The Peter Sparling Papers include materials relating to Sparling's dance training, performance, and teaching. The papers are divided into eight series: Background Materials, Choreography, Correspondence, Dance Companies, Programs, Reviews, Photographs, Performance, Audition, and Rehearsal Videos, and Posters.
Creator
Sparling, Peter.
Abstract Or Scope
Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. Papers consist of materials relating to Sparling's dance training, performance, and teaching including background materials; choreography notes and sketches; correspondence; clippings and publicity from dance companies with whom he was associated; programs and reviews; photographs, video and film of performances; and posters.
The papers of Song Feiqing include correspondence, writings, legal and financial records, printed matter, motion picture film, and audiovisual material relating to the operations of the Oriental Corporation in Tianjin, China and then in Hong Kong, including what part Christian beliefs played in Song's management practices. The papers also provide a rare glimpse into the formation of industrialization and entrepreneurship in China’s recent past.
Creator
Song, Feiqing, 1898-1955.
Abstract Or Scope
Correspondence, writings, legal and financial records, printed matter, motion picture film, and audiovisual material relating to operations of the Oriental Corporation in Tianjin, China and subsequently in Hong Kong.
Re-Imagining Collection, 1993-20163 Linear Feet Two boxes of audio cassettes, one box of papers.5.7 Gigabytes MP3 audio files, electronic text files
Highlight
Additionally, 127
mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from
gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as papers documenting Jordon's
work with Re-Imagining. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining
conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000,
as well as three linear feet of papers documenting Jordon's work with
Re-Imagining.
Abstract Or Scope
Re-Imagining is an ecumenical, radical, Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse religious communities, and the world. Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 73 participants in the Re-Imagining conferences, including the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, and 2000, as well as three linear feet of papers documenting Jordon's work with Re-Imagining.
The Brooklyn-based writer was formerly the music editor at Creative Loafing
in Charlotte, N.C., and has contributed to numerous publications, including Paper , Harp , Village Voice , Popmatters.com , and the San Francisco Bay
Guardian .
Creator
Indiana University, Archives of
African American Music and Culture (AAAMC)
Abstract Or Scope
This collection consists of documentation and one-on-one interviews from the AAAMC's two-day conference on Black rock hosted on the Indiana University-Bloomington campus on November 13-14, 2009. The conference and related activities were open to local and regional musicians, scholars, students, and brought together Black rock musicians from different generations and regions with music critics and scholars to discuss the socio-political history, musical developments, and the future of Black rock.