{"links":{"self":"https://arclight-demo.projectblacklight.org/catalog.json?facet.sort=index\u0026page=534\u0026view=list","prev":"https://arclight-demo.projectblacklight.org/catalog.json?facet.sort=index\u0026page=533\u0026view=list","next":"https://arclight-demo.projectblacklight.org/catalog.json?facet.sort=index\u0026page=535\u0026view=list","last":"https://arclight-demo.projectblacklight.org/catalog.json?facet.sort=index\u0026page=539\u0026view=list"},"meta":{"pages":{"current_page":534,"next_page":535,"prev_page":533,"total_pages":539,"limit_value":10,"offset_value":5330,"total_count":5389,"first_page?":false,"last_page?":false}},"data":[{"id":"media0001-xml_aspace_ref61_0jg","type":"File","attributes":{"title":"William Moore / Allen Ginsberg / Ed Dorn","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/media0001-xml_aspace_ref61_0jg#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"aspace_ref61_0jg","ref_ssm":["aspace_ref61_0jg","aspace_ref61_0jg"],"id":"media0001-xml_aspace_ref61_0jg","title_filing_ssi":"William Moore / Allen Ginsberg / Ed Dorn","title_ssm":["William Moore / Allen Ginsberg / Ed Dorn"],"title_tesim":["William Moore / Allen Ginsberg / Ed Dorn"],"normalized_title_ssm":["William Moore / Allen Ginsberg / Ed Dorn"],"text":["William Moore / Allen Ginsberg / Ed Dorn","Audio tapes related to Robert Creeley and his personal and artistic circles, 1959-1969","folder 26"],"component_level_isim":[1],"parent_ssim":["media0001-xml"],"parent_ssi":"media0001-xml","parent_ids_ssim":["media0001-xml"],"parent_unittitles_ssm":["Audio tapes related to Robert Creeley and his personal and artistic circles, 1959-1969"],"parent_unittitles_tesim":["Audio tapes related to Robert Creeley and his personal and artistic circles, 1959-1969"],"parent_levels_ssm":["collection"],"repository_ssim":["Stanford University Libraries. 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Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989","INT 55","cass 1330","Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n                                        File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n                                        File (BWF) Compact disc(s): CDREF 180","Interview with Deniece Williams, producer, songwriter, and vocalist;\n                                recorded in Los Angeles, California."],"component_level_isim":[3],"parent_ssim":["VAB9025","VAB9025-00001","VAB9025-00002"],"parent_ssi":"VAB9025-00002","parent_ids_ssim":["VAB9025","VAB9025_VAB9025-00001","VAB9025_VAB9025-00002"],"parent_unittitles_ssm":["Portia K. Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989"],"parent_unittitles_tesim":["Portia K. 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Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of  African American Music : An Introduction , (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music.","The collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. 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Maultsby\n                Collection, 1981-1986"],"repository_ssm":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"creator_ssm":["Maultsby, Portia K."],"creator_ssim":["Maultsby, Portia K."],"creator_persname_ssim":["Maultsby, Portia K."],"creators_ssim":["Maultsby, Portia K."],"acqinfo_ssim":["Donated by Portia K. 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Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n                Series G, \"Music Industry Interviews,\" are available for in-house use at the\n                Archives of African American Music and Culture, Indiana University. Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details."],"arrangement_html_tesm":["\u003cp\u003eCurrently organized into one series and the following subseries: \u003clist\u003e\n               \u003citem\u003eSubseries 1. Interviews by Maultsby, 1979-1989\u003c/item\u003e\n               \u003citem\u003eSubseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/p\u003e","\u003cp\u003eEach subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Currently organized into one series and the following subseries:  Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. 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Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of  African American Music : An Introduction , (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use."],"names_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n                                Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n                            1941-2000","Foster, William P. (William\n                            Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"corpname_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n                                Records"],"persname_ssim":["Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n                            1941-2000","Foster, William P. (William\n                            Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"language_ssim":["Materials are in  English."],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00087"}},{"id":"ohrc072_d1e24624","type":"Interview","attributes":{"title":"Williams, Edgar G.  April 24, 1992","abstract_or_scope":{"id":"https://arclight-demo.projectblacklight.org/catalog/ohrc072_d1e24624#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eBorn in 1922, Edgar Williams came to Indiana University in 1947, completed his master's degree through the Department of Management in 1948, and subsequently joined the Indiana University faculty. Thus began a career that spanned forty-five years at Indiana University and included both academic duties and administrative duties, including teaching, and serving as the vice president for administration and the assistant director of the athletic department, among many other positions. Williams discusses the influx of veterans into Indiana University after World War II, the development of the Indiana University regional campuses, the status of IUPUI, the university faculty, and the financial and/or budgetary problems the university is experiencing. In addition, he speaks of the administrations of different Indiana University presidents from Herman B Wells to Thomas Ehrlich.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/ohrc072_d1e24624#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"d1e24624","ref_ssm":["d1e24624","d1e24624"],"id":"ohrc072_d1e24624","title_filing_ssi":"Williams, Edgar G.  April 24, 1992","title_ssm":["Williams, Edgar G.  April 24, 1992"],"title_tesim":["Williams, Edgar G.  April 24, 1992"],"normalized_title_ssm":["Williams, Edgar G.  April 24, 1992"],"text":["Williams, Edgar G.  April 24, 1992","Indiana University Oral History\n            Archive, 1991-1998","91-097","21 pages; 2 tapes, 1 7/8 ips, 66 minutes;\n                  index","Indiana University regional campuses","university funding","World War II veterans","business professor","university administrator","Open","Born in 1922, Edgar Williams came to Indiana University in 1947, completed his\n                  master's degree through the Department of Management in 1948, and subsequently\n                  joined the Indiana University faculty. Thus began a career that spanned forty-five\n                  years at Indiana University and included both academic duties and administrative\n                  duties, including teaching, and serving as the vice president for administration\n                  and the assistant director of the athletic department, among many other positions.\n                  Williams discusses the influx of veterans into Indiana University after World War\n                  II, the development of the Indiana University regional campuses, the status of\n                  IUPUI, the university faculty, and the financial and/or budgetary problems the\n                  university is experiencing. In addition, he speaks of the administrations of\n                  different Indiana University presidents from Herman B Wells to Thomas Ehrlich."],"component_level_isim":[1],"parent_ssim":["ohrc072"],"parent_ssi":"ohrc072","parent_ids_ssim":["ohrc072"],"parent_unittitles_ssm":["Indiana University Oral History\n            Archive, 1991-1998"],"parent_unittitles_tesim":["Indiana University Oral History\n            Archive, 1991-1998"],"parent_levels_ssm":["collection"],"unitid_ssm":["91-097"],"repository_ssim":["Indiana University, Center for Documentary Research and Practice"],"collection_ssim":["Indiana University Oral History\n            Archive, 1991-1998"],"physdesc_tesim":["21 pages; 2 tapes, 1 7/8 ips, 66 minutes;\n                  index"],"creator_ssim":["Freedman, Jean"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Interview"],"level_ssim":["Interview"],"sort_isi":188,"corpname_ssim":[" Indiana University Department of Management","IUPUI"],"persname_ssim":["Freedman, Jean","Ehrlich, Thomas","Ryan, John W.","Stahr, Elvis J.","Sutton, Joseph Lee","Wells, Herman B"],"access_subjects_ssim":["Indiana University regional campuses","university funding","World War II veterans","business professor","university administrator"],"access_subjects_ssm":["Indiana University regional campuses","university funding","World War II veterans","business professor","university administrator"],"accessrestrict_html_tesm":["\u003cp\u003eOpen\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Status"],"accessrestrict_tesim":["Open"],"scopecontent_html_tesm":["\u003cp\u003eBorn in 1922, Edgar Williams came to Indiana University in 1947, completed his\n                  master's degree through the Department of Management in 1948, and subsequently\n                  joined the Indiana University faculty. Thus began a career that spanned forty-five\n                  years at Indiana University and included both academic duties and administrative\n                  duties, including teaching, and serving as the vice president for administration\n                  and the assistant director of the athletic department, among many other positions.\n                  Williams discusses the influx of veterans into Indiana University after World War\n                  II, the development of the Indiana University regional campuses, the status of\n                  IUPUI, the university faculty, and the financial and/or budgetary problems the\n                  university is experiencing. In addition, he speaks of the administrations of\n                  different Indiana University presidents from Herman B Wells to Thomas Ehrlich.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["Born in 1922, Edgar Williams came to Indiana University in 1947, completed his\n                  master's degree through the Department of Management in 1948, and subsequently\n                  joined the Indiana University faculty. Thus began a career that spanned forty-five\n                  years at Indiana University and included both academic duties and administrative\n                  duties, including teaching, and serving as the vice president for administration\n                  and the assistant director of the athletic department, among many other positions.\n                  Williams discusses the influx of veterans into Indiana University after World War\n                  II, the development of the Indiana University regional campuses, the status of\n                  IUPUI, the university faculty, and the financial and/or budgetary problems the\n                  university is experiencing. In addition, he speaks of the administrations of\n                  different Indiana University presidents from Herman B Wells to Thomas Ehrlich."],"_nest_path_":"/components#187","_nest_parent_":"ohrc072","_root_":"ohrc072","timestamp":"2025-02-18T23:03:26.449Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ohrc072","title_ssm":["Indiana University Oral History\n            Archive"],"title_tesim":["Indiana University Oral History\n            Archive"],"ead_ssi":"ohrc072","unitdate_ssm":["1991-1998"],"unitdate_inclusive_ssm":["1991-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["ohrc072"],"text":["ohrc072","Indiana University Oral History\n            Archive, 1991-1998",". .","This collection contains 194 interviews conducted over 7 years. All interviews consist\n            of audio tapes and typed transcripts, as well as collateral materials. ","This project is a compilation of interviews\n            of subjects with strong ties to and memories of Indiana University, primarily at the\n            Bloomington campus, including former students, faculty, and staff, among others. The\n            information spans most of the twentieth century and deals with the administrations under\n            presidents Herman B Wells, John Ryan, Thomas Ehrlich, and Myles Brand. The project\n            occurred in two parts. The first round of interviews was with administrators, trustees,\n            and other high-ranking members of the university hierarchy. The second round of\n            interviews was with senior faculty from a number of departments in the College of Arts\n            and Sciences. The project is a survey of Indiana University's history as a whole\n            including information about various academic departments, athletics, student\n            organizations, campus growth, and the university's growth in the twentieth century. This\n            project was funded by President Emeritus John Ryan.","Interviews are housed in Radio-TV Building, Room 314.\n            Copies of interview transcripts are also held by the IU Libraries University Archives.\n            Contact archives@indiana.edu for more information. For other locations housing the\n            interviews from this project, please contact the Center for Documentary Research and\n            Practice office.","Indiana University Center for Documentary Research and Practice","Indiana University Center for the Study of\n               History and Memory","Bloomington National Bank","Indiana University Inter-fraternity Council","Indiana University Office of Risk Management","Indiana University School of Law","United States Student Association","Arthur R. Metz Foundation","Indiana University Department of Chemistry","Little 500","Proctor and Gamble","Purdue University","student foundation","Houghton College","National Association of Schools of Music","New York University","North Texas State University","South Central College","Westminster Choir College","Yale University","","Army ROTC","Athletic Department","School of Health, Physical Education, and Recreation","Indiana University Foundation Board","board of trustees","Lilly Endowment","Phi Kappa Psi","Alumni Association","Indiana Department of Public Welfare","Indiana State Chamber of Commerce","Indiana Vocational Technical College","alumni club","Bloomington School of Law","Investment Committee","Standard Life Insurance Company","IUPUI","United States Air Force","Chicago-Kent Law School","FBI","IUPUI School of Law","IUPUI University Library","United States Department of Justice","Indiana University Alumni Association","Indiana University School of Medicine","Green Feathers","Indiana University School of Business","Red Cross","Indiana University Kokomo","Indiana University","Center for Studies of Law in Action","Indiana State Police","Indiana State Police Academy","Indiana University Department of Criminal Justice","Indiana University Department of Police Administration","Northwestern University","Indiana Conference of Higher Education","Indiana University Credit Union","Indiana University Division of Undergraduate Development","Stillman College","Neal Marshall Cultural Center","Omega Psi Chi","American Legion","Indiana University Business Office","Treasurer's Office","Indiana University Lilly Library","United States Navy","Hoosiers for Higher Education","University Apartments","Fair Play for Cuba Committee","Indiana University Foundation","International Business Forum","University of Indianapolis","faculty council","Indiana University Department of Comparative Literature","Indiana University South Bend","Indiana University Collins Living-Learning Center"," Indiana University Department of English","Kinsey Institute for Research in Sex, Gender, and\n                     Reproduction","Indiana University Southeast","Indiana University School of Medicine ","Sigma Chi","American Chemical Society ","Central High School ","Cornell University","Indiana Daily Student","Indiana University School of Dentistry","Johns Hopkins University","National Science Foundation","Indiana University Athletic Committee","Indiana University Men's Club","National Collegiate Athletic Association","Architectural Committee","Union Board","Board of Aeons","Inland Container Corporation","Krannert Charitable Trust","Association of Universities for Research in Astronomy,\n                     Incorporated","Goethe Link Observatory","Harvard Observatory","Indiana University Department of Astronomy","Indiana University Kirkwood Observatory","Lawrence Fellowship","Lowell Observatory","Seymour High School","Brookings Institute","Harvard University","Legal Services Corporation","Stanford University","Board of Trustees","Indiana University Northwest","Indiana University Department of Philosophy","Indiana University School of Music","American Life Convention","Harvard Law School","John Hancock Company","Ku Klux Klan","American Council on Education","Transylvania University","Army Air Corps","Concordia University-St. Paul","ERIC","Reader's Digest","School of Public and Environmental Affairs","University of Minnesota","Bowling Green University","Indiana State Music Association","Notre Dame","Yale","Indiana University student union board","Phi Gamma Delta"," Indiana University Student Association","Center on Philanthropy","Middle Way House","MTV","Women's Wheels","American Broadcasting Company","Hofstra University","Juilliard Conservatory","New School for Social Research","Pittsburgh Symphony Orchestra","Sigma Alpha Epsilon","London University","Sheffield University","University of Maryland","University of California at Santa Barbara","Indiana University Kokomo School of Business","University of Michigan","Carnegie Mellon University","Ohio State University ","Phi Betta Kappa","University of Pittsburgh","Western College for Women","Indiana State University","Indiana University-Purdue University Fort Wayne","General Electric Company","Lazarus Department Store","Studebaker Corporation","Beta Gamma Sigma","dean's advisory committee","Phi Beta Kappa","Hoosier 100","Black Student Union","Common Cause","Indiana University Student Association","Alpha Chi Omega","Woodburn Guild","General Motors Corporation","Neal Marshall Black Culture Center","New York Jets","Earlham College","Indiana University East","Iowa State University","Lockheed Corporation","MIT","IUPUI School of Law ","Columbia University School of Law","Air Force ROTC","Ivy Tech State College","Yale Law School","Enhancing Minority Attainment Conference","Lehman College","National Endowment for the Humanities","Indiana University Medical Center","Armstrong Cork Company","Indiana University School of Business ","Thatcher Glass Company","United Way of America","Columbia University","Kabul University","Neal Marshall Cultural Center ","Beta Theta Pi","Detroit Lions","I-Men's Association","Johnson Creamery","Indiana University Bloomington","Indiana University Hospital","Riley Hospital","Beekman and Bogue","Cotton and Franklin ","Interborough Rapid Transit Company ","Indiana University Department of Computer Science","Mini University","Purdue University ","Ford Motor Company","University of Evansville","College of William and Mary","Vassar College","Indiana University Fort Wayne","Purdue Universit","Indiana University Audio Visual Department","Indiana University Department of the Extension Division","Gay Straight Alliance","Indiana University Faculty Council","Sigma Nu","Indiana University Association of Women Students","Jordan River Review","Black Film Center/Archive","Case Western Reserve University","NAACP","Department of Radio and Television","Department of Telecommunications","WTIU","Indiana General Assembly","Indiana University Black Student Union","Indiana University Department of Geology","UCLA","Michigan State University","Fellowship of Christian Athletes","Progressive Reform Party","Students for a Democratic Society","Supreme Court","United States Army","Officers Candidate School","Department of History","Kappa Alpha Psi","Indiana University Human Genome Diversity Project","California Institute of Technology","Indiana University Department of Speech","Indiana University Department of Theater","St. Cloud University","University of Pennsylvania","Barter Theater","Booth Theater","Brown County Playhouse","Department of Theatre","Indiana University of Pennsylvania","Maurer School of Law","Indiana Univeristy Foundation","ROTC","Upjohn Company","Creighton College","Psi Iota Xi","Simpson College","University of Iowa","Sphinx Club","Indiana University Student Athletic Board","Indiana University Law School","Varsity Club","Center for Strategic and International Studies","Republican Party","Bloomington Community Foundation"," board of trustees","Bristol-Myers","Mead Johnson and Company","National Association of College and University Business\n                     Officers","Wayne State University","Little United Nations Assembly","City University of New York","Foster Quad Black Student Association","Echo Press","Guggenheim Foundation","National Endowment for the Arts","University of Colorado, Boulder","University of Nebraska","McKinney School of Law","West Georgia College","Peace Corps","Bloomington World","Marching Hundred","Dow Chemical Company","Kinsey Institute","University of Buffalo","University of Chicago","Computing Center","Department of Computer Science","Hewlett-Packard","Texas Instruments","University Computing Services","Xerox Corporation","Indiana Commission on Higher Education","University of Detroit","Indiana University Department of German","Indiana University Institute for Advanced Study","Sigma Alpha Nu","Blue Key","Claude Rich Scholarship","Monroe County Youth Shelter","Acacia","Lindley Hall","University of Ghana","athletic committee","Bob Knight Endowment","Friends of Music","Indiana University School of Journalism","City Securities Corporation","Indiana University Student Foundation","Merrill Lynch and Company, Incorporated","School of Business","University of California, Berkeley","Army Airways Communication System","Indiana University Department of Speech Communication","Barnes and Thornburg","Barnes, Hickam, Pantzer and Boyd","Big House Coalition","Independent Party","Indiana University All-Campus Party","Indiana University Board of Aeons","Organized Party","Oxford University","Westmont College","Indiana University Groups Student Support Services ","American Studies Program","Concordia Seminary","Indiana University Department of Religious Studies","Lutheran Church-Missouri Synod","New York University School of Law","Association of Governing Boards of Universities and Colleges","Ball Corporation","Ball State University","School of Education Alumni Association","Baldwin-Wallace College","Detroit Institute of Technology","Sienna Heights College","Washburn University","AT\u0026T","Eli Lilly and Company","Indiana Bell","Twelfth Man Club","Association of Women Students","Bloomington Hospital","Mid-West Business Administration Association","Human Relations Committee","Illinois State Department of Education","VISTA","Bloomingfoods","Bowes Tailoring","Clerical Workers’ Union","Communications Workers of America","Department of Chemistry","Department of German","School of Music","Shimer College","Sunflower Bakery","University of Wisconsin Madison","Whole Earth Co-Op","Boy Scouts of America","National Guard","Alpha Tau Omega"," Indiana University Department of Management","University of Michiga","Wayne State","Grace Commission","Lambda Chi Alpha","Shortridge High School","Women's Air Force","Getz","Conrad","Krannert","Russell","Finkel","Huffman","Jacobs","Grossman","Tobias","McGreevey","Kraemer, Peter","Kinsey, Alfred C.","Newman, George","Voegelin, Carl F.","Freedman, Jean","Baker, John","Boyd, Roselle","Clapacs, Terry","Cross, Pat","Ehrlich, Ellen","Ehrlich, Thomas","Floyd, Ralph","Knight, Bob","Ryan, John W.","Biddle, Ward G.","Briscoe, Herman T. \"Kay\"","Day, Harry","Hope, Bob","McGlasen, Tom","Metz, Arthur R.","Muhler, Joseph","Pawner, Nelson","Showalter, Grace M.","Stahr, Elvis J.","Wells, Herman B","Appel, Willie","Einstein, Albert","Webb, Charles","Chamberlain, Phillip","Mobley, Tony","Remley, Mary","Stoner, Richard B.","Armstrong, William","Bell, Gregory","Campbell, Milt","Crimmins, Bernie","Dumas, Charles","Mays, Willie","Miller, Jean","Esarey, Logan","Hennel, Cora","Hinkam, John","Meredith, James","Read, Tom","Barker, Clare Wright","Sutton, Joseph Lee","Georges, Robert A.","Bryan, William Lowe","Hill, John","Lead, Roy","Hunt, Virgil","Miller, Herbert","Edlin, George","Gambill, Chris","Gros Louis, Kenneth R.R.","Gross, Robert","Jordan, Dean","Gray, Don","Gucker, Frank G.","Hudson, Herman","Ross, Jimmy","Deiss, Charles Frederick","Fisher, L.L.","Franklin, Joe","Buley, Roscoe Carlyle","Lynch, William Orlando","Akins, Claude","Church, Harold","Franzen, Carl","Rinnick, Red","Anderssohn, John","Briscoe, Herman","Cavanugh, Dean","Kohlmeier, Alfred","Ryan, John","Stahr, Elvis","Sutton, Joe","Wells, Herman","Wilkie, Wendell","","Brenneman, Bill","Parker, Keith","Sonneborn, Tracy","Weimar, Arthur M.","Work, Jim","Kennedy, John Fitzgerald","King, Martin Luther, Jr.","Danzig, Steve","Chaitin, Gil","Flannigan, Clifford","Frenz, Horst","Mitchell, Briand","Solt, Mary Ellen","Weisstein, Ulrich","Bryan, Charlotte Lowe","Collins, Ralph","Hershey, Amos S.","Kabisch, Ernest Bernard","Morrison, Sarah Parke","Visher, Stephen Sargent","Braden, Sam","Pinnell, George","McCaig, Dick","Harmon, Paul","Ritchey, James O.","Kinsey, Clara M.","Lyons, Robert","Mathers, Frank Curry","McCollum, E.V.","Payne, Fernandus","Shriner, Ralph","Cookson, Thomas A.","Cathcart, Jimmy","Edwards, Edward D.","Harper, Fowler V.","Nelson, Alice","Aller, Lawrence","Cogshall, Wilbur A.","Cuffey, Jim","Russell, Henry Norris","Shapley, Harlow","Townsend, Prescott","Wells, Agnes E.","Williams, Kenneth P.","Ball, George A.","Chayes, Abram","Hand, Learned","Bell, Joshua","Bernstein, Leonard","Cohen, Jere Michael","Eissler, David","Jung, Christian","Kemp, Gretchen ","Powell, Bill","Shoemaker, Raymond L.","Oberholtz, Madge","Remy, William H.","Stephenson, David Curtis","Brown, Sylvia","Orescanin, Dan","Confucius","Wright, Wendell W. \"Whack\"","Sheehan, Steven","Bemis, Samuel Flagg","Benns, Lee","Bryan, William Lowe ","Buley, Roscoe Carlyle ","Byrd, Cecil","Byrnes, Robert F. ","Castle, William R., Jr. ","Curtis, Lewis","Dulles, Foster Rhea ","Friedman, Larry","Grant, James ","Grossberg, Michael","Gucker, Frank Thomson ","Jameson, J. Franklin","Kaplan, Larry","Kohlmeier, Albert Ludwig","Kunz, Diane","Lowengrub, Mort","O’Neil, Bob","Stark, Lloyd","Truman, President Harry","Wells, Herman B.","Winther, Oscar Osburn","Bain, Wilfred C.","Carmichael, Hoagy","McMillin, Alvin N. \"Bo\"","Rich, Claude T.","Willis, Hugh","Baker, David","Elliot, Peggy","Hershey, Marjorie","Moody, Michael","Stein, Stephen","Wiggins, William","Wise, Larry","Heineman, Charles","Kessler, James B.","Lofton, Guy","Bain, Wilfred","Bennett, Robert Russell","Ellington, Duke","Horney, Karen","Carter, Gwendolyn","Carter, James Earl, Jr.","Fonda, Jane","Mayberry, Phil","Barber, Cesar","Calinescu, Matei","Gottesman, Ronald","Naremore, James","Rabkin, Gerald","Weisstein, Ulrcih","Work, James","Berkvam, Michael","Billant, Antoinette","Carr, Diana","Hope, Quentin","Michael, Keith","Pfohl, Russell","Will, Samuel","Carmony, Donald","Benns, Frank Lee","Daugherty, Rosemary","Lundin, C. Leonard","Perguson, Dee","Mee, John","Cady, Ed","Bayh, Evan","Helmke, Paul","Udall, Stewart Lee","Bair, Ed","Bonham, Russ","Davidson, Ernie","Hanson, Bob","Parmenter, Charlie","Schafer, Riley","Shull, Harrison","Weurkert, Ernest","Hefner, Ray","Welsh, Matthew E.","Clinton, Hillary Rodham","Clinton, William Jefferson","Marsh, Elisabeth","Klotman, Phyllis","Lowengrub, Morton","Maultsby, Portia","Point, John","Torchinsky, Alberto ","Weidman, Leah E.","Mendel, Bernardo","Patterson, Robert P.","Sandberg, Carl","Sembower, Charles J.","Senour, Frank","Whiteman, Paul","O'Neil, Robert","Friedman, Dan","Prosser, Frank","Shapiro, Stu","Wand, Mitchell","Winkle, David","Franklin, Benjamin","Heighway, George \"Dixie\"","Homestead, Raleigh","Driver, Harold Edson","Merriam, Alan","Purdue, John","Bittner, Walter","Cavanaugh, Robert Emmet","Norman, Hugh","Ferrell, Robert H.","Hale, Will Taliaferro","Chavez, Linda","Dyson, Michael Eric","Bachelor, Joe","Hayes, Billy","Hoover, J. Edgar","Riley, James Whitcomb","Robinson, Sid","Breedan, Bill","Cabot, Nick","Douglas, Paul H.","Minton, Sherman","Roosevelt, Franklin Delano","Truman, Harry S.","Bowen, Otis R.","Christenson, Carroll","Eschbach, Jess","Gavit, Bernard Campbell","Kellogg, Winthrop Niles","Wallace, Leon","Wildermuth, Ora L.","Ferentinos","Counsilman, James \"Doc\"","Simic, Curt","Bidney, David","Kendall, Bonnie","Voegelin, Florence","Michael, R. Keith","Heppner, Hubert","Michael, Marion","Norvelle, Lee","Porterfield, Robert","Johnson, Wendell","Cortis, Eugene","Halkovich, Steve","Swygert, Luther","Bush, George, Sr.","Clinton, Bill","Dunn, Mike","Eisenberg, Paul","Carter, Byrum","Greenley, Betty","Remak, Henry H.H.","Kerr, Clark","Laird, Byron","Porter, John","Annon, Charles","Beckmann, Max","Black, Wendell","Bowie, Theodore","Lowe, Marvin","Megrew, Alden","Pozzatti, Dorothy","Shahn, Ben","Smith, Henry","Wolle, Muriel","Bowen, Otis","Kessler, Jim","Shirley, Janet","Bryan, William","Cravens, John","Kinsey, Alfred","Pyle, Ernie","Mueller, Joseph","Ottison, Skyler","Rau, John","Wenworth, Jack","Howe, Irving","Hagstrom, Stanley","Martin, Wayne","Purdom, Paul","Springer, George","Whitney, Dedaimia","Winkel, David","Wise, David","Wrubel, Marshall","Young, Steve","Bunke, Harvey C.","Evans, Maurice Blakemoore","Gallaway, Jesse James","Hitler, Adolf","Ittner, Robert","Osthus, Carl","Stout, Selatie Edgar","Voss, Bert John","Zucker, Edward","Heighway, George \"Dixie\" ","Brand, Myles","Lombardi, John","Nixon, Richard Milhous","Robinson, Eileen","Sippers, Mary","Crooks, Ed","Hesberg, Ted","Pointer, Nelson","Yeagley, Jerry","Peterson, John","Richardson, Ray","Burton, Bob","Harvey, Bill","Sperber, Murray","Daugherty, Jack","Errenpreis, Irvin","Wallace, George C.","Yelling, Sam","Allen, Robert E. Barton","Millisen, Robert","Snoddy, George Samuel","Atkins, Tom","Bingham, Barry","Blase, David","Donovan, Mike","Edmundson, Frank","Hanson, Norwood Russell","Huston, Tom","Kemp, Gretchen","Link, Goethe","Oswald, Lee Harvey","Owen, Kent","Polk, Jim","Scriven, Michael","Shaffer, Robert","Tesich, Steve","Ferrell, Bob","Gooker, Frank","Ahlstrom, Sydney","Brown, Joseph","Edwards, Jonathan","May, Bill","Sampley, Paul","Stein, Frederick Carl","Stein, Irene Kroggel","Gilliat, Neal","Hewett, Charles Mason","Tobias, David","Kinzer, Bill","Willbern, York","Brown, Stan","Williams, Ed","Coppage, Jim","Foster, Bronja","Holschuh, Albrecht","Johnson, Steve","Leivant, Daniel","Robertson, Ed","Shiner, Jack","Hutchins, Robert","Kuntz, Ed","Ratliff, Willie","Shepard, Randall","Bartley, E. Ross","Gildea, Bob","Johnson, Lyndon Baines","Clüver, Claus","Haeberle, Bill","Bowman, Slyvia","Buhner, Jack","Cohen, Dan","Daghlian, Phil","Gros Louis, Ken","Harrell, Charlie","Higgins, Smith","Reiberg, Rufus","Materials are in  English"],"unitid_tesim":["ohrc072"],"normalized_date_ssm":["1991-1998"],"normalized_title_ssm":["Indiana University Oral History\n            Archive, 1991-1998"],"collection_title_tesim":["Indiana University Oral History\n            Archive, 1991-1998"],"collection_ssim":["Indiana University Oral History\n            Archive, 1991-1998"],"repository_ssm":["Indiana University, Center for Documentary Research and Practice"],"repository_ssim":["Indiana University, Center for Documentary Research and Practice"],"creator_ssm":["Indiana University Center for the Study of\n               History and Memory"],"creator_ssim":["Indiana University Center for the Study of\n               History and Memory"],"creator_corpname_ssim":["Indiana University Center for the Study of\n               History and Memory"],"creators_ssim":["Indiana University Center for the Study of\n               History and Memory"],"acqinfo_ssim":["Oral history interviews conducted by the Indiana University Center for the Study of\n               History and Memory from 1968 to the present, with particular focus on the history of\n               twentieth-century America and the Midwest."],"has_online_content_ssim":["false"],"physdesc_tesim":[". ."],"extent_ssm":["194 interviews Audiotapes, transcripts, and collateral\n               materials"],"extent_tesim":["194 interviews Audiotapes, transcripts, and collateral\n               materials"],"date_range_isim":[1991,1992,1993,1994,1995,1996,1997,1998],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains 194 interviews conducted over 7 years. All interviews consist\n            of audio tapes and typed transcripts, as well as collateral materials. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["This collection contains 194 interviews conducted over 7 years. All interviews consist\n            of audio tapes and typed transcripts, as well as collateral materials. "],"abstract_html_tesm":["\u003cabstract label=\"Abstract\" encodinganalog=\"520\"\u003eThis project is a compilation of interviews\n            of subjects with strong ties to and memories of Indiana University, primarily at the\n            Bloomington campus, including former students, faculty, and staff, among others. The\n            information spans most of the twentieth century and deals with the administrations under\n            presidents Herman B Wells, John Ryan, Thomas Ehrlich, and Myles Brand. The project\n            occurred in two parts. The first round of interviews was with administrators, trustees,\n            and other high-ranking members of the university hierarchy. The second round of\n            interviews was with senior faculty from a number of departments in the College of Arts\n            and Sciences. The project is a survey of Indiana University's history as a whole\n            including information about various academic departments, athletics, student\n            organizations, campus growth, and the university's growth in the twentieth century. This\n            project was funded by President Emeritus John Ryan.\u003c/abstract\u003e"],"abstract_tesim":["This project is a compilation of interviews\n            of subjects with strong ties to and memories of Indiana University, primarily at the\n            Bloomington campus, including former students, faculty, and staff, among others. The\n            information spans most of the twentieth century and deals with the administrations under\n            presidents Herman B Wells, John Ryan, Thomas Ehrlich, and Myles Brand. The project\n            occurred in two parts. The first round of interviews was with administrators, trustees,\n            and other high-ranking members of the university hierarchy. The second round of\n            interviews was with senior faculty from a number of departments in the College of Arts\n            and Sciences. The project is a survey of Indiana University's history as a whole\n            including information about various academic departments, athletics, student\n            organizations, campus growth, and the university's growth in the twentieth century. This\n            project was funded by President Emeritus John Ryan."],"physloc_html_tesm":["\u003cphysloc label=\"Physical Location\"\u003eInterviews are housed in Radio-TV Building, Room 314.\n            Copies of interview transcripts are also held by the IU Libraries University Archives.\n            Contact archives@indiana.edu for more information. For other locations housing the\n            interviews from this project, please contact the Center for Documentary Research and\n            Practice office.\u003c/physloc\u003e"],"physloc_tesim":["Interviews are housed in Radio-TV Building, Room 314.\n            Copies of interview transcripts are also held by the IU Libraries University Archives.\n            Contact archives@indiana.edu for more information. For other locations housing the\n            interviews from this project, please contact the Center for Documentary Research and\n            Practice office."],"names_ssim":["Indiana University Center for Documentary Research and Practice","Indiana University Center for the Study of\n               History and Memory","Bloomington National Bank","Indiana University Inter-fraternity Council","Indiana University Office of Risk Management","Indiana University School of Law","United States Student Association","Arthur R. Metz Foundation","Indiana University Department of Chemistry","Little 500","Proctor and Gamble","Purdue University","student foundation","Houghton College","National Association of Schools of Music","New York University","North Texas State University","South Central College","Westminster Choir College","Yale University","","Army ROTC","Athletic Department","School of Health, Physical Education, and Recreation","Indiana University Foundation Board","board of trustees","Lilly Endowment","Phi Kappa Psi","Alumni Association","Indiana Department of Public Welfare","Indiana State Chamber of Commerce","Indiana Vocational Technical College","alumni club","Bloomington School of Law","Investment Committee","Standard Life Insurance Company","IUPUI","United States Air Force","Chicago-Kent Law School","FBI","IUPUI School of Law","IUPUI University Library","United States Department of Justice","Indiana University Alumni Association","Indiana University School of Medicine","Green Feathers","Indiana University School of Business","Red Cross","Indiana University Kokomo","Indiana University","Center for Studies of Law in Action","Indiana State Police","Indiana State Police Academy","Indiana University Department of Criminal Justice","Indiana University Department of Police Administration","Northwestern University","Indiana Conference of Higher Education","Indiana University Credit Union","Indiana University Division of Undergraduate Development","Stillman College","Neal Marshall Cultural Center","Omega Psi Chi","American Legion","Indiana University Business Office","Treasurer's Office","Indiana University Lilly Library","United States Navy","Hoosiers for Higher Education","University Apartments","Fair Play for Cuba Committee","Indiana University Foundation","International Business Forum","University of Indianapolis","faculty council","Indiana University Department of Comparative Literature","Indiana University South Bend","Indiana University Collins Living-Learning Center"," Indiana University Department of English","Kinsey Institute for Research in Sex, Gender, and\n                     Reproduction","Indiana University Southeast","Indiana University School of Medicine ","Sigma Chi","American Chemical Society ","Central High School ","Cornell University","Indiana Daily Student","Indiana University School of Dentistry","Johns Hopkins University","National Science Foundation","Indiana University Athletic Committee","Indiana University Men's Club","National Collegiate Athletic Association","Architectural Committee","Union Board","Board of Aeons","Inland Container Corporation","Krannert Charitable Trust","Association of Universities for Research in Astronomy,\n                     Incorporated","Goethe Link Observatory","Harvard Observatory","Indiana University Department of Astronomy","Indiana University Kirkwood Observatory","Lawrence Fellowship","Lowell Observatory","Seymour High School","Brookings Institute","Harvard University","Legal Services Corporation","Stanford University","Board of Trustees","Indiana University Northwest","Indiana University Department of Philosophy","Indiana University School of Music","American Life Convention","Harvard Law School","John Hancock Company","Ku Klux Klan","American Council on Education","Transylvania University","Army Air Corps","Concordia University-St. Paul","ERIC","Reader's Digest","School of Public and Environmental Affairs","University of Minnesota","Bowling Green University","Indiana State Music Association","Notre Dame","Yale","Indiana University student union board","Phi Gamma Delta"," Indiana University Student Association","Center on Philanthropy","Middle Way House","MTV","Women's Wheels","American Broadcasting Company","Hofstra University","Juilliard Conservatory","New School for Social Research","Pittsburgh Symphony Orchestra","Sigma Alpha Epsilon","London University","Sheffield University","University of Maryland","University of California at Santa Barbara","Indiana University Kokomo School of Business","University of Michigan","Carnegie Mellon University","Ohio State University ","Phi Betta Kappa","University of Pittsburgh","Western College for Women","Indiana State University","Indiana University-Purdue University Fort Wayne","General Electric Company","Lazarus Department Store","Studebaker Corporation","Beta Gamma Sigma","dean's advisory committee","Phi Beta Kappa","Hoosier 100","Black Student Union","Common Cause","Indiana University Student Association","Alpha Chi Omega","Woodburn Guild","General Motors Corporation","Neal Marshall Black Culture Center","New York Jets","Earlham College","Indiana University East","Iowa State University","Lockheed Corporation","MIT","IUPUI School of Law ","Columbia University School of Law","Air Force ROTC","Ivy Tech State College","Yale Law School","Enhancing Minority Attainment Conference","Lehman College","National Endowment for the Humanities","Indiana University Medical Center","Armstrong Cork Company","Indiana University School of Business ","Thatcher Glass Company","United Way of America","Columbia University","Kabul University","Neal Marshall Cultural Center ","Beta Theta Pi","Detroit Lions","I-Men's Association","Johnson Creamery","Indiana University Bloomington","Indiana University Hospital","Riley Hospital","Beekman and Bogue","Cotton and Franklin ","Interborough Rapid Transit Company ","Indiana University Department of Computer Science","Mini University","Purdue University ","Ford Motor Company","University of Evansville","College of William and Mary","Vassar College","Indiana University Fort Wayne","Purdue Universit","Indiana University Audio Visual Department","Indiana University Department of the Extension Division","Gay Straight Alliance","Indiana University Faculty Council","Sigma Nu","Indiana University Association of Women Students","Jordan River Review","Black Film Center/Archive","Case Western Reserve University","NAACP","Department of Radio and Television","Department of Telecommunications","WTIU","Indiana General Assembly","Indiana University Black Student Union","Indiana University Department of Geology","UCLA","Michigan State University","Fellowship of Christian Athletes","Progressive Reform Party","Students for a Democratic Society","Supreme Court","United States Army","Officers Candidate School","Department of History","Kappa Alpha Psi","Indiana University Human Genome Diversity Project","California Institute of Technology","Indiana University Department of Speech","Indiana University Department of Theater","St. Cloud University","University of Pennsylvania","Barter Theater","Booth Theater","Brown County Playhouse","Department of Theatre","Indiana University of Pennsylvania","Maurer School of Law","Indiana Univeristy Foundation","ROTC","Upjohn Company","Creighton College","Psi Iota Xi","Simpson College","University of Iowa","Sphinx Club","Indiana University Student Athletic Board","Indiana University Law School","Varsity Club","Center for Strategic and International Studies","Republican Party","Bloomington Community Foundation"," board of trustees","Bristol-Myers","Mead Johnson and Company","National Association of College and University Business\n                     Officers","Wayne State University","Little United Nations Assembly","City University of New York","Foster Quad Black Student Association","Echo Press","Guggenheim Foundation","National Endowment for the Arts","University of Colorado, Boulder","University of Nebraska","McKinney School of Law","West Georgia College","Peace Corps","Bloomington World","Marching Hundred","Dow Chemical Company","Kinsey Institute","University of Buffalo","University of Chicago","Computing Center","Department of Computer Science","Hewlett-Packard","Texas Instruments","University Computing Services","Xerox Corporation","Indiana Commission on Higher Education","University of Detroit","Indiana University Department of German","Indiana University Institute for Advanced Study","Sigma Alpha Nu","Blue Key","Claude Rich Scholarship","Monroe County Youth Shelter","Acacia","Lindley Hall","University of Ghana","athletic committee","Bob Knight Endowment","Friends of Music","Indiana University School of Journalism","City Securities Corporation","Indiana University Student Foundation","Merrill Lynch and Company, Incorporated","School of Business","University of California, Berkeley","Army Airways Communication System","Indiana University Department of Speech Communication","Barnes and Thornburg","Barnes, Hickam, Pantzer and Boyd","Big House Coalition","Independent Party","Indiana University All-Campus Party","Indiana University Board of Aeons","Organized Party","Oxford University","Westmont College","Indiana University Groups Student Support Services ","American Studies Program","Concordia Seminary","Indiana University Department of Religious Studies","Lutheran Church-Missouri Synod","New York University School of Law","Association of Governing Boards of Universities and Colleges","Ball Corporation","Ball State University","School of Education Alumni Association","Baldwin-Wallace College","Detroit Institute of Technology","Sienna Heights College","Washburn University","AT\u0026T","Eli Lilly and Company","Indiana Bell","Twelfth Man Club","Association of Women Students","Bloomington Hospital","Mid-West Business Administration Association","Human Relations Committee","Illinois State Department of Education","VISTA","Bloomingfoods","Bowes Tailoring","Clerical Workers’ Union","Communications Workers of America","Department of Chemistry","Department of German","School of Music","Shimer College","Sunflower Bakery","University of Wisconsin Madison","Whole Earth Co-Op","Boy Scouts of America","National Guard","Alpha Tau Omega"," Indiana University Department of Management","University of Michiga","Wayne State","Grace Commission","Lambda Chi Alpha","Shortridge High School","Women's Air Force","Getz","Conrad","Krannert","Russell","Finkel","Huffman","Jacobs","Grossman","Tobias","McGreevey","Kraemer, Peter","Kinsey, Alfred C.","Newman, George","Voegelin, Carl F.","Freedman, Jean","Baker, John","Boyd, Roselle","Clapacs, Terry","Cross, Pat","Ehrlich, Ellen","Ehrlich, Thomas","Floyd, Ralph","Knight, Bob","Ryan, John W.","Biddle, Ward G.","Briscoe, Herman T. \"Kay\"","Day, Harry","Hope, Bob","McGlasen, Tom","Metz, Arthur R.","Muhler, Joseph","Pawner, Nelson","Showalter, Grace M.","Stahr, Elvis J.","Wells, Herman B","Appel, Willie","Einstein, Albert","Webb, Charles","Chamberlain, Phillip","Mobley, Tony","Remley, Mary","Stoner, Richard B.","Armstrong, William","Bell, Gregory","Campbell, Milt","Crimmins, Bernie","Dumas, Charles","Mays, Willie","Miller, Jean","Esarey, Logan","Hennel, Cora","Hinkam, John","Meredith, James","Read, Tom","Barker, Clare Wright","Sutton, Joseph Lee","Georges, Robert A.","Bryan, William Lowe","Hill, John","Lead, Roy","Hunt, Virgil","Miller, Herbert","Edlin, George","Gambill, Chris","Gros Louis, Kenneth R.R.","Gross, Robert","Jordan, Dean","Gray, Don","Gucker, Frank G.","Hudson, Herman","Ross, Jimmy","Deiss, Charles Frederick","Fisher, L.L.","Franklin, Joe","Buley, Roscoe Carlyle","Lynch, William Orlando","Akins, Claude","Church, Harold","Franzen, Carl","Rinnick, Red","Anderssohn, John","Briscoe, Herman","Cavanugh, Dean","Kohlmeier, Alfred","Ryan, John","Stahr, Elvis","Sutton, Joe","Wells, Herman","Wilkie, Wendell","","Brenneman, Bill","Parker, Keith","Sonneborn, Tracy","Weimar, Arthur M.","Work, Jim","Kennedy, John Fitzgerald","King, Martin Luther, Jr.","Danzig, Steve","Chaitin, Gil","Flannigan, Clifford","Frenz, Horst","Mitchell, Briand","Solt, Mary Ellen","Weisstein, Ulrich","Bryan, Charlotte Lowe","Collins, Ralph","Hershey, Amos S.","Kabisch, Ernest Bernard","Morrison, Sarah Parke","Visher, Stephen Sargent","Braden, Sam","Pinnell, George","McCaig, Dick","Harmon, Paul","Ritchey, James O.","Kinsey, Clara M.","Lyons, Robert","Mathers, Frank Curry","McCollum, E.V.","Payne, Fernandus","Shriner, Ralph","Cookson, Thomas A.","Cathcart, Jimmy","Edwards, Edward D.","Harper, Fowler V.","Nelson, Alice","Aller, Lawrence","Cogshall, Wilbur A.","Cuffey, Jim","Russell, Henry Norris","Shapley, Harlow","Townsend, Prescott","Wells, Agnes E.","Williams, Kenneth P.","Ball, George A.","Chayes, Abram","Hand, Learned","Bell, Joshua","Bernstein, Leonard","Cohen, Jere Michael","Eissler, David","Jung, Christian","Kemp, Gretchen ","Powell, Bill","Shoemaker, Raymond L.","Oberholtz, Madge","Remy, William H.","Stephenson, David Curtis","Brown, Sylvia","Orescanin, Dan","Confucius","Wright, Wendell W. \"Whack\"","Sheehan, Steven","Bemis, Samuel Flagg","Benns, Lee","Bryan, William Lowe ","Buley, Roscoe Carlyle ","Byrd, Cecil","Byrnes, Robert F. ","Castle, William R., Jr. ","Curtis, Lewis","Dulles, Foster Rhea ","Friedman, Larry","Grant, James ","Grossberg, Michael","Gucker, Frank Thomson ","Jameson, J. Franklin","Kaplan, Larry","Kohlmeier, Albert Ludwig","Kunz, Diane","Lowengrub, Mort","O’Neil, Bob","Stark, Lloyd","Truman, President Harry","Wells, Herman B.","Winther, Oscar Osburn","Bain, Wilfred C.","Carmichael, Hoagy","McMillin, Alvin N. \"Bo\"","Rich, Claude T.","Willis, Hugh","Baker, David","Elliot, Peggy","Hershey, Marjorie","Moody, Michael","Stein, Stephen","Wiggins, William","Wise, Larry","Heineman, Charles","Kessler, James B.","Lofton, Guy","Bain, Wilfred","Bennett, Robert Russell","Ellington, Duke","Horney, Karen","Carter, Gwendolyn","Carter, James Earl, Jr.","Fonda, Jane","Mayberry, Phil","Barber, Cesar","Calinescu, Matei","Gottesman, Ronald","Naremore, James","Rabkin, Gerald","Weisstein, Ulrcih","Work, James","Berkvam, Michael","Billant, Antoinette","Carr, Diana","Hope, Quentin","Michael, Keith","Pfohl, Russell","Will, Samuel","Carmony, Donald","Benns, Frank Lee","Daugherty, Rosemary","Lundin, C. Leonard","Perguson, Dee","Mee, John","Cady, Ed","Bayh, Evan","Helmke, Paul","Udall, Stewart Lee","Bair, Ed","Bonham, Russ","Davidson, Ernie","Hanson, Bob","Parmenter, Charlie","Schafer, Riley","Shull, Harrison","Weurkert, Ernest","Hefner, Ray","Welsh, Matthew E.","Clinton, Hillary Rodham","Clinton, William Jefferson","Marsh, Elisabeth","Klotman, Phyllis","Lowengrub, Morton","Maultsby, Portia","Point, John","Torchinsky, Alberto ","Weidman, Leah E.","Mendel, Bernardo","Patterson, Robert P.","Sandberg, Carl","Sembower, Charles J.","Senour, Frank","Whiteman, Paul","O'Neil, Robert","Friedman, Dan","Prosser, Frank","Shapiro, Stu","Wand, Mitchell","Winkle, David","Franklin, Benjamin","Heighway, George \"Dixie\"","Homestead, Raleigh","Driver, Harold Edson","Merriam, Alan","Purdue, John","Bittner, Walter","Cavanaugh, Robert Emmet","Norman, Hugh","Ferrell, Robert H.","Hale, Will Taliaferro","Chavez, Linda","Dyson, Michael Eric","Bachelor, Joe","Hayes, Billy","Hoover, J. Edgar","Riley, James Whitcomb","Robinson, Sid","Breedan, Bill","Cabot, Nick","Douglas, Paul H.","Minton, Sherman","Roosevelt, Franklin Delano","Truman, Harry S.","Bowen, Otis R.","Christenson, Carroll","Eschbach, Jess","Gavit, Bernard Campbell","Kellogg, Winthrop Niles","Wallace, Leon","Wildermuth, Ora L.","Ferentinos","Counsilman, James \"Doc\"","Simic, Curt","Bidney, David","Kendall, Bonnie","Voegelin, Florence","Michael, R. Keith","Heppner, Hubert","Michael, Marion","Norvelle, Lee","Porterfield, Robert","Johnson, Wendell","Cortis, Eugene","Halkovich, Steve","Swygert, Luther","Bush, George, Sr.","Clinton, Bill","Dunn, Mike","Eisenberg, Paul","Carter, Byrum","Greenley, Betty","Remak, Henry H.H.","Kerr, Clark","Laird, Byron","Porter, John","Annon, Charles","Beckmann, Max","Black, Wendell","Bowie, Theodore","Lowe, Marvin","Megrew, Alden","Pozzatti, Dorothy","Shahn, Ben","Smith, Henry","Wolle, Muriel","Bowen, Otis","Kessler, Jim","Shirley, Janet","Bryan, William","Cravens, John","Kinsey, Alfred","Pyle, Ernie","Mueller, Joseph","Ottison, Skyler","Rau, John","Wenworth, Jack","Howe, Irving","Hagstrom, Stanley","Martin, Wayne","Purdom, Paul","Springer, George","Whitney, Dedaimia","Winkel, David","Wise, David","Wrubel, Marshall","Young, Steve","Bunke, Harvey C.","Evans, Maurice Blakemoore","Gallaway, Jesse James","Hitler, Adolf","Ittner, Robert","Osthus, Carl","Stout, Selatie Edgar","Voss, Bert John","Zucker, Edward","Heighway, George \"Dixie\" ","Brand, Myles","Lombardi, John","Nixon, Richard Milhous","Robinson, Eileen","Sippers, Mary","Crooks, Ed","Hesberg, Ted","Pointer, Nelson","Yeagley, Jerry","Peterson, John","Richardson, Ray","Burton, Bob","Harvey, Bill","Sperber, Murray","Daugherty, Jack","Errenpreis, Irvin","Wallace, George C.","Yelling, Sam","Allen, Robert E. Barton","Millisen, Robert","Snoddy, George Samuel","Atkins, Tom","Bingham, Barry","Blase, David","Donovan, Mike","Edmundson, Frank","Hanson, Norwood Russell","Huston, Tom","Kemp, Gretchen","Link, Goethe","Oswald, Lee Harvey","Owen, Kent","Polk, Jim","Scriven, Michael","Shaffer, Robert","Tesich, Steve","Ferrell, Bob","Gooker, Frank","Ahlstrom, Sydney","Brown, Joseph","Edwards, Jonathan","May, Bill","Sampley, Paul","Stein, Frederick Carl","Stein, Irene Kroggel","Gilliat, Neal","Hewett, Charles Mason","Tobias, David","Kinzer, Bill","Willbern, York","Brown, Stan","Williams, Ed","Coppage, Jim","Foster, Bronja","Holschuh, Albrecht","Johnson, Steve","Leivant, Daniel","Robertson, Ed","Shiner, Jack","Hutchins, Robert","Kuntz, Ed","Ratliff, Willie","Shepard, Randall","Bartley, E. Ross","Gildea, Bob","Johnson, Lyndon Baines","Clüver, Claus","Haeberle, Bill","Bowman, Slyvia","Buhner, Jack","Cohen, Dan","Daghlian, Phil","Gros Louis, Ken","Harrell, Charlie","Higgins, Smith","Reiberg, Rufus"],"corpname_ssim":["Indiana University Center for Documentary Research and Practice","Indiana University Center for the Study of\n               History and Memory","Bloomington National Bank","Indiana University Inter-fraternity Council","Indiana University Office of Risk Management","Indiana University School of Law","United States Student Association","Arthur R. Metz Foundation","Indiana University Department of Chemistry","Little 500","Proctor and Gamble","Purdue University","student foundation","Houghton College","National Association of Schools of Music","New York University","North Texas State University","South Central College","Westminster Choir College","Yale University","","Army ROTC","Athletic Department","School of Health, Physical Education, and Recreation","Indiana University Foundation Board","board of trustees","Lilly Endowment","Phi Kappa Psi","Alumni Association","Indiana Department of Public Welfare","Indiana State Chamber of Commerce","Indiana Vocational Technical College","alumni club","Bloomington School of Law","Investment Committee","Standard Life Insurance Company","IUPUI","United States Air Force","Chicago-Kent Law School","FBI","IUPUI School of Law","IUPUI University Library","United States Department of Justice","Indiana University Alumni Association","Indiana University School of Medicine","Green Feathers","Indiana University School of Business","Red Cross","Indiana University Kokomo","Indiana University","Center for Studies of Law in Action","Indiana State Police","Indiana State Police Academy","Indiana University Department of Criminal Justice","Indiana University Department of Police Administration","Northwestern University","Indiana Conference of Higher Education","Indiana University Credit Union","Indiana University Division of Undergraduate Development","Stillman College","Neal Marshall Cultural Center","Omega Psi Chi","American Legion","Indiana University Business Office","Treasurer's Office","Indiana University Lilly Library","United States Navy","Hoosiers for Higher Education","University Apartments","Fair Play for Cuba Committee","Indiana University Foundation","International Business Forum","University of Indianapolis","faculty council","Indiana University Department of Comparative Literature","Indiana University South Bend","Indiana University Collins Living-Learning Center"," Indiana University Department of English","Kinsey Institute for Research in Sex, Gender, and\n                     Reproduction","Indiana University Southeast","Indiana University School of Medicine ","Sigma Chi","American Chemical Society ","Central High School ","Cornell University","Indiana Daily Student","Indiana University School of Dentistry","Johns Hopkins University","National Science Foundation","Indiana University Athletic Committee","Indiana University Men's Club","National Collegiate Athletic Association","Architectural Committee","Union Board","Board of Aeons","Inland Container Corporation","Krannert Charitable Trust","Association of Universities for Research in Astronomy,\n                     Incorporated","Goethe Link Observatory","Harvard Observatory","Indiana University Department of Astronomy","Indiana University Kirkwood Observatory","Lawrence Fellowship","Lowell Observatory","Seymour High School","Brookings Institute","Harvard University","Legal Services Corporation","Stanford University","Board of Trustees","Indiana University Northwest","Indiana University Department of Philosophy","Indiana University School of Music","American Life Convention","Harvard Law School","John Hancock Company","Ku Klux Klan","American Council on Education","Transylvania University","Army Air Corps","Concordia University-St. Paul","ERIC","Reader's Digest","School of Public and Environmental Affairs","University of Minnesota","Bowling Green University","Indiana State Music Association","Notre Dame","Yale","Indiana University student union board","Phi Gamma Delta"," Indiana University Student Association","Center on Philanthropy","Middle Way House","MTV","Women's Wheels","American Broadcasting Company","Hofstra University","Juilliard Conservatory","New School for Social Research","Pittsburgh Symphony Orchestra","Sigma Alpha Epsilon","London University","Sheffield University","University of Maryland","University of California at Santa Barbara","Indiana University Kokomo School of Business","University of Michigan","Carnegie Mellon University","Ohio State University ","Phi Betta Kappa","University of Pittsburgh","Western College for Women","Indiana State University","Indiana University-Purdue University Fort Wayne","General Electric Company","Lazarus Department Store","Studebaker Corporation","Beta Gamma Sigma","dean's advisory committee","Phi Beta Kappa","Hoosier 100","Black Student Union","Common Cause","Indiana University Student Association","Alpha Chi Omega","Woodburn Guild","General Motors Corporation","Neal Marshall Black Culture Center","New York Jets","Earlham College","Indiana University East","Iowa State University","Lockheed Corporation","MIT","IUPUI School of Law ","Columbia University School of Law","Air Force ROTC","Ivy Tech State College","Yale Law School","Enhancing Minority Attainment Conference","Lehman College","National Endowment for the Humanities","Indiana University Medical Center","Armstrong Cork Company","Indiana University School of Business ","Thatcher Glass Company","United Way of America","Columbia University","Kabul University","Neal Marshall Cultural Center ","Beta Theta Pi","Detroit Lions","I-Men's Association","Johnson Creamery","Indiana University Bloomington","Indiana University Hospital","Riley Hospital","Beekman and Bogue","Cotton and Franklin ","Interborough Rapid Transit Company ","Indiana University Department of Computer Science","Mini University","Purdue University ","Ford Motor Company","University of Evansville","College of William and Mary","Vassar College","Indiana University Fort Wayne","Purdue Universit","Indiana University Audio Visual Department","Indiana University Department of the Extension Division","Gay Straight Alliance","Indiana University Faculty Council","Sigma Nu","Indiana University Association of Women Students","Jordan River Review","Black Film Center/Archive","Case Western Reserve University","NAACP","Department of Radio and 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The 2,200\n        attendees, met at the Minneapolis Convention Center on November 4 to 7, 1993, participating\n        in presentations and rituals re-imagining male-centric images and language of traditional\n        Christianity.","Dr. Sherry Jordon was awarded her Ph.D in Theology from Yale in 1995 and is currently\n        Associate Professor of Theology at the University of St. Thomas. She specializes in\n        historical theology, particularly the Reformation period, and Women's Studies. Jordon served\n        on the Coordinating Council of the Re-Imagining Community from 1998-2003, spoke at the 2003\n        Re-Imagining Gathering, and wrote an essay on feminist theology for Bless Sophia: Worship,\n        Liturgy, and Ritual of the Re-Imagining Community. As part of her current research on the\n        history and theology of Re-Imagining, she completed sixty-five oral interviews with members\n        of the Re-Imagining Community, leading feminist and womanist theologians who presented at\n        the conferences, people who were on the national staff of the women's units in the\n        Presbyterian (USA) and United Methodist churches, and authors who have written books related\n        to Christian feminism and/or Re-Imagining.","Processed by Craig Breaden, April, 2017","Accessions described in this collection guide: 2016-0317","Re-Imagining is an ecumenical, radical, Christian movement focused on creating ways of\n        understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening\n        spaces for dialogue with the church, diverse religious communities, and the world.\n        Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 72\n        participants in the Re-Imagining conferences, including the first gathering in 1993,\n        Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127\n        mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from\n        gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as papers documenting Jordon's\n        work with Re-Imagining. Interviewees and speakers include Martha O. Adams, Jann\n        Aldredge-Clanton, Gail Allan, Elizabeth Andrew, Diana Butler Bass, Mary Farrell Bednarowski,\n        Elizabeth Bettenhausen, Nadean Bishop, Kathy Black, Donna Blackstock, Steven Blons, Robert\n        Brinkley, Rita Nakashima Brock, John M. Buchanan, Nancy Chinn, Faye Christensen, Hyun Kyung\n        Chung, Susan Cole, J. Ann Craig, Susan Halcomb Craig, Kathy Deacon-Weber, Sister Holy Spirit\n        DeSouza, Heather Murray Elkins, Sara M. Evans, Marylee Fithian, Mary Gates, Marchelle\n        Hallman, Susan Hames, Robin Henry, Maren Hinderlie, José Hobday, Mary E. Hunt, Pamela Carter\n        Joern, Sally Howell Johnson, Katie Johnson, Barbara Anne Keely, Betty Kersting, Judith Allen\n        Kim, Annie Wu King, Rebecca Lynn Kiser, Mary Kuhns, Pui-lan Kwok, Barbara Lund, Barbara K.\n        Lundblad, Mary Ann Weese Lundy, Katherine Austin Mahle, Eily Marlow, Joan M. Martin, Mary\n        Kaye Medinger, Joyce Ann Mercer, Virginia R. Mollenkott, Melanie S. Morrison, Susan\n        Morrison, Mary Clark Moschella, Vivian Jenkins Nelsen, Randy Nelson, Christie Neuger, John\n        Niles, Manley Olson, Ofelia Ortega, Doris Pagelkopf, Rebecca Todd Peters, Virginia Pharr,\n        Joy Mincey Powell, Mary Preus, Anne Primavesi, Bernice Johnson Reagon, Jo Ringgenberg, Mary\n        Kay Sauter, Jeanyne B. Slettom, Jerie Smith, Joyce D. 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Jordon with 73 participants in the Re-Imagining conferences, including\n        the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men\n        and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining\n        conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000,\n        as well as three linear feet of papers documenting Jordon's work with\n        Re-Imagining.","David M. Rubenstein Rare Book \u0026 Manuscript Library","Andrew, Elizabeth, 1969-","Bass, Diana Butler, 1959-","Bednarowski, Mary Farrell","Bettenhausen, Elizabeth","Bishop, Nadean","Black, Kathy, 1956-","Blackstock, Donna, 1942-","Blons, Steven","Brinkley, Robert","Brock, Rita Nakashima","Buchanan, John M., 1938-","Chinn, Nancy, 1940-","Christensen, Faye, 1944-","Chung, Hyun Kyung","Cole, Susan, 1945-","Craig, J. 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The 2,200\n        attendees, met at the Minneapolis Convention Center on November 4 to 7, 1993, participating\n        in presentations and rituals re-imagining male-centric images and language of traditional\n        Christianity.","Dr. Sherry Jordon was awarded her Ph.D in Theology from Yale in 1995 and is currently\n        Associate Professor of Theology at the University of St. Thomas. She specializes in\n        historical theology, particularly the Reformation period, and Women's Studies. Jordon served\n        on the Coordinating Council of the Re-Imagining Community from 1998-2003, spoke at the 2003\n        Re-Imagining Gathering, and wrote an essay on feminist theology for Bless Sophia: Worship,\n        Liturgy, and Ritual of the Re-Imagining Community. As part of her current research on the\n        history and theology of Re-Imagining, she completed sixty-five oral interviews with members\n        of the Re-Imagining Community, leading feminist and womanist theologians who presented at\n        the conferences, people who were on the national staff of the women's units in the\n        Presbyterian (USA) and United Methodist churches, and authors who have written books related\n        to Christian feminism and/or Re-Imagining."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Re-Imagining Collection, David M. Rubenstein Rare Book \u0026amp;\n        Manuscript Library, Duke University.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Re-Imagining Collection, David M. Rubenstein Rare Book \u0026\n        Manuscript Library, Duke University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Craig Breaden, April, 2017\u003c/p\u003e","\u003cp\u003eAccessions described in this collection guide: 2016-0317\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Craig Breaden, April, 2017","Accessions described in this collection guide: 2016-0317"],"scopecontent_html_tesm":["\u003cp\u003eRe-Imagining is an ecumenical, radical, Christian movement focused on creating ways of\n        understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening\n        spaces for dialogue with the church, diverse religious communities, and the world.\n        Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 72\n        participants in the Re-Imagining conferences, including the first gathering in 1993,\n        Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127\n        mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from\n        gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as papers documenting Jordon's\n        work with Re-Imagining. Interviewees and speakers include Martha O. Adams, Jann\n        Aldredge-Clanton, Gail Allan, Elizabeth Andrew, Diana Butler Bass, Mary Farrell Bednarowski,\n        Elizabeth Bettenhausen, Nadean Bishop, Kathy Black, Donna Blackstock, Steven Blons, Robert\n        Brinkley, Rita Nakashima Brock, John M. Buchanan, Nancy Chinn, Faye Christensen, Hyun Kyung\n        Chung, Susan Cole, J. Ann Craig, Susan Halcomb Craig, Kathy Deacon-Weber, Sister Holy Spirit\n        DeSouza, Heather Murray Elkins, Sara M. Evans, Marylee Fithian, Mary Gates, Marchelle\n        Hallman, Susan Hames, Robin Henry, Maren Hinderlie, José Hobday, Mary E. Hunt, Pamela Carter\n        Joern, Sally Howell Johnson, Katie Johnson, Barbara Anne Keely, Betty Kersting, Judith Allen\n        Kim, Annie Wu King, Rebecca Lynn Kiser, Mary Kuhns, Pui-lan Kwok, Barbara Lund, Barbara K.\n        Lundblad, Mary Ann Weese Lundy, Katherine Austin Mahle, Eily Marlow, Joan M. Martin, Mary\n        Kaye Medinger, Joyce Ann Mercer, Virginia R. Mollenkott, Melanie S. Morrison, Susan\n        Morrison, Mary Clark Moschella, Vivian Jenkins Nelsen, Randy Nelson, Christie Neuger, John\n        Niles, Manley Olson, Ofelia Ortega, Doris Pagelkopf, Rebecca Todd Peters, Virginia Pharr,\n        Joy Mincey Powell, Mary Preus, Anne Primavesi, Bernice Johnson Reagon, Jo Ringgenberg, Mary\n        Kay Sauter, Jeanyne B. Slettom, Jerie Smith, Joyce D. Sohl, Hilda Spann, Allison Stokes,\n        John Strausz-Clement, Judith Strausz-Clement, Sue Swanson, Hal Taussig, Margaret Thomas,\n        Rebecca Tollefson, Carmen Valenzuela, Johanna W.H. Van Wijk-Bos, Emily Wigger, Delores S.\n        Williams, Eugenia Williams, Lois Wilson, and Miriam Therese Winter.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Overview"],"scopecontent_tesim":["Re-Imagining is an ecumenical, radical, Christian movement focused on creating ways of\n        understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening\n        spaces for dialogue with the church, diverse religious communities, and the world.\n        Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 72\n        participants in the Re-Imagining conferences, including the first gathering in 1993,\n        Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127\n        mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from\n        gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as papers documenting Jordon's\n        work with Re-Imagining. Interviewees and speakers include Martha O. Adams, Jann\n        Aldredge-Clanton, Gail Allan, Elizabeth Andrew, Diana Butler Bass, Mary Farrell Bednarowski,\n        Elizabeth Bettenhausen, Nadean Bishop, Kathy Black, Donna Blackstock, Steven Blons, Robert\n        Brinkley, Rita Nakashima Brock, John M. Buchanan, Nancy Chinn, Faye Christensen, Hyun Kyung\n        Chung, Susan Cole, J. Ann Craig, Susan Halcomb Craig, Kathy Deacon-Weber, Sister Holy Spirit\n        DeSouza, Heather Murray Elkins, Sara M. Evans, Marylee Fithian, Mary Gates, Marchelle\n        Hallman, Susan Hames, Robin Henry, Maren Hinderlie, José Hobday, Mary E. Hunt, Pamela Carter\n        Joern, Sally Howell Johnson, Katie Johnson, Barbara Anne Keely, Betty Kersting, Judith Allen\n        Kim, Annie Wu King, Rebecca Lynn Kiser, Mary Kuhns, Pui-lan Kwok, Barbara Lund, Barbara K.\n        Lundblad, Mary Ann Weese Lundy, Katherine Austin Mahle, Eily Marlow, Joan M. Martin, Mary\n        Kaye Medinger, Joyce Ann Mercer, Virginia R. Mollenkott, Melanie S. Morrison, Susan\n        Morrison, Mary Clark Moschella, Vivian Jenkins Nelsen, Randy Nelson, Christie Neuger, John\n        Niles, Manley Olson, Ofelia Ortega, Doris Pagelkopf, Rebecca Todd Peters, Virginia Pharr,\n        Joy Mincey Powell, Mary Preus, Anne Primavesi, Bernice Johnson Reagon, Jo Ringgenberg, Mary\n        Kay Sauter, Jeanyne B. Slettom, Jerie Smith, Joyce D. Sohl, Hilda Spann, Allison Stokes,\n        John Strausz-Clement, Judith Strausz-Clement, Sue Swanson, Hal Taussig, Margaret Thomas,\n        Rebecca Tollefson, Carmen Valenzuela, Johanna W.H. Van Wijk-Bos, Emily Wigger, Delores S.\n        Williams, Eugenia Williams, Lois Wilson, and Miriam Therese Winter."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to Duke University.\n        For more information, consult the copyright section of the Regulations and Procedures of the\n        David M. Rubenstein Rare Book \u0026amp; Manuscript Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to Duke University.\n        For more information, consult the copyright section of the Regulations and Procedures of the\n        David M. Rubenstein Rare Book \u0026 Manuscript Library."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f7f6d2f5ebd091a28e15eeda3b5ef959\"\u003eRe-Imagining is an ecumenical, radical,\n        Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista,\n        and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse\n        religious communities, and the world. Eighty-two audio files comprise an oral history\n        project by Sherry E. Jordon with 73 participants in the Re-Imagining conferences, including\n        the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men\n        and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining\n        conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000,\n        as well as three linear feet of papers documenting Jordon's work with\n        Re-Imagining.\u003c/abstract\u003e"],"abstract_tesim":["Re-Imagining is an ecumenical, radical,\n        Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista,\n        and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse\n        religious communities, and the world. Eighty-two audio files comprise an oral history\n        project by Sherry E. Jordon with 73 participants in the Re-Imagining conferences, including\n        the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men\n        and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining\n        conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000,\n        as well as three linear feet of papers documenting Jordon's work with\n        Re-Imagining."],"names_ssim":["David M. Rubenstein Rare Book \u0026 Manuscript Library","Andrew, Elizabeth, 1969-","Bass, Diana Butler, 1959-","Bednarowski, Mary Farrell","Bettenhausen, Elizabeth","Bishop, Nadean","Black, Kathy, 1956-","Blackstock, Donna, 1942-","Blons, Steven","Brinkley, Robert","Brock, Rita Nakashima","Buchanan, John M., 1938-","Chinn, Nancy, 1940-","Christensen, Faye, 1944-","Chung, Hyun Kyung","Cole, Susan, 1945-","Craig, J. Ann","Craig, Susan Halcomb, 1941-","Deacon-Weber, Kathy, 1954-","DeSouza, Sister Holy Spirit","Elkins, Heather Murray","Evans, Sara M. (Sara Margaret), 1943-","Fithian, Marylee, 1936-","Gates, Mary, 1934-","Hallman, Marchelle","Hames, Susan, 1944-","Henry, Robin, 1952-","Hinderlie, Maren","Hobday, José","Hunt, Mary E., 1951-","Joern, Pamela Carter, 1948-","Johnson, Katie","Johnson, Sally Howell","Jordon, Sherry E. (Sherry Elaine)","Keely, Barbara Anne, 1952-","Kersting, Betty, 1936-","Kim, Judith Allen, 1946-","King, Annie Wu, 1933-","Kiser, Rebecca Lynn, 1954-","Kuhns, Mary, 1945-","Kwok, Pui-lan","Lund, Barbara, 1964-","Lundblad, Barbara K., 1944-","Lundy, Mary Ann Weese, 1933-","Mahle, Katherine Austin, 1945-","Marlow, Eily, 1975-","Martin, Joan M. (Joan Marie)","Medinger, Mary Kaye, 1946-","Mercer, Joyce Ann, 1957-","Mollenkott, Virginia R.","Morrison, Susan, 1943-","Moschella, Mary Clark","Nelsen, Vivian Jenkins","Nelson, Randy, 1941-","Niles, John, 1945-","Olson, Manley, 1936-","Pagelkopf, Doris, 1938-","Peters, Rebecca Todd","Pharr, Virginia","Powell, Joy Mincey","Preus, Mary","Primavesi, Anne, 1934-","Reagon, Bernice Johnson, 1942-","Ringgenberg, Jo","Sauter, Mary Kay","Slettom, Jeanyne B.","Smith, Jerie","Sohl, Joyce D.","Stokes, Allison, 1942-","Strausz-Clement, John","Strausz-Clement, Judith","Swanson, Sue","Taussig, Hal","Thomas, Margaret","Tollefson, Rebecca","Valenzuela, Carmen","Van Wijk-Bos, Johanna W. H., 1940-","Wigger, Emily","Williams, Delores S.","Williams, Eugenia","Winter, Miriam Therese","Spann, Hilda","Ortega, Ofelia","Morrison, Melanie, 1949-","Adams, Martha O.","Aldredge-Clanton, Jann, 1946-","Allan, Gail, 1954-","Neuger, Christine Cozad, 1952-","Wilson, Lois"],"corpname_ssim":["David M. Rubenstein Rare Book \u0026 Manuscript Library"],"names_coll_ssim":["Andrew, Elizabeth, 1969-","Bass, Diana Butler, 1959-","Bednarowski, Mary Farrell","Bettenhausen, Elizabeth","Bishop, Nadean","Black, Kathy, 1956-","Blackstock, Donna, 1942-","Blons, Steven","Brinkley, Robert","Brock, Rita Nakashima","Buchanan, John M., 1938-","Chinn, Nancy, 1940-","Christensen, Faye, 1944-","Chung, Hyun Kyung","Cole, Susan, 1945-","Craig, J. Ann","Craig, Susan Halcomb, 1941-","Deacon-Weber, Kathy, 1954-","DeSouza, Sister Holy Spirit","Elkins, Heather Murray","Evans, Sara M. (Sara Margaret), 1943-","Fithian, Marylee, 1936-","Gates, Mary, 1934-","Hallman, Marchelle","Hames, Susan, 1944-","Henry, Robin, 1952-","Hinderlie, Maren","Hobday, José","Hunt, Mary E., 1951-","Joern, Pamela Carter, 1948-","Johnson, Katie","Johnson, Sally Howell","Jordon, Sherry E. (Sherry Elaine)","Keely, Barbara Anne, 1952-","Kersting, Betty, 1936-","Kim, Judith Allen, 1946-","King, Annie Wu, 1933-","Kiser, Rebecca Lynn, 1954-","Kuhns, Mary, 1945-","Kwok, Pui-lan","Lund, Barbara, 1964-","Lundblad, Barbara K., 1944-","Lundy, Mary Ann Weese, 1933-","Mahle, Katherine Austin, 1945-","Marlow, Eily, 1975-","Martin, Joan M. (Joan Marie)","Medinger, Mary Kaye, 1946-","Mercer, Joyce Ann, 1957-","Mollenkott, Virginia R.","Morrison, Susan, 1943-","Moschella, Mary Clark","Nelsen, Vivian Jenkins","Nelson, Randy, 1941-","Niles, John, 1945-","Olson, Manley, 1936-","Pagelkopf, Doris, 1938-","Peters, Rebecca Todd","Pharr, Virginia","Powell, Joy Mincey","Preus, Mary","Primavesi, Anne, 1934-","Reagon, Bernice Johnson, 1942-","Ringgenberg, Jo","Sauter, Mary Kay","Slettom, Jeanyne B.","Smith, Jerie","Sohl, Joyce D.","Stokes, Allison, 1942-","Strausz-Clement, John","Strausz-Clement, Judith","Swanson, Sue","Taussig, Hal","Thomas, Margaret","Tollefson, Rebecca","Valenzuela, Carmen","Van Wijk-Bos, Johanna W. H., 1940-","Wigger, Emily","Williams, Delores S.","Williams, Eugenia","Winter, Miriam Therese","Spann, Hilda","Ortega, Ofelia","Morrison, Melanie, 1949-","Adams, Martha O.","Aldredge-Clanton, Jann, 1946-","Allan, Gail, 1954-","Neuger, Christine Cozad, 1952-","Wilson, Lois"],"persname_ssim":["Andrew, Elizabeth, 1969-","Bass, Diana Butler, 1959-","Bednarowski, Mary Farrell","Bettenhausen, Elizabeth","Bishop, Nadean","Black, Kathy, 1956-","Blackstock, Donna, 1942-","Blons, Steven","Brinkley, Robert","Brock, Rita Nakashima","Buchanan, John M., 1938-","Chinn, Nancy, 1940-","Christensen, Faye, 1944-","Chung, Hyun Kyung","Cole, Susan, 1945-","Craig, J. Ann","Craig, Susan Halcomb, 1941-","Deacon-Weber, Kathy, 1954-","DeSouza, Sister Holy Spirit","Elkins, Heather Murray","Evans, Sara M. (Sara Margaret), 1943-","Fithian, Marylee, 1936-","Gates, Mary, 1934-","Hallman, Marchelle","Hames, Susan, 1944-","Henry, Robin, 1952-","Hinderlie, Maren","Hobday, José","Hunt, Mary E., 1951-","Joern, Pamela Carter, 1948-","Johnson, Katie","Johnson, Sally Howell","Jordon, Sherry E. (Sherry Elaine)","Keely, Barbara Anne, 1952-","Kersting, Betty, 1936-","Kim, Judith Allen, 1946-","King, Annie Wu, 1933-","Kiser, Rebecca Lynn, 1954-","Kuhns, Mary, 1945-","Kwok, Pui-lan","Lund, Barbara, 1964-","Lundblad, Barbara K., 1944-","Lundy, Mary Ann Weese, 1933-","Mahle, Katherine Austin, 1945-","Marlow, Eily, 1975-","Martin, Joan M. (Joan Marie)","Medinger, Mary Kaye, 1946-","Mercer, Joyce Ann, 1957-","Mollenkott, Virginia R.","Morrison, Susan, 1943-","Moschella, Mary Clark","Nelsen, Vivian Jenkins","Nelson, Randy, 1941-","Niles, John, 1945-","Olson, Manley, 1936-","Pagelkopf, Doris, 1938-","Peters, Rebecca Todd","Pharr, Virginia","Powell, Joy Mincey","Preus, Mary","Primavesi, Anne, 1934-","Reagon, Bernice Johnson, 1942-","Ringgenberg, Jo","Sauter, Mary Kay","Slettom, Jeanyne B.","Smith, Jerie","Sohl, Joyce D.","Stokes, Allison, 1942-","Strausz-Clement, John","Strausz-Clement, Judith","Swanson, Sue","Taussig, Hal","Thomas, Margaret","Tollefson, Rebecca","Valenzuela, Carmen","Van Wijk-Bos, Johanna W. H., 1940-","Wigger, Emily","Williams, Delores S.","Williams, Eugenia","Winter, Miriam Therese","Spann, Hilda","Ortega, Ofelia","Morrison, Melanie, 1949-","Adams, Martha O.","Aldredge-Clanton, Jann, 1946-","Allan, Gail, 1954-","Neuger, Christine Cozad, 1952-","Wilson, Lois"],"language_ssim":["English","English","Materials in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":345,"online_item_count_is":65,"component_level_isim":[0],"sort_isi":0,"_root_":"reimagining","timestamp":"2025-02-18T22:58:40.698Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/reimagining_aspace_821e96f78dac7680607013d258766977"}},{"id":"VAB9025_VAB9025-00089","type":"Event","attributes":{"title":"Williams, Jean,  1983 April\n                                    11","abstract_or_scope":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00089#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eInterview with Jean Williams, artist management and writer for \u003cem\u003eBillboard\u003c/em\u003e magazine; recorded in Los Angeles, California.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00089#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"VAB9025-00089","ref_ssm":["VAB9025-00089","VAB9025-00089"],"id":"VAB9025_VAB9025-00089","title_filing_ssi":"Williams, Jean,  1983 April\n                                    11","title_ssm":["Williams, Jean,  1983 April\n                                    11"],"title_tesim":["Williams, Jean,  1983 April\n                                    11"],"normalized_title_ssm":["Williams, Jean,  1983 April\n                                    11"],"text":["Williams, Jean,  1983 April\n                                    11","Portia K. Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989","INT 62","cass 1341","Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n                                        File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n                                        File (BWF) Compact disc(s): CDREF 198","Interview with Jean Williams, artist management and writer for  Billboard  magazine; recorded in Los\n                                Angeles, California."],"component_level_isim":[3],"parent_ssim":["VAB9025","VAB9025-00001","VAB9025-00002"],"parent_ssi":"VAB9025-00002","parent_ids_ssim":["VAB9025","VAB9025_VAB9025-00001","VAB9025_VAB9025-00002"],"parent_unittitles_ssm":["Portia K. Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989"],"parent_unittitles_tesim":["Portia K. Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["INT 62","cass 1341"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"collection_ssim":["Portia K. Maultsby\n                Collection, 1981-1986"],"extent_ssm":["1 audiocassette (40 minutes)"],"extent_tesim":["1 audiocassette (40 minutes)"],"physfacet_tesim":[" + 1\n                                    transcript (13 typed leaves)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Event"],"level_ssim":["Event"],"sort_isi":92,"parent_access_restrict_tesm":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n                Series G, \"Music Industry Interviews,\" are available for in-house use at the\n                Archives of African American Music and Culture, Indiana University. Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details."],"altformavail_html_tesm":["\u003cp\u003e\n                        \u003clist\u003e\n                           \u003citem\u003ePreservation master file(s): 24 bit/96 kHz Broadcast Wave\n                                        File (BWF)\u003c/item\u003e\n                           \u003citem\u003eProduction master file(s): 16 bit/44.1 kHz Broadcast Wave\n                                        File (BWF)\u003c/item\u003e\n                           \u003citem\u003eCompact disc(s): CDREF 198\u003c/item\u003e\n                        \u003c/list\u003e\n                     \u003c/p\u003e"],"altformavail_heading_ssm":["Reference Copies"],"altformavail_tesim":["Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n                                        File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n                                        File (BWF) Compact disc(s): CDREF 198"],"scopecontent_html_tesm":["\u003cp\u003eInterview with Jean Williams, artist management and writer for \u003ctitle render=\"italic\"\u003eBillboard\u003c/title\u003e magazine; recorded in Los\n                                Angeles, California.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content"],"scopecontent_tesim":["Interview with Jean Williams, artist management and writer for  Billboard  magazine; recorded in Los\n                                Angeles, California."],"_nest_path_":"/components#0/components#0/components#89","_nest_parent_":"VAB9025_VAB9025-00002","_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"VAB9025","title_ssm":["Portia K. Maultsby\n                Collection"],"title_tesim":["Portia K. Maultsby\n                Collection"],"ead_ssi":"VAB9025","unitdate_ssm":["1981-1986"],"unitdate_inclusive_ssm":["1981-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC\n                18G"],"text":["SC\n                18G","Portia K. Maultsby\n                Collection, 1981-1986","African American musicians","Rhythm and blues musicians","African American sound recording executives and\n                                producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories","Reference copies and transcripts for most, but not all, of the audiocassettes in\n                Series G, \"Music Industry Interviews,\" are available for in-house use at the\n                Archives of African American Music and Culture, Indiana University. Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details.","Currently organized into one series and the following subseries:  Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews.","Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of  African American Music : An Introduction , (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music.","The collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated.","Series G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use."," Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n                                Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n                            1941-2000","Foster, William P. (William\n                            Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara","Materials are in  English."],"unitid_tesim":["SC\n                18G"],"normalized_date_ssm":["1981-1986"],"normalized_title_ssm":["Portia K. Maultsby\n                Collection, 1981-1986"],"collection_title_tesim":["Portia K. Maultsby\n                Collection, 1981-1986"],"collection_ssim":["Portia K. Maultsby\n                Collection, 1981-1986"],"repository_ssm":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"creator_ssm":["Maultsby, Portia K."],"creator_ssim":["Maultsby, Portia K."],"creator_persname_ssim":["Maultsby, Portia K."],"creators_ssim":["Maultsby, Portia K."],"acqinfo_ssim":["Donated by Portia K. Maultsby in 2008."],"access_subjects_ssim":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n                                producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"access_subjects_ssm":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n                                producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["169 audiocassettes"],"extent_tesim":["169 audiocassettes"],"physfacet_tesim":[" : analog, stereo + 5 document\n                    cases"],"date_range_isim":[1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eReference copies and transcripts for most, but not all, of the audiocassettes in\n                Series G, \"Music Industry Interviews,\" are available for in-house use at the\n                Archives of African American Music and Culture, Indiana University. Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n                Series G, \"Music Industry Interviews,\" are available for in-house use at the\n                Archives of African American Music and Culture, Indiana University. Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details."],"arrangement_html_tesm":["\u003cp\u003eCurrently organized into one series and the following subseries: \u003clist\u003e\n               \u003citem\u003eSubseries 1. Interviews by Maultsby, 1979-1989\u003c/item\u003e\n               \u003citem\u003eSubseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/p\u003e","\u003cp\u003eEach subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Currently organized into one series and the following subseries:  Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews."],"bioghist_html_tesm":["\u003cp\u003ePortia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of  African American Music : An Introduction , (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use."],"names_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n                                Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n                            1941-2000","Foster, William P. (William\n                            Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"corpname_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n                                Records"],"persname_ssim":["Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n                            1941-2000","Foster, William P. (William\n                            Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"language_ssim":["Materials are in  English."],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00089"}},{"id":"VAB9025_VAB9025-00088","type":"Event","attributes":{"title":"Williams, Jean,  1983 February\n                                    25","abstract_or_scope":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00088#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eInterview with Jean Williams, artist management and writer for \u003cem\u003eBillboard\u003c/em\u003e magazine; recorded in Los Angeles, California.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00088#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"VAB9025-00088","ref_ssm":["VAB9025-00088","VAB9025-00088"],"id":"VAB9025_VAB9025-00088","title_filing_ssi":"Williams, Jean,  1983 February\n                                    25","title_ssm":["Williams, Jean,  1983 February\n                                    25"],"title_tesim":["Williams, Jean,  1983 February\n                                    25"],"normalized_title_ssm":["Williams, Jean,  1983 February\n                                    25"],"text":["Williams, Jean,  1983 February\n                                    25","Portia K. Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989","INT 62","cass 1341","Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n                                        File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n                                        File (BWF) Compact disc(s): CDREF 197","Interview with Jean Williams, artist management and writer for  Billboard  magazine; recorded in Los\n                                Angeles, California."],"component_level_isim":[3],"parent_ssim":["VAB9025","VAB9025-00001","VAB9025-00002"],"parent_ssi":"VAB9025-00002","parent_ids_ssim":["VAB9025","VAB9025_VAB9025-00001","VAB9025_VAB9025-00002"],"parent_unittitles_ssm":["Portia K. Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989"],"parent_unittitles_tesim":["Portia K. 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Maultsby\n                Collection, 1981-1986"],"extent_ssm":["1 audiocassette (46 minutes)"],"extent_tesim":["1 audiocassette (46 minutes)"],"physfacet_tesim":[" + 1\n                                    transcript (13 typed leaves)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Event"],"level_ssim":["Event"],"sort_isi":91,"parent_access_restrict_tesm":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n                Series G, \"Music Industry Interviews,\" are available for in-house use at the\n                Archives of African American Music and Culture, Indiana University. Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details."],"altformavail_html_tesm":["\u003cp\u003e\n                        \u003clist\u003e\n                           \u003citem\u003ePreservation master file(s): 24 bit/96 kHz Broadcast Wave\n                                        File (BWF)\u003c/item\u003e\n                           \u003citem\u003eProduction master file(s): 16 bit/44.1 kHz Broadcast Wave\n                                        File (BWF)\u003c/item\u003e\n                           \u003citem\u003eCompact disc(s): CDREF 197\u003c/item\u003e\n                        \u003c/list\u003e\n                     \u003c/p\u003e"],"altformavail_heading_ssm":["Reference Copies"],"altformavail_tesim":["Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n                                        File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n                                        File (BWF) Compact disc(s): CDREF 197"],"scopecontent_html_tesm":["\u003cp\u003eInterview with Jean Williams, artist management and writer for \u003ctitle render=\"italic\"\u003eBillboard\u003c/title\u003e magazine; recorded in Los\n                                Angeles, California.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content"],"scopecontent_tesim":["Interview with Jean Williams, artist management and writer for  Billboard  magazine; recorded in Los\n                                Angeles, California."],"_nest_path_":"/components#0/components#0/components#88","_nest_parent_":"VAB9025_VAB9025-00002","_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"VAB9025","title_ssm":["Portia K. 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Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details.","Currently organized into one series and the following subseries:  Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews.","Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of  African American Music : An Introduction , (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music.","The collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated.","Series G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use."," Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n                                Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n                            1941-2000","Foster, William P. (William\n                            Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. 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If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details."],"arrangement_html_tesm":["\u003cp\u003eCurrently organized into one series and the following subseries: \u003clist\u003e\n               \u003citem\u003eSubseries 1. Interviews by Maultsby, 1979-1989\u003c/item\u003e\n               \u003citem\u003eSubseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/p\u003e","\u003cp\u003eEach subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Currently organized into one series and the following subseries:  Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews."],"bioghist_html_tesm":["\u003cp\u003ePortia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of  African American Music : An Introduction , (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use."],"names_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n                                Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n                            1941-2000","Foster, William P. (William\n                            Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"corpname_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n                                Records"],"persname_ssim":["Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n                            1941-2000","Foster, William P. (William\n                            Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"language_ssim":["Materials are in  English."],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00088"}},{"id":"VAB9025_VAB9025-00090","type":"Event","attributes":{"title":"Williams, Mel,  1982 November\n                                    1","abstract_or_scope":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00090#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eInterview with Mel Williams, promoter and record store owner; recorded in New York, New York.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00090#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"VAB9025-00090","ref_ssm":["VAB9025-00090","VAB9025-00090"],"id":"VAB9025_VAB9025-00090","title_filing_ssi":"Williams, Mel,  1982 November\n                                    1","title_ssm":["Williams, Mel,  1982 November\n                                    1"],"title_tesim":["Williams, Mel,  1982 November\n                                    1"],"normalized_title_ssm":["Williams, Mel,  1982 November\n                                    1"],"text":["Williams, Mel,  1982 November\n                                    1","Portia K. Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989","INT 56A--INT\n                                56B","cass 1331--cass 1333","Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n                                        File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n                                        File (BWF) Compact disc(s): CDREF 181--CDREF 183","Accompanying documentation suggests that INT 56A--INT 56B and INT 56C\n                                (dated respectively as November 1, 1982 and November 22, 1982) are\n                                two seperate inteviews. Pagination for the transcripts, however, is\n                                continuous.","Interview with Mel Williams, promoter and record store owner;\n                                recorded in New York, New York."],"component_level_isim":[3],"parent_ssim":["VAB9025","VAB9025-00001","VAB9025-00002"],"parent_ssi":"VAB9025-00002","parent_ids_ssim":["VAB9025","VAB9025_VAB9025-00001","VAB9025_VAB9025-00002"],"parent_unittitles_ssm":["Portia K. Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989"],"parent_unittitles_tesim":["Portia K. Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["INT 56A--INT\n                                56B","cass 1331--cass 1333"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"collection_ssim":["Portia K. Maultsby\n                Collection, 1981-1986"],"extent_ssm":["2 audiocassettes (100 minutes)"],"extent_tesim":["2 audiocassettes (100 minutes)"],"physfacet_tesim":[" + 1\n                                    transcript (58 typed leaves)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Event"],"level_ssim":["Event"],"sort_isi":93,"parent_access_restrict_tesm":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n                Series G, \"Music Industry Interviews,\" are available for in-house use at the\n                Archives of African American Music and Culture, Indiana University. Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details."],"altformavail_html_tesm":["\u003cp\u003e\n                        \u003clist\u003e\n                           \u003citem\u003ePreservation master file(s): 24 bit/96 kHz Broadcast Wave\n                                        File (BWF)\u003c/item\u003e\n                           \u003citem\u003eProduction master file(s): 16 bit/44.1 kHz Broadcast Wave\n                                        File (BWF)\u003c/item\u003e\n                           \u003citem\u003eCompact disc(s): CDREF 181--CDREF 183\u003c/item\u003e\n                        \u003c/list\u003e\n                     \u003c/p\u003e"],"altformavail_heading_ssm":["Reference Copies"],"altformavail_tesim":["Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n                                        File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n                                        File (BWF) Compact disc(s): CDREF 181--CDREF 183"],"note_html_tesm":["\u003cp\u003eAccompanying documentation suggests that INT 56A--INT 56B and INT 56C\n                                (dated respectively as November 1, 1982 and November 22, 1982) are\n                                two seperate inteviews. Pagination for the transcripts, however, is\n                                continuous.\u003c/p\u003e"],"note_tesim":["Accompanying documentation suggests that INT 56A--INT 56B and INT 56C\n                                (dated respectively as November 1, 1982 and November 22, 1982) are\n                                two seperate inteviews. Pagination for the transcripts, however, is\n                                continuous."],"scopecontent_html_tesm":["\u003cp\u003eInterview with Mel Williams, promoter and record store owner;\n                                recorded in New York, New York.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content"],"scopecontent_tesim":["Interview with Mel Williams, promoter and record store owner;\n                                recorded in New York, New York."],"_nest_path_":"/components#0/components#0/components#90","_nest_parent_":"VAB9025_VAB9025-00002","_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"VAB9025","title_ssm":["Portia K. Maultsby\n                Collection"],"title_tesim":["Portia K. Maultsby\n                Collection"],"ead_ssi":"VAB9025","unitdate_ssm":["1981-1986"],"unitdate_inclusive_ssm":["1981-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC\n                18G"],"text":["SC\n                18G","Portia K. Maultsby\n                Collection, 1981-1986","African American musicians","Rhythm and blues musicians","African American sound recording executives and\n                                producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories","Reference copies and transcripts for most, but not all, of the audiocassettes in\n                Series G, \"Music Industry Interviews,\" are available for in-house use at the\n                Archives of African American Music and Culture, Indiana University. Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details.","Currently organized into one series and the following subseries:  Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews.","Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of  African American Music : An Introduction , (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music.","The collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated.","Series G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use."," Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n                                Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n                            1941-2000","Foster, William P. (William\n                            Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. 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Maultsby\n                Collection, 1981-1986"],"repository_ssm":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"creator_ssm":["Maultsby, Portia K."],"creator_ssim":["Maultsby, Portia K."],"creator_persname_ssim":["Maultsby, Portia K."],"creators_ssim":["Maultsby, Portia K."],"acqinfo_ssim":["Donated by Portia K. Maultsby in 2008."],"access_subjects_ssim":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n                                producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"access_subjects_ssm":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n                                producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["169 audiocassettes"],"extent_tesim":["169 audiocassettes"],"physfacet_tesim":[" : analog, stereo + 5 document\n                    cases"],"date_range_isim":[1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eReference copies and transcripts for most, but not all, of the audiocassettes in\n                Series G, \"Music Industry Interviews,\" are available for in-house use at the\n                Archives of African American Music and Culture, Indiana University. Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n                Series G, \"Music Industry Interviews,\" are available for in-house use at the\n                Archives of African American Music and Culture, Indiana University. Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details."],"arrangement_html_tesm":["\u003cp\u003eCurrently organized into one series and the following subseries: \u003clist\u003e\n               \u003citem\u003eSubseries 1. Interviews by Maultsby, 1979-1989\u003c/item\u003e\n               \u003citem\u003eSubseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/p\u003e","\u003cp\u003eEach subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Currently organized into one series and the following subseries:  Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews."],"bioghist_html_tesm":["\u003cp\u003ePortia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of  African American Music : An Introduction , (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use."],"names_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n                                Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n                            1941-2000","Foster, William P. (William\n                            Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"corpname_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n                                Records"],"persname_ssim":["Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n                            1941-2000","Foster, William P. (William\n                            Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"language_ssim":["Materials are in  English."],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00090"}},{"id":"VAB9025_VAB9025-00133","type":"Event","attributes":{"title":"Williams, Mel,  1982 November\n                                    22","abstract_or_scope":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00133#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eInterview with Mel Williams, promoter and record store owner; recorded in New York, New York.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00133#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"VAB9025-00133","ref_ssm":["VAB9025-00133","VAB9025-00133"],"id":"VAB9025_VAB9025-00133","title_filing_ssi":"Williams, Mel,  1982 November\n                                    22, ","title_ssm":["Williams, Mel,  1982 November\n                                    22, "],"title_tesim":["Williams, Mel,  1982 November\n                                    22, "],"normalized_title_ssm":["Williams, Mel,  1982 November\n                                    22"],"text":["Williams, Mel,  1982 November\n                                    22","Portia K. Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989","INT 56C","cass 1333","Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n                                        File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n                                        File (BWF) Compact disc(s): CDREF 183","Accompanying documentation suggests that INT 56A--INT 56B and INT 56C\n                                (dated respectively as November 1, 1982 and November 22, 1982) are\n                                two seperate inteviews. Pagination for the transcripts, however, is\n                                continuous.","Interview with Mel Williams, promoter and record store owner;\n                                recorded in New York, New York."],"component_level_isim":[3],"parent_ssim":["VAB9025","VAB9025-00001","VAB9025-00002"],"parent_ssi":"VAB9025-00002","parent_ids_ssim":["VAB9025","VAB9025_VAB9025-00001","VAB9025_VAB9025-00002"],"parent_unittitles_ssm":["Portia K. Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989"],"parent_unittitles_tesim":["Portia K. Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["INT 56C","cass 1333"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"collection_ssim":["Portia K. Maultsby\n                Collection, 1981-1986"],"extent_ssm":["1 audiocassette (47 minutes)"],"extent_tesim":["1 audiocassette (47 minutes)"],"physfacet_tesim":[" + 1\n                                    transcript (58 typed leaves)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Event"],"level_ssim":["Event"],"sort_isi":94,"parent_access_restrict_tesm":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n                Series G, \"Music Industry Interviews,\" are available for in-house use at the\n                Archives of African American Music and Culture, Indiana University. Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details."],"altformavail_html_tesm":["\u003cp\u003e\n                        \u003clist\u003e\n                           \u003citem\u003ePreservation master file(s): 24 bit/96 kHz Broadcast Wave\n                                        File (BWF)\u003c/item\u003e\n                           \u003citem\u003eProduction master file(s): 16 bit/44.1 kHz Broadcast Wave\n                                        File (BWF)\u003c/item\u003e\n                           \u003citem\u003eCompact disc(s): CDREF 183\u003c/item\u003e\n                        \u003c/list\u003e\n                     \u003c/p\u003e"],"altformavail_heading_ssm":["Reference Copies"],"altformavail_tesim":["Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n                                        File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n                                        File (BWF) Compact disc(s): CDREF 183"],"note_html_tesm":["\u003cp\u003eAccompanying documentation suggests that INT 56A--INT 56B and INT 56C\n                                (dated respectively as November 1, 1982 and November 22, 1982) are\n                                two seperate inteviews. Pagination for the transcripts, however, is\n                                continuous.\u003c/p\u003e"],"note_tesim":["Accompanying documentation suggests that INT 56A--INT 56B and INT 56C\n                                (dated respectively as November 1, 1982 and November 22, 1982) are\n                                two seperate inteviews. Pagination for the transcripts, however, is\n                                continuous."],"scopecontent_html_tesm":["\u003cp\u003eInterview with Mel Williams, promoter and record store owner;\n                                recorded in New York, New York.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content"],"scopecontent_tesim":["Interview with Mel Williams, promoter and record store owner;\n                                recorded in New York, New York."],"_nest_path_":"/components#0/components#0/components#91","_nest_parent_":"VAB9025_VAB9025-00002","_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"VAB9025","title_ssm":["Portia K. Maultsby\n                Collection"],"title_tesim":["Portia K. Maultsby\n                Collection"],"ead_ssi":"VAB9025","unitdate_ssm":["1981-1986"],"unitdate_inclusive_ssm":["1981-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC\n                18G"],"text":["SC\n                18G","Portia K. Maultsby\n                Collection, 1981-1986","African American musicians","Rhythm and blues musicians","African American sound recording executives and\n                                producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories","Reference copies and transcripts for most, but not all, of the audiocassettes in\n                Series G, \"Music Industry Interviews,\" are available for in-house use at the\n                Archives of African American Music and Culture, Indiana University. Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details.","Currently organized into one series and the following subseries:  Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews.","Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of  African American Music : An Introduction , (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music.","The collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated.","Series G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use."," Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n                                Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n                            1941-2000","Foster, William P. (William\n                            Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. 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Maultsby\n                Collection, 1981-1986"],"repository_ssm":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"repository_ssim":["Indiana University, Archives of African American Music and Culture (AAAMC)"],"creator_ssm":["Maultsby, Portia K."],"creator_ssim":["Maultsby, Portia K."],"creator_persname_ssim":["Maultsby, Portia K."],"creators_ssim":["Maultsby, Portia K."],"acqinfo_ssim":["Donated by Portia K. Maultsby in 2008."],"access_subjects_ssim":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n                                producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"access_subjects_ssm":["African American musicians","Rhythm and blues musicians","African American sound recording executives and\n                                producers","Motown Record Corporation","Soul musicians","African American disc jockeys","Interviews (Sound recordings)","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["169 audiocassettes"],"extent_tesim":["169 audiocassettes"],"physfacet_tesim":[" : analog, stereo + 5 document\n                    cases"],"date_range_isim":[1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eReference copies and transcripts for most, but not all, of the audiocassettes in\n                Series G, \"Music Industry Interviews,\" are available for in-house use at the\n                Archives of African American Music and Culture, Indiana University. Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n                Series G, \"Music Industry Interviews,\" are available for in-house use at the\n                Archives of African American Music and Culture, Indiana University. Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details."],"arrangement_html_tesm":["\u003cp\u003eCurrently organized into one series and the following subseries: \u003clist\u003e\n               \u003citem\u003eSubseries 1. Interviews by Maultsby, 1979-1989\u003c/item\u003e\n               \u003citem\u003eSubseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/p\u003e","\u003cp\u003eEach subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Currently organized into one series and the following subseries:  Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews."],"bioghist_html_tesm":["\u003cp\u003ePortia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of \u003ctitle render=\"italic\"\u003eAfrican American Music : An Introduction\u003c/title\u003e, (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of  African American Music : An Introduction , (Routledge Press, 2006). She\n                also has served as consulting scholar for PBS, BBC, and NPR productions on African\n                American music. In addition to her scholarly work, Professor Maultsby is a keyboard\n                player and the founding director of the IU Soul Revue, a touring ensemble\n                specializing in the performance of African American popular music."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use."],"names_ssim":[" Indiana University, Archives of African American Music and Culture (AAAMC) ","Stax Records","Philadelphia International\n                                Records","Maultsby, Portia K.","Alstin, Frank","Bailey, Lee, 1947-","Barnes, John","Barnum, Billie","Barnum, H. B.","Bartholomew, Dave","Bears, Sandra","Bell, Al","Byrd, Bobby, 1934-2007","Clark, Dave, 1942-","Davis, Richard","Fields, Richard \"Dimples\",\n                            1941-2000","Foster, William P. (William\n                            Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. 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Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989","INT 95A--INT\n                                95B","cass 1378--cass 1379","Preservation master file(s): 24 bit/96 kHz Broadcast Wave\n                                        File (BWF) Production master file(s): 16 bit/44.1 kHz Broadcast Wave\n                                        File (BWF) Compact disc(s): CDREF 241--CDREF 243","Interview with Myrna Williams, artist management for CBS Records;\n                                recorded in Los Angeles, California."],"component_level_isim":[3],"parent_ssim":["VAB9025","VAB9025-00001","VAB9025-00002"],"parent_ssi":"VAB9025-00002","parent_ids_ssim":["VAB9025","VAB9025_VAB9025-00001","VAB9025_VAB9025-00002"],"parent_unittitles_ssm":["Portia K. Maultsby\n                Collection, 1981-1986","Music Industry Interviews,  1979-1989","1. Interviews by Maultsby,  1979-1989"],"parent_unittitles_tesim":["Portia K. 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Maultsby\n                Collection, 1981-1986"],"extent_ssm":["2 audiocassettes (115 minutes)"],"extent_tesim":["2 audiocassettes (115 minutes)"],"physfacet_tesim":[" + 1\n                                    transcript (33 typed leaves)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Event"],"level_ssim":["Event"],"sort_isi":95,"parent_access_restrict_tesm":["Reference copies and transcripts for most, but not all, of the audiocassettes in\n                Series G, \"Music Industry Interviews,\" are available for in-house use at the\n                Archives of African American Music and Culture, Indiana University. Please refer to\n                the information included under each interview for details. 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Please refer to\n                the information included under each interview for details. If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details.","Currently organized into one series and the following subseries:  Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews.","Portia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of  African American Music : An Introduction , (Routledge Press, 2006). 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If you would like to\n                access an item without a reference copy and/or transcript, please contact our staff\n                well in advance of your visit for details."],"arrangement_html_tesm":["\u003cp\u003eCurrently organized into one series and the following subseries: \u003clist\u003e\n               \u003citem\u003eSubseries 1. Interviews by Maultsby, 1979-1989\u003c/item\u003e\n               \u003citem\u003eSubseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/p\u003e","\u003cp\u003eEach subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Currently organized into one series and the following subseries:  Subseries 1. Interviews by Maultsby, 1979-1989 Subseries 2. Interviews by Various Interviewers and Miscellaneous\n                        Recordings, 1979-1989","Each subseries is arranged alphabetically by interviewee's last name or the title in\n                the case of non-interviews."],"bioghist_html_tesm":["\u003cp\u003ePortia K. Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. 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Maultsby received a Ph.D. degree in Ethnomusicology from the University of\n                Wisconsin--Madison, and is a professor emeritus in the Department of Folklore and\n                Ethnomusicology, the former director of the Archives of African American Music and\n                Culture, and a former adjunct professor of African American and African Diaspora\n                Studies at Indiana University. She teaches historical and theoretical courses on\n                African American music and culture in ethnomusicology. Her research topics have\n                centered on Black religious and popular music and she has lectured and conducted\n                workshops throughout the United States, as well as in England, The Netherlands,\n                Russia, Cuba, Zimbabwe, and Malawi. She is co-editor of  African American Music : An Introduction , (Routledge Press, 2006). 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Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.\u003c/p\u003e","\u003cp\u003eAll interviews were conducted by Maultsby unless otherwise indicated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of 168 audiocassette recordings of interviews; complete or\n                partial transcripts are available for many. The bulk of the interviews (138\n                cassettes) were conducted in person by Maultsby between 1981-1986 as part of her\n                research on the Black music industry. The interviews provide an aural documentation\n                of the history and development of rhythm and blues music through the personal\n                narratives of musicians, composers, producers, deejays, and record company\n                executives. In particular, Maultsby's interviews trace the emergence of Black music\n                divisions and the promotion of Black artists by major record labels. Other\n                significant issues emphasized in the discussions are cultural identity, gender,\n                appropriation, aesthetics, and the racially defined politics and marketing practices\n                of the industry. Of equal importance are the stories told by musicians who\n                profoundly shaped the development of rhythm and blues while redefining the direction\n                of American popular music.","All interviews were conducted by Maultsby unless otherwise indicated."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520\" label=\"Abstract\"\u003eSeries G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. The remainder of the series in this collection are still in the process of\n                being accessioned and are unavailable for general research and public\n                use.\u003c/abstract\u003e"],"abstract_tesim":["Series G, \"Music Industry Interviews,\"\n                consists of transcripts and audiocassettes of interviews primarily conducted by\n                Portia K. Maultsby between 1981-1986 as part of her research on the Black music\n                industry. 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(William\n                            Patrick)","Francis, Panama","Gamble, Kenny","Harris, Bill, 1916-1973","Henderson, Jocko","Higgins, Monk","Holeman, Jerry","Holland, Brian","Johnson, Evelyn","Jones, Shirley (Vocalist)","King, Alonzo","Lanier, Warren","Love, Billye","Love, Darlene","Love, Walt","Maults-By, Carl","McCoy, Sid","McRae, Joyce","Medlin, Joe","Moore, Sam, 1935-","Otis, Johnny, 1921-2012","Ott, Horace","Parker, Deanie","Reed, Tom","Rich, Jai","Rifkind, Jules","Rifkind, Roy","Roberts, Virgil","Roebuck, Richard","Russell, Albert, 1933-","Sanjek, Russell","Shaw, Larry","Silverman, Tom","Simms, Winki","Sims, August","Smith, Frankie","Smith, John","Stevenson, Mickey","Stone, J. B.","Stone, Jesse","Taylor, H. LeBaron, 1935-2000","Thomas, Carla, 1942-","Thomas, Rufus, 1917-2001","Todd, David","Toussaint, Allen","Troutman, Larry, 1944-1999","Vickers, Carle","Ware, George","Waters, Maxine","Westbrooks, Logan H.","White, Granville","Wiggins, Willie","Williams, Deniece","Williams, Jean","Williams, Myrna","Witherspoon, Jimmy","Wonder, Stevie","Young, Earl"," B.R.E.","Stephens, Robert","Unidentified","Gross, Laura","Fox, Jon","Betty, Michael","Hinton, Milt","Mason, Barbara"],"language_ssim":["Materials are in  English."],"total_component_count_is":133,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"VAB9025","timestamp":"2025-02-18T23:02:31.631Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arclight-demo.projectblacklight.org/catalog/VAB9025_VAB9025-00091"}},{"id":"sc0066-xml_aspace_ref178_9d8","type":"File","attributes":{"title":"Willie Johnson, Negro, male, SNCC staff, former project leader of FDP in Vicksburg, Miss.","breadcrumbs":{"id":"https://arclight-demo.projectblacklight.org/catalog/sc0066-xml_aspace_ref178_9d8#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"aspace_ref178_9d8","ref_ssm":["aspace_ref178_9d8","aspace_ref178_9d8"],"id":"sc0066-xml_aspace_ref178_9d8","title_filing_ssi":"Willie Johnson, Negro, male, SNCC staff, former project leader of FDP in Vicksburg, Miss.","title_ssm":["Willie Johnson, Negro, male, SNCC staff, former project leader of FDP in Vicksburg, Miss."],"title_tesim":["Willie Johnson, Negro, male, SNCC staff, former project leader of FDP in Vicksburg, Miss."],"normalized_title_ssm":["Willie Johnson, Negro, male, SNCC staff, former project leader of FDP in Vicksburg, Miss."],"text":["Willie Johnson, Negro, male, SNCC staff, former project leader of FDP in Vicksburg, Miss.","KZSU Project South interviews, 1965-1976","Interviews, 1965","Black MFDP - SNCC volunteers and staff, local Mississippi blacks","box 6","folder 164"],"component_level_isim":[3],"parent_ssim":["sc0066-xml","aspace_ref267_lgy","aspace_ref161_nto"],"parent_ssi":"aspace_ref161_nto","parent_ids_ssim":["sc0066-xml","sc0066-xml_aspace_ref267_lgy","sc0066-xml_aspace_ref161_nto"],"parent_unittitles_ssm":["KZSU Project South interviews, 1965-1976","Interviews, 1965","Black MFDP - SNCC volunteers and staff, local Mississippi blacks"],"parent_unittitles_tesim":["KZSU Project South interviews, 1965-1976","Interviews, 1965","Black MFDP - SNCC volunteers and staff, local Mississippi blacks"],"parent_levels_ssm":["collection","Series","Subseries"],"repository_ssim":["Stanford University Libraries. 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To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections and University Archives."],"digital_objects_ssm":["{\"label\":\"Willie Johnson, Negro, male, SNCC staff, former project leader of FDP in Vicksburg, Miss.\",\"href\":\"https://sul-streaming.stanford.edu/collections/sc0066/rf441ct7566_1_a_sl.html\"}","{\"label\":\"Willie Johnson, Negro, male, SNCC staff, former project leader of FDP in Vicksburg, Miss.\",\"href\":\"https://sul-streaming.stanford.edu/collections/sc0066/rf441ct7566_2_sl.html\"}","{\"label\":\"Willie Johnson, Negro, male, SNCC staff, former project leader of FDP in Vicksburg, Miss.\",\"href\":\"https://sul-streaming.stanford.edu/collections/sc0066/rf441ct7566_1_b_sl.html\"}","{\"label\":\"Willie Johnson, Negro, male, SNCC staff, former project leader of FDP in Vicksburg, Miss.\",\"href\":\"https://purl.stanford.edu/rf441ct7566\"}"],"containers_ssim":["box 6","folder 164"],"_nest_path_":"/components#0/components#6/components#16","_nest_parent_":"sc0066-xml_aspace_ref161_nto","_root_":"sc0066-xml","timestamp":"2025-02-18T23:10:35.038Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"sc0066-xml","title_filing_ssi":"KZSU Project South Interviews","title_ssm":["KZSU Project South interviews"],"title_tesim":["KZSU Project South interviews"],"ead_ssi":"sc0066.xml","unitdate_ssm":["1965-1976"],"unitdate_inclusive_ssm":["1965-1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC0066"],"text":["SC0066","KZSU Project South interviews, 1965-1976","Civil rights movements -- United States.","African Americans -- Civil rights -- United States.","Civil rights -- United States.","Audiotapes.","Interviews.","The materials are open for research use.","The transcripts and audio recordings have been digitized and are available for online review by clicking on the hyperlinks under each interview.","During the summer of 1965, eight students from Stanford University spent ten weeks in the southern states tape-recording information on the civil rights movement. The eight interviewers -- Mary Kay Becker, Mark Dalrymple, Roger Dankert, Richard Gillam, James McRae, Penny Niland, Jon Roise, and Julie Wells -- were sponsored by KZSU, Stanford's student radio station, and their original intent was to gather material suitable for rebroadcasting in the form of radio programs. Much attention was focused on white civil rights workers, although a great deal of other documentation relevant to black history was also obtained: the interviewers visited over fifty civil rights projects in six states (see appendix) and secured three hundred and thirty hours of recordings, including over two hundred hours of personal interviews. In addition to interviewing members of various, well-known civil rights groups -- the Congress of Racial Equality (CORE), the Mississippi Freedom Democratic Party (MFDP), the National Association for the Advancement of Colored People (NAACP), the Southern Christian Leadership Conference (SCLC), and the Student Nonviolent Coordinating Committee (SNCC or `Snick') -- the student interviewers also recorded the formal and the informal remarks of those working with smaller, independent civil rights projects, of local blacks associated with the civil rights movement, and of many others including Ku Klux Klansmen and Southerners connected with the Sheriff's Department of Clay County, Mississippi. The interviewers, in addition, spoke with many white volunteers who participated in Snick's `Washington Lobby' (aimed at unseating the all-white Mississippi Congressional Delegation) but who did not actually go south.","Several of the two-man interview teams recorded parts of the Jackson, Bougalusa, Greensboro, Crawfordsville, and West Point demonstrations, and also gathered various other action tapes of civil rights workers canvassing voters, conducting freedom schools, or participating in demonstrations. Finally, the interviewers recorded many mass meetings and gathered much material on the orientation sessions of MFDP in Hattiesburg, Mississippi and of SCLC in Atlanta, Georgia. All of these original tape recordings are now housed in the Library of Recorded Sound, Stanford, California.","The following pages contain transcripts of the majority of recordings mentioned above. It is hoped that these volumes will rescue from obscurity a body of information which we believe can be of great use both to scholars and to laymen interested in the dramatic history of the civil rights movement during the past decade. This material may prove to be especially valuable because it concerns a transitional period between the first `freedom summer' of 1964, the high tide of civil rights, and the `Meredith March of 1966 during which Stokely Carmichael first voiced the compelling cry of `Black Power'. In fact, at least one essay and a documentary history based on these recordings are already in progress, and it is expected that more will soon follow.","Many of the interviewees are identified by name on the first page of the transcripts which follow. Because of the long time which has already elapsed since the interviews were recorded, however, it is requested that these names not be used in print unless the written consent of the interviewees concerned is first obtained.","In closing, we would like to express our thanks to the Stanford Institute of American History and to the Stanford Library for financial support which made possible the transcription of the original recordings. We would also like to thank Mrs. Betty Eldon of the Institute of American History who accepted the added burden of paperwork connected with this transcription project with tolerance and good humor. Finally, we acknowledge a particular debt to Professor George Knoles for his unfailing encouragement and support.","Richard Gillam","James D. McRae","Palo Alto","January 1969","Gift of Richard Gillam and KZSU, 1969.","Alabama - Southern Christian Leadership Conference  Demopolis Greensboro Greenville Luverne Marion Midway Montgomery Selma (also the SNCC project located there)","Arkansas - Student Nonviolent Coordinating Committee  Little Rock - state headquarters","Georgia - Southern Christian Leadership Conference  Atlanta - Southern headquarters of SCLC \u0026 SNCC Crawfordville Macon","Louisiana - Congress of Racial Equality  Baton Rouge - state headquarters Bogalusa Clinton Ferriday Greensburg Homer Jonesboro Minden Monroe New Orleans project New Roads Plaquemine - evaluation session Shreveport Southern Regional CORE office St. Francisville Tallulah Waveland, Miss. - orientation","Mississippi - Mississippi Freedom Democratic Party  Batesville Beasley Belzoni Biloxi Canton Clarksdale Cleveland Greenville Greenwood Hattiesburg - orientation Holly Springs Indianola Jackson - state headquarters Laurel McComb Mileston Mt. Beulah Natchez Phela Philadelphia Quitman Ruleville Shaw Vicksburg West Point Whites","South Carolina - Southern Christian Leadership Conference  Columbia Orangeburg","Original audiotapes are held in the Stanford Archive of Recorded Sound.","This collection contains transcribed meetings and interviews with Civil Rights workers in the South recorded by several Stanford students affiliated with the campus radio station KZSU during the summer of 1965. The project was sponsored by the Institute of American History at Stanford. The collection includes information relating to black history; interviews of members of the Congress of Racial Equality, the Mississippi Freedom Democratic Party, the NAACP, the Southern Christian Leadership Conference, and the Student Non-violent Coordinating Committee; transcripts of formal and informal remarks of persons working with smaller, independent civil rights projects, of local blacks associated with the civil rights movement, and other people, including Ku Klux Klansmen; transcribed action tapes of civil rights workers canvassing voters, conducting freedom schools, or participating in demonstration; speeches by and/or interviews with Ralph David Abernathy, Charles Evers, James Farmer, Martin Luther King, Jr., and Hosea Williams; and a Ku Klux Klan meeting and speech made by Robert Sheldon, its Imperial Wizard.","Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections and University Archives.","Department of Special Collections and University Archives","Stanford University. Institute of American History","KZSU (Radio station : Stanford)","Ku Klux Klan (1915- )","Congress of Racial Equality.","Mississippi Freedom Democratic Party.","Student Nonviolent Coordinating Committee (U.S.)","National Association for the Advancement of Colored People (NAACP)","Southern Christian Leadership Conference.","Klu Klux Klan","Becker, Mary Kay.","Dalrymple, Mark David","Dankert, Roger.","Wells, Judith Lee.","McRae, James Dean.","Gillam, Richard Arthur.","Roise, Jonathan Harold.","Niland, Penelope.","Evers, Charles","Abernathy, Ralph David, 1926-1990","King, Martin Luther, Jr.","Williams, Hosea.","Shelton, Robert M.","McDaniel, Edward L.","Farmer, James.","Abernathy, Ralph","Williams, Hosea","Strickland, Joe E.","English"],"unitid_tesim":["SC0066"],"normalized_date_ssm":["1965-1976"],"normalized_title_ssm":["KZSU Project South interviews, 1965-1976"],"collection_title_tesim":["KZSU Project South interviews, 1965-1976"],"collection_ssim":["KZSU Project South interviews, 1965-1976"],"repository_ssm":["Stanford University Libraries. Special Collections and University Archives"],"repository_ssim":["Stanford University Libraries. Special Collections and University Archives"],"creator_ssm":["Becker, Mary Kay.","Dalrymple, Mark David","Dankert, Roger.","Stanford University. Institute of American History","Wells, Judith Lee.","McRae, James Dean.","Gillam, Richard Arthur.","Roise, Jonathan Harold.","Niland, Penelope.","KZSU (Radio station : Stanford)"],"creator_ssim":["Becker, Mary Kay.","Dalrymple, Mark David","Dankert, Roger.","Stanford University. Institute of American History","Wells, Judith Lee.","McRae, James Dean.","Gillam, Richard Arthur.","Roise, Jonathan Harold.","Niland, Penelope.","KZSU (Radio station : Stanford)"],"creator_persname_ssim":["Becker, Mary Kay.","Dalrymple, Mark David","Dankert, Roger.","Wells, Judith Lee.","McRae, James Dean.","Gillam, Richard Arthur.","Roise, Jonathan Harold.","Niland, Penelope."],"creator_corpname_ssim":["Stanford University. Institute of American History","KZSU (Radio station : Stanford)"],"creators_ssim":["Becker, Mary Kay.","Dalrymple, Mark David","Dankert, Roger.","Wells, Judith Lee.","McRae, James Dean.","Gillam, Richard Arthur.","Roise, Jonathan Harold.","Niland, Penelope.","Stanford University. Institute of American History","KZSU (Radio station : Stanford)"],"access_terms_ssm":["Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections and University Archives."],"access_subjects_ssim":["Civil rights movements -- United States.","African Americans -- Civil rights -- United States.","Civil rights -- United States.","Audiotapes.","Interviews."],"access_subjects_ssm":["Civil rights movements -- United States.","African Americans -- Civil rights -- United States.","Civil rights -- United States.","Audiotapes.","Interviews."],"has_online_content_ssim":["true"],"extent_ssm":["7 Linear Feet"],"extent_tesim":["7 Linear Feet"],"genreform_ssim":["Audiotapes.","Interviews."],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThe materials are open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Information about Access"],"accessrestrict_tesim":["The materials are open for research use."],"altformavail_html_tesm":["\u003cp\u003eThe transcripts and audio recordings have been digitized and are available for online review by clicking on the hyperlinks under each interview.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["The transcripts and audio recordings have been digitized and are available for online review by clicking on the hyperlinks under each interview."],"bioghist_html_tesm":["\u003cp\u003eDuring the summer of 1965, eight students from Stanford University spent ten weeks in the southern states tape-recording information on the civil rights movement. The eight interviewers -- Mary Kay Becker, Mark Dalrymple, Roger Dankert, Richard Gillam, James McRae, Penny Niland, Jon Roise, and Julie Wells -- were sponsored by KZSU, Stanford's student radio station, and their original intent was to gather material suitable for rebroadcasting in the form of radio programs. Much attention was focused on white civil rights workers, although a great deal of other documentation relevant to black history was also obtained: the interviewers visited over fifty civil rights projects in six states (see appendix) and secured three hundred and thirty hours of recordings, including over two hundred hours of personal interviews. In addition to interviewing members of various, well-known civil rights groups -- the Congress of Racial Equality (CORE), the Mississippi Freedom Democratic Party (MFDP), the National Association for the Advancement of Colored People (NAACP), the Southern Christian Leadership Conference (SCLC), and the Student Nonviolent Coordinating Committee (SNCC or `Snick') -- the student interviewers also recorded the formal and the informal remarks of those working with smaller, independent civil rights projects, of local blacks associated with the civil rights movement, and of many others including Ku Klux Klansmen and Southerners connected with the Sheriff's Department of Clay County, Mississippi. The interviewers, in addition, spoke with many white volunteers who participated in Snick's `Washington Lobby' (aimed at unseating the all-white Mississippi Congressional Delegation) but who did not actually go south.\u003c/p\u003e\n","\u003cp\u003eSeveral of the two-man interview teams recorded parts of the Jackson, Bougalusa, Greensboro, Crawfordsville, and West Point demonstrations, and also gathered various other action tapes of civil rights workers canvassing voters, conducting freedom schools, or participating in demonstrations. Finally, the interviewers recorded many mass meetings and gathered much material on the orientation sessions of MFDP in Hattiesburg, Mississippi and of SCLC in Atlanta, Georgia. All of these original tape recordings are now housed in the Library of Recorded Sound, Stanford, California.\u003c/p\u003e\n","\u003cp\u003eThe following pages contain transcripts of the majority of recordings mentioned above. It is hoped that these volumes will rescue from obscurity a body of information which we believe can be of great use both to scholars and to laymen interested in the dramatic history of the civil rights movement during the past decade. This material may prove to be especially valuable because it concerns a transitional period between the first `freedom summer' of 1964, the high tide of civil rights, and the `Meredith March of 1966 during which Stokely Carmichael first voiced the compelling cry of `Black Power'. In fact, at least one essay and a documentary history based on these recordings are already in progress, and it is expected that more will soon follow.\u003c/p\u003e\n","\u003cp\u003eMany of the interviewees are identified by name on the first page of the transcripts which follow. Because of the long time which has already elapsed since the interviews were recorded, however, it is requested that these names not be used in print unless the written consent of the interviewees concerned is first obtained.\u003c/p\u003e\n","\u003cp\u003eIn closing, we would like to express our thanks to the Stanford Institute of American History and to the Stanford Library for financial support which made possible the transcription of the original recordings. We would also like to thank Mrs. Betty Eldon of the Institute of American History who accepted the added burden of paperwork connected with this transcription project with tolerance and good humor. Finally, we acknowledge a particular debt to Professor George Knoles for his unfailing encouragement and support.\u003c/p\u003e\n","\u003cp\u003eRichard Gillam\u003c/p\u003e\n","\u003cp\u003eJames D. McRae\u003c/p\u003e\n","\u003cp\u003ePalo Alto\u003c/p\u003e\n","\u003cp\u003eJanuary 1969\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["During the summer of 1965, eight students from Stanford University spent ten weeks in the southern states tape-recording information on the civil rights movement. The eight interviewers -- Mary Kay Becker, Mark Dalrymple, Roger Dankert, Richard Gillam, James McRae, Penny Niland, Jon Roise, and Julie Wells -- were sponsored by KZSU, Stanford's student radio station, and their original intent was to gather material suitable for rebroadcasting in the form of radio programs. Much attention was focused on white civil rights workers, although a great deal of other documentation relevant to black history was also obtained: the interviewers visited over fifty civil rights projects in six states (see appendix) and secured three hundred and thirty hours of recordings, including over two hundred hours of personal interviews. In addition to interviewing members of various, well-known civil rights groups -- the Congress of Racial Equality (CORE), the Mississippi Freedom Democratic Party (MFDP), the National Association for the Advancement of Colored People (NAACP), the Southern Christian Leadership Conference (SCLC), and the Student Nonviolent Coordinating Committee (SNCC or `Snick') -- the student interviewers also recorded the formal and the informal remarks of those working with smaller, independent civil rights projects, of local blacks associated with the civil rights movement, and of many others including Ku Klux Klansmen and Southerners connected with the Sheriff's Department of Clay County, Mississippi. The interviewers, in addition, spoke with many white volunteers who participated in Snick's `Washington Lobby' (aimed at unseating the all-white Mississippi Congressional Delegation) but who did not actually go south.","Several of the two-man interview teams recorded parts of the Jackson, Bougalusa, Greensboro, Crawfordsville, and West Point demonstrations, and also gathered various other action tapes of civil rights workers canvassing voters, conducting freedom schools, or participating in demonstrations. Finally, the interviewers recorded many mass meetings and gathered much material on the orientation sessions of MFDP in Hattiesburg, Mississippi and of SCLC in Atlanta, Georgia. All of these original tape recordings are now housed in the Library of Recorded Sound, Stanford, California.","The following pages contain transcripts of the majority of recordings mentioned above. It is hoped that these volumes will rescue from obscurity a body of information which we believe can be of great use both to scholars and to laymen interested in the dramatic history of the civil rights movement during the past decade. This material may prove to be especially valuable because it concerns a transitional period between the first `freedom summer' of 1964, the high tide of civil rights, and the `Meredith March of 1966 during which Stokely Carmichael first voiced the compelling cry of `Black Power'. In fact, at least one essay and a documentary history based on these recordings are already in progress, and it is expected that more will soon follow.","Many of the interviewees are identified by name on the first page of the transcripts which follow. Because of the long time which has already elapsed since the interviews were recorded, however, it is requested that these names not be used in print unless the written consent of the interviewees concerned is first obtained.","In closing, we would like to express our thanks to the Stanford Institute of American History and to the Stanford Library for financial support which made possible the transcription of the original recordings. We would also like to thank Mrs. Betty Eldon of the Institute of American History who accepted the added burden of paperwork connected with this transcription project with tolerance and good humor. Finally, we acknowledge a particular debt to Professor George Knoles for his unfailing encouragement and support.","Richard Gillam","James D. McRae","Palo Alto","January 1969"],"custodhist_html_tesm":["\u003cp\u003eGift of Richard Gillam and KZSU, 1969.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History note"],"custodhist_tesim":["Gift of Richard Gillam and KZSU, 1969."],"odd_html_tesm":["\u003cp\u003eAlabama - Southern Christian Leadership Conference \u003clist type=\"simple\"\u003e\u003citem\u003eDemopolis\u003c/item\u003e\u003citem\u003eGreensboro\u003c/item\u003e\u003citem\u003eGreenville\u003c/item\u003e\u003citem\u003eLuverne\u003c/item\u003e\u003citem\u003eMarion\u003c/item\u003e\u003citem\u003eMidway\u003c/item\u003e\u003citem\u003eMontgomery\u003c/item\u003e\u003citem\u003eSelma (also the SNCC project located there)\u003c/item\u003e\u003c/list\u003e \u003c/p\u003e\n","\u003cp\u003eArkansas - Student Nonviolent Coordinating Committee \u003clist type=\"simple\"\u003e\u003citem\u003eLittle Rock - state headquarters\u003c/item\u003e\u003c/list\u003e \u003c/p\u003e\n","\u003cp\u003eGeorgia - Southern Christian Leadership Conference \u003clist type=\"simple\"\u003e\u003citem\u003eAtlanta - Southern headquarters of SCLC \u0026amp; SNCC\u003c/item\u003e\u003citem\u003eCrawfordville\u003c/item\u003e\u003citem\u003eMacon\u003c/item\u003e\u003c/list\u003e \u003c/p\u003e\n","\u003cp\u003eLouisiana - Congress of Racial Equality \u003clist type=\"simple\"\u003e\u003citem\u003eBaton Rouge - state headquarters\u003c/item\u003e\u003citem\u003eBogalusa\u003c/item\u003e\u003citem\u003eClinton\u003c/item\u003e\u003citem\u003eFerriday\u003c/item\u003e\u003citem\u003eGreensburg\u003c/item\u003e\u003citem\u003eHomer\u003c/item\u003e\u003citem\u003eJonesboro\u003c/item\u003e\u003citem\u003eMinden\u003c/item\u003e\u003citem\u003eMonroe\u003c/item\u003e\u003citem\u003eNew Orleans project\u003c/item\u003e\u003citem\u003eNew Roads\u003c/item\u003e\u003citem\u003ePlaquemine - evaluation session\u003c/item\u003e\u003citem\u003eShreveport\u003c/item\u003e\u003citem\u003eSouthern Regional CORE office\u003c/item\u003e\u003citem\u003eSt. Francisville\u003c/item\u003e\u003citem\u003eTallulah\u003c/item\u003e\u003citem\u003eWaveland, Miss. - orientation\u003c/item\u003e\u003c/list\u003e \u003c/p\u003e\n","\u003cp\u003eMississippi - Mississippi Freedom Democratic Party \u003clist type=\"simple\"\u003e\u003citem\u003eBatesville\u003c/item\u003e\u003citem\u003eBeasley\u003c/item\u003e\u003citem\u003eBelzoni\u003c/item\u003e\u003citem\u003eBiloxi\u003c/item\u003e\u003citem\u003eCanton\u003c/item\u003e\u003citem\u003eClarksdale\u003c/item\u003e\u003citem\u003eCleveland\u003c/item\u003e\u003citem\u003eGreenville\u003c/item\u003e\u003citem\u003eGreenwood\u003c/item\u003e\u003citem\u003eHattiesburg - orientation\u003c/item\u003e\u003citem\u003eHolly Springs\u003c/item\u003e\u003citem\u003eIndianola\u003c/item\u003e\u003citem\u003eJackson - state headquarters\u003c/item\u003e\u003citem\u003eLaurel\u003c/item\u003e\u003citem\u003eMcComb\u003c/item\u003e\u003citem\u003eMileston\u003c/item\u003e\u003citem\u003eMt. Beulah\u003c/item\u003e\u003citem\u003eNatchez\u003c/item\u003e\u003citem\u003ePhela\u003c/item\u003e\u003citem\u003ePhiladelphia\u003c/item\u003e\u003citem\u003eQuitman\u003c/item\u003e\u003citem\u003eRuleville\u003c/item\u003e\u003citem\u003eShaw\u003c/item\u003e\u003citem\u003eVicksburg\u003c/item\u003e\u003citem\u003eWest Point\u003c/item\u003e\u003citem\u003eWhites\u003c/item\u003e\u003c/list\u003e \u003c/p\u003e\n","\u003cp\u003eSouth Carolina - Southern Christian Leadership Conference \u003clist type=\"simple\"\u003e\u003citem\u003eColumbia\u003c/item\u003e\u003citem\u003eOrangeburg\u003c/item\u003e\u003c/list\u003e \u003c/p\u003e"],"odd_heading_ssm":["Appendix: Projects Visited"],"odd_tesim":["Alabama - Southern Christian Leadership Conference  Demopolis Greensboro Greenville Luverne Marion Midway Montgomery Selma (also the SNCC project located there)","Arkansas - Student Nonviolent Coordinating Committee  Little Rock - state headquarters","Georgia - Southern Christian Leadership Conference  Atlanta - Southern headquarters of SCLC \u0026 SNCC Crawfordville Macon","Louisiana - Congress of Racial Equality  Baton Rouge - state headquarters Bogalusa Clinton Ferriday Greensburg Homer Jonesboro Minden Monroe New Orleans project New Roads Plaquemine - evaluation session Shreveport Southern Regional CORE office St. Francisville Tallulah Waveland, Miss. - orientation","Mississippi - Mississippi Freedom Democratic Party  Batesville Beasley Belzoni Biloxi Canton Clarksdale Cleveland Greenville Greenwood Hattiesburg - orientation Holly Springs Indianola Jackson - state headquarters Laurel McComb Mileston Mt. Beulah Natchez Phela Philadelphia Quitman Ruleville Shaw Vicksburg West Point Whites","South Carolina - Southern Christian Leadership Conference  Columbia Orangeburg"],"originalsloc_html_tesm":["\u003cp\u003eOriginal audiotapes are held in the Stanford Archive of Recorded Sound.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Original audiotapes are held in the Stanford Archive of Recorded Sound."],"prefercite_html_tesm":["\u003cp\u003eKZSU Project South Interviews (SC0066). Department of Special Collections and University Archives, Stanford University Libraries, Stanford, Calif.\u003c/p\u003e"],"prefercite_tesim":["KZSU Project South Interviews (SC0066). Department of Special Collections and University Archives, Stanford University Libraries, Stanford, Calif."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains transcribed meetings and interviews with Civil Rights workers in the South recorded by several Stanford students affiliated with the campus radio station KZSU during the summer of 1965. The project was sponsored by the Institute of American History at Stanford. The collection includes information relating to black history; interviews of members of the Congress of Racial Equality, the Mississippi Freedom Democratic Party, the NAACP, the Southern Christian Leadership Conference, and the Student Non-violent Coordinating Committee; transcripts of formal and informal remarks of persons working with smaller, independent civil rights projects, of local blacks associated with the civil rights movement, and other people, including Ku Klux Klansmen; transcribed action tapes of civil rights workers canvassing voters, conducting freedom schools, or participating in demonstration; speeches by and/or interviews with Ralph David Abernathy, Charles Evers, James Farmer, Martin Luther King, Jr., and Hosea Williams; and a Ku Klux Klan meeting and speech made by Robert Sheldon, its Imperial Wizard.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains transcribed meetings and interviews with Civil Rights workers in the South recorded by several Stanford students affiliated with the campus radio station KZSU during the summer of 1965. 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