--Michigan.","Entertainers--Michigan--1900-1910.","Ethnic costume--Romania.","Ethnic groups--Michigan.","Exhibitions--Michigan--1880-1890.","Explosions--Michigan.","Factories--Employees--Michigan.","Factories--Michigan.","Families--Michigan--Portraits.","Fire fighters--Michigan.","Florists--Michigan.","Flour mills--Michigan.","Flower arrangements--Michigan--1920-1940.","Football players--Michigan--1900-1910.","Fraternal organizations--Michigan","Funeral rites \u0026 ceremonies--Michigan--1910-1930","Gardens--Michigan--1900-1910.","Gas power plants--Michigan.","Graduation (School)","Grocery trade--Michigan.","Hardware stores--Michigan.","Hat trade--Michigan.","High school students--Michigan.","Horse-drawn rail cars--Michigan.","Horse racing--Michigan--1920-1930","Hospitals--Michigan--Detroit.","Hotels--Michigan--1870-1890.","Ice industry--Michigan.","Insurance companies--Michigan.","Inventors--Michigan","Jazz musicians--Michigan","Kitchen utensils--Michigan.","Laboratories--Michigan.","Lakes--Michigan.","Libraries--Michigan--Detroit.","Lighthouses--Michigan.","Locomotives--Michigan.","Luggage industry--Michigan.","Mausoleums--Michigan.","Mechanical musical instruments--Michigan.","Men--Michigan--Portraits.","Men--Societies  and clubs--Michigan.","Metalworking industries--Michigan.","Military bands--Michigan.","Motion pictures--Michigan--1930-1940.","Motorboat racing--Michigan.","Music stores--Michigan.","Musicians--Michigan.","Nightclubs--Michigan.","Nursing schools--Michigan.","Occupational training--Michigan.","Offices--Michigan--1910-1930.","Old age homes--Michigan.","Opticians--Michigan.","Paddle steamers--Michigan.","Parade floats--Michigan.","Parades--Michigan.","Parks--Michigan--Detroit.","Photography--Societies, etc--Michigan.","Picnics--Michigan.","Playgrounds--Michigan.","Police--Michigan--Detroit.","Police stations--Michigan.","Political parades \u0026 rallies--Michigan--1900-1920.","Portraits, group--Michigan.","Postmortem photography--Michigan.","Power-plants--Design and construction--Michigan.","Priests--Michigan.","Prisons--Michigan.","Public architecture--Michigan.","Radio broadcasting--Michigan.","Railroad stations--Michigan.","Railroad tunnels--Design and construction--Michigan.","Railroad tunnels--Michigan.","Railroads--Employees--Michigan.","Railroads--Michigan.","Residential architecture--Michigan.","Restaurants--Michigan--1920-1930.","Sailors--Michigan.","School children--Michigan.","School buildings--Michigan.","School plays--Michigan.","School yearbooks--Michigan.","Ships--Launching--Michigan.","Ships--Michigan.","Shoes--Repairing--Michigan.","Skyscrapers--Michigan--Detroit.","Soccer players--Michigan--1920-1930","Soldiers--Michigan.","Souvenirs (Keepsakes)--Michigan.","Spanish-American War, 1898--Veterans--Michigan.","Stables--Michigan.","Steamboats--Michigan.","Steel foundries--Michigan.","Stove industry and trade--Michigan.","Street lighting--Michigan.","Street-railroads--Michigan.","Streets--Michigan.","Strikes and lockouts--Automobile industry--Michigan.","String bands--Michigan.","Storefronts--Michigan.","Teeth--Radiography--Michigan.","Television programs--Michigan.","Theaters--Michigan--1910-1920.","Threshing machines--Michigan--1900-1910.","Tour buses--Michigan.","Traffic signs \u0026 signals---Michigan--1930-1950","Train ferries--Michigan.","Trucks--Michigan--1920-1940.","Variety stores--Michigan.","Vocational education--Michigan.","Water mills--Michigan.","Water towers--Michigan.","Waterworks--Michigan.","Weddings--Michigan.","Women automobile industry workers--Michigan.","Women field hockey players--Michigan.","Women figure skaters--Michigan.","Women--Employment--Michigan--1910-1940.","Women--Michigan--Portraits.","Women--Societies and clubs--Michigan.","World War 1914-1918--Michigan.","Clippings.","Cyanotypes.","Documents.","Ephemera.","Pamphlets.","Photocopies.","Photographic prints.","Photomechanical prints.","Postage stamps."],"has_online_content_ssim":["true"],"extent_ssm":["1,937 photographs, 16 real photo stamps, 6 booklets, 101 pages, clippings and ephemera"],"extent_tesim":["1,937 photographs, 16 real photo stamps, 6 booklets, 101 pages, clippings and ephemera"],"bioghist_html_tesm":["\u003cp\u003eThe city of Detroit and its vast metropolitan area has dominated the Wayne County area for centuries. Detroit was founded in 1701 as a French settlement with access to the Great Lakes and Canada and quickly became a strategic military post and trade center. It transferred to British control in 1760 during the Seven Years War and to United States governance in 1796. It became a chartered city in 1802, the capitol of the Michigan Territory in 1805, and Michigan’s first State Capital from 1837 to 1847. The city grew with an economy based largely on agriculture and trade in the early 19th century, becoming one of the nation’s prime manufacturing and cultural centers after the Civil War. Large industries based in the region included railroad equipment manufacturing, ship building, iron and steel production, stoves, pharmaceuticals, brewing, wagon making, and many others.\u003c/p\u003e","\u003cp\u003eThe industrial strength of Detroit created a large middle-class society as well as vast wealth. In turn, this affluence supported cultural advancement, education, and the arts. Commercial photography studios thrived in this environment. Many prize-winning portrait photographers were based in Detroit, as were those specializing in architecture, and the documentation of industry and commerce.\u003c/p\u003e","\u003cp\u003eThe diversity of industry of late 19th century Detroit gave way to automobile centered growth in the mid-20th century. The boom in wartime production during World War Two attracted workers from around the country and shifted the racial demographics of the city.\u003c/p\u003e","\u003cp\u003eThe collapse of manufacturing industries, the disappearance of public transportation, and massive population shifts to the suburbs were factors in the decline of Detroit in the mid to late 20th century.\u003c/p\u003e"],"bioghist_heading_ssm":["History"],"bioghist_tesim":["The city of Detroit and its vast metropolitan area has dominated the Wayne County area for centuries. Detroit was founded in 1701 as a French settlement with access to the Great Lakes and Canada and quickly became a strategic military post and trade center. It transferred to British control in 1760 during the Seven Years War and to United States governance in 1796. It became a chartered city in 1802, the capitol of the Michigan Territory in 1805, and Michigan’s first State Capital from 1837 to 1847. The city grew with an economy based largely on agriculture and trade in the early 19th century, becoming one of the nation’s prime manufacturing and cultural centers after the Civil War. Large industries based in the region included railroad equipment manufacturing, ship building, iron and steel production, stoves, pharmaceuticals, brewing, wagon making, and many others.","The industrial strength of Detroit created a large middle-class society as well as vast wealth. In turn, this affluence supported cultural advancement, education, and the arts. Commercial photography studios thrived in this environment. Many prize-winning portrait photographers were based in Detroit, as were those specializing in architecture, and the documentation of industry and commerce.","The diversity of industry of late 19th century Detroit gave way to automobile centered growth in the mid-20th century. The boom in wartime production during World War Two attracted workers from around the country and shifted the racial demographics of the city.","The collapse of manufacturing industries, the disappearance of public transportation, and massive population shifts to the suburbs were factors in the decline of Detroit in the mid to late 20th century."],"scopecontent_html_tesm":["\u003cp\u003eIncluded in the Wayne County file of the David V. Tinder Collection of Michigan Photography are images of urban Detroit, people in their places of work, at home, at leisure, and participating in social activities and in fraternal and religious organizations. Numerous images show industrial manufacturing, urban transportation, and civic infrastructure. Activities related to entertainment, sports, parades, and the arts are well represented. The many portraits photographs include formal posed images, casual snapshots, workplace groups and fraternal organizations.\u003c/p\u003e","\u003cp\u003eA vast majority of the photographs are the work of commercial photographers, with some amateurs. A significant number of photos were taken by Detroit News and Detroit Free Press photographers. Almost all the images present would be considered vernacular photos rather than fine art; however, many are carefully composed with strong aesthetic characteristics.\u003c/p\u003e","\u003cp\u003eAlthough the photos have been largely sorted by subject, related materials may be present outside of the subject categories, i.e., images of transportation can also be found in the categories Architecture, Business and Commerce, Group Portraits, and in other sections outside of Transportation.\u003c/p\u003e","\u003cp\u003eThe bulk of the photos in this collection were taken in Detroit during the era of rapid population growth and industrial development around the turn of the century. The diversity of industry that appears in the late 19th century images can be seen giving way to automobile centered growth in the mid-20th century. Evidence of the rich residential lifestyles and multi-ethnic cultures of the Detroit area appear in many images.\u003c/p\u003e","\u003cp\u003eAt the fringe of the collection’s scope are images of the demolition of factories, the disappearance of public transportation, and racial unrest during the decline of Detroit in the mid to late 20th century.\u003c/p\u003e","\u003cp\u003eIt should be noted that while most of the collection are mounted and unmounted photographic prints, there are a few bound items as well as printed ephemera.\u003c/p\u003e","\u003cp\u003eThe collection has been organized into various categories by subject. The first group of photos is comprised of those that did not fit neatly under other categories. These include views of military encampments, disasters and firefighting, civic unrest, commercial product promotions, and other miscellaneous topics. Of particular note is a charming outdoor children’s party scene by amateur photographer Robert R. Oesterreich (no. 9); a double portrait montage by Tony Spina of John F. Kennedy and Robert F. Kennedy, both speaking at Campus Martius (no. 14); the high quality photomechanical prints of Detroit scenes and architecture in the \u003cemph render=\"italic\"\u003eDetroit Illustrated.\u003c/emph\u003e (no. 16); and a collection of 28 miscellaneous nightclub souvenir photographs dating from the 1940s-1980s (no. 20). The rest of the material falls under the following categories:\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eTransportation:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e243 photographs. Material is divided between the following sub-categories: Automobiles and Trucks (56 photographs), Aircraft (18 photographs), Railroads and Trains (58 photographs), Streetcars and Trolleys (20 photographs), Roads and Infrastructure (33 photographs), Wagons (20 photographs), Maritime (38 photographs).\u003c/p\u003e","\u003cp\u003eOf note are a photograph of an African American couple posed with a new V-8 Ford (no. 71.3); construction photos of the Detroit River railroad tunnel (no. 95); Goebel’s Brewing Co. delivery wagons (no. 98); and a view of the steamboat \u003cemph render=\"italic\"\u003eTashmoo\u003c/emph\u003e at speed on the Detroit River (no. 110).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003ePerformers:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e107 photographs, most of which (113 photographs) are contained in the sub-category Music and Musicians. Of particular note are numerous photos of community brass bands, a photo of John Philip Sousa and his band at Grand Circus Park (no. 122); an image of the inventor Charles Crawford and his patented \"Pickaphone\" mechanism for playing stringed instruments, ca. 1888 (no. 123); and copy prints of two important early jazz bands, Finney’s Orchestra (no. 131) and McKinney’s Cotton Pickers (no. 132).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003ePortraits:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e505 photographs. Material is divided into the following sub-categories: Individuals (172 photographs), Groups (133 photographs), Children (97 photographs), Weddings (64 photographs), Confirmation and Communion (41 photographs). Of particular interest are a photograph of Joan Baxter and her Hot Dog Cooker (no. 137); three 1860's portraits of members of the Hawley family of Detroit (no. 141), one of which is inscribed with enlargement instructions ca.1901 on its verso; and a portrait of politician and founder of the Republican Party Zachariah Chandler, taken by Benjamin Powelson ca. 1880 (no. 142).\u003c/p\u003e","\u003cp\u003eOf the many notable images within the Groups category are an outstanding image of sixteen Packard Motor Car Company employees piled onto a 1911 Packard in front of the then new Packard factory on West Grand Blvd. (no. 144.9); a group of African American women engaged in a ceremonial burning of the mortgage of the Phyllis Wheatley Home for Aged Colored Ladies (no. 162); and a portrait of members of the Direct Credits Society, a Great Depression-era wealth redistribution movement founded by Alfred Lawson (no. 166).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eParades:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e54 photographs. Many scenes of massive parades in Detroit. Of note is a series of photographs of women marching in a racially-integrated United Spanish War Veterans Parade, ca.1940 (no. 179); and a view of five young women in a florally decorated early automobile (no. 180.11).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eBusiness \u0026amp; Commerce:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e319 photographs. Where possible, material has been divided into the following sub-categories: Business Exteriors (52 photographs), Business Interiors (125 photographs), Construction (22 photographs), Ford Motor Company (19 photographs). Of note is an image of a group of brewers tapping a keg at the Marx Brewing Co. (no. 186.1); Candler Dock \u0026amp; Dredge Co. workers and surveyors building a dock, taken by the Manning Bros. ca 1920s (no. 192); women rolling cigars at the R.G. Dunn factory, 1909 (no. 204); workers fabricating automobile bodies at the Briggs Manufacturing Co. ca. 1910s (no. 206);interior view of the Burroughs Adding Machine factory (no 209.11); the Penobscot Building construction in three stages ca 1928 (no. 217); and two fold-out panoramic photos of the Ford complex at River Rouge taken by Otto Rotch in 1925 (no. 218).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eViews:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e86 photographs. Material is divided into Street Views (28 photographs), Residential Views (51 photographs), and Aerial Views (7 photographs).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eArchitecture:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e69 photographs. Of particular note is a charming view of a small inn at Springwells, Mich., the International Exposition House ca. 1889 (no. 235); an 1870's print of the large Russell House Hotel in Detroit (no. 238); and a panoramic view of downtown Detroit at its peak, taken by the Murray Studio in the 1920s (no. 240.18).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eLabor \u0026amp; Unemployment:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e8 photographs primarily focused on unemployment during the Great Depression. Of note is a group photo of the striking Journeyman Bakers International Union in 1902 (no. 248).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eAthletes \u0026amp; Athletics:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e58 photographs. Of particular note are a copy-print of a 1910 Detroit Tigers team photo featuring Hall of Famer Ty Cobb (no. 261); a series of 3 group photographs of an early soccer team, Michigan Alkali F.C. in 1923 (no. 265); Wyandotte baseball teams (no. 266);. The Slocum’s Island baseball champions of 1882 (no. 272.4); and a 1943 curling team (no. 273).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eClassrooms \u0026amp; Schools:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e38 photographs. Of particular interest are a student group in front of a one-room schoolhouse at Cherry Hill in 1934 (no. 280.11); a kindergarten band at Clippert School taken by the Manning Bros. (no. 280.20); and a ca.1936 Lincoln Park High School album with personal snapshots and autographs of classmates (no. 279).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003ePlaces of Worship \u0026amp; Religious Activities:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e43 photographs. One of several images related to African American church congregations shows members of an A.M.E. church dressed in \"traditional\" African garb ca.1920-1930 (no. 284).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eParks:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e112 photographs. Of particular focus is Belle Isle (approx. 50 photographs) and Waterworks Park. A series of Belle Isle views taken in 1889 by Holcombe \u0026amp; Metzen is particularly picturesque (no. 297.1-9).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"underline\"\u003eFunerals \u0026amp; Postmortem Photography:\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e14 photographs. These photographs date from the 1910s-1930s and are mostly photographs of open caskets surrounded by the deceased's family.\u003c/p\u003e"],"scopecontent_tesim":["Included in the Wayne County file of the David V. Tinder Collection of Michigan Photography are images of urban Detroit, people in their places of work, at home, at leisure, and participating in social activities and in fraternal and religious organizations. Numerous images show industrial manufacturing, urban transportation, and civic infrastructure. Activities related to entertainment, sports, parades, and the arts are well represented. The many portraits photographs include formal posed images, casual snapshots, workplace groups and fraternal organizations.","A vast majority of the photographs are the work of commercial photographers, with some amateurs. A significant number of photos were taken by Detroit News and Detroit Free Press photographers. Almost all the images present would be considered vernacular photos rather than fine art; however, many are carefully composed with strong aesthetic characteristics.","Although the photos have been largely sorted by subject, related materials may be present outside of the subject categories, i.e., images of transportation can also be found in the categories Architecture, Business and Commerce, Group Portraits, and in other sections outside of Transportation.","The bulk of the photos in this collection were taken in Detroit during the era of rapid population growth and industrial development around the turn of the century. The diversity of industry that appears in the late 19th century images can be seen giving way to automobile centered growth in the mid-20th century. Evidence of the rich residential lifestyles and multi-ethnic cultures of the Detroit area appear in many images.","At the fringe of the collection’s scope are images of the demolition of factories, the disappearance of public transportation, and racial unrest during the decline of Detroit in the mid to late 20th century.","It should be noted that while most of the collection are mounted and unmounted photographic prints, there are a few bound items as well as printed ephemera.","The collection has been organized into various categories by subject. The first group of photos is comprised of those that did not fit neatly under other categories. These include views of military encampments, disasters and firefighting, civic unrest, commercial product promotions, and other miscellaneous topics. Of particular note is a charming outdoor children’s party scene by amateur photographer Robert R. Oesterreich (no. 9); a double portrait montage by Tony Spina of John F. Kennedy and Robert F. Kennedy, both speaking at Campus Martius (no. 14); the high quality photomechanical prints of Detroit scenes and architecture in the  Detroit Illustrated.  (no. 16); and a collection of 28 miscellaneous nightclub souvenir photographs dating from the 1940s-1980s (no. 20). The rest of the material falls under the following categories:","Transportation: 243 photographs. Material is divided between the following sub-categories: Automobiles and Trucks (56 photographs), Aircraft (18 photographs), Railroads and Trains (58 photographs), Streetcars and Trolleys (20 photographs), Roads and Infrastructure (33 photographs), Wagons (20 photographs), Maritime (38 photographs).","Of note are a photograph of an African American couple posed with a new V-8 Ford (no. 71.3); construction photos of the Detroit River railroad tunnel (no. 95); Goebel’s Brewing Co. delivery wagons (no. 98); and a view of the steamboat  Tashmoo  at speed on the Detroit River (no. 110).","Performers: 107 photographs, most of which (113 photographs) are contained in the sub-category Music and Musicians. Of particular note are numerous photos of community brass bands, a photo of John Philip Sousa and his band at Grand Circus Park (no. 122); an image of the inventor Charles Crawford and his patented \"Pickaphone\" mechanism for playing stringed instruments, ca. 1888 (no. 123); and copy prints of two important early jazz bands, Finney’s Orchestra (no. 131) and McKinney’s Cotton Pickers (no. 132).","Portraits: 505 photographs. Material is divided into the following sub-categories: Individuals (172 photographs), Groups (133 photographs), Children (97 photographs), Weddings (64 photographs), Confirmation and Communion (41 photographs). Of particular interest are a photograph of Joan Baxter and her Hot Dog Cooker (no. 137); three 1860's portraits of members of the Hawley family of Detroit (no. 141), one of which is inscribed with enlargement instructions ca.1901 on its verso; and a portrait of politician and founder of the Republican Party Zachariah Chandler, taken by Benjamin Powelson ca. 1880 (no. 142).","Of the many notable images within the Groups category are an outstanding image of sixteen Packard Motor Car Company employees piled onto a 1911 Packard in front of the then new Packard factory on West Grand Blvd. (no. 144.9); a group of African American women engaged in a ceremonial burning of the mortgage of the Phyllis Wheatley Home for Aged Colored Ladies (no. 162); and a portrait of members of the Direct Credits Society, a Great Depression-era wealth redistribution movement founded by Alfred Lawson (no. 166).","Parades: 54 photographs. Many scenes of massive parades in Detroit. Of note is a series of photographs of women marching in a racially-integrated United Spanish War Veterans Parade, ca.1940 (no. 179); and a view of five young women in a florally decorated early automobile (no. 180.11).","Business \u0026 Commerce: 319 photographs. Where possible, material has been divided into the following sub-categories: Business Exteriors (52 photographs), Business Interiors (125 photographs), Construction (22 photographs), Ford Motor Company (19 photographs). Of note is an image of a group of brewers tapping a keg at the Marx Brewing Co. (no. 186.1); Candler Dock \u0026 Dredge Co. workers and surveyors building a dock, taken by the Manning Bros. ca 1920s (no. 192); women rolling cigars at the R.G. Dunn factory, 1909 (no. 204); workers fabricating automobile bodies at the Briggs Manufacturing Co. ca. 1910s (no. 206);interior view of the Burroughs Adding Machine factory (no 209.11); the Penobscot Building construction in three stages ca 1928 (no. 217); and two fold-out panoramic photos of the Ford complex at River Rouge taken by Otto Rotch in 1925 (no. 218).","Views: 86 photographs. Material is divided into Street Views (28 photographs), Residential Views (51 photographs), and Aerial Views (7 photographs).","Architecture: 69 photographs. Of particular note is a charming view of a small inn at Springwells, Mich., the International Exposition House ca. 1889 (no. 235); an 1870's print of the large Russell House Hotel in Detroit (no. 238); and a panoramic view of downtown Detroit at its peak, taken by the Murray Studio in the 1920s (no. 240.18).","Labor \u0026 Unemployment: 8 photographs primarily focused on unemployment during the Great Depression. Of note is a group photo of the striking Journeyman Bakers International Union in 1902 (no. 248).","Athletes \u0026 Athletics: 58 photographs. Of particular note are a copy-print of a 1910 Detroit Tigers team photo featuring Hall of Famer Ty Cobb (no. 261); a series of 3 group photographs of an early soccer team, Michigan Alkali F.C. in 1923 (no. 265); Wyandotte baseball teams (no. 266);. The Slocum’s Island baseball champions of 1882 (no. 272.4); and a 1943 curling team (no. 273).","Classrooms \u0026 Schools: 38 photographs. Of particular interest are a student group in front of a one-room schoolhouse at Cherry Hill in 1934 (no. 280.11); a kindergarten band at Clippert School taken by the Manning Bros. (no. 280.20); and a ca.1936 Lincoln Park High School album with personal snapshots and autographs of classmates (no. 279).","Places of Worship \u0026 Religious Activities: 43 photographs. One of several images related to African American church congregations shows members of an A.M.E. church dressed in \"traditional\" African garb ca.1920-1930 (no. 284).","Parks: 112 photographs. Of particular focus is Belle Isle (approx. 50 photographs) and Waterworks Park. A series of Belle Isle views taken in 1889 by Holcombe \u0026 Metzen is particularly picturesque (no. 297.1-9).","Funerals \u0026 Postmortem Photography: 14 photographs. These photographs date from the 1910s-1930s and are mostly photographs of open caskets surrounded by the deceased's family."],"abstract_html_tesm":["\u003cabstract\u003eThe collection contains photographs of Wayne County, Michigan. Included are numerous urban scenes and images of everyday life, primarily in the Metropolitan Detroit area between 1860 and the mid-20th century. The bulk of the photographs were taken between 1890 and 1930. A very wide range of topics is represented, among them commercial and residential architecture, urban infrastructure, public and private spaces, civic and domestic activities, individual and group portraits, and events from across the social spectrum.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains photographs of Wayne County, Michigan. Included are numerous urban scenes and images of everyday life, primarily in the Metropolitan Detroit area between 1860 and the mid-20th century. The bulk of the photographs were taken between 1890 and 1930. A very wide range of topics is represented, among them commercial and residential architecture, urban infrastructure, public and private spaces, civic and domestic activities, individual and group portraits, and events from across the social spectrum."],"names_ssim":["William L. Clements Library , University of Michigan","American Red Cross.","Ancient Arabic Order of the Nobles of the Mystic Shrine for North America.","BASF Wyandotte Corporation.","Cartercar Co.","Catholic Church--Clergy--Michigan.","Detroit College of Medicine.","Detroit Institute of Arts.","Detroit Museum of Art.","Detroit Opera House.","Detroit Red Wings (Hockey team)","Detroit Symphony Orchestra.","Detroit, Toledo and Ironton Railroad.","Dodge Brothers.","Ford Motor Company.","Ford Motor Company--Employees.","Ford Motor Company. Rouge River Plant.","Ford Rotunda (Dearborn, Mich.)","General Motors Corporation.","Henry Ford Museum and Greenfield Village.","Hudson's (Department store)","International Union, United Automobile Workers of America (CIO)","Journeymen Bakers National Union of the United States.","Knights of Pythias.","Knights Templar (Masonic order)","Michigan Central Railroad Company.","Michigan. 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